PA X

GLADIVS
TM

Epic Sword & Sandals Adventvre

Table of Contents
Rules of Play .........................................................3
Character Sheet....................................................4
For the Ref ............................................................5
Circus Maximus ..................................................6
Scenarios:
The Iron Lion..................................................7
Don’t Look Down ...........................................8
Unwelcome Guests..........................................9
A Walk in the Woods....................................10
Death in the Pit .............................................11
Fort Eyrie ......................................................12
Double Character Sheet ....................................13

Original Concept by Todd Downing

Written by Andrew Kenrick 1PG Line Producer: James Stubbs
Revised by James Stubbs 1PG System Designer: Todd Downing
Editing and Layout by Samantha Downing
Thanks, Everybody!
Front Cover by Todd Downing

PUBLISHING NOTICE
Pax Gladivs: Epic Sword & Sandals Adventure is published by Deep7
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RULES OF PLAY
P
ax Gladius™: Epic Sword and Sandals
Adventure is a simple to learn roleplaying game
where players take on the roles of embittered
slaves, hardened gladiators and cynical senators in the
forums, amphitheaters and frontiers of the Roman Empire.
It is a game of defiance, liberty and dramatic speeches,
not to mention deadly combat and fast paced chariot
races, all in the space of a page! It assumes the players
and ref already have some rudimentary experience with
roleplaying. It is meant to be played in the vein of such
epic films as Ben Hur, Spartacus and Gladiator, with less
of the biblical length and more of the epic action, so keep
it light, cinematic and adventure packed!
Character Generation & Game Rules
Stats & Skills: You've heard of the stuff that heroes are made of?
In Pax Gladius, players roll 1D3 for each stat (the bold entries on the
character sheet). Then roll 1D3+3 for the total number of points to
distribute into skills (the individual listings below each stat on the
character sheet). Every skill starts at 0, and no stat/skill combination
can be less than 1. Put no more than 3 points in any single skill. If you
need extra points, you can take them from other skills, leaving them
at –1 for each point taken. For example, if you have a ACUMEN of 3,
you can take Philosophy at -2 and add those two points to a different
skill. If you don’t see a skill you really want your character to have,
just write it in the margin after confirming with the referee.
Alternately, the referee may choose to have players build their
characters with points. If so, distribute 8 points into the four primary
stats, and use the rules which follow for secondary stats.
Secondary Stats: Roll 1D3 + 2 and put the number in GUTS, and
1D6 and write the result in SPIRIT. SPIRIT is a representation of
your courage and bravery, and GUTS signifies your zest for life and
burning desire to carry on in the face of adversity. Any time you have
a traumatic experience in the game (such as getting dropped into an
arena with four hungry tigers), make a “GUTS Check” by rolling 1D6.
If you roll equal to or lower than your GUTS number,
your SPIRIT is unchanged. The more GUTS
you have, the easier it is to keep your
SPIRIT intact. If you don't make it, your
SPIRIT is reduced by 1. If you completely
lose your SPIRIT, you are tired of
adventuring and unfit to carry along
the road to glory until after a very
long rest or some powerful inspira-
tional events bring your character
out of "retirement.". You may always
put Character Points into SPIRIT
at the end of the game.
Roll 2D6+10 and write the
number in BLOOD. This is how
much BLOOD you have. Every
time you take damage, you will
lose BLOOD. When you have
lost all your BLOOD, you are dead.
3
ESTEEM is a measure of your fame and respect. It is important
any time you need to impress people or get what you want (explained
below, read on). Everyone's ESTEEM starts at 0. Everyone may try to
roll 1D6 and get the same or under his VIGOR, SPLENDOR,
SCHEMING and ACUMEN attributes (but you may only try once for
each, at the beginning of the game). Add 1 to your ESTEEM for each
successful check. ESTEEM rolls are the same as skill checks; roll
equal to or under your ESTEEM on 1D6.
Background & Provenance Tables: Roll on these tables to get
some epic Gladiator movie affectations.
Starting Wealth: Lastly, roll 1D6 x 10 for denari. This is the
character’s wealth prior to the start of the game.
Skill Checks
When the character performs an action (and by “action” we mean
anything where the outcome may not be as certain as walking or tying
one’s shoes), determine what general skill will get it done. Add the
skill with the stat it falls under to get the Target Number and roll
equal to or below it on 1D6. Rolling a 1 is always a success, while
rolling a 6 is always a failure. The referee may add to or subtract
from the Target Number based on environmental factors (motion,
weather, level of difficulty), so having a target of 6 isn’t useless – it
allows you to effectively absorb a –1 to your Target Number without
having to worry too much.
When fighting, make a Fighting Skill Check for attack or defense,
Dodge for evasion, or Archery for ranged attacks. Both combatants
will make their Skill Checks at the same time. Whoever has the
greater margin of success has hit his opponent. Ties go to defender;
if both opponents are attacking, a tied margin means both attacks
succeed. Subtract the weapon’s damage from the wounded charac-
ter’s BLOOD. Always add the attacker’s VIGOR to the total amount
of damage done on non-ranged attacks. Damage from a punch is the
same as VIGOR, and kicks do VIGOR +1.
In the case of a test of wills or standoff between characters, roll
1D6 versus SPIRIT. Characters with ESTEEM can add it to the
Target Number. The greater margin of success wins and the loser
must make a GUTS Check or lose 1 point of SPIRIT. If neither roll
is equal to or below SPIRIT, the one that achieves the smallest nega-
tive margin wins.
Armor
Certain clothing gives you Armor Value (AV). Heavy clothes
(thick winter robes or furs) give you 1 AV, leather armor gives you 2.
Metal armor, such as chain or scale, gives you 3. When you take dam-
age, subtract your AV in the appropriate location from the damage you
are dealt.
Character Improvement
If the character survives a whole scenario, the player receives
1D3+5 Character Points, and adds 1 point to ESTEEM. If the char-
acter survives to the end of the scenario but is a replacement for a dead
character, the player only receives 1D3+1 Character Points. Put these
points into stats, skills, SPIRIT, BLOOD or GUTS. But don't worry
about surviving. These characters are meant to get axed, skewered,
and thrown to the lions. Just roll up a new one and join back in the fun.
Additional rules can be found in The 1PG Companion, available now
from Deep7’s web site at ww.deep7.com.
 CHARACTERS NAME:
OCCUPATION:
CHARACTER GENERATION CHECKLIST DENARI:
• Roll 1D3 for each stat.
• Roll 1D3+3 for the total number of points to distribute into skills. Put no Height: Weight: Age:
more than 3 points in any one skill.
• If you need extra points, you can take them from other skills, leaving Hair: Eyes: Gender:
them at –1 for each point taken (no stat/skill combo can be less than 1).
• Roll 1D6 for SPIRIT; this is your charisma, your mental and physical VIGOR ..................... ( ) Notes:
bearing. Archery.......................... ( )
• Roll 1D6 for GUTS; when you are frightened or unnerved, an unsuc-
Charioteering................. ( )
cessful GUTS check will take away 1 point of SPIRIT.
• Roll 2D6+10 for BLOOD; when you take damage, you lose BLOOD; Drinking ........................ ( )
when BLOOD is gone, the character is dead. Fighting ......................... ( )
• Roll equal to or under VIGOR, SPLENDOR, SCHEMING and ACU- Running ......................... ( )
MEN stats; receive 1 point in ESTEEM for each success.
• Roll on Background & Status Tables. SPLENDOR ............ ( )
• Roll 1D6 x 1000 in starting denari.
Disguise......................... ( )
SKILL CHECKS Etiquette ........................ ( )
When you want the character to do something, determine the stat/skill Performance .................. ( )
combination that will accomplish the task. Add the skill and stat for the
Target Number. Roll equal to or under the Target Number on a 1D6 for a suc-
Seduction....................... ( )
cess. Rolling a 1 is always a success, while rolling a 6 is always a failure.
SCHEMING ........... ( )
COMBAT Con ................................ ( )
Use Fighting for attack/defense, Dodge for evasion, or Shooting for
ranged attacks. Combatants roll simultaneously. The greater margin is suc-
Dodge ............................ ( )
cessful. Ties go to the defender; if both opponents were attacking, a tied Ride ............................... ( )
margin means both attacks succeed. Subtract the weapon’s damage from Sneak ............................. ( )
the wounded character’s BLOOD. Add attacker’s VIGOR to the total dam-
age of non-ranged attacks. ACUMEN .............. ( )
ARMOR Knowledge .................... ( )
Certain clothing has Armor Value (AV). Heavy clothes (thick winter Language ....................... ( )
robes or furs) give you 1 AV, leather armor gives you 2. Metal armor, Philosophy..................... ( )
such as chain or scale, gives you 3. When the character takes damage,
subtract AV from the damage dealt to the hit location. SPIRIT ...................... ( )
CHARACTER IMPROVEMENT GUTS ........................ ( )
If the character survives an entire scenario, you get 1D3 + 5 Character BLOOD ..................... ( )
Points and 1 point in ESTEEM. If the character survives to the end of the sce-
ESTEEM ................... ( )
nario but is a replacement for a dead character, you only get 1D3 + 1
Character Points. Put these points into stats, skills, SPIRIT, BLOOD, or CHAR. PTS.............. ( )
GUTS.

