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T T T T T T T Etude #1 T This is a study in cross-string tapping. I suggest practicing just the tapping notes until T they are clear. Then, fill in the rest of the arpeggio. Also note that just before each chord change, you finish the phrase with the left hand only, simplifying movement to the next tapping position with the right hand. T T T AL ae x + Tf — call Es} fe + pal “ { bn Kh + ot _ a ii |_| i € T T T T T ge eS Pe \ ; + + + + + + ee eS ee: ee ee) ee) ee eee en Eee ef L a a | a e i 6 i a i 6 i T T T TT T T T | ff | CN. IL | lr A, ) A} wl oF ut call fT: | Wy 1 | Ir). . sal. wil | | lle | LI) i Ir. Aa) .|\ eal | | dil ll. , |. a 1 lr |. | sal wlll 2 i “2 T T T T T T T Tan ee gg A eee 2 BODES YF Py + + + + |__|... Afi tC‘ HS LD ee ae CO EE OT ee ee eT a a | {_ i 6 i m i 6 i T OT T TT T T SSS... RC | PE EEE Od + t+ + + + | |. 4. |e sh ed) ||. (| Oe TT TO ee _ | eben eewer dere nn | ——__ — fT moj 6 i a 1 T T T T T + + + 1 IM. iH = be e te be fn d 1s be d i d te | db + + J Sn lL: = a £ pq + + | = D.C. al Fine + + | Td Yd | fo ae 6 6 T T Etude #2 This is a study in double stop technique. Be careful not to overwork your left hand, some of these stretches are very tough. n ni ry A A ry f r Ps A Hj A Hy A Hy A ‘ A 4 A f A H 4 f B7 ] ie oo AS m 6 6 6 . 6 1 x NM pow _ ed Em + + + + + + + + Le Pe 6 6 6 6 T TON TT STN 6+ | | oe | | f— Ll rd Lf | t + EE ere ne | | 6+ ee ee + + a a [+ + | + _— —~) —— ie T T - ’ it bh , . i bE - F 7 : + eB F 7 f bo fe : He ql He yo ul iil ; = iT be - ’ it be F | I! . | | } yh | Ay | ei} | 4 i eo ; oO ia | Een BR : ! ui i | hs, ui a a. Ss oe Basa thea | «| -——— 6+ + + 6+ ee Fa m + } t————__ Am Fine E7 T T D.C. al Fine D# dim7 Etude #3 A simple but very effective method of playing arpeggios on single strings is shown in this study. Practice the taps with different fingers. it~ Pe =~ E ~~ T te OT OT. ea a OG * . =aigan lil fill th ETE | TTT | Ge) AG) GE a I (ih ft t tT i Th Tr et q! | We) eG PG a A I 1. Vt aie EH ! + i | I me We a | tt AS eT tk | Tt eet Jal qi a | ee i + 2 slallll ra 1] lh il I [ Me ! (t Ty Ti MN | | | ie: i mil (| Ll i, AK nh. | | : Jad tt i ai hE. 1 d ¢ 1 : ) Boi Sa Bk TAZ | cad I. 7 | LG a | n rl Ledecbambanl [aeetemnbasaalannebemel atte ee = ee a maenm| a a os rj AY eS Us Mh a an | " TA a : He Sa a Le gu faz2 Nee fs2 +4 | —— + + T T + + — — T + — od + T + ——s T + J J — + + T T + + + T T + T T T + I + T + aia, + T T + — C#m T T G + T T T T T T T Etude #4 T T T T “mirror" each other’s patterns with octave tapping and pull-offs, one of my absolute T This is a study of the technique J call “mirror octaves." The right and left hands favorites. Watch the ending F# chromatic descent. E + + + | Te | | milly ml | ni | h PoE | : Ae | . t vr ! i ea 4 Ne a re eh eremermaned — a j 1 m 3 1 m 3 T T T T eres ee esd Ud Pe e B + + + wT tat | CU ca eran | a Ld TFT ~~ | ed sem iterreee Oe OY TL Vereen} i J DE, ee ee i mvs | ow | 1 ne ee ey i l m 3 T T T T eed ee OC yd eS B + + + ee ee ee] eT dl: eS ND SN if... TCT ee ed i I m 3 i 1 T T T T CT TC OU TO eS ae eee pS ed + + + [| es | TT ed fy) fern rl pp a i nN Pe 1 fa 1 3 ’ 4 1 T T T T Po Pe Pe Ped a a ee + + + a canara ns i _\ |i |. ea _ | eT dO t 1 m4 1 a 3 i 4 T T T T Cd _ C*d ge + + + | att eee eT a Se J N OT \ | —_—___angptll ee i m3 Lor 1 ee aennevenveteeereane cy i l m 3 T T T T ee | COE "ET Pe pT + T T T T 4 i r | ee ee PT m 3 1 a m 3 T T T T et OLE OYLCU Se Tod Cd ye + A _t rN + [_ eee eT > . e . 2 i ee ee eee @ /.. Wn a ee ee ee eee .. TN eee e—Eee - i } m 3 i 1 m 3 T T T T ee a ee Ce re ee ee Oa tC Sd ni TY T T T T T T T T T T T T r T T T T T T T i . | ii TT |) dts At) watt gig |e | 4 _ Ih A iN | | . Ht aie A . : | | | AM. AG), is 4 rp | IME YT) BIE md T, F AU A A P oe i a | . i ai pe : Ll | ih b + i . | : uy [| | Ws |)|/ fe Fi PAPE i ll of (T TTT at | : . fy AA Ay i He |G TA 1 i, | . vl | . . tl I yc | lol | Ke ee | ‘$ i | st ‘i "HIN rs rer T an 1 T T T + ; | + or, TTT .__., |... sf ae 7 ee ee ee T T T T ee] nn a T T T T T + T T T T T T T T T T T T T T T T T T T + al I 4 T T (oT eee Oe OE I~ IY -—— ' pt eee ‘in T T tag uh Lp al \ | I i wilh fy mM ait 1) ee MUI A tt ft , IM 4 Wy] AUP | AU |] f It 1 tl CH (4 il mili | (np va t il. ( ty i Qj 5 + ae + p— the he + + + pa ERAS [saseenengueneenngENSE oH G + + + pRsaeianenanRAITACSRRRNNNTA + . a Nee Nd C7 + {—— Vie T T T T T T T T T T — re T T — and "drone" harmony, a device finger of your left hand to Etude #11 T that is very popular with certain cultures. Use the first T This tapping study deals with pentatonic major melody barre strings 1 and 2. T T T T T T e oe J rr 3 to, wm, — te te, —, Le Bl Bl ve te, te te, T T T T T T T T i 4 ——— — 3 T - T | qh I | a Gir ee, T T T T T T T T T T D.C. at Coda e hS e

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