CHARLIE PARKER OMNIBOOK Uploaded By Amir SolomonCHARLIE PARKER OMNIBOOK For All Bass Clet Instruments « Transcribed From His Recorded Solos + Transpesed To Concert Key Sting Bass ~ Dovbie Basa Bans Valin « Calc * Fencer Sass + Electne Gaus + Gass Guitar + Trombone» Bassoon + Bastore Hom « Tube CONTENTS Title Page AH-LEU-CHA (AH LEV CHA) sone 8 ANOTHER HAIRDO lo ANTHROPOLOGY 10 AU PRIVAVE (No. Do. 2 AU PRIVAVE (No. 2) 3 2m BACK HOME BLUES |)... BALLADE. : BIRD GETS THE WORM . BLOOMDIDO BLUE BIRD <22-..00.. BLUES (PAST) 22.000...) BLUES FOR ALICE «|. BUZZY .... CARD BOARD. CELERITY .... CHASING THE BIRD CHERYL |... CHECHI RIM (No. 1) . KIM (No. 2) | KLAUN STANCE KO Ko. : LAIRD BAIRD LEAP FROG .. MARMADUKE || MERRY.GO ROUND MOHAWK (No. MOHAWK ( MOOSE THE MOOCHE MY LITTLE SUEDE SHOES NOW'S THE TIME (No. 1) NOW'S THE TIME (No 2) ORNITHOLOGY AN OSCAR FOR TREADWELL PARKER'S MOOD PASSPORT RHATS. RED CROSS RELAXING WITH LEE SCRAPPLE FROM THE APPLE SEGMENT SHAWNUFF SHE ROTE (No.1) HE ROTE (No. 2) SISI STEEPLECHASE THRIVING FROM A RIFF VISA WARMING UP A RIFF YARDBIRD SUITE Charlie Perker (Biography) Introduction Scale Syllabus 1978 ATLANTIC MUSIC: CORP. Prats Courtery POLYDOR tae Intemational Copyright Secured Made in USAINTRODUCTION The solos in this book represent o cross section of the music of Charlie Porke In presenting these solos, we hope to bring musicians closer to the true genius of “Bird” These solos cre in C concert key, boss clef. The book was originally published in Eb key and this new concert version should allow meny more people to explore the won- dertul world of music that Chorlie Parker gave us. Most Jozz musicians have learned to play by listening to records and imiteting the notes, articulations, vibrato, etc. of the masters. We encourage you to play these with the actual recording. Listen to the record first, then play through the solo slowly, gredually increasing the speed until you ore ot the recorded tempo Bird played it. | don't feel the ideo is to try to ploy the solos excctly as Bird did, but rather to find phrases, orticulotions, scoops, turns, ete. thet you fee! you would like to incerporcte ito your own playing. By being able to see and play the actual notes, it should help speed up the learning process. Mony players ploy like Bird but retain their own personclity. Prectice with o metronome, Each dey try to increase the tempo a little, all the while retcining the inflections, orticulctions, ete. that you would use ot the slower tempo. Try practicing some of these solos with the Aebersold Play A Long records. Take a slow blues solo in F and play it with one of the records in the series that has c slow F blues, then move to o record that has a faster F blues. It is fun to work towards play- ing the solos with Bird clong with the actual Parker recorded version. Blues moke up the largest portion of this book. Rhythm changes come next. Some compositions have the two versions recorded by Parker in separate solos. When @ meosure occurs