2001, Animated Subjects: On the Circulation of Japanese Animation as Global
Cultural Products, University of Manitoba, Canada. Workshop paper, Globalization and popular Culture: Production, Consumption, Identity. October 19-21 2001, viewed January 17 2003, . Aidin, R. 2002, Fashion Imitating Art, arts.telegraph, viewed November 24 2004, . Ajioka, C. & Menzies, J. 1998, Modern boy modern girl: modernity in Japanese art 1910-1935, Art Gallery of New South Wales, Sydney. Allison, A. 2000a, 'A Challenge to Hollywood? Japan Character Goods Hit the U.S.' Japanese Studies, 20 (1), pp. 67-88. ---- 2000b, 'Sailor Moon: Japanese Superheroes for Global Girls', in TJ Craig (ed.), Japan pop!: Inside the world of Japanese popular culture, M.E. Sharpe, Armonk, NY, pp. 259-78. ---- 2003, 'Portable Monsters and Commodity Cuteness: Pokemon as Japan's new global power', Postcolonial Studies, 6 (3), pp. 381-95. Anderson, B. 1991, Imagined communities: reflections on the origin and spread of nationalism, rev. edn, Verso, London; New York. Andrews, J. 2002, 'Introduction (Post Theory)', in R Araeen, S Cubitt & Z Sardar (eds), The Third Text Reader on Art, Culture and Theory, Continuum, London; New York, pp. 229-32. Ang, I. 2003, 'Cultural Translation in a Globalised World', in N Papastergiadis (ed.), Complex Entanglements: art, globalisation and cultural difference, Oram Press, London, pp. 30-41.