ioloncello

ercussion
September
1 to 19, 2014

63rd ARD Internationaler

Music Competiton Munich 2014

uintet
iano
ind
Internationaler Musikwettbewerb der ARD
Bayerischer Rundfunk
Rundfunkplatz 1
80335 München
Deutschland
Tel. ++49 89 5900-2471
Fax ++49 89 5900-3573
E-Mail ard.musikwettbewerb@br.de
www.ard-musikwettbewerb.de

Contents
1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners
Repertoire and Jury
12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet
19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions
General Conditions
The 63rd ARD International Music Competition 2014
in Munich is open for the following categories:
Violoncello
Piano
Percussion
Wind quintet
The invitation to participate in this competition is
extended to young musicians, who are ready to launch an
international career.
The competition is open to musicians of all nations
born between 1985 and 1997 in the categories Violoncello,
Piano and Percussion.
Wind quintet: the total age of all musicians is allowed
to be 150 years maximum, the member may not be older
than 35.
The competition will be conducted during the period
from September 1 to 19, 2014 (including the prize winners’
concerts).
The auditions are open to the public.
Deadline for registration: March 31, 2014
(Date stamp does not apply!)
Organizers 2
The 63rd ARD International Music Competition in
General Conditions | Organizers
Munich – 2014 – is presented by the Association of Public
Broadcasting Corporations in the Federal Republic of
Germany (ARD).
Bayerischer Rundfunk Munich
Hessischer Rundfunk Frankfurt /Main
Mitteldeutscher Rundfunk Leipzig
Norddeutscher Rundfunk Hamburg
Radio Bremen
Rundfunk Berlin-Brandenburg
Saarländischer Rundfunk Saarbrücken
Südwestrundfunk Stuttgart
Westdeutscher Rundfunk Cologne
Deutsche Welle Bonn/ Berlin
Deutschlandradio Cologne/Berlin
Member of the World Federation of
International Music Competitions, Geneva
 Prizes 3
Violoncello First Prize c  10,000

Prizes
Second Prize c  7,500
Third Prize c  5,000

Piano First Prize c  10,000

Second Prize c  7,500
Third Prize c  5,000

Percussion First Prize c  10,000

Second Prize c  7,500
Third Prize c  5,000

Wind quintet First Prize c  25,000

Second Prize c  20,000
Third Prize c  15,000

The prize winners will be determined by the jury.

Contents
1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners

Repertoire and Jury

12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet

19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions

Contents
1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners
Repertoire and Jury
12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet
19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions
Special Prizes
Audience Prizes
Audience prizes totaling c  6,000 made possible by
the Theodor Rogler Foundation will be awarded in the
final round as follows:
– Violoncello in the amount of c  1,500
– Piano in the amount of c  1,500
– Percussion in the amount of c  1,500
– Wind quintet in the amount of c  1,500
Special Prizes for the Best Interpretation Prize in the amount of c  1,000 for the best interpretation
of a Commissioned Composition
Special prizes totaling c  4,000 for the best interpre­
tation of the individual commissioned compositions,
made possible by the Alice Rosner Foundation, will be
awarded in the category:
– Violoncello for the composition by Tobias PM Schneid
in the amount of c  1,000
– Piano for the composition by Marc-André Hamelin
in the amount of c  1,000
– Percussion for the composition by Johannes Fischer
in the amount of c  1,000
– Wind quintet for the composition by Giya Kancheli
in the amount of c  1,000
Special Prize from the Munich Chamber Orchestra
The Special Prize from the Munich Chamber Orchestra
totaling c  1,000 will be awarded by the members of the
Munich Chamber Orchestra for an outstanding inter­
pretation by a semi-finalist in the category violoncello or
piano.
BR-KLASSIK Online Prize
The BR-KLASSIK program division of Bayerischer
­Rundfunk will be presenting the BR-KLASSIK Online Prize
in the amount of c  1,000 for the winner of the online
voting during the finals.
4
Special Prize U21
Special Prizes
The Special Prize U21 totalling c  2,000, underwritten ­
by the Dr. Marianne Kunkel Fund will be awarded by the
BR-KLASSIK young people’s program “U21 – Your Program.
Your Music” for an outstanding performance by a very
young participant.
Alice Rosner Prize
The Alice Rosner Foundation awards the Alice Rosner
of a 20th century work.
Osnabrück Music Prize
The Osnabrück Music Prize, made possible by the Werner
Egerland Foundation, in the amount of c  7,500 is awarded
to a finalist in the categories violoncello, piano or wind
quintet. It is linked to a concert with the Osnabrück Sym-
phony in January/February 2015.
Special Prize Palazzetto Bru Zane
The Special Prize in the amount of c  7,500 will be award-
ed by the Foundation Bru Zane for the best interpretation
of a work of the French romanticism in the categories vio-
loncello, piano or wind quintet. It is linked to an invitation
for a recital in the Palazzetto Bru Zane in Venice.
Special Prize “Prima la musica”
The Prize in the amount of c  5,000 will be awarded by
Krista Pfleiderer to a prize winner or finalist in the cate-
gories violoncello or piano. It is linked to three concerts
with orchestra.
Busch Brothers Prize
The Busch Brothers Circle awards the Busch Brothers
Prize in the amount of c  3,000 – in collaboration with the
South Westphalian Philharmonic – to an outstanding
finalist in category percussion. It is linked to a concert
appearance at the Busch Brothers Circle and potential
subsequent concerts with the South Westphalian Phil­
harmonic.
Continued on page 5
 Special Prizes 5­
ifp Music Prize

