eT : ( Ce () G LED ZEPPELIN I ee BSS ac asdLED ZEPPELIN I Transcribed by JESSE GRESS {© 1990 WARNER BROS. PUBLICATIONS INC. AAI Fights ReservedKey To Notation Symbols one NS Ane SG mes Def ars No Half step bends Whole step bends Extended bends Bend and release Pre-bend — ca os Hammeron — Pull-off Picked slide Legato slide ‘Quarter step bend (microtone) Vibrato Vibrato with bar Rake or Sweep Vibrato bar Pal muting — i) ree Percussive tone Accented notes Right hand tapping Artificial harmonic — Harmonics with no pitch (with pick) Ghost noe Tremolo picking Pick slide Unison bend — Chord shape arpeggiation es. oo AN Be we eh q ee Fluter with bar... With bar. With bar. ‘with bar dive Harn, with bar ee Dipsand Dives Melodic bending Bent harmonics Fluter with bar: Bar is When dips are used with bar "plucked" downward and —melodically, they released suddenly to pro- are reflected in the duce futering efect traditional notation(Jontentg BABE, I'M GONNA LEAVE YOU. Ti, BLACK MOUNTAIN SIDE.......... aes) COMMUNICATION BREAKDOWN 18 DAZED AND CONFUSED .. 111 GOOD TIMES BAD TIMES 64 HOW MANY MORE TIMES 42 | CAN’T QUIT YOU BABY 34 YOU SHOOK ME..........- 101 YOUR TIME IS GONNA COME ...Your TIME Is GONNA COME Words and Music by JIMMY PAGE and JOHN PAUL JONES Slowly J = 76 Organ Intro: 20 Guitar taces A B Atempo ‘Acoustic Guitar D Cedi) G Go No Chord mf Let arpeggiated figures ring throughout Verses 1 & 2: D S ae 1. Ly- in, cheat - in’, hut int, that’s all you seem to—_ 2.Made up my mind tobreak you this time, — wont be so fine its my tum— to *Downstemmed part on 2nd verse only notated to right of! in TAB. © 1968, 1990 SUPERHYPE PUBLISHING [igs edmiistoed by WB MUSIC CON Tl Fights ReservedClad) G G6 D With Fil (Verse 2 only) eae do. — cy. D ClacaD) G G6 NC. fey, a] Mes-sin’ a- round (with)ev-ry guy in town, — puttin’ me down for think-in' of someone Do what you want T wont take the brunt,— it's fad-in’ a~ way, cant feelyou an - y Pedal Steel Even gliss. ar. for Slide Guitar Even glissWith Fill D Cam) 6 G6 NC. D Crap) G G6 NC. E Set play-in’ your game,— drive mein- sane, trou - bles gon-na cometo you. Don't care what you say cause Tm goin’ a- way to stay.Gon-na make you pay- forthatgreat big hole in my Ful ee Pedal Steet arr. for Slide Guitar Tuning: =D8 With Fits D C(aaaD) G G6 Nc. » hear. D Clad) G Go Nc. One of these days and it won't _ be-long, youlllook forme, but ba - by, m be Peo-ple talk-in’ all around, watchout wo- man—no long - er isthe joke— gon-na be inmy heart D A(adiByD A/D GtaaiayD GD —s. co i all T got-t@ say to you wo~ man You been bad to me wo-man, but it’s comin’ backhome to you.— Fills =~ Pedal Steel ar for Slide Guitar Tuning: @=DChorus: With RFA (4 times) G D Riga Pedal Steel arr for Slide Guitar Tuning @D=D10 * Chords are tapped by "patting" all 6 strings with flac right hand while the left hand holds the notes and mutes open strings. 