without c chord symbol above it, the chord is the some as the meos- ure preceeding ii Most players like to onalyze solos in order to find out what the musician is do- ing. Our ears connot clways HEAR what is happening so we slow the music down. transcribe it, cnalyze it, practice the licks, patterns and phroses we like best, ond end up playing them in our own way on our instruments. We have put chord symbols over mest all bars to enable you to onelyze the notes in relation to the chord. Remem- ber, each chord symbol represents o series of tones called o scole, Older musiciens used to improvise meinly on chord tones; Charlie Parker was one of the first to broaden that to include scales ond substitute scales. For information on scale substitution refer to the Scale Syllabus chart.” Bird loved to use the b9 over the Dom. 7th chord/scale. The Blues scale ond its accompanying licks wos an importent part of his music, even when playing songs other than blues! When you find licks or patterns that you enjoy, proctice them in several keys so the melodic phrase becomes a part of you. It should become automatic in order to really be usecble in o playing situation. Only a minimum of articulations have been put in this book. We feel that jozz, being on aural art form, is often times best imitated by listening over and over, and then playing the notes the way you hear it on the record. This might seem like the long way to do it, but experience has proven reliable. After all, who would object to listening onyway? Listening is what music is all obout. The tecords from which these solos cre token are listed at the top of each solo poge. They cre contained in approximetely eight records (some are two record sets) end most all are still avciloble. The two record sets ore @ bargcin! We hope you have os much enjoyment with this book os we have had putting it together. * For SCALE SYLLABUS see pase 143 Jamey Aebersold Editor's note: The tempos that these songs were performed at are indicated ot the beginning of each piece. Boss clef instruments generally are not as fost responding os treble clef instruments (such as the saxophone or trumpet). Try to play these os comfortably os possible using a metronome. Most of these songs will not be ployoble at Charlie Parker's tempo on boss clef instruments. but areat strides con be made with canstant nracticaConfirmation By Charlie Parker VERVE 1005 43108 Fa? £¢7 a7 Dmi? G? Ci? £7 TURN PAGE © Renewed ©1978 ATLANTIC. AM Rights Reserved, ww.go7 Ani? 97 QI Gni? 7Moose The Mooche By Charlie Parker 37224 B a (7 p71 poo Piao 8 Sipe HEE E # Shee i (7 Bb $ b ST citar terre F835, : t ab Cmi? gb re Crit kT 3 BOL £1 po7 pbCait Pt BP Ci? F1 Bb Ci?f? Cni?, 7 Domi? c#mit — Cmi? £7 gp? £7 gb Cai? £7 BpOrnithology By Charlie Parker and Benny Harris srw CPARKEL #3236 Gua? Gmi? bars 3 £ “ORP. TLANTIC MUSIC CORP, wow.8 Yardbird Suite By Charlie Parker ch Cy fri? 7 cr gh? (Pawo é “bys A Gs C% Dmi? 7e lm @ me eee ew eww sw | S| | - -— — = rs > = Ch )7 Emi? Fini? Dni? G7 BP7 (7 FeB2 B7 Emi? AT ay an Dmi7 G7 Ce C7 B1b9 Dmi? G7 Emi? a7 AER A? 3 b7 — Dmi? G1 C% fn? 6b? & Se re 4 0 ahr (ies MY Dmi? G? C%Anthropology By Charlie Parker and John ‘Dizzy’ Gillespie nae 27400 2 é (oa. 4 6) Cmi?