Hit 1 2 3 4 5 6
Background T able ( 1D6) Location Head Torso L. Arm R. Arm L. Leg R. Leg
1 SENATOR: +1 SPLENDOR, Etiquette, Language.
2 EQUESTRIAN: +1 ACUMEN, Ride, Charioteering. AV
3 SOLDIER: +1 VIGOR, Fighting, Ride.
4 FREEDMAN: +1 SCHEMING, Con, Knowledge.
5 GLADIATOR: +1 Fighting, Dodge, +3 BLOOD.
6 SLAVE: +1 Running, Sneak, GUTS. Weapons Damage

Provenance T able ( 1D6)

1 ROME: +1 SPLENDOR.
2 GREECE: +1 ACUMEN.
3 BRITANIA: +1 GUTS.
4 AEGYPTUS: +1 SCHEMING.
5 GAUL: +1 SPIRIT
6 GERMANIA: +1 VIGOR
 FOR THE REF

B
e i n g t h e re feree isn't the w ors t thing
t h a t c a n h a ppen and you get to play the
best part - the evil villains. So,
Novi t i at e o r I m p erator, here are som e he lpful
hint s f o r ru n n i n g Pax G ladius!
less in the center, head raised in adulation. His head is concealed
beneath a gleaming, silver helmet but the rest of him is swathed mere-
ly in furs, his bulging muscles clearly visible. In his hands he carries
a pair of short swords - the gladius of the legions. With the site of your
opponent comes the realization that the crowd are not roaring for you,
but for your death..."

Setup & Gameplay The Bad Guys

Play order is based on the SCHEMING stat - higher SCHEMING
goes first. To keep the order of play coherent, you may choose to seat
your players around the table in order of highest SCHEMING to low-
est and go around the table. A player with a high-
er SCHEMING may choose to hold his action and
interrupt another player’s action later in the order
of play, but once an action is taken for the round,
the player can take no further actions.
Cut to the Chase
Epic in scale, not in length. Okay, I know that
Epic films are meant to be long and have lots of
drawn out intrigue in between the fighting but we
all know these bits are boring. Keep the adventure
short and to the point. Make it exciting, fast paced
and make the players want to come back for more
(in the sequel!). Each scenario is meant to be
played in a single evening, say 2-3 hours (the
length of an epic!).
Playing the Game
One for all and every man for himself.
Remember - this isn't any ordinary RPG. The play-
ers don't have to get along. Hell, they can fight
each other if they're all gladiators. Nobody said
anything about teamwork, it all depends on how
you want it to run. In Spartacus everyone got
along fine and all the gladiators banded together
against the villain. In Gladiator they all fought and
killed each other and although Maximus had
friends, he was very much a man on his own. Of
course, it is always that little bit more satisfying for Whip . . . . . . . . . . . . . .1*
the players if they gang up and take on the big bad
- namely you..
Every good film has a villain and every good epic makes them of
far greater status than the heroes, say, the local star gladiator, an
important Roman
WEAPONS
Item . . . . . . . . . . . . .DMG
Arrow . . . . . . . . . . . . . .7
Axe . . . . . . . . . . . . . . . .6
Ballista Bolt . . . . . . . . .15
Bolas . . . . . . . . . . . . . .1*
Blade Gauntlet . . . . . . . .4
Chariot . . . . . . . . . . . . .20
Club . . . . . . . . . . . . . . .4
Greek Fire . . . . . . . .15/round
Horse Kick . . . . . . . . . .6
Javelin . . . . . . . . . . . . . .4
Knife . . . . . . . . . . . . . . .3
Large Animal Bite . . . . .6
Long Sword . . . . . . . . . .6
Net . . . . . . . . . . . . . . . .*
Punch . . . . . . . . . . . . .Vigor
Short Sword . . . . . . . . . .5
Spear . . . . . . . . . . . . . . .5
Trident . . . . . . . . . . . . . .5
ARMOR
official or the commander of the armies of the north.
Of course, important doesn't necessarily
mean better and they have to be defeated, in
the end. Throw assorted disposable hench-
men, opposing gladiators, imprisoned beasts
and battle hardened soldiers in the players
way. Make it challenging but give them a
chance, after all, its no fun if the villain wins
... every time. In a well run game the charac-
ters are slowly whittled down so only one
remains to face the bad guy at the end in true
epic style.
Dramatic License
Action first, rules second. You are the
referee, what you say goes. On the other
hand, it is your job to keep the story going
and make it as exciting and as dramatic as
possible. Don't be afraid to ignore the rules at
a critical moment. Roll a die for on the spot
decisions. Add or subtract from the target
number to make a situation easier or harder.
Don't let the game get in the way of a good
story. Roleplaying isn't science, its art..
The Scenarios Included
There are six scenarios included with this
game that can be played together in sequence
to form a campaign or independently of each
other. Feel free to design your own, and keep
checking www.deep7.com for free scenarios
to download!