2. With Fill 4 ee GB NC. PindPedal Steel arr.for Slide Grr. Tuning:(D-DD Sal Fade outTuning: BLack MOounrAIN SIDE D @=a Music by A Q=a JIMMY PAGE D O=p J tempo Arum Gua (ger) z z bbe mp Harm Guitar is tuned 1/2 step lower on the original recording SUPERHYPE PUBLISHING te edmiitored By WA MUSIC COR. Th Fights Feserved.16 Overdubbed Guitar soloCOMMUNICATION BREAKDOWN f ss Words and Music by oe and JGHN BONHAM No Chord D Ae Electric Guitar 1 : ei Flectric Guitar 2 (© 1868, 1990 SUPERHYPE PUBLISHING. [Aegis waisted by WB MUSIC CORP ‘AI Rigs Reserved19 Verse 8) NC. Do ke what you're do = in.ee 1) 5) that I like a-bout you_ but I like it a lot.2 (Bs) co Ne. Ditee AG DE NG, pS “A.D you let me hold — you, Jet me feel your lov - in’ Chorus: AS AG AS AG AS AG AS) AG AT AS AG AS AG AT Com-mu- ni = its al-ways the same. Guitars 1&2 AS AG AS AG AS BS BG BS B6 B7__ BS BG BS B6 BT22 BS BG BS B6 BT BS_B6_BS uC. a Guitar PM Guitar 2 tacit Verse 2: es) NC. al Harmonics notated inoTAB2324Chorus: AS ee Aes AG AT AS AG AS AG AT its al-ways the same. AS AG AG AS BS BG B6 BT, BS BG BS B7 BS B6 B7 . 4 B6 BS BG BT B6_BS E Guitar? oN Guitar 2 tacet Even gliss.A SF (With wah fixed in treble position) Wih fingers and pick locoHold bendAS AG AS AG AT AS AG AS AG AS BSB6BS B6 BTRush tempo if =o Feedback Pickslide * Microphone feedback ‘from guitar pickup30 Refrain: 2 D A DE (Es) (want you to Jove me all night) tion break31(Lead vocal ~ Mon break - down, “ai Guitar Soto I~. A (3) NC. D A D Hold bend Hold bend33 (5) hey NC. Even release (Es) Fade out NC. Fade out34 | CaNnT Quit You BABY Words and Music by WILLIE DIXON Stow Biues J =160 ‘A Mixolydian No Chord T cant quit you, babe, Guitar tacet so Tm gon-na put you down for a while.— NAS oc f Ze oe =——_ We ete With slap echo throughout yg jaw 1 ccan't quit you, babe, — a Even release | © 1065, 1090 HOOCHIE COOCHIE MUSIC (eM ‘Aaminctoved by BUG "AU Pghes Reoerved35 guess got to putyou down — for a while. Sad you mesed ap my apy Home, ee ws ‘made me mis-treat my on-ly__ child. Yes it’ did, babe!_ 4 Chorus 2: ey ar pio 2. Said youknow I. loveyouba - by,36 =~ Bven gliss. = my love for you, I could nev-er hide. you know I love you, babe, Ieee ‘could nev- er hide.—37 D Sas, A Bb 4 I know you aremy one de - sire. A AAA Chorus 3: Guitar Solo,38 r3n Sard AT A Bb AT NC.39 AT NG. AT NC. aT D7 oN ‘s $e) L Hold bend ‘Evenrelease == a Layback 3 soe40 Chorus 4: AT A Bb AT bo When you hear me moan'-in and groan - in, babe, youknowithurts me deep down — in -side. ‘when you hear me moan "and groan-in, babe, LVNa ‘you know it hurtsme deep «down in-side. When you hear me hol-ler ba Even gli. Approximate pitché 1a don't you know that I'm your one Segue directly 0 “tow Many More Times” NC. AL _-Bb A Bb42 How Many More TIMES Words and Music by JIMMY PAGE, JOHN PAUL JONES and JGHN BONHAM E/D_ Dsus2 ‘Moderate Shuffle J = 145 ee eR anaes ease tae ree aaa Bass and Drums PS ee ee No Chord—3_, ‘accel. with pedal Wahwah*o+o+o+o+o+o+0+0 simile - Guitar tacet Bass arr. for Guitar A: B. E Mixolydian 2 ES ED DSDsus2 ES Pte) tere) fete) ateite—_. — Even gliss. F accel. with pedal — Even gis wah-waht 2 40 ee. oto + 0 +o simile .- ‘Tremolo picking -- wath-wah (© 1908. 