_ £7 ; 1 ee = Omi? G2 Cat er ee £07 7 , + So 1946 ATLANTIC MUSIC CORP. 3 Bascal aed weriemesl 1074 ATLANTIC MUSIC CORP.ee? £7 bn BR G7 emiz £7 4 : pl —T T 8? Cmi? £7, , Dm? G2? Cmi?. £7 gh? eo B gb (mi? 7 Bb G7 Ci? £7 4 —— =a Cad fbr gn Bh OG? Cmi 7 FT Be —Cmi? £7 Di? GI Ci? ; a i tt rte th,gh? ebr pb7 gb ni? £7 caste pet Bt ht — teh ft be. aff j 72 F2 Di? G1 Cmi7 £7 BP Cmi? 7 Dic GmiT Ci? 7 z < ; ‘iCmi? F 7 7 op BD 27]Dewey Square By Charlie Parker ae d218¢ Ebay? Db 7 £7 0b C7 C8 + Yt x fy ho ab [es 7 Eni? go? pests eee eet Pia ech _ fe .. 3 =:B57 7 7 174 fe Le fe ss Ln ee eb Fri? BOT Eby, Doni 0 = t | c f7 fini? BP” ee? Ab ug? Abra?Scrapple From The Apple By Charlie Parker {4UE RIBBON go11 UP FRONT 71 CHARLIE PARKER RECORES 427 47200 gg Qn Gut ”By Bolo Ami? D1 Gmi?Blues For Alice By Charlie Parker A165 SF EO? 07 Dig? Cm? £7 : to fi ot: ee. ‘=H = SS gb? Bri? £57 ay? Admit? br Gni CP ee? Bei? se E EOI AD G? Cmi? £7 £8) Ai? Ali TDP4q7 £9? 2 OmiK.C. Blues By Charlie Parker Veevi sataivinve woxo/mem averve 42126[BOOK ONE) By Russell Garcia © Beit selling text book used by leading universities. © Basis for course in Practice! Arranging and Composing in the profestioncl field. For the edvenced orranger. © Endorsed by leading music educators ond composers ond arrangers. ~~~ AND NOW! — THE PROFESSIONAL ARRANGER COMPOSER eB (BOOK TWO) By Russell Garcie TRERESSIONAL | © Discusses contemporary trends in Jazz, Pon ond ree Ee “Modern Classical” Techniques. New scales, chords, Progressions, free improvisotion, voce! effects, using tone rows in proctical music, ete. BOOK THO © Contains c record of meny of the 169 examples ond the recording of c complete score of an exciting contemporary composition by Garcia. (Musicians used ore the top instrumentalists on the West Coast). RUSSELL GARCIA The both books complement each other! You need both books for a complete course! CRITERION MUSIC CORPORATION 6124 Selma Avenue. Hollywood. 90098 CalitCelerity By Charlie Parker vetve soo2/vERW, eee Bb Ci? £7 Dmi? G7 Cmi?_ £7 Bint. BPs pbk ebm ob tai? 7a poe 3 > +» 7 Bi? 7 gb Bor Cmi Fi a = ty te 8 0? G@? S 4 Ga c? & a Cmi7 ¢7 > a) oth mi? ait Bt cb hi?B Cui? 67 ee on, (PRS 3 Y Cui? £7 Di? (8) (boi) = Cmi? 7 m= ; ips Eni? a £ Eni 8 6? Cm? ee FIRB GT Omi? Fe ‘ eee pit” BoT & fbx Ee 0? G? : : oe ’ Sa 5 : 5 e Cmi? £7 56 ES ey Ee Ee b ; = 8 Cri? 7 Omi? Obi? Omi? 7 & fi bn Bi f) = =]Au Privave (No. 1) By Charlie Parker ic ceanaeen Ami 7 # ees 2 Bley GniC7 67 C7 , Ci? 87 Soe ——: 4 = Eire ty pst al fatttiep tte eae =25 CT mi? T a 7 Gmi PT Ch: Gmi? lS O7 FT | STAGE DANCE BANDAu Privave (No. 2) By Charlie Parker fare uaenee a 42220 fn £7 Bives . . Ett cn SS n £7 Ami7 pba 2E= — At. 4 “77 or iG el a ee Gmi Ce 3 area = = 67 Cmi7 67D) «ittAny Musicion Can Arrange With