Special Prizes
The special prize from ifp Cologne in the amount of
c  3,000 is awarded for outstanding achievement in the
category wind quintet.

Special Prize from Schwarzwald Musikfestival

The Schwarzwald Musikfestival will present a Special
Prize in the amount of c  3,000 to an outstanding finalist.
It is linked to a concert in the series “Junge Elite” in
­collaboration with the Hotel Bareiss, in the Christuskirche
zu Mitteltal between April and September 2015.

Bärenreiter Urtext Prizes

Sheet music vouchers with a value of c  1,000.

Contents
1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners

Repertoire and Jury

12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet

19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions
 Concert Invitations 6
Prize winners may be invited to give concerts or make

Concert Invitations
recordings.

Broadcast Appearance
Prize winners will receive invitations from ARD broad­
casters to perform concerts or make recordings under the
usual radio conditions.

Prize winners may be invited as soloists:

– by the Symphonieorchester des Bayerischen Rundfunks
– by the Frankfurt Radio Symphony Orchestra
– by the MDR Symphony Orchestra
– by the Deutsche Radio Philharmonie
Saarbrücken ­Kaiserslautern
– by the Radio Symphony Orchestra Stuttgart
of the ­Südwestrundfunk

Contents
1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners

Repertoire and Jury

12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet

19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions

Contents
1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners
Repertoire and Jury
12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet
19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions
Further Concert Engagements
Possible concert engagements may be
offered by the following institutions:
Apollon Musagète Festival
Auditorium du Louvre
Burghofspiele im Rheingau Sommer
Camerata Andechs
Carl Orff Festspiele Andechs
Central European Music Festival Žilina
Chor des Bayerischen Rundfunks
Collegium Musicum Basel
Davos Festival
Euregio Musikfestival
Festival Classic Oberfinning
Festival der Nationen, Bad Wörishofen
Festival EuroArt Praha
Festspiele Mecklenburg-Vorpommern
Folkwang Kammerorchester Essen
Frankfurter Museums-Gesellschaft
Freunde der Musik, Landshut
Gebrüder-Busch-Kreis
Hapag-Lloyd Kreuzfahrten
Heidelberger Frühling
Hofer Symphoniker
H&S Artists, Niederlande
Iffeldorfer Meisterkonzerte
Inselfestival Hombroich
InselKonzerte – Kammermusik auf
Herrenchiemsee
International Festival of Young Music
Competition Laureates Katowice
Internationales Musikfestival
Český Krumlov
Junges Podium Altrip
Juventudes musicales de España
Kaisersaalkonzerte Frankfurt/Main
Kammermusik-Gemeinde Hannover
Kammermusikalische Vereinigung –