Set the Mood Item . . . . . . . . . . . . .Defense

The roar of the crowd and the stench of blood, Buckler . . . . . . . . . . . . .+1
sweat and tears. Shove on an appropriate CD (I Large Shield . . . . . . .+1, AV3
recommend the Gladiator soundtrack) to get them Leather Armor . . . . . . .AV2
in the mood. Assault the player's senses with
Steel Armor . . . . . . . . .AV3
description - sight, sound, and smell. Describe the
arena, the crowd, and the opponents. Tell a visual
story. "The creaking gates swing open and you are * Target entangled unless success-
momentarily blinded by the daylight of the arena - ful VIGOR check is made.
a sharp contrast with the gloom of your cells ... You
hear the roar of the crowds, Romans from every Add VIGOR to DMG of non-ranged
weapons
class and vocation packed into the crude seating of
the amphitheater. As you step into the ring you
become aware of another figure standing motion-
5
 CIRCUS MAXIMUS
Chariots
Maneuvering and combat in a chariot is handled just as described
for land vehicles in The 1PG Companion. However, we present the
following additional rules to better emulate the brutal world both
inside the arena and on the battlefield for the charioteer.
Failing a Charioteering check by a margin of five or more results
in a spectacular crash that instantly kills the mount(s) pulling the char-
iot in addition to the normal rolling damage that such a margin of fail-
ure bestows upon the chariot and its crewmembers.
When a chariot collides with a man, the vehicle will take damage
equal to its speed in hexes times 2. The unfortunate man, however,
suffers the full multiplier of ten. For example, a speeding chariot (6
hexes) runs down a footman. Unless the poor sod can get out of the
way, he's going to take 60 Blood damage! In return, the chariot takes
1 point of SI damage (6 x 2 / 10 (round down)). Armor reduces dam-
age as normal.
Racing chariots use the same rules as set out under "Closing with
Another Vehicle" in the Vehicle Combat section of the Companion.
However, since there is no combat in a fair race, the tick marks count
towards a victory total that is determined beforehand by the Ref. The
first contestant to meet the victory total wins the race.
Despite their mobility and hitting power, the lives of charioteers
are dangerous ones. Charioteers do not get to dodge incoming attacks
and can only hope for a miss, as moving too much in a chariot will
unseat the driver! Also, any hits against a chariot always have a
chance of hitting the crew. Any time there is no damage dealt from an
attack thanks to armor, roll a d6. On a roll of 1, one of the crew or
mounts (roll randomly) have been hit by the attack instead.
Horses
A standard horse has VIGOR 3/ Running 2, 20 points of Blood
and has a hoof kick that does 6 damage. A trained warhorse has all of
the above but also has a Fighting skill of 2.
When attacking, a rider and his mount are considered a single tar-
get. On a successful attack, a random roll must be made to decide
whether the rider or the mount was struck. The rules for trampling,
movement and panic remain unchanged from the Companion.
Ranged Weapons
Thrown weapons, such as javelins and spears, can fly a number
of hexes equal to the attackers VIGOR + Archery. Bows can be fired
a number of hexes equal to the shooter's VIGOR + Archery x 2.
6
The Bloody Sands of Rome
Gladiators were the rock stars of ancient Rome. Although little
more than slaves, they were idolized for the thrills they provided to the
blood sport. Women paid for gladiator sweat in the belief that it was a
powerful aphrodisiac. Even the Emperor himself stepped into the
arena on occasion.
Death, disfigurement and blood were all expected - the entertain-
ment given was what differentiated mere lion fodder and a favorite of
the Emperor himself. A character's ESTEEM plays a large role in this.
Winning the Crowds
All new gladiators must prove themselves to the crowds and are
denied the use of their ESTEEM. Characters who begin with
Gladiator status are exempt from this rule. A new gladiator who had
previous ESTEEM regains it at a rate of one point for every victory in
the arena until it reaches its previous level.
Additional ESTEEM can be won. One point of ESTEEM is
gained for every five victories in the arena.
ESTEEM and Fame
Players may “spend” one point of ESTEEM per round to gain one
of the following benefits. Only a single point may be spent in a round.
ESTEEM used in this manner returns at the rate of one point per day.
! Add their SPIRIT score to Fighting or AV
! Inflict an extra 5 damage to an opponent. Killing the target in this
way saves the point of ESTEEM “spent”.
! Gain 5 Blood
! Invoke the crowd for an extra temporary point of Guts
! Turn the crowd against your opponent, giving him a -1 penalty to
all actions.
! Increase the character's Dodge skill by 1.
ESTEEM can also be used to save the character's life. If defeated
in the arena but not killed, a character can permanently sacrifice one
point of ESTEEM (if they have any left) to gain a single Performance
check. If this check is successful, the Emperor has given you favor
and spared your life. Otherwise, the character is put to the sword.
Gaining Freedom
Few gladiators ever gained freedom from their bloody profession.
A gladiator who has accumulated three additional points of ESTEEM
through arena victories may sacrifice all of his ESTEEM to gain the
benefits of the Freeman from the Status Table. From this point for-
ward, the character is no longer a gladiator and can never become one
again. The character is also not considered a citizen. A characters who
wishes to gain citizenship can choose to become a Soldier and earn it
through military service.
If the character chooses the path of the freeman, he will need to
seek out his own place to live and find a job. Gladiators turned
freemen are at a -1 penalty to wealth checks on denari until the Ref
can involve them in a situation where they can gain money. Soldiers
don't have to worry about this but they are marched across Europe and
engaged in bloody military operations frequently.
 THE IRON LION
The Premise: Senator Veccirius is one of Rome's most
respected politicians - an expert diplomat with a silver tongue.
Veccirius is not without his enemies, however, and a plot has
been engineered by one of his foes - an aspiring official by the
name of Podelus - to bring about his downfall, all the while
making it look like an unfortunate accident.
The Setup: It is the height of summer and Rome is bustling
with the many visitors who have come to the city for the glad-
iatorial games held to celebrate the Emperor's birthday. The
players are just some of those visitors and they are on their
way to the Colosseum to witness a great combat between the
veteran gladiator Quellinus and a score of lions! The players
may well know each other already and may be venturing to the
games together. They should all know, either in passing or
personally, Senator Veccirius and be well disposed towards
him - the Senator has many friends and the many causes he has
championed have endeared him to many different parts of
society over the years.
Claws for Concern: The players are - perhaps together,
perhaps individually - winding their way through the streets
towards the Colosseum when screams begin to come from up
ahead and the crowds begin to run back towards the players.
Assuming the players don't simply turn and flee with the
crowd, further investigation will reveal that a lion has escaped
from the Colosseum and is running their way. However, the
lion seems to be on a mission - it is ignoring hapless citizens
who have tripped and fallen and is instead chasing down an
elderly man the players recognise - the Senator. The lion
should be no match for the characters - it is only an elderly
lion, more than a match for an unarmed politician but not
much of an opponent for a group of armed warriors.