This Book! First An tmportont Elementory Arronging Book For Schools ‘Moontght in Vermont” for full oreh and examplet of contemporaryBy Charlie Parker Chi Chi VERVE S005 MGM 49e9/vERVE 14a} 4220 Apr Bhi? £87 pb x = Lbpi? gb 07 Dai 7687 Cc 17 Pole te Cbmi? Bhi? £b7 Cmi? £7 pb?3 (198K Page)Chi Chi - cont. ain Bhi? gor eft Bt tele 00? pb? r _# cz eed. gb7 Ab? Boni? £57 Abr ae Cosmic Rays By Charlie Parker 132, i? @ 8 Gm? 07 1 = ait — fon Foi Em” Em? feet £f 4 / = Vv ~dni fg BO te Ara le 8 ©1956 ATLANT © 1s7s ATLANTI2 Cosmic Rays- cont. Gomi c7 7 £7 Gbo Em? —£” pher cn p2 abe | ¢ (hg) (Dri?) Dni?Laird Baird By Charlie Parker 2162 8b Ag7 D7 % 1 / ami? 07 Fai? BO1,_ gb? Eh) Beis 2 Dmi? Dni Omi? £7 Coil £7 Ae? Dt fmi? go? gb? Eoni? -Dbni? ee 8 Cmi? £7 + DietinlisHéo Same ore =e 2 9 407 ©1956 ATLANTIC ©1978 ATLANTICeb? Eb? Dmi? : THE GUITAR Bomey Kessel BOSSA GUITARRA34 She Rote (No. 1) By Charlie Parker ert ive actos 22210 Perar Conceat Ab CORP All Rights Reserved wavCmi? 9b? Be go oth Cmi? Pp? ab, Cmi?_ £? gb= By Charlie Parker d= 265 Penn. Codceer Ab She Rote (No. 2) envi sotomona= Cmi) £7 Bb Sessa |Mohawk (No. 1) By Charlie Parker 4? (68 a7 eb? fe Bus) BP? fh BY gh) 3H Bn? Bus? eave soe verve se40 vi Emi? Bt, 6? fi? 3? Omi D>ni? Cmi? Fi Pnid Bb? G7 (cau Base wavCmi? f7 3H? Cmi? 67 Cmi? £7 Bo? f2 Ly D: ie it ! : [PY WN ts UL Ls r rT oe a40 Mohawk (No. 2) By Charlie Parker VERVE 004, VERVE 2 qe a eh | OS Bp? 2 Bo?aA Cri? f? Bb7 eh te Boa! Omi? G? Cmi? f1 Boua? A go7 eb Bon? Be? a 2 m Phepeby ZiAn Oscar For Treadwell VERE $002 VERVE 1008. VERVE 239% By Charlie Parker a= 230 Cma? Omi? 6? peel i oma? et a =e ae Sot 2S Em? 07 -Dmi? 6? 207 Ra Br Uy Nt * Emi? a dmi?_G? fe s- SSS 3 = ee é? be». Q? SEE iret See 07 s 17 ‘ ett Di” _, PR @? € Dmi7 G7 2 = + = = Emi? @ Di? 7 o fE = at eSee me Dn? , G7 Em? AT Di? G? €} P Ber Emi? A? Dmi? G7 Ceaemies Dmi? G7 Emi7yg A? . Dmi? G7, C7 ¢ Omi? 4? Emi? A? Omi? G7 1S : e1 fe Be Dmi? a? Ib Cc Di? G7 Cat a e, Q7 n c ec Be Em? 2? Omi? G7, 18 t (Ton FogelAn Oscar For Treadwell - cont. c Dmi? G? Emi? 47 ee c7 ce @ 2» ET a7 2i 7 Q7 7 @? Zs Dmi z mi 2 £ DB a a Ca 3s —s z =: iB = c cr 3h 0 Dmi? G7 0 al Foe z ACCORDION ve rue con a eat mnewne wet ZeeBy Charlie Parker 07324 I cq Constellation f7 a phe. Z 61 G7 Dai? 6? ; Gni? , ettabe LAN USIC CORP. All Rights Reserved46 Constellation - cont. Beencq? Criterion’s naan HAWAIIAN SONG BOOK. roa pane, Cova k ISLAND SONG 300K Omi? G7 Polynesian HAWAIIAN 800K FOR AUL ORGANS EXOTIC BOOK FOR ALL ORGANS cattRowsDonna Lee By Charlie Parker savor 2201 4° 230 gb? em f7 j ob Se tttebelee, I = Bbni? cbt 2 ee aebi? cb? b,j? ab Bomi pbtade £ A : E%)? Ao7 ie bebe Ge? eg : e Mb % cy ag? ae Fi? Q Emi? 2 Fini? c? is =a: + Cri? £7 ~~ Bei? —gb7pb Bini? £27 Ib pb £2 Bb? = 1 - teste SS Bbmi? be eb £67 pb bbni? p67 8 eee a 2 ——— (Toms tage)Donna Lee - cont. a Bini? i — i —Kim (No. 1) By Charlie Parker eave 2005 VERVE 8840, 4=320 go? Cmi? £7 — Dmi? 6? ni? 67Kim (No. 1) - cont. ree! Bee we Cmi7 F2 Fmi? 0? £07 oni? Di? G? Ci F Om? G7l Cmi) €7 po? Ebr (cb) gb? 18 jb Cmi? Dmi? G7” Omi? F? Crete, Cotes : a a= 9 Fri? Bb? 6b? (nb) gh Bb Cmi? = £7 mi? G? Ci? _, £7 "BP? G7 Li? py gh? A eo ORCHESTRATIONS4320 1G? Bb Cri? £7 ieee G7 Omi? £9 t #) eget Fi? Bb?, £57 Eby? ~— Bb Cni? £7 2 + $ — Bb Cri? FP? ~ Doi? G2 Cmi? £7 3 £ =o { Fi? B67 £7 Ebi? Bb ‘SS Ami? 0? G7 fe, as s Setar 5 c1 gai £7 6 E Bb | mi? F? Dm? 6? = wi? BF ~~ ‘mi £7 1 eee Lei? gb eb? gb G7 ae 5 bee Cri £? 