Städtischer Musikverein Trier
Kirchbergforum Hessen
Kissinger Sommer
Klavier-Festival Ruhr
Konzerte auf Henkellsfeld, Wiesbaden
Konzerte im Deutschen Elfenbein­
museum Erbach
Konzertgesellschaft Wuppertal
Konzerthaus Berlin
Kulturamt der Stadt Marl
Kulturdienst Weimar
Kulturverein Zorneding-Baldham
Kunstfreunde Bensheim
Kurpfälzisches Kammerorchester
Landesbank Saar, Saarbrücken
Leitheimer Schlosskonzerte
Liesborner Museumskonzerte
Lions Club Schwäbisch Gmünd
Ludwigsburger Schlossfestspiele
Meister von morgen, Herdecke
Meistersolisten im Isartal, Icking
Mosel Musikfestival
Mozart-Gesellschaft Dortmund
Münchener Kammerorchester
Münchner Konzertdirektion ­Hörtnagel
Münchner Rundfunkorchester
Münchner Symphoniker
Musical Olympus Festival of
St. Petersburg
Musik und Sprache,
Hessenbrückenmühle
Musik & Theater Saar
Musikverein Bamberg
Nordwestdeutsche Philharmonie
Osnabrücker Symphonieorchester
Philharmonie Merck, Darmstadt
Philharmonie Südwestfalen
Philharmonisches Orchester Freiburg
Rheingau Musik Festival
Schleswig-Holstein Musik Festival
Schleswig-Holsteinisches Landes­
theater und Sinfonieorchester
Schlosskonzerte Mannheim
7
Schlosstheater Fulda
Further Concert Engagements
Schwarzwald Musikfestival
Schweizer Musikfestwochen
Schwetzinger SWR Festspiele
Stiftung Mozarteum Salzburg
Südwestdeutsches Kammerorchester
Pforzheim
Symphonieorchester »Wilde Gungl«
München
Theaterforum – Klassikforum Gauting
Ticino Musica, Locarno
Tonhalle Düsseldorf
Tonicale Musik & Event, München
Vaterstettener Rathauskonzerte
Weilburger Schlosskonzerte
Weingartner Musiktage ­
Junger Künstler
Wetzlarer Kulturgemeinschaft
Wiener Konzerthaus
Winners & Masters/Kulturkreis
Gasteig, München
Württembergische Philharmonie
Reutlingen
Württembergisches Kammer­orchester
Heilbronn
Zeughauskonzerte, Neuss
Concert managers, concert agencies
and representatives of the music
industry will be invited to the final
rounds and the prize winners’
­concerts.
 Conditions of Participation 8
Registration Deadline Admission

Conditions of Participation
The registration deadline for applications: March 31, 2014 Once the selection has been made, the decision of the
(date stamp does not apply!) pre-selection jury, made up of members of the com­-
The application can be sent by e-mail or by post mail. pe­tition jury along with the artistic director, on admission
to the competition will be released by June 15, 2014 at
Internationaler Musikwettbewerb der ARD the latest. Its decisions are final and incontestable. No
c/o Bayerischer Rundfunk explanations will be provided.
Rundfunkplatz 1 The chosen competitors will receive written notifica-
D-80335 München tion of their selection. Competitors from abroad can, if
Germany necessary, use this confirmation to apply for an entry visa.