Tooth and Claw: Once the escaped big cat has been slain
or subdued, the characters should make an intriguing discov-
ery - the lion has had its teeth and claws replaced by iron ones!
Whoever has done this has left their mark however - stamped
on each of the outside claws is a blacksmith's mark which can
be identified as coming from one of the smiths who furnish the
gladiators with weapons, a man named Dalo. The Senator is,
naturally, thankful for the intervention of the characters - he is
troubled as to why the lion was trying to kill him, for there
really isn't much meat on him. He implores them to investi-
gate further as he doesn't think he would like to return home to
find another lion in his bedroom! He offers to reward them as
best he can and in whatever manner they choose - patronage,
favors, influence or even something as crude as money.
The Man in the Ironmongers: Following up on the only
lead they have - the smith's mark on the claws of the lion - will
lead them to the workshops surrounding the Colosseum where
all manner of trappings are made for the games, from swords
and shields to toy gladiators and lions. Dalo is a weasely man
with a reputation amongst the artificers for producing shoddy
merchandise. He is always on the lookout for a quick denari.
7
The door to his workshop is closed and bolted but the sound of
furious hammering can be heard coming from within. Forcing
entry will cause Dalo to stop hammering and run and hide
under his bench. If the characters find a more subtle way of
entering, they will find Dalo in the process of making another
set of iron claws. He will, of course, deny any involvement
with the lion but the evidence is plain to see in his workshop -
four large manacles chained to the floor, the scars of claw
marks across his face and a new set of iron claws in produc-
tion. Dalo is cowardly and any threats of violence will cause
him to reveal everything - he was working for a cloaked man
who did not reveal his name and was told to make and attach
a set of iron claws and teeth to the lion. He did not know why,
just that he was paid well and in advance. He will show the
characters the contract the cloaked man gave him - it is marked
with a signet stamp of a P in a circle.
An Iron-S Shod Welcome: Any politician can identify the
stamp as that of Podelus - a smarmy junior senator with
dreams of grandeur. He is known to be politically ruthless,
although whether he would go as far as murder is unknown. A
visit to his house will find him awaiting the characters - with
his heavily armed bodyguard. He will not explain his evil
scheme to the characters - he simply wants the senator dead so
he can fill his shoes. He similarly wants the characters dead so
they cannot prove his guilt. He will not, however, throw his
life away needlessly and is more than willing to bargain with
the characters - if they accept any of his offers he will then try
and organize their deaths in the near future. The trail seem-
ingly ends with Podelus - unless the characters search his
study. There they will find a note addressed from Germania
saying simply "Arrange for V's death and your wish shall be
granted. A."
Podelus
VIGOR 1/ Drinking 1, Running 1; SPLENDOR 1/ Etiquette 1;
SCHEMING 3/ Con 2; ACUMEN 2; BLOOD 13
Equipment: Knife (4 damage)
That Darn Lion
VIGOR 3/ Fighting 2 BLOOD 20
Weapons: Claws (6 damage), Bite (5 damage)
Bodyguard
VIGOR 2/ Fighting 2; SPLENDOR 1; SCHEMING 1/ Dodge 1;
ACUMEN 2; BLOOD 15
Equipment: Short sword (5 damage), Armor (1 AV)
 DON’T LOOK DOWN
The Premise: Senator Veccirius is to embark on a mission of
mercy to broker a last minute peace with the chief of the barbarians
in Southern Germania. It is a long way from Rome to Germania and
the route is not without its dangers - icy mountain passes and hungry
wolves being the least of the worries when bandits and worse are
afoot.
The Setup: Following the attempt on his life by Podelus,
Veccirius is wary about his own bodyguards who were ineffectual
defending him against an angry lion. The senator remembers the
characters well - they did save his life after all - and has decided that
they would make good escorts. Veccirius sends a messenger sum-
moning them to the senator's home. If you don't think the characters
will accept his offer, give them a few reasons to want to leave Rome
- if Podelus survived from the previous adventure then he will be
harassing them with thugs and assassins. If Podelus met his end then
perhaps some of his former associates are making a nuisance of
themselves.
When the Going Gets Tough…: Winter is rapidly
approaching and the mountain pass must be crossed swiftly before it
is blocked by snow. The party, comprising the characters, the sena-
tor and his beautiful daughter, Cyrene, are escorted as far as the
mouth of the pass by a small unit of soldiers. Cyrene is both intelli-
gent, charismatic and more than a match mentally for any of the
characters. The going is quite easy at first but, as they climb higher,
it gets colder and the going harder. The route is highly cinematic and
there are plenty of opportunities for the characters to pose with dra-
matic mountains towering over them or on the edge of crevasses and
ravines. Allow the characters ACUMEN checks to notice that they
are being watched just before they are attacked by a pack of hungry
wolves. The wolves should be easily dealt with but the feeling of
unease will not go away.
…The Tough Get Snowed in: As they continue on their
journey the characters will remain under the impression that they are
being watched, occasionally glimpsing figures higher up the side of
the pass or through the trees. Let the players stew and the paranoia
build until they are jumping at every shadow, and then drop the next
encounter on top of them - literally. The characters all hear an omi-
nous rumble from above and look up just in time to see shadowy fig-
ures silhouetted against the skyline levering a huge snowdrift down
the mountainside on top of them. Allow a combination of VIGOR
and SCHEMING checks to avoid being buried too deeply or being
swept over the edge of a ravine, respectively. Regardless of the out-
come of either roll, a GUTS check is also appropriate, as this is most
certainly a traumatic event! Ideally at least one of the characters
should end up hanging over the edge of the crevasse in need of res-
cuing.
The King of the Mountain: Even as they are digging them-
selves out from under the snow their suspicions of being followed
and watched are confirmed as a group bandits surround them, claim-
ing the pass as their territory and denying the authority of Rome.
There should be 2-3 bandits for each character and they will demand
a ridiculous amount of denari in return for safe passage, probably
8
more than any of them can reasonably afford. The bandits actually
care little for their gold as they have been offered a handsome reward
for capturing or killing the senator. When it becomes obvious that
the characters cannot pay, the bandits will try to claim the senator as
ransom. Hopefully the characters will refuse this offer and fight,
otherwise they will have to follow and rescue the senator, or return
home to a very frosty welcome from the rest of the Senate. The ban-
dits will fight to the death, for they have nowhere else to go. The
leader bears a gold coin marked elusively with a stylised letter A
bracketed by the wings of an eagle. Characters who make a suc-
cessful Knowledge or Etiquette check may recognise the symbol as
that of General Activius, a loyal and staunch supporter of the
Emperor who has been away on campaign in Germania for many
years.
Quiet, Too Quiet: With the bandits gone, the characters
should relax somewhat - they no longer feel as though they are being
watched and will, hopefully, let their guard down. The remainder of
the journey through the pass is uneventful and another day's ride