4 SS Se By Charlie Parker Kim (No. 2) € 1558 ATLANTIC MUSIC CORE ‘SIC CORP. ihe rece ww.Fmi? Bb? £b? Oni? G?. mi? £7 gb? Cri? £2 Dwi? BP, emi? FP Eni? gb? £b7p gb = ei n ile j g ; (ham Page)Kim (No. 2) - cont. Cait 43 fi? gb? 6b b> Cmi? £7 gb mi? £7 Bb Og? a Cmi? 1 Fri? B67 gb Bb og? 2%» Cmi? £7 Agi? phe G7 a ca Cmi? Ff? az Bb Cri? Fr, gin @) Cmi? £7 23 fmi? Bb? £67 ei? = BPG? mi? FF ua B b auld So.0 Cals 2 25 8b ~ mi? 7 Deni? (02167 Cmi? £7 Fmi? —,@b7 £67 Ein? BGT Ci? F7 27:iy A dmid G? Cmi? ne 9 oe got Bet tee fi? gb? £5, a gb A GUITAR METHOD THAT A SHORT CUT— | TEACHES READING & PLAYING —NOT A GIMMICK INSTANTLY! AN APPROVED MUSICAL METHOD. | YOU HAVE TO SEE TO BELIEVE! | eae For: THE BEGINNER | BARNEY KESSEL THE SLOW READER | JACK MARSHALL THE “PLAY BY EAR” MUSICIAN: | | | SEORCE RUSSELL selot—"THESE BOOTS ARE M. LET THE GOOD TIMES £0 INY BUBBLES,” ond 15 otherBy Charlie Parker savor eo eee Lei 7 7 fe f7 eC ze Emi?) A7 Demi? 6? (ee 3 $- SS Oni? Gre CF 4 Gmi? ¢7 f7 c? 3 5 pte t = cage te z , a Dmi7 62 2t te tebes., c oE= of = Z- Oni? G7 CT, f7 ¢7 Se e — a f7 c 3 te De arec Dm Ta) c? zag EEE Eee erteret Oat) G2 C7 a baitG7 C7 10 S55 Gmi? C2 £2 0? Guiar wars GUITAR soLos paMeNto BATION GUITAR BOOKS80 By Charlie Parker 42230 Bb Thriving From A Riff Cri? =F? Bb ob £07 gb KN LL}Bb (dbmi?) Cmi? £7 Cmi? 7 4 fil ,gb7 = £b go? Cmi? £7 = ) == 8b Cni? £7 Bb Cmni? £7 3 a + I Fmi? Bb? £67 Ehpi7 gb CmiF? — gb #4 +Ko Ko By Charlie Parker savor. 45308 ab fui? a) TIC MUSIC CORP. ned 1974 ATLANTIC MUSIC CORP. ‘ORP.Gmi? C7 G (torn ge)Ko Ko - cont. f7 Bb gb? £5 pee (mi? #7 Bb Pi Fmi? 23 E ——Er ES t $7 2 easy | tie yeett be i 24 — Ab? —a = MittaRed Cross savor 2701 By Charlie Parker Cmi? F7 wDJACKSON BROWNE FOLIOMarmaduke By Charlie Parker 4? 208 Gmi7(7 Bee)By Charlie Parker ee 45166 f aoe a Buves Pepe gs i - +t pea ¥ = Lmi? e7 Bd?p Emi? 0 f7 — S £7 Cmi?, £7 Bb? \ Ses =e HG Det As Ss SL 67 Ami? 1 4 bai? Gmi? a me E Gmi? ut Soria erase pt eS == SHAPING FORCES IN MUSIC By Ernst Toch int and form. A complete Many leading colleges as their textPerhaps savor 2201 By Charlie Parker 4=200 Bwes £7 cy Sy 5 T Sor Oni? G7 (Eni? a”) c? Omi? G? G= oe C7 Gmi? 0? pipettes = | See fq Cc? A768 8CRITERION'S BOOKS & JAZZ PUBLICATIONS: FIRST CHART by Van Alexander (Edited and Contributed to by Jimmy Haskell) ‘An important elementary arranging book Fea- tures step-by-step instruction to help musicians theough that fiest chart Includes all the modern styles, Jazz-Aock, Biues-Rock, Contr porary Latin, ec. Includes a record of two of tne ‘charts including John C. Fogerty hit for Credence Clearwater Revival, “Lockin’ Out My Back Door. 112pp, Price $14.95. THE PROFESSIONAL ARRANGER COMPOSER (Book One) by Russ Garcia Text book used by leading schools. Basis tor Course for practical arranging and composing in he commercial field, For the a0vanced and 31o- fessional aranger. 