Application Recognition of Conditions

The following documentation should be enclosed: With the application for the competition the participant
– application form (download expected from February acknowledges acceptance of the participation and com-
2014 at: www.ard-musikwettbewerb.de) petition conditions as well as the decision of the pre-
– for the pre-selection, a personally recorded CD: the CD selection jury and the competition jury as binding. There
may not be edited, may not be processed and may not is no right of appeal.
be older than one year (the works required for the Participation is only possible in one of the competition
­pre-selection can be found in the repertoire conditions). categories.
Contents Cuts, editing or other technological manipulation of Applications that do not meet the requirements of the
pitches or lengths of held notes within the sections competition can be rejected. Submitted documents and
1 Title
­performed are not permitted. sound recordings cannot be returned.
2 General Conditions | Organizers
– a declaration by the recording studio/engineer on the
 3 Prizes
recording of the CD – cf. application form Participation Fee
 4 Special Prizes
– in the case of students, the approval of the teacher Following receipt of the admission confirmation, the
6 Concert Invitations
– an artistic curriculum vitæ ­participation fee of c  100 for soloists and c  250 for wind
7 Further Concert Engagements
– a portrait photograph of the applicant, which will quintets must be transferred “free of bank charges for ­
8 Conditions of Participation
appear in the competition program – black& white or the recipient” at the latest by July 31, 2014. Should the
9 Conduct of the Competition
color (without copyright). competitor be prevented from attending, or should he or
10 Presence | Accommodation
she cancel his or her participation, this participation fee
11 Prize Winners
Important for Shipping: Do not declare the recording cannot be refunded.
with any value, due to a large sum of customs charges
Repertoire and Jury
thereby incurred!
12 Violoncello
14 Piano
Subject to alterations!
16 Percussion
In cases of doubt, the German text applies.
18 Wind Quintet
The text of this invitation is available in the Internet
19 Schedule
in German, English and French, the invitation
20 Honorary Committee | Patrons
can be downloaded with repertoire and application
21 Main Committee | Directors
form (expected from February 2014):
22 Upcoming Competitions
www.ard-musikwettbewerb.de
 Conduct of the Competition 9
Jury First Audition Date

Conduct of the Competition

The jury will be selected from among personalities ­ All participants will receive notification of the scheduled
with international reputations without regard to ethnic, date and time of their first audition – along with the
ideological, political or linguistic considerations. admission to the competition – in writing.
The decisions of the jury cannot be contested.
Competition Program
Students of a Jury Member The following repertoire lists and the conditions therein
If there is a student of a jury member among the contained are binding for the competition program.
­participants, this jury member may not take part in the The competition program submitted by the competi-
appraisal of this competitor. tors is binding. Subsequent alterations are not permitted.
Jury members are not allowed to teach their students No works in the competition program may be repeated
during the competition itself, otherwise the student, except on the express wish of the jury. The sequence of
the jury member, or both may be disqualified. To this end, performance is at the participant’s discretion. If possible,
a student is defined as someone who studied with a jury original text editions should be performed.
member for a lengthy and continuous period, and such Participants will not be allowed to perform their own
study was completed less than three years before the compositions.
beginning of the competition. Participation in master In certain cases, the jury may allow only selections of
classes is not affected. individual works to be performed in the first two com­
petition rounds, or may select works from the submitted
Contents Competition Rounds repertoire.
Four competition rounds are obligatory in all categories.
1 Title
The semi-final for the categories violoncello and piano Piano Accompanists
2 General Conditions | Organizers
will be accompanied by the Munich Chamber Orchestra Official piano accompanists are available at no charge
 3 Prizes
without conductor. A maximum of six soloists in cate­ to the competitors in the category violoncello. Each
 4 Special Prizes
gories violoncello, piano and percussion and six wind ­competitor will receive at least two rehearsals with the
6 Concert Invitations
quintets will be admitted to the semi-final. accompanist.
7 Further Concert Engagements
The final round for the categories violoncello, piano and Participants may bring along their personal accom­
8 Conditions of Participation
percussion will be accompanied by the Symphonieorches- panist at their own expense.
9 Conduct of the Competition
ter des Bayerischen Rundfunks.
10 Presence | Accommodation
A maximum of three soloists in categories violoncello,
11 Prize Winners
piano and percussion as well as three wind quintets will
be admitted to the final round.
Repertoire and Jury
12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet

19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions
 Presence Accommodation 10
Presence of the Participant at the Competition Accommodation during the Competition

Each participant has to register personally at the central
competition office one day before the first audition and
present his or her passport, ID card or officially recognized
birth certificate, and should not leave Munich as long
as he or she is an active participant in the competition
without the express approval of the competition
­management (prize winners may first depart after
­September 19, 2014).
Each participant accepts the obligation to remain free
of all professional obligations or concerts throughout the
duration of the competition.
Presence | Accommodation
For the duration of the first round, reasonably priced
hotels will be recommended to the participants. All
­competitors who reach the second round will be provided
by the competition management with the cost of
accommodation and meals from this point for the dura-
tion of their further participation in the audition process.
This does not apply to piano accompanists or other
­companions.
All competitors who reach the semi-final will be guests
of the competition until the prize winners’ concerts.

