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The romantic age was the period in which new ideas and attitudes arose in reaction to the
dominant 18 century.ideals of order calm harmony balance rationality..
5)The romantic nature is opposed to reason,a substitute for traditional religion.A vehicle for
self consciousness.A source of sensations A provocation to a state of imagination and vision
An expressive language
6)the imagination -->•A creative power superior to reason.Shaped the poets’ fleeting visions
into concrete forms.A dynamic, active, rather than passive power.Allows human beings to
‘read’ nature as a system of symbols.
DAFFODILS
Wordsworth and the relationship with nature Wordsworth was interested in the relationship
between the natural world and human consciousness. His poetry therefore offers a detailed
account of the complex interaction between man and nature, of the influences, insights,
emotions and sensations which arise from this contact rather than precise and objective
observation of natural phenomena. When a natural object is described, the main focus of
interest is actually the poet's response to that object. Indeed, one of the most consistent
concepts in Wordsworth's work is the idea that man and nature are inseparable; man exists
not outside the natural world, but as an active participant in it, so that 'nature' to Wordsworth
means something that includes both inanimate and human nature - each being part of the
same whole. Nature comforts man in sorrow; it is a source of pleasure and joy. It teaches
man to love and to act in a moral way; it is the seat of the spirit of the universe.
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Recollection in tranquillity
All genuine poetry 'takes its origin from emotion recollected in tranquillity' so that what we
read in the poem results from the active, vital relationship between present and past
experience. Through the re-creative power of memory, an emotion is reproduced and
purified in poetic form so that a second emotion, "kindred' to the first one, is generated.
The whole process could be described as in the sequence below: → emotion → memory =
object → poet → sensory experience - recollection in tranquillity- → emotion "kindred'
emotion → poem → reader