172 pp.,1851 Pricesi4.85 ‘THE PROFESSIONAL ARRANGER COMPOSER (Book Two) by Fuss Garcia Discusses contemporary tends in Jazz, Pop and “Modern Classical Techniques. New scales, chords etc. using tone rows In practical music. Contains a record of many of tha 169 examples ‘and the recoraing of a compleie.scoreo! a comp- osition by Garcia. 91 pp, 1978 Price $1405 NEW HOT DISCOGRAPHY by Charis Oslaunay ‘The stanaara cirectory of recorced jazz. Titles, personnel, dates and numbers of 20,000 records. 508 pp. Price $2495, ‘THE STECHESON CLASSIFIED SONG DIRECTORY by Anne & Aninony Siecheson A classified directory of over 100.000 song tities, 386 different categories, Used by every major record company. 603 pp. incl. 68 pa. supplement Price $40.00 CHARLIE PARKER OMNIBOOK 60 Recorced Soics ~ ¢ Books Eb...C.-.8b... Bass Clef (New!) Price $11.95, New! CHARLIE PARKER FOR PIANO 15 Piano Soles Based on Mis Recordings Arranged by Paul Smith ang Moms Felgman Price $7.95 CHARLIE PARKER FOR PIANO Recorded by The Paul Smith Trio Cesseties avallable $8.98 by mail CRITERION MUSIC CORPORATION 6124 Seima Avenue, Hollywood, CA 90028Now’s The Time (No. 1) By Charlie Parker eave eee 02182 Bucs (Goo, 7 Pu gdets 5 = $ + Bb? f7 07 ; 3 Gmi? c | fe? Co Ee ett roast Pe ae f pal s 4 bs : eee ah f7 q 0? ae, - tH, tee sf =UNDERSCORE A complete co ethNow’s The Time (No. 2) By Charlie Parker 7229 Buses (Hen). F? PY 6H of Gmi? ‘All Rights ReservedBuzzy By Charlie Parker 42230 gb? Ss putes ea ; z eet veh? go 67 #| ht ORE sp ee IU pe Cmi? fF? ob? cmi? £7 toBillie’s Bounce {also known as BILL'S BOUNCE) By Charlie Parker savor ast | “ a fy Bb? go? 7 9 7 sf es Or, San siete i BI Dr Gmi? C7 fr AAI Rights Reserved67 ” Settfs fp c? Ff? Cui? £7 gb? 4 ry : ee it 1 p ee ei sey _ bab Pi: £ : petChasing The Bird By Charlie Parker #210 £ Get? 02 fp Gi? 07 | 5 = fo Ber gor We yt amie) panes cet z 3 ‘Gmi? C7 Fe Emi? A? 7 6) i Sr eS Gmi? by CORP. ATLANTIC MUSIC CORP, CORP.83 &mi? ¢7 Cnt 67 Gmi? C7 ic OetAMS SoS SyBlue Bird By Charlie Parker SAVOY 2208 42128 ; Buses a ae Foi? 8b) Gmi? hos: + ; : ¥ aa ae ‘mi 8 eb? +! pestle cers 7 ~ RP LANTIC MUSIC CORP,Ah-Leu-Cha (also known as AH LEV CHA) By Charlie Parker #2199 Mevooa- Mires davis Gi Zt pe ms "Gmi? Goi? (Bigg) — Elni? corp. ATLANTIC MUSIC CoRp. Corp.(oad PhatAh-Leu-Cha - cont. Fa 2 b Eni? (ass Daoms -—+ = ae ; te : T on 2, +#. att, et Gmj? eS Gnit-c7 Fe == Tl a)Klaun Stance savor 2201 By Charlie Parker ie i? 4800, 7 Gol 07, c 1 Gmi? 0) = Ci? 97 a & (eh) tpi? f? a sey) F Abi? Gri? C7 gh? £67 a es | I MUSIC CORP.Klaun. - cont. “ 78) b-7 AP sbebete A nebtete be cbebe a Z eS Ab £440) 8b? 6b47 Ab (Gi? . Brite 6 ae 67 py? 2 boa 1e3) Ani? Ani? Gmi? (Gb) AkP4. SoLob HY bn? » . spoestabtabete 8 al Stet 5} a Wyo ese Chiba, iy > gia ees a (Ami? Abi? Gmi? ¢? Ami? 07 be — = : Bmit SCN a Gmi? ? P + A = =Card Board By Charlie Parker 2210 a bot 4 Le é nm Dmi : oS tore 4 gn (p7) g? c Dmi? G7 ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP All Rights Reserved wwAbr Ab? 6? ¢ 0? 