Contents
1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners

Repertoire and Jury

12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet

19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions
 Prize Winners 11
Awards Ceremony Media Exploitation

Prize Winners
The awards ceremony will take place during a festive The Competition, including the prize winners’ concerts,
­concert. will be recorded by Bayerischer Rundfunk. These record-
Competitors will be expected to receive their awards in ings can be used for broadcasting (radio or television,
person. including on-line) in full and/or in selections, live or at
a later time, and also provided for individual access
Prize Winners’ Concert ­independent of the type of receiver and also be made
At the prize winners’ concerts, chamber music works publicly available. Other broadcasters in Germany and
and works for soloists with orchestral accompaniment abroad can make use of these recordings simultaneously
will be performed. The decision regarding the program or at a later time. Further use of our broadcasts and
and at which concert specific participants will appear will ­availabilities regardless of time and place (in full, in part
be made by the competition management in conjunction or in selections) are possible.
with the jury and the music department of Bayerischer
Rundfunk. The administration of the Competition reserves the right
Prize winners will receive no fee for their participation to use the recordings of the Competition rounds and
in the prize winners’ concerts. prize winners’ concerts for the production of a CD and/or
a DVD to serve as publicity for the prize winners and doc-
umentation of the Competition. The administration of
the Competition further reserves the right to release or
Contents have released, and/or distribute or have distributed, itself
or through third parties, commercially or non‑commer-
1 Title
cially, any and all material from the Competition in audio
2 General Conditions | Organizers
or audio-visual form, on analogue or digital sound/
 3 Prizes
image/sound-image data carriers including platforms,
 4 Special Prizes
regardless of format or process. The declaration of agree-
6 Concert Invitations
ment required from the prize winners is regarded as
7 Further Concert Engagements
given with the application to the ARD Music Competition,
8 Conditions of Participation
the same applies to the transfer of rights in accordance
9 Conduct of the Competition
with the aforementioned stipulations. The prize winners
10 Presence | Accommodation
have no claim to additional compensation of any kind.
11 Prize Winners

Repertoire and Jury

12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet

19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions

Contents
1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners
Repertoire and Jury
12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet
19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions
Violoncello 12
Pre-selection 6. One of the following sonatas:
Repertoire
George Enescu, op. 26 no. 2
a) One sonata from the 18th century
Gabriel Fauré, op. 109 or op. 117
b) A freely chosen virtuoso work. This work may not be Alexander Gretschaninow, op. 113
repeated in subsequent rounds. Arthur Honegger
Vincent d’Indy, op. 84
Zoltán Kodály, op. 4
First Round Charles Koechlin, op. 66
Albéric Magnard, op. 20
1. Johann Sebastian Bach, the Prélude and one more
Bohuslav Martinů, no. 2
movement from one of the Suites for Violoncello solo
Nikolai Miaskovsky, op. 81
(except for the Suite in C minor, BWV 1011)
Francis Poulenc
2. One of the following works: Sergei Prokofiev, op. 119
Alfredo Piatti, one of the Caprices op. 25 no. 3, no. 6, Sergei Rachmaninov, op. 19
no. 7 or no. 12 Joseph Guy Ropartz, no. 2*
David Popper, one etude from op. 73 Nikolai Roslavets, no. 1 or no. 2
Dmitry Shostakovich, op. 40
3. Robert Schumann, Fantasy Pieces op. 73
Semi-final with the Munich Chamber Orchestra
Second Round (without conductor)
A freely chosen program from the following works, which
7. One of the following concertos:
covers all three groups. The program may not exceed a
Carl Philipp Emmanuel Bach, in B flat major Wq 171
maximum of 45 minutes.
or in A major Wq 172
4. One of the sonatas by Joseph Haydn, in C major Hob. VIIb:1
Ludwig van Beethoven or or in D major Hob. VIIb:2
Johannes Brahms or
8. Tobias PM Schneid, composition commissioned
Felix Mendelssohn Bartholdy
for the ARD International Music Competition 2014
5. One of the following works for solo violoncello: The sheet music will be supplied along with the admission to the
­competition. The commissioned composition may be performed with
Benjamin Britten, Suite no. 1 op. 72 or no. 2 op. 80
the music, it may not be publicly performed prior to the competition.
or no. 3 op. 87
Luigi Dallapiccola, Ciaconna, Intermezzo e Adagio
Henri Dutilleux, “3 Strophes sur le nom de Sacher”
Paul Hindemith, Sonata op. 25 no. 3
György Ligeti, Sonata
Toshirō Mayuzumi, Bunraku (Peters)
Krzysztof Penderecki, Divertimento (1994/95)
or Capriccio per Siegfried Palm (1968)
Bernd Alois Zimmermann, Sonata for solo violoncello
(1960)
Continued on page 13
 Head
Violoncello 13
Final with the Symphonieorchester