brings them to the villa where the Senator will be staying. It is a
quiet estate and they ride right into the central courtyard without
being confronted or greeted. Veccirius dismisses any claims that it
might be a trap, saying that this area is under the guard of the army.
But, sure enough, it is a trap and no sooner have the characters began
to settle into the house then there is a shriek as fur clad barbarians
leap out from their hiding places and attack. There are not many -
there should be no more than 1-2 per character. Allow any character
with any sort of military background to attempt an ACUMEN check
to work out that something is wrong about the manner in which the
barbarians both fight and appear - very much like Roman soldiers
dressed up as barbarians. No sooner have the barbarians been slain
than the sound of horses can be heard outside and a unit of soldiers
arrives, lead by their general, Lyris Vennius Activius, who exclaims
his horror at barbarians troubling the Senator whilst seemingly under
the army's protection. But everyone is safe now, aren't they?
Bandit Most Foul:
VIGOR 2/ Fighting 2, Archery 2; BLOOD 10
Equipment: Short sword (5 damage), Arrow (7 damage)
Wolves
VIGOR 3/ Fighting 2; BLOOD 10
Weapons: Claws (5 damage)
Suspect Barbarians
VIGOR 3/ Fighting 3; BLOOD 12
Equipment: Axe (6 damage), Armor (2 AV)
 UNWELCOME GUESTS
The Premise: With Senator Veccirius under the protection of
the Roman army and on his way to the peace talks with the barbar-
ians, General Activius requests that they prevent a rebellious local
tribe from stirring things up too much. But the General seems a lit-
tle too eager to get the characters out of the way, and the danger
posed by the tribe seems to have been greatly over exaggerated.
The Setup: Now that the Senator and his daughter are in the
safekeeping of the army, the heroes are left with little to do until they
return. As the characters settle down to enjoy the luxury of the villa,
General Activius expresses his concern about a nearby group of bar-
barians, the Silvicoli tribe, who are angered by the presence of the
Romans and the agreement of the other barbarians to broker a peace
with them. The General believes that they will attempt to disrupt the
talks and asks the characters to go and prevent any such attempts by
intercepting raiding parties as well as raiding the Silvicoli settlement
to provide a distraction. The General and his entourage do not intend
to depart until the characters have set off on their mission and, if they
show signs of delaying for any reason, he will do his utmost to hurry
them along. The General is not a man known for his patience.
A Barbarian in the Bush… : The village of the Silvicoli
tribe is located a little under an hours walk away through heavy for-
est. The General has provided the characters with a rough map of the
area and they should have little trouble locating the village - an ACU-
MEN check may be called for to prevent them from getting too badly
lost. Barely half an hour into their journey, allow a further round of
ACUMEN checks to notice the presence of a small party of barbar-
ian warriors heading in the opposite direction, towards the villa,
along a path below the character's position. Sneak rolls are appro-
priate here - success all around indicates that they have gone unno-
ticed by the barbarians and can launch a successful ambush. Failure
results in them being spotted and attacked by the barbarians. The
raiding party is heavily armed and looking for trouble, but is not
overly dangerous - there should be no more than 2 warriors per char-
acter.
...Is Worth Two in the Village: The characters should
have little trouble disposing of the barbarians and the rest of their
journey passes uneventfully. The Silvicoli village is hidden within
the forest in a small clearing overshadowed on two sides by forested
hills. It is only a small village with no more than ten longhouses
scattered within an undefended enclosure. This certainly does not
seem to be quite the dangerous tribe described by Activius. If the
characters attack the village, they will find most of the population to
be elderly, women or children. There is a small band of guards but
they number only eight. This may be enough to give the characters
a run for their money, but it seems unlikely. If the characters ques-
tion any of the barbarians, they will all deny knowledge of the peace
talks and any plans to disrupt them.
9
Blood and Fire: The characters may well be perplexed, if not a
little uneasy, about their mission, as they return to the villa. The jour-
ney is uneventful and by the middle of the afternoon they are within
sight of the compound. As they approach they notice a plume of dark
smoke drifting upward from the roof - part of it is on fire! The fire
is only small, but it has been started in the hay filled stable block and
is already spreading rapidly. The characters will have to act fast if
they are to prevent too much damage. As they try to put the flames
out, they find themselves being helped by a small group of barbar-
ians. If the characters stop putting out the fire to fight the newcom-
ers, clouds of billowing black smoke should remind them of their pri-
orities. Once the fire has been put out, one of the female barbarians
introduces herself as Brigitta, daughter of the chief of the Montuosus
tribe of barbarians - the tribe who the Senator was meeting today.
She will explain that the Senator never arrived and so she had been
sent to find out where he was, and, in doing so, saw the flames and
raced to the villa. If any of the characters explores the rest of the
villa, they will make a gruesome discovery - the bodies of the ser-
vants are scattered about the building and worse is still to come.
Upstairs, in the hallway just outside the main bedroom, the charac-
ters will discover the body of Senator Veccirius, his throat slit from
ear to ear. In his death throes the Senator appeared to have been try-
ing to spell something out in his own blood, but only managed to
write the first two letters - AC.
Unwelcome Guests: Before the characters have time to react
to their gruesome discovery, they hear the familiar sound of hooves
approaching the villa once again as a small unit of Roman soldiers
rides into the courtyard. The soldiers will dismount, notice the
charred stable and the dead servants and accuse all present - barbar-
ians and characters alike - of being guilty of the murder of the
Senator and his daughter. It should have occurred to one of the char-
acters by now that the body of Cyrene was not amongst the dead.
The soldiers declare that all present will be punished here and now
by death. They will draw their swords to attack. This should be a
hard fight, as there should be at least 2-3 soldiers per character. If
things look really tough, the barbarians can finish off their opponents
and weigh in to help the characters.
Genuine Barbarians
VIGOR 3/ Fighting 2; BLOOD 11
Equipment: Axe (6 damage), Armor (2 AV)
Roman Soldiers
VIGOR 3/ Fighting 3; BLOOD 12
Equipment: Short sword (5 damage), Armor (3 AV)
 A WALK IN THE WOODS
The Premise: The Senator is dead and his daughter is missing,
presumed kidnapped. Her kidnappers cannot have got very far and if
the characters hurry they may yet catch up. If they do not manage to
reach her in time, who knows what gruesome fate awaits her? And
they may miss the chance to find out who killed the Senator as well as
why.
The Setup: Senator Veccirius has been brutally murdered in his
villa before he could attend peace talks with the local barbarians. The
characters are at the villa along with a party of barbarians who are also
investigating the Senator's death after having been attacked by a group
of Roman soldiers. The evidence points towards a Roman conspira-
cy, with the Senator spelling out the letters A and C in his own blood