6) eee th G? ¢c @) c e022 > fn ; a i ; : be pb Abidi ot Bird Gets The Worm By Charlie Parker savor 4340 q ab \ Pz Gi? se £el b= Feri? for ‘7 ae Bi? Bhi? £ ee a = ab abr pb oh Ab £7 ab Gm ot Cc? Emi? fo? AD = ab pm ab = pb? = iis Ab Ab? ab bn? ab GniS C7 ; - =x J + = a g 154s ATLANTIC MUSIC CORP. ATLANTIC MUSIC CORP, RP. odie aTbantic ese col ight: Reserved.Fmt? Dy Coi bs £769 Abni? be a 657Bird Gets The Worm - cont. Gmi? CaSegment By Charlie Parker ae (mi? «£7 Bhi? ey £768 Bons? ct Bai, Cmi? £7 ge Cm? 7 Be bp 7b ae bl c =. 8 2 a = B= = a =e Fai? tp at # = F Li? Ab? ob a Pee Bhi? Cmi? peters ates Maes Bt L bp £79 oe (Carn Bge) wivSegment - cont. Bll? Cm? 567 Bbw? Cm? F? Beni? : FP Boni? f? Cmi? ani? i Fe Bomi? F7ba bmi? bmi? Eni? Ab? ob99 Bbni? Cmi2S £7 Bai? Ceara ea abt ee400 Visa By Charlie Parker oe ES £1649 2 Oni? iz G?Omi? a be, 6 C7 «Dm? G7 a)By Charlie Parker Passport vine soce/venve 4009 4220 pb ni) 67 Bb Cae : Fni? 7 eb Bg? Cai? 6? Bb Cm? £7 ©1853 ATLANTIC 31978 ATLANTIC Al MUSIC CORP a ww, i aBb Cmi? £7 > Cn UPe fl : Be Cmi? £7 ab bis oes Cmi? FI Fi? p? & 5 £7 8b ab Cmi? - Daetitiose res aS = iy Lat GaeKAnother Hairdo By Charlie Parker 3 \Bd Buves ae eb? B07 L_n nee EEE EEE BE BE BE BE BEB 2 2 2Cmi? FT gb? F7 gb? Eni? gb?Back Home Blues By Charlie Parker ‘VERVE enup/vinvs soo -vEnVE toie/vEave 2618, 42192 ’ Bi ves 7 al CS —_ aS C1 f7 cae ———— O28 Emi? Ar dmi? SSS (Law Back) —_ 7 Dmi? et = f gititesierle ¢ Dmi? G2 + —— ©1936 ATLANTIC MUSIC CORP. e198 ATLANTIC MUSIC CORE All Rights ReservedCc ®) F7Bloomdido By Charlie Parker > Emi? ie fi? Cmi? b gu j Cmio —- + ag £4 afm? Fi? BP? sun a ———_ et 4 74 e, vs Cmie 097 G7 Cai? i + 2 per G7 Cmib bg? 67 SSS Li 0g? Gr CmibSteeplechase By Charlie Parker savor 2201 a17e gp Cm) £7 6b7 G7 Ci? £7 .— + ge Cni? #7 7G? Cm 7 BD? *BY etree, Om £7 om? G? Cai? ft Fmi? gb? £67 gb? 07 g? eggs read 3 Cmi? =F? BO) GT Cay) HP? | hit ee ee ab (ees. SereDiverse By Charlie Parker 2° 260 Bomi? Ci? £2 aba? Cmi? £7 pep eer rte csesltltes b) 2769 Di? and betters a i He eee a 2 4 He . ve be Cmi? £754 Ser Eo Pa e764 Bbni? e : Db? Emi? gb? 2 £43 = t be gbe b= of =e Seee115 Cmi? 7 f? SS Cmi? 367 =.Diverse - cont. Cail 3627 Bbyi? Cmi? =F? Bei? Cmi?_ 62 Boni? Cmi? £7 ; 2 a Bbni? Fi Bhi? «EA Boni? ig a17 Merry-Go-Round By Charlie Parker savay 2201 a a Genital e. .64 | Bggee : rae gE Cmi? _ £7 fmi? 657 &b 3 aS a gb emi? £1 Bag? bmi?” Cmi? £7 Ci? £7 Fri? .Bb7 = gb Geb ab Fini? i is £ C + a o 3 c? 3 Ci : = : Pred Ff? Bb Cy? £7 Bb Petit Baan? mi? £7 fi? gb? fb fo Bb egb Merry-Go-Round - cont. (ni? -F?, pe fn? Bb? eb £07 Dmi?-G? Cmi? #7 8 Crile he, 6? 