Repertoire
des Bayerischen Rundfunks
9. One of the following concertos:
Antonín Dvořák in B minor op. 104
Edward Elgar, in E minor op. 85
Dmitry Shostakovich, no. 1 in E flat major op. 107

The works from no. 1, 3 and 7 are to be performed from memory.

* The best interpretation of one of the marked works will be awarded

the special prize by the association Bru Zane (information regarding
the sheet music can be found at: www.ard-musikwettbewerb.de).

Contents
1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners

Repertoire and Jury

12 Violoncello
Jury Violoncello
14 Piano
Wolfgang Boettcher  Chairperson  Germany
16 Percussion
Natalia Gutman  Russia
18 Wind Quintet
Ivan Monighetti  Russia / Switzerland
Daniel Müller-Schott  Germany
19 Schedule
Raphael Pidoux  France
20 Honorary Committee | Patrons
Christian Poltéra  Switzerland
21 Main Committee | Directors
Kristin von der Goltz  Norway / Germany
22 Upcoming Competitions

Contents
1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners
Repertoire and Jury
12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet
19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions
Piano
Pre-selection
a) One sonata by Joseph Haydn or Wolfgang
Amadeus Mozart
b) One Etude, which may not be repeated in the
­subsequent rounds
First Round
The performance time may not exceed a maximum
of 25 minutes even if the program is longer. If necessary,
the jury will make a selection.
1. Domenico Scarlatti, one Sonata free of choice
2. One Etude by Frédéric Chopin
3. One of the following works:
Alban Berg, Sonata op. 1
Béla Bartók, Sonata Sz 80 (1926)
Béla Bartók, “Out of doors”, Sz 81
Claude Debussy, Images, Book 1 or 2
Claude Debussy, Estampes
Claude Debussy, 3 Préludes to be freely selected
Sergei Prokofiev, Sonata no. 4 in C minor, op. 29
Olivier Messiaen, 4 Préludes to be freely selected
Maurice Ravel, 3 pieces from “Miroirs” to be freely
­selected
Alexander Skryabin, one of the sonatas from
no. 4 to no. 10
Arnold Schönberg, Five piano Pieces, op. 23
Second Round (50 Minutes)
4. Ludwig van Beethoven, one of the following sonatas:
op. 2 no. 3 in C major / op. 10 no. 3 in D major /
op. 22 in B flat major / op. 31 no. 1 in G major /
op. 31 no. 2 in D minor / op. 31 no. 3 in E flat major /
op. 53 in C major / op. 57 in F minor / op. 101 in A major /
op. 109 in E major / op. 110 in A flat major / op. 111 in
C minor
14
5. One of the following works:
Repertoire
Johannes Brahms, Sonata no. 1 in C major, op. 1
Johannes Brahms, Variations and Fugue on a theme
by Handel, op. 24
Johannes Brahms, one of the cycles from op. 116
to op. 119
Théodore Dubois, Sonata for piano*
Felix Mendelssohn Bartholdy, Variations sérieuses
in D minor, op. 54
Franz Schubert, Three Piano Pieces D 946
Franz Schubert, Fantasy in C major, D 760 “Wanderer
Fantasy”
Franz Schubert, Sonata in A minor, D 784
Robert Schumann, Sonata in G minor, op. 22
Robert Schumann, Carnaval op. 9
Robert Schumann, Symphonic Etudes op. 13 (Setting
1852)
Robert Schumann, Humoreske in B flat major, op. 20
Robert Schumann, Faschingsschwank aus Wien, op. 26
Franz Liszt, Ballade no. 2 in B minor
Franz Liszt, Variations on “Weinen, Klagen, Sorgen,
Zagen”
Franz Liszt, Tre Sonetti di Petrarca
6. One freely chosen piece for piano (duration 5 minutes
at the maximum)
Semi-final with the Munich Chamber Orchestra
(without conductor)
7. One of the following concerts by Wolfgang
Amadeus Mozart: K. 246 / K. 414 / K. 415 / K. 488
8. Marc-André Hamelin, composition commissioned
for the ARD International Music Competition 2014
The sheet music will be supplied along with the admission to the
­competition. The commissioned composition may be performed with
the music, it may not be publicly performed prior to the competition.
Continued on page 15
 Piano 15
Final with the Symphonieorchester