1990 SUPERHYPE PUBLISHING. Al rf adincored by WB MUSIC CORP ‘Al Rigs ResoreaWith Drum fll sata $$ Tremolo picking i oo _ Bien sls S With semi-PM. throughout man = y more times, — Teas eee more times eat = me the“ way Continue semi-PM.give you all my eens Continue semi-PM. vvvw~ TH give you Pere tee Resume semi-PM. awwall Ive got to give, rings, pearls, — | all Tve got rings, TH give you Tye got to aeae Letring ELW/B DIA wan-na love some oth - er man,— Rhythmic Figure 1 pes End Riythmic Figure 1 ———————— eS —_— ee [SS Guitar Soto Riiythmic Figure I EB ees DAA DIAnA Ly Seon? No Hold bend + Bend 2nd and 3rd strings together. ee EB (pia) Bend and vibrate string behind the nut. Bend and vibrate string behind the nut.Wide vibrato ———49 DIA Even gles.D/Apeg DE D E53 With Violin bowwah-wah, and echoplex Even gliss wahwah = 5+ 4 Tremolo with bow a eee could - nt re- sist,did it again! Now I gotten child-ren on my own. ae ——S———EEEE got an-oth-erchild onthe way, that SO Ne55 know its all right in my z I. canlt get through to her'cause it does-n't per- mit, — EEE ——S56 But Im gon-na giveher ev - ty - thing T87 Tempo2 (¢:= 4) Ne. EM NC. en Tt >. a Oh Ro - NC. EMD NC. En9 En9 Steal a-way, now, — steal NC.58 NC. ERD NC. EM ‘why don't youcome to me ba - by? ‘Steal a - way, NE. ERS NC. EM NG. EnEM og. EW NC. Eng NC. Well, they call Ne. En NG En NG. Eno that’s my_name.— NG. EMS NC. EMS NC. En9 thehunt - that’s how Ti Rush tempo 4 Atempol (d= 4:) ES NC. a sights — Guitar tacetbarrel - house(Es) NC. a ae ee ee D A (Es) Why dont you please ‘come home? aaD A E EM64 Goop Times BAD TIMES Words and Music by JIMMY PAGE, JOHN PAUL JONES, JOHN BONHAM and ROBERT PLANT Moderately 4 95 Electric Intro: Guitar BS Electric | Guitar 2 T. B **Key signature indicates E Mixolydian mode. Verse 1: ES NoChord @) & Jn the days of myyouth, I was told what it, means__ to be aman. *Letring *Let arpeggiaied figures ring throughout unless notated otherwise. (© 1968, 190 SUPERHYPE PUBLISHING ‘rights smiistered by W MUSIC CORP. ‘Figs Reserved‘And now T've reached that age- I've tried to do— @) a ES NC. Oy) (a) —— all those things_ thebest. I__ can._ (do )68 (a) Nc. mat-ter howl uy find my way in = tothe same old jam. Chorus: i) a“ A G 4 Good times, bad times, you know!'ve Letring Rush tempo67 B E ‘woman lefthome for abrown-eyed —man,—_ but I stilldon't seem to care. ES FS ES FIs ES FES ESRI FS FHS Six - teen fell. in love. with a girl as sweetascould be. Guitars 1&2 — ES Fes ES FHS FS ES FS ES FES ‘dll she was rid of |= me.— She on - ly took a coup - le of days—68 FS ES FHS: ESIIS = FES ES FHS ‘ES FSS: swore that she would be— all Jove me “tillthe end, — = ~ Fis lost an - oth-er ¥ Parenthesised notes played by Guitar 1 only Chorus: B Esust E B Esust E you knowI've had my Letring69 woman left home for abrown-eyed man, but I. still don’t to care, —__ Guitar Solo With Fill 1 (8 times) ES ps AS 2 4 4 Fin 1 Even gliss.Rush slightly th1 Letring Well,my —_ womanleft home for abrowneyed man, but Istill don’t ES NC. @) “IT know what it means to be a- lone, emt Spe ES NE. ) a“74 BS A © “ I don't care what the neigh=bors______ say, oe. ES NC. ) OyF 7 Begin fade e ES NC. Pp “ You can feel the beat with in my. rh Aka eee 4 : ay Bend both