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NSL Short Story
NSL Short Story
I grabbed my ugly canvas bag, and opened Google maps. Was Elm where that really
Stepping hard on the gas, I pulled away from my house and toward Elm. Whenever I
glanced at my scratched rear view mirror, I could see my lanyard swaying. My face, complete
with a fake smile, hangs above “Maria Smith - Census Worker.” This job is supposed to be an
easy way to waste the summer before grad school, but Jesus Christ. It sucks.
As I walked toward the brick house, I began to guess what the occupant would say. I do
that before most houses, as a little game. Looking at the perfectly painted shutters, and flower
beds, seems like it’ll be a Martha to me - fifty years old, and living with her husband.
“Hi, I’m Maria Smith with the United States Census Bureau. I’m here because you
haven’t filled out your census yet. Can I have five minutes of your time to do it now?”
A dog barked from somewhere inside the house, and a mellow, kind voice replied from
behind the door chain, “Cinnamon! That’s no way to talk to this poor child!” The voice
“Great! How many people will be living at this address on April 1?”
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“Ainsley Miller.” Ainsley stepped out onto the porch, showing pants that had an inch of
skin showing at the bottom, a pink polo, and a heart locket peeping out from between the
buttons. Ainsley’s head glistened in the sunlight, and a smile glowed out underneath.
“Age?”
“63.”
“Sex?”
“Hmm….” Ainsley glanced back in the house, as if asking Cinnamon for assistance. “I
I walked up the small winding path toward a small, slightly sad looking house. The door
was painted yellow, but the yard didn’t look big enough to plant even one of Ainsley’s flowers.
A teen opened the door with fingernails long enough to pick a lock. She finished pushing
her hair into a large, messy, bun and wiped her hands on gray sweats. “Yeah?”
“I’m from the United States Census Bureau? Maria Smith. I’m here because -”
“No thanks.” The girl started to close the door. I could hear the TV blaring from her
living room.
“Wait,” I put my hand on the door, trying to stop it. “Can I give you some information
“I mean, not to be rude, but no?” The girl began to tap her fingernails on the door. “I
2
“You heard about all the good you can do by telling the government you’re here? You
“I’m not willingly giving up all of my family’s information to ICE, ok? Drop it.” She
All in all, my first refusal of the day hadn’t gone terribly. I was always scared when
someone said no - I had seen those YouTube videos titled “Stupid Ass Bitch of a Census
Worker” and they were not good for my mental health. But the day hadn’t gone bad yet, and I
1800 Starling was beautiful. In this suburb of a town, the house was famous on the
listservs for winning “Most Manicured Lawn” four years in a row. But whoever lived in 1800
Starling never took the plastic trophy the city council tried to give them. Or so I’ve heard.
I’d never seen the occupant of 1800 Starling, no matter how much I’d heard. I have to
admit, I was excited. What would the person who perfected green grass look like? I imagined
The door to 1800 Starling opened, and a man who looked like he said he looked much
older than he was came out. His squinting eyes covered by wire rim glasses seemed to be
evicting the hair off his head. “And what do you want?” he grumbled.
“Hi, I’m Maria Smith with the United States Census Bureau. I’m here because -”
“Because I haven’t filled out my census yet. Yeah, I know. That was a choice.” He had a
camera.
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“Can I have five minutes of your time to do it now?”
“Why do you even do this? They can’t be paying you much. So what’s in it for you?”
“Are you refusing to answer mine?” The guy threw his hands up like a Walmart version
of Bernie Sanders. “Why are you pimping yourself out to the government to take away another
“Sir,” I held my voice as steady as possible. “I am doing this job to earn money so that I
can go to law school to defend people against assholes like y- assholes. Are you refusing to
“Yes!”
“Thank you for your time.” I hope he loses “Most Manicured Lawn” this year.
I know that address - it's where the mayor lives. But why wouldn’t she fill out her
1 State Street is imposing, with big Roman pillars in the front, but Mayor Cecilia Ram is
tiny, with ever-ponytailed brown hair and horrible slogans (Mayor Cece Rams the
COMPETITION!) When she opened the door, however, her hair was down. She tapped her foot
I said my spiel.
4
“Two.”
Another girl brushed by me, almost knocking me over and flashing her long blonde hair
“No, no. Elizabeth! Wait!” Mayor Cece glanced between me and Elizsabeth’s fleeing
figure. I tried to make myself as small as possible. “Oh my god. Oh my god. She’s gone.” Cece
looked like she was going to cry at any moment. She turned to me. “Can you come back later?”
This house was just average. There were no flowers in the small yard, but there were no
weeds either. I guessed the occupant would be average too - middle aged, but probably nice.
The door opened, and I was reminded of the photo that sat on my mantle of my father,
my mother, and me. My mother and I look so similar. We smile the same wry smile at the
photographer, stare at him with the same brown eyes, though I’ve always thought hers were
prettier than mine. We have the same birthmark, on our right cheeks. It almost looks like a heart.
But in real life, she did. Packed up and left when I was ten. I guess my dad was hurt, but
The woman who opened the door to 23 Saffron Street, Milford, CT, 06460 had a
“I’m from the Census?” I wondered if she would look down at my name tag and put two
“Oh. Yeah, I was just going to do that.” She smiled. “I bet you hear that all the time.”
5
“Yeah.” I said it more harshly than I wanted. “How many people will live at this
“She wants to know how many people will live here on the first. You still gonna be here,
“I sure will.” Sam looked at me. “Two people.” He seemed nice, but my mom always
told my dad that yellow looked bad on him. Yellow looked horrible on Sam.
I turned back to the woman, meaning to stick to the script, ask her the questions, and
She smiled in that way that people do when they’re too polite to be confused. “What?”
“No.” She took a closer look at me. “You look so familiar. Where do I know you from?”
“Nowhere.” She didn’t get it. There were more questions, but I didn’t ask them.
I still had a long list of houses to visit, but 23 Saffron was going to be the last for today. I
headed back toward Elm. I think I saw a bar next to the coffee shop.
Style 10 9 8 7 6 5 4 3 2 1
6
Author uses creative and Comments on Style: Great use of dialogue, short deliberate sentences and
effective use of rhetorical and some excellent imagery
stylistic devices, the “Show,
Don’t Tell” technique, Point of
View, and dialogue to enhance
the reader’s experience.
Author effectively develops the Comments on Organization of Plot and Setting: The vignettes really worked
components of the short story for you, the end came a little abruptly but not so much that it was
arc (hook, exposition, inciting unexpected. A few places where I think you could have emphasized the
action, rising action, climax, census component a little more or fact checked, but mostly spot on
falling action and insight).
Setting is distinguishable and
well developed. Plot and Setting
relate to government and
politics.
Character Development 10 9 8 7 6 5 4 3 2 1
Author creates real, believable Comments on Character Development: Think about the order of events and
characters, at least 2 of which what your protagonist to realize going through them, sometimes it was a little
work in government or politics, too subtle
and captures a universal aspect
of the human condition. The
main character’s conflict is clear
and likely causes/requires
change. Character is motivated
by a political catalyst, likely
presented in the inciting action.
Theme/Insight 10 9 8 7 6 5 4 3 2 1
Mechanics 10 9.5 8 7 6 5 4 3 2 1
7
inch margins, page numbers as
a footer, and includes a heading
and effective title on the first
page only. Author has no
spelling, grammar, punctuation,
or formatting mistakes. Dialogue
is properly punctuated and
capitalized and dialogue tags,
syntax and diction are varied.
Author either single spaces and
skips lines between paragraphs
or double spaces and indents
paragraphs and dialogue (1000-
1300 words).