Repertoire
des Bayerischen Rundfunks
9. One of the following concertos:
Ludwig van Beethoven, no. 3 in C minor, op. 37
Ludwig van Beethoven, no. 4 in G major, op. 58
Robert Schumann, in A minor, op. 54
Frédéric Chopin, no. 2 in F minor, op. 21
Peter Tchaikovsky, no. 1 in B minor, op. 23
Camille Saint-Saëns, no. 2 in G minor, op. 22
Maurice Ravel, Concert in G major

The works from no. 1 to 7 are to be performed from memory.

* The best interpretation of one of the marked works will be awarded

the special prize by the association Bru Zane (information regarding
the sheet music can be found at: www.ard-musikwettbewerb.de).

Only instruments from the Steinway & Sons Company are available for
Contents the competition.

1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners

Repertoire and Jury

12 Violoncello
Jury Piano
14 Piano
Gerhard Oppitz  Chairperson  Germany
16 Percussion
Homero Francesch  Switzerland
18 Wind Quintet
Michie Koyama  Japan
Cristina Ortiz  Brazil
19 Schedule
Alfredo Perl  Germany
20 Honorary Committee | Patrons
Marianna Shirinyan  Armenia
21 Main Committee | Directors
Fou Ts’ong  China / Great Britain
22 Upcoming Competitions

Contents
1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners
Repertoire and Jury
12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet
19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions
Percussion
Pre-selection
a) One slow and one fast movement from one of
the Suites for Violoncello by Johann Sebastian Bach
6) One work of free choice (not for Mallet!)
First Round (about 20 minutes performance time)
1. Elliott Carter, one movement from
“Eight pieces for four timpani”
2. One of the following works for solo Snare Drum:
Alexej Gerassimez, Asventuras
Nicolaus A. Huber, Dasselbe ist nicht dasselbe
Nicolas Martynciow, Tchik
Askell Masson, Prim
Wolfgang Reifeneder, Crossover
Arnold Riedhammer, The Challenge
Nebojša Živkovič, Pezzo da concerto no. 1
Michael Colgrass, Six Unaccompanied Solos for Snare
Drum (Free selection of single movements)
Dan Heslink, Theme and Variations
3. One of the following pieces for solo marimba:
Keiko Abe, Variations on Japanese Children’s Songs
Jacob Druckman, Reflections on the Nature of Water
(Free selection of single movements)
Anna Ignatowicz, Toccata
Peter Klatzow, Inyanga
Kazunori Miyake, Chain
Takatsugu Muramatsu, Land
Marta Ptaszyńska, Blue Line
Eric Sammut, Four Rotations
Emmanuel Séjourné, Prélude no. 1
John Thrower, True Colours (short version)
Nebojša Živkovič, Ilijas
16
Second Round (about 45 minutes performance time)
Repertoire
4. One of the following pieces for solo marimba:
Hans Werner Henze, Five Scenes from the Snow Country
Toshi Ichiyanagi, The Source
Peter Klatzow, Dances of Earth and Fire
Paul Lansky, Three Moves
Bruno Mantovani, Moi, jeu
Akira Miyoshi, Ripple
John Psathas, One Study One Summary (without
Junk Percussion)
Joseph Schwantner, Velocities
Salvatore Sciarrino, Il legno e la parola
Andrew Thomas, Merlin
Alejandro Vinao, Khan Variations
Nebojša Živkovič, Magma op. 37 or Ultimatum 1
5. One of the following works for solo vibraphone:
Christopher Deane, Mourning Dove Sonnet
Edison Denisov, Black Clouds (Schwarze Wolken)
Franco Donatoni, Omar
Bruce Hamilton, Interzones
Philippe Hurel, Loops II
Philippe Manoury, Le livre des claviers IV
Frederick Martin, Encore le style de l’acier
Helmut Oehring, Foxfire drei (kaliumchlorid)
Boguslaw Schaeffer, Constructions
Josep Soler, I com el cant del rossinyol
Ben Wahlund, Hard-Boiled Capitalism and the Day Mr.
Friedman realized Google is a Verb
6. One of the following works for percussion:
Javier Álvarez, Temazcal
Georges Aperghis, Le corps à corps
Pierluigi Billone, Mani. De Leonardis
Heinz Holliger, Voi(es)x metallique(s) (Zinngeschrei)
Nicolaus A. Huber, Clash Music (from Herbstfestival)
François Sarhan, Home Work
Giacinto Scelsi, Ko-Tha I
Klaus Hinrich Stahmer, Erinnerungen an einen
­Holzsammler
Nebojša Živkovič, To the Gods of Rhythm
Continued on page 17