before he died. General Activius, meant to be protecting the Senator,
is nowhere to be found, and neither is the Senator's beautiful daugh-
ter, Cyrene. Brigitta, the leader of the party of barbarians, wastes no
time in pointing the finger of blame at the General and is eager to
return to her people to warn them of an inevitable revenge attack by
the legions. She urges the characters to take one of her men as a guide
and to head cross-country in an attempt to rescue Cyrene. Only her
word will now clear the characters of the false charges placed against
them by the powerful general.
O'er Hill and O’er Dale: The guide sent by Brigitta is a
young man named Basel, as keen with his eyes as with his bow and
blade. The characters make rapid progress in pursuit of the kidnappers
- clear sets of tracks lead away from the villa, all on foot. Time should
be of the essence and the characters should feel that every second
counts, the time spent for every pause en route should feel like a life-
time. Along their journey they should catch the occasional sound of
marching hobnailed boots in the distance, a shrill female voice raised
in protest or the glimpse of gleaming armor a little distance off. Let
Basel entertain the group with tales of the terrible tortures that he has
heard that the Romans inflict upon their captives, ones that leave a
man alive for days until they slowly die from exposure or over-
whelming pain.
None Shall Pass: As the glimpses of their quarry become more
and more regular, the characters should suddenly realise that their tar-
get has stopped up ahead. Aware of the pursuit, the soldiers have
formed a defensive skirmish line blocking the road onwards to allow
several of their number escape on horseback with Cyrene. The char-
acters will have to fight through the soldiers to continue their chase,
and every moment locked in battle gives the kidnappers more time to
make good their escape. The battle should be a tense fight, but not
overly difficult. There should be two soldiers per character. Once the
battle is over, or the characters have managed to break through and
continue their pursuit, Basel will announce that they are now in famil-
iar territory and that he knows of a shortcut that should allow them to
even outpace the horsemen. The pursuit should resume as above, with
the guide leading them along treacherous rocky clifftops and leaping
across crumbling crags and perilous ravines before they catch a
glimpse of the kidnappers far below them on the twisting road. With
a little skill and forethought the characters should be able to set a
clever ambush.
10
Cut to the Chase: There are two chariots below, one of which
is carrying Cyrene, plus one rider on horseback per extra player. The
characters will have to mount up on horseback or commandeer a char-
iot and give chase! The road is poorly maintained and fraught with
perils such as fallen trees and rocks, windy clifftop roads with naught
but a sheer drop to one side and crevasses to be leapt across. The
chase scene should be as dramatic as possible, for this is the stuff that
true epics are made of! The chase can be played out using the mount-
ed combat rules provided in The 1PG Companion to add to the drama
or you can wing it relying on your own imagination. The chase should
end with Cyrene being narrowly rescued and the last of the kidnappers
plummeting to his doom along with his chariot, or some equally dra-
matic conclusion.
Who Invited Them?!: Just as soon as the characters are feel-
ing smug about their victory and the recovery of Cyrene, they become
aware of a large number of shadowy men advancing on them. The
heroes are, in reality, being circled but they are unaware of it at this
time. If they flee or fight, they'll encounter the other men. It should
become apparent that they are facing overwhelming odds and the men
speak in a strange language that Basel will translate as a barbarian
dialect and a demand for surrender.
Roman Soldiers
VIGOR 3/ Fighting 3 BLOOD 12
Equipment: Short sword (5 damage), Armor (3 AV)
Horse
VIGOR 3/ Running 2; BLOOD 20
Weapons: Kick (6 damage).
Roman Cavalryman
VIGOR 3/ Fighting 3 Archery 2 Charioteering 2; SCHEMING 2/
Ride 2; BLOOD 12
Equipment: Long sword (6 damage), Javelin (4 damage), Armor
(3 AV)
Chariot
Era: 1
Crew: 1-2 Men and 1-2 Horses
Weaponry: none
MAN: 0 GR: +1 DMG: N/A* AV: 10 SI: 10
Notes: Chariot damage is typically either trampling damage
from the horses or from the gunner's personal weapon - usually
either a bow or javelins. Scythes can be mounted on the
wheels to enable the chariot to inflict an additional 6 damage to
unfortunate passers by.
 DEATH IN THE PIT
The Premise: So close and yet so far. The heroes are taken cap-
tive by a hostile warband. Cyrene will make a good captive for them
to disrupt the talks. The heroes on the other hand, will make grand
entertainment in the pit before they die. If the characters have any
hope of escape, they must emerge victorious in mortal combat and
steal away with Cyrene.
The Setup: The characters are force-marched back to the enemy
barbarian camp and imprisoned. They are tied to stakes by the neck
with their arms bound behind them. Escape is almost impossible, as
there is a hundred barbarians encamped around the characters. Talking
or even looking like they are trying something will have the charac-
ters beaten by their captors. Actually attempting to escape will result
in the barbarians taking no mercy and killing escapees. Cyrene is omi-
nously separated from the group and tied up outside of a large hide-
bound tent, obviously the residence of the leader.
The Sentence: After about an hour, Verisgoth, the leader of the The Great Escape: Surviving characters are ordered pulled out
tribe, visits the characters. He is a bitter man, enraged at the Romans
for killing his people, and there will be no satisfying him until the
invaders are driven out. The characters are to be placed into a pit and
forced to fight for their lives to provide him and his men with enter-
tainment… just as they have done to his people. Cyrene will be taken
as his slave and as a bargaining piece if things go against him. He sug-
gests that the characters take this time to pray to whatever heathen
gods they worship for tonight they die. Trying to tell him their tale or
convincing him to let them go is futile because he doesn't care - he just
wants Roman blood spilled.
The Barbarian Encampment: While they are awaiting their
execution, let the characters observe the layout of the camp if they
think to do so. It'd be unrealistic to think that the characters would
accept their fates so easily, and escape for Cyrene and themselves
should be on their minds. The encampment is in a large woodland
clearing. There are only a few tents, Verisgoth's and three others.
There is a small clump of trees used as hitching posts for five horses
on the other side of the camp. Most men appear to sleep on the ground.
There is a roving group of twenty men that sentry the camp but don't
do so in any organised fashion while everyone else scouts, hunts or
talks. The biggest and most noticeable feature is a large pit in the cen-
ter of the camp.
Preparing for Death: As evening draws nigh, the captives can
observe several kegs being tapped and fires lit. It appears that the
characters' deaths and the capture of a beautiful, important hostage
will be a cause for celebration. They are led to the edge of the pit by
an armed guard of at least twelve men. Over on the other side they can
see a crude wooden cage with a large bear in it. It is roaring loudly and
trying to swipe its paws at the men guarding its prison. Verisgoth has
a terrified looking Cyrene bound at his side. At his signal, all of the
PCs are pushed down into the pit. The edges are lined by over fifty
men with spears. Verisgoth laughs, throws in a sword at the end of the
pit below the bear, and orders the cage opened.
11