0? a em br BB 2) ot ni? bus? ab a Bb? £b pb 07 3 Cmi? f7 ab Cmi? £7 Dmi? G7 aa BS = 66 ab G?My Little Suede Shoes By Charlie Parker VERVE 8000/vuRvE 2! (Heo) a? 148 Fini? 86? £ Fi? Bb? gb Fri? 667 Gri? 07, yi? gb Ab Gmi b h 4 2. 2 Fi? gb Ab Gate C2 £ oy i ettties oe bepet tbe £ te Fini? 8b? & fi? gb? gb y GAGE ‘ ae Fri? gor gb Fmi? 6b? Gyj? 0? ae . =: f= ee + fri? sé Me? gb? ob 1 Fri? a 6 Fri? gb? ini? Ch ; ty © 1056 ATLANTI ©1978 ATLANT*7— ab? b % at et Fei 8 é lis ai, 6 T Fri? 8b? Gmi? C7 Fini? Bb? & Fi? ———— : r -—tBy Charlie Parker Relaxing With Lee se onso verve d00e VERVE 2501 42180 3p? fri? Bb? Ebi? L — a eo 7 : i — = Birrel””, oP Fi? 8b? oP 5 eA bby? pp? oh? 6? Gh?(KE4 Moves UP A V2 Sxée) PA, ob be Fi? Bb? Lbyi? ad feta a — Phi SOs oe 3 Ae? ohi? eu) do ae Ob Bb7 bby? Lomi? fb?Blues (Fast) By Charlie Parker ‘VERVE 4840:VERVE s009:VERVE 2501 42268 or ab? a7 oy 8p ne ae ae ae ae ee Se Se SE SBS Ss a125 (Deni?) = Cmi? f7 87 fp? Bb? 667 Be7 ESS gb? £b? 57 | Cri? PF Be (Piste) 35 aa 2 - =Blues (Fast) - cont. th Fle ing Et” Bb? eh) 57.3 |44 £7 Blues (Fast) - cont. ve £57 gh ee gb? 6? p? 4 eesti. Cmi die: Fe Be? helo oe 7 £? gb? ght is128 By Charlie Parker and John ‘Dizzy’ Gillespie 42326 Shawnuff Bbmi? Bors? Moen 7 867 a7 £ “Emi? gp? * Fai? B67 a Cmi? F7 Omi? 8? — Cmi? .F7 3 £07 £07 Bb? BY Cmi7 £7 7 5, £07 Qo7 te i? oe == 67 EEE oe CORE 16 ATLANTIC MUSIC CORP. COMPGy = Griz €7 t £ on? p72 Dm” G7 Cni? e7 3 Fri? 867 £67 4 G07 Bb? Cmi? 2 il = ae a cc ee Emi? gb? £67 go? gh? Cni? po 3 Cm? £7 Dmi? G? 7 6 LAE La See . ihe oo u“ at = i = 87 £57 £07 br 27, 3 be | Geet = 0? G? C7 3 lk bet Soe fe Sees eer oe pone (Aen Mabe130 Cmi? 7 Dm? a6? Cmi? £7 Bb? a = a 2 : Lo £97 4607 Bb Pa CHT FA gp BD Leap Frog By Charlie Parker vet essed sen Env ary 8t 473%, en pbats a1 mi OD? SS peter SS 3 mi? \ GZ e Gmi? 07 E - Ami? 0? eae =z =: A { 1958 4° cigs atl tate xe ah wivLeap Frog - cont. Emi? At 0? ul ol B Pat ebee ES P Ami? 0? Gmi? ais 4804, ig Q? Corn Pose =|Jez | b? @ (fap. es F ape Ami? Aowi7 Gi? 2. C7 of F (eeu gs Sent) ope Be a ec ae A 07 Gmi? C7 eee ee tt = E = Ari? 0? Gai? me ee eeeLeap Frog - cont. Gmi?, 3 oF eb Gmi? C7 LN 23 me (or 3 ae 4 (ead : SSS Se b Gm? se tcc nso tb mi? a) F D2 Gmi7 £7 2 Cc F Deoms 3 (ape 7 oe x a oo a " | elites fate tet Ely ROH »Parker’s Mood By Charlie Parker 2216 Ay? Lmi? 9 Buses Gai op fbeoe> A tinny y 4 # cb? Bo? fia or tM BK Di| | Fri’? PE +e Foi? it £ Warming Up A Riff a> By Charlie Parker 2 286 pa. 436===5] = —S (on Pree)ey Cmi? + etter f? 8 f? 3 \ ste "fe tthe ; ini? 6b? b ae Si e etoee, pE%mi’ pb? » } 8 | aS Piet B = C2 Cmi? 5 * 4,3 LES @ we ww ee ee esSi Si By Charlie Parker J: (88 £97 7 Dimi? Fino F vane vi2252 6? Omi? PI gb9 uD. ~, Ani? 7 Bai? a fr ™ G rae? Fe £97 A? mi? G7, Fit SSS See Cmi? -F? gb? Boni? gb? pbe oh, Ami? 0? bmi? Gn 0 F? Gmi? 0?Gmi? C2 fF? Gn! 0 i =e é Cer A be? Et ete eS ee (esas, 11 E — A. 3 Ami? 0? Gmi? 07 - + Si £7 Gmie C7 p? “A ae a 4 3 SSeS E E cote CHARLIE PARKER FOR PIANO Recorded by The Paul Smith Trio Cassettes available $8.98 by mailBallade By Charlie Parker