Contents
1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners
Repertoire and Jury
12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet
19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions
Percussion 17
Semi-final (about 30 minutes performance time) Final with the Symphonieorchester
Repertoire
des Bayerischen Rundfunks
7. Johannes Fischer, composition commissioned
for the ARD International Music Competition 2014 10. One of the following works:
The sheet music will be supplied along with the admission to the Tobias Broström, Arena – Percussion Concerto no. 1
­competition. The commissioned composition may be performed with Ferran Cruixent, Focs d’artifici
the music, it may not be publicly performed prior to the competition.
Joseph Schwantner, Percussion Concerto
8. One of the following works for multiple percussion: Avner Dorman, Frozen in Time
Minas Borboudakis, Evlogitária Christopher Rouse, Der gerettete Alberich
Peter Eötvös, Psalm 151
Morton Feldman, The King of Denmark
Brian Ferneyhough, Bone Alphabet
Vinko Globokar, Dialog über Erde or Toucher There is no obligation to perform the works from memory. The given
Hans Werner Henze, Prison Song time of performance may not be exceeded or undercut significantly!
Maki Ishii, Thirteen Drums
Michael Jarrell, Assonance VII
Michio Kitazume, Side by Side
Helmut Lachenmann, Intérieur I
David Lang, The Anvil Chorus
Askell Masson, Frum – a Drum Song
Matthias Pintscher, Nemeton
Karlheinz Stockhausen, no. 9 Zyklus
Kevin Volans, She who sleeps with a small blanket
Christian Wolff, Percussionist Songs
Iannis Xenakis, Rebonds A & B or Psappha
Walter Zimmermann, Riuti (Rodungen und Wüstungen)
9. One solo piece of free choice (also with electronics)
Jury Percussion
Peter Sadlo  Chairperson  Germany
Raymond Curfs  Netherlands
Wilfried Hiller  Germany
Marta Klimasara  Poland
Robyn Schulkowsky  USA
Emmanuel Séjourné  France
Jan Williams  USA

Contents
1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners
Repertoire and Jury
12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet
19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions
Wind Quintet 18
Pre-selection Semifinale
Repertoire
Wolfgang Amadeus Mozart, Allegro and Andante 7. One of the following wind quintets:
for Organ K. 608 Paul Taffanel, in G minor
Franz Lachner, no. 2 in E flat major
8. One of the following wind quintets:
First Round George Onslow, in F major, op. 81 no. 3*
Franz Danzi, op. 68 no. 2
1. Wolfgang Amadeus Mozart, Andante in F major K. 616
2. Samuel Barber, Summer Music op. 31
Finale
3. Mátyás Seiber, Permutazioni a cinque
9. Carl Nielsen, Wind Quintet op. 43
10. One of the following works:
Second Round György Ligeti, 10 Pieces for Wind Quintet
Luciano Berio, Ricorrenze
4. Anton Reicha, Quintet in D major, op. 91 no. 3
or Quintet in E flat major, op. 88 no. 2
5. Giya Kancheli, composition commissioned * The best interpretation of one of the marked works will