Gladiator, Barbarian Style: The only chance the characters
have of surviving is to not only defeat the bear but to win over the bar-
barian warriors with their combat prowess. Before that happens, they
get to decide which one of them will run towards the charging bear in
an attempt to grab the only weapon in the pit. If characters turn on
each other let them, but there is a good chance that it will prove fatal
for one or more of them. Characters who stop to think can try to run
up the embankment and grab a spear from one of the warriors - they
could even attempt to pull the guy into the pit with them to present
another target for the bear. Regardless of what happens, anytime a
character scores a hit against the bear, the player should roll a SPLEN-
DOR/Performance skill check to see if they gain a temporary point of
ESTEEM. Barbarians aren't as used to the gladiatorial magnificence
that is common in Rome and are easily impressed by combative show-
manship.
of the pit by Verisgoth. While impressed that they survived his little
game, he still intends on having them killed just as soon as he can
think of an "amusing" way to do so. They are escorted back to their
previous spot of captivity but have their arms tied in front of them this
time. A few of the barbarians offer them local ale, a vile concoction
but one they seem to enjoy. Clever characters can turn this new-found
admiration to their advantage with a successful SPLENDOR/Etiquette
or Seduction roll. A successful check will give them a +1 bonus to
Sneak skill checks later as they have lulled the barbarian guards into
complacency. Let the players come up with whatever plans they want
for their rescue of Cyrene and escape from the encampment. The sim-
plest plan would be to sneak into Verisgoth's tent, slit his throat,
recover their gear, and flee under the cover of darkness hoping that the
resulting chaos delays pursuit long enough. Remember any bonuses
the characters may have earned, or you may rule that the barbarians
have been drinking heavily and suffer a -1 on all skill checks.
Heading Towards Confrontation: Hopefully all of the
characters escape. Cyrene insists that the only course of action they
have left is to head to Fort Eyrie to confront the General directly, as
their ability to survive here with a hostile barbarian tribe is unlikely.
Enraged Bear
VIGOR 2/ Fighting 2; BLOOD 18
Weapons: Claws (6 damage), Bite (5 damage)
Barbarian Warrior
VIGOR 3/ Fighting 2; BLOOD 11
Equipment: Spear (4 damage)
Verisgoth
VIGOR 2/ Fighting 1; SCHEMING 2/ Dodge 2; BLOOD 16
Equipment: Short sword (5 damage)
 FORT EYRIE
The Premise: The characters learn that General Activius is
to blame for the Senator's death and the failed peace talks, and
that he is planning on using it as an excuse to launch a new
campaign against the barbarians. The characters must sneak
into his fortress, past the legion of guards, and battle the
General to the death to stop his evil plans!
The Setup: The characters have rescued Cyrene from the
clutches of her kidnappers and saved her from falling into the
grasp of the General. Cyrene believes that the Senator was
murdered in order to start an unjust war with the barbarians
and that he must be stopped at all costs. She explains that his
men are loyal to the General, but also to Rome and the
Emperor - defeating the General would force his men to accept
that the characters speak the truth. Activius' fortress is located
high atop a mountain and he is guarded by an entire legion of
loyal soldiers. The characters will have to use all their wit and
guile to get to him without fighting their way past a thousand
men.
On the Up and Up: The journey to the fort is rather
straightforward, with the characters only encountering the odd
patrol now and again. The patrols comprise one soldier per
character but can be evaded rather easily. Fort Eyrie is aptly
named - it sits on the peak of an imposing mountain, with steep
crags on all sides and the only approach a heavily guarded
roadway. The characters have two options here - they can
enter the fort by going up the road or by climbing up the side
of the mountain and sneaking in. If they choose to enter the
fort via the road then they will need a disguise or tongues of
silver - if either fails then they will be swiftly arrested and
imprisoned within the fort's jail. Suitable disguises can be eas-
ily obtained from any of the patrols they encounter, or from the
countless soldiers they dispatched in any of the previous sce-
narios. Alternatively the characters can approach the fort in
secret by negotiating the treacherous crags and slopes that lead
up to the fort. VIGOUR checks are appropriate here to prevent
an ignominious death dashed on the rocks below, or at the very
least the humiliation of dangling helpless from the side of the
cliff. Their approach up the cliff face will go unnoticed by the
fort's sentries and once at the top they can climb up and over
the fort walls without any difficulty.
In Disguise, in the Shadows: One way or another the
characters have gained access to the interior of the fort but that
was the easy part! They are now in a Roman encampment full
of legionares - one thousand of them to be precise, although
many are out on patrol or training in the surrounding forests.
If the characters have managed to bluff their way in disguised
as soldiers, then they won't have to sneak about inside the fort,
but they may well have orders barked at them and be expected
to carry out the commands of the centurions - digging new
12
latrines, chopping more wood for the fires or cleaning out their
barrack block for an inspection. The characters should be kept
on their toes throughout, constantly distracted from the mis-
sion at hand and in danger of having their cover blown at any
moment. If the characters have snuck in to the fort undetect-
ed then they will have a harder time of it, constantly forced to
creep about and duck into tents and buildings to evade
patrolling soldiers. If you want to really keep their hearts
pounding up to the end, have them be spotted as they near the
General's quarters and be forced to silence the sentries before
the alarm is raised.
The Lion’s Den: Some or all of the characters should have
survived to sneak into the quarters of General Activius, locat-
ed in the dead centre of Fort Eyrie. The General is there with
his honor guard of soldiers and is, of course, not in the least bit
surprised to see the characters. He will launch into a speech
about how he is acting in the best interests of Rome, how the
constant diplomacy and politicking is undermining the Empire
forged in war and so on. He is completely over the top and
clearly deranged. Once he has finished his spiel he will wave
his honor guard to kill the characters - there is one honor guard
for every character and this fight should be tough, maybe even
whittling down the characters so there are less left to fight the
General. Once the honor guard has been dispatched, the
General will shed his cloak and draw his ornate longsword and
leap to attack. The General is a tough fighter, but if he is out-
numbered the characters should not have too much trouble
with him - they should at least win, even if it costs most of
them their lives. Such is the way of the epic. With the General
slain his men will lay down their weapons and accept what the
characters tell them until countermanded by a replacement
commander. Cyrene will arrive to resume peace talks with the
barbarians soon after and the surviving characters will be
hailed as the saviours of Rome!
Honor Guard
VIGOR 3/Fighting 3; BLOOD 14
Equipment: Short Sword (5 damage), Armor (3 AV)
General Lyris Vennius Activius
VIGOR 4/ Fighting 4; SCHEMING 3/ Dodge 2; BLOOD 16
Equipment: Long Sword (6 damage), Armor (3 AV)
 NAME: NAME:
OCCUPATION: OCCUPATION:
DENARI: DENARI:
Height: Weight: Age: Height: Weight: Age:
Hair: Eyes: Gender: Hair: Eyes: Gender:

