LYPHARD

MELODY

                      
Paul de Senneville, Olivier Toussaint
 = 66

              


    



             
                  



2

   
 

                  



                       
3

     
          



                
    

  
     
   
              
       
5
A

    


        
      
    

                  



3

 
                  


     
simile legato
   

    
   
   
     
Appassionato

   

       
 
 
        
B

       
13


  
          
    



     
     
 
 
      
     


 
    

       

17

   
           
         
3
3

      
 
      
       
  
     

         

      


   
  
  
      
3

 
21

    

       
       

3


     

  
          
    

            
3
25



             

   
   
        


               
     

   
            
         
C

   
29

    


   

2
          
 
                     
 3

 
                  
33

  

simile legato

    
  


            
             


         
D


37


  


 

       
            
          


            

39

   

 

   
                          
 To Coda


       
       
41

   

 

3
                   

1.

      



 
43


        
          

  

                   
    
  
2.


 D.S. al Coda
45

  
  
  
        


          
   

           
 

     
 
47

  
     
  
rit.- - - - - - - - -


    