strings with same finger76 gon-na par. nee i ee ee ates "7 Base I'm GONNA LEAVE You Words and Music by JIMMY PAGE Moderately stow with halftime feel # = 138 Iniro: Am AmTIG Acoustie Guitar f f i amp Let arpeggiated figures ring throughout AD B DFE DIFt F E Am7 Am7/G DiFE prt F E (© 1968 1990 SUPERHYPE PUBLISHING ‘Al rigs administered by W MUSIC CORP. “Fights Rosorved78 Verse 1: a AmTIG Dr pire F E Am7 AmT/G Tm gon-ma leave you. AmTIG DIFF Diy _ EAmT Am7/G DFE DIFF leaveyou_ when the summer Am7/G DIFE F E80 fe Le Am7{(no3rd) Dm(addEVA Am Am7(no3rd) Dm(addE)/A ae oe) pi — Jong. ——___. nf $e Acoustic Guitar 2 Am Am7(no3rd) Dm(addEV/Aat Am Am7(no3rd) Dm(addE)/A ToCoda @ 1&2 Am Am7/G- DIY F E Am7 Am7/G = by I don’twan-na leaveDit DIY F E Am7 Am7/G Dirt ze E Am7 Am7/G DR DIR} T won't be there, With Fill ¥ aud 5 ee Acoustic Guitar 2 =e te keeAm7/G Ds.% al Codaa4 Coda 1 AS(addB) With Fill2 Am7(n03rd) Dsusd/A. Dm/A - = = Letring throughout fap Letring throughout AS(addB) Am7(no3rd) Dsus Dm/A AS(addB) Am7(no3rd) Ea SS Fitz Slide Guitar (with backwards echo) ane Slow even gliss. = = ven gliss Tuning: @ =DDsuss/A Dmv/A, AS(adaB) Am™(n03rd) Dsus4/A. Dm/a es aa Vocal ad lib. on DS. BK "Am exami pies Ba - es Acoustic Guitar With Riff A(4 times) and With Fill 4 (16 times) > Pedal Steel quick gliss Arn For slide gir ‘Tuning: @=D88 Fmaj7 E Am Am7/G Tm gon-na eave you girl, To Codas 3 and 4 >87 Am7/G Diet Fmaj7 gE G Am (GO) Am Am7iG Dolet D7/Rt88 1 can hear With Rig B Ds Bal Codae ei as Ss | I said don’t you hear it, cal =~ lit___ me the way it Pedal Steel (Arranged for Slide Guitar) ‘Tuning: @ =D89 Coda 2 Am AmTiG DiFE DIRE Acoustic Guitar Solo ; F E Am Amq/GDIFE DIE E E a Rush tempo a ra oo Gs Hm? Peat)Fimaj7 E Am Am7/G g) ex nev- er nev-er nev - er gon-na leave i pir¢ pit, OF E m7 Tve_ got-ta goa way from this place oF eas AmtiG DIRE92 With Full ba eee een With Fit 4 With FitAm7/G Wich Fill 3 D7Fy With Fill 4 Fila Fmaj7 hear Roe a E lint him. 9394 woman, Arr. for Slide Guitar Tuning: =D Ftm7 DIFt Fmaj7 E Am, FA it feels good to have you back a + (Aliernate fingering)95 ly gonna Se Se DSS. Sal Coda3® Am? FIA G6 or Fim? prt, FS E wall-in|through the park __96 Come AMG pit pire go away. Acoustic Guitar Solo 297 Fim7 DIFt Fmaj7 E Amt FA ‘That's when. or G6 Ffm7 DFE Fmmaj7 E98 Am Am7/G DIFt you—_made me et att A at et ef 7 a 7 > 7 > Rake Rake Rake Rush tempo Rake Rake Rake ‘Rake F 6-5) E Am : Am7/G aif (Ooh) (Ook). hap-py ev - ‘ty sin - gle99 Dit F E DSI al Coda® Even gliss. Codas Free time 4 £ Oncue100 Stowly Bm? AIC cms Bomar ‘mp' Let ry : Aen, Titard. poco a poco iLatring Sh Srltar poco a poco throughout Am(addB) Faster Am Am(addB) Am “Am(addB) re a101 You SHOOK ME Words and Music by WILLIE DIXON and J.B. LENOIR Slow blues .)