VIGOR ..................... ( ) Notes: VIGOR ..................... ( ) Notes:

Archery.......................... (
Charioteering................. (
Drinking ........................ (
Fighting ......................... (
Running ......................... (
) Archery.......................... ( )
) Charioteering................. ( )
) Drinking ........................ ( )
) Fighting ......................... ( )
) Running ......................... ( )

SPLENDOR ............ ( ) SPLENDOR ............ ( )

Disguise......................... ( ) Disguise......................... ( )
Etiquette ........................ ( ) Etiquette ........................ ( )
Performance .................. ( ) Performance .................. ( )
Seduction....................... ( ) Seduction....................... ( )

SCHEMING ........... ( ) SCHEMING ........... ( )

Con ................................ ( ) Con ................................ ( )
Dodge ............................ ( ) Dodge ............................ ( )
Ride ............................... ( ) Ride ............................... ( )
Sneak ............................. ( ) Sneak ............................. ( )

ACUMEN .............. ( ) ACUMEN .............. ( )

Knowledge .................... ( ) Knowledge .................... ( )
Language ....................... ( ) Language ....................... ( )
Philosophy..................... ( ) Philosophy..................... ( )

SPIRIT ...................... ( ) SPIRIT ...................... ( )

GUTS ........................ ( ) GUTS ........................ ( )
BLOOD ..................... ( ) BLOOD ..................... ( )
ESTEEM ................... ( ) ESTEEM ................... ( )
CHAR. PTS.............. ( ) CHAR. PTS.............. ( )

Hit 1 2 3 4 5 6 Hit 1 2 3 4 5 6
Location Head Torso L. Arm R. Arm L. Leg R. Leg Location Head Torso L. Arm R. Arm L. Leg R. Leg

AV AV

Weapons Damage Weapons Damage