= 155 Emixolydian Intro: No Chora Blectric Slide Guitar Zs — SF With distortion Even gliss (Gs) an (er an (e) (wy us SS uae * Semi PM, droughou (en (As) (G3)(E7) (asics) ‘Stow, even gliss. (© 1982, 1990 HOOCHIE COOCHIE MUSIC and ARC MUSIC CORP, ‘amiistees by SUGIARC MUSIC CORP. ‘AI ights Reserves102 (en) an You know you shook me ba - by — you shook me all night long... Even gliss (en) (as) (G5) (7) (en) eevee Even gliss. *D notes rings smpathetically (an «e) an (7) (B7) (Ee?) (AS) (G5) (E7) (as) (GS) co ‘that whist-les, and I have birds_ that sing, Even gis. "Harmonie results from slide hinting low E string103 (en) (an T have a bird that whist ~ les, —_ and T have birds— that sing Even gliss. «en (As) (G5) (Es) wn ee ae te Thave a bird won'tdo nothin. (a7) Buy a dia-mondring,_ hey, Organ Solo (e7) (As) (G5)_ES. AS GS ES Gs ™P Without slide) Semi-PM. throughout104 ES (as) GS As G5 as cs § Lay back slightly ES (a5) GSES BT fend PM. 4 Let ring ar ET (an, 7) 7 Let ring Blues HarpSolo ES 6 —-ET_—_(AS) (G5) ES AS GSE E6 ET AG AS EG ES (G5) AS G (a5) Al AG105 ES 56 7 AG EladdF#) FS E(addF#) N.C. BT Let notes ring Guitar Soto ES 6, ET 6 ES Ey DT GE ii A, (increase echo level) With Echoplex = 3 Hold bend3 Hold bend a Hold bend, eee107 (an, 7 = re-bend additional nd step BT ET (as) Gs) E7 shook me ba - by, you shookme all nightlong.— ven gliss. ’ : ¥ With slide108 AS GS ET aliss. Pw ee I know you real- ly, really did babe.— With slide Even gliss. ae aa you shook me all night long. Even gliss. Even gliss.(Vocal with pre-echo) 109 Rubato an ' Be no. _ dees Withow slide peas With pre-echo through fine110 Vocal ad lib,Dazep AND CONFUSED Words and Music by JIMMY PAGE Moderately slow J = 158 Intro: No Chord Electric Guitar (use neck-position pickup) 3. ie i mp af “Harm, with wah- wah throughout ‘Sitch fo deste pion Verse I: Beendazed and con -fused— for so long it’snot true. ed @ wo - man,never bargained for you. Lots of people talk - in’, loco * Rock wah-wah pedal simile to the following rhyhm figure. (+ = treble position, 0 = bass position) (© 1968, 100 SUPERHYPE PUBLISHING ‘Al rahe admiitered by W8 MUSIC CORP "AU Figgas Rosorved12 yi soul of a woman was cre-at - ed be- low, Bs ‘*Upstemmed part played through fuzztone with octave effect (8va higher). a ore a Verse 2:113, — and a-bused___tell-in’allof your lies — Run ‘round sweet ba by, Lord, how they hypno-tize... Even Telease~ ‘Sweet lit-tle ba by, Idon’t know where you been.— Gon-na love you ba - by,“Upstemmed part with 8va fuzzd-~A Lg — fo — ey con day T work so hard_ bring-in’home my hardeared pay. ‘Try to love you ba-by, but you push me a-way.116 Don'tknow where you're go-in’, I don'tknow just where you've been; sweet little ba-by, I want_you a -17 BS Ne. BS ASN. Gs NC. Guitar 2 with violin bow, echo and wah-wah.Even gis Even gliss 2 Continue tremelo with bow.Guitar tacetGuitar SotoBend string and vib. behind md = continue bending behind mut...122123124 NC. BS NC. BS a ibn125 Upstemmed part with 8va fuzz.126 andcon-fused for so long, is not true, want-ed a wo-man never bargainedor you. Take it etsy ba-by, let them say what they will._(Willyour) tongue wag so much when I send you theAL- right! Guitar 1 tacet (Bs) (as) es) (Bs) es) ms)With Fill ————— ce ob, oh.BABE, I’M GONNA LEAVE YOU BLACK MOUNTAIN SIDE COMMUNICATION BREAKDOWN DAZED AND CONFUSED GOOD TIMES BAD TIMES HOW MANY MORE TIMES | CAN'T QUIT YOU BABY YOU SHOOK ME YOUR TIME IS GONNA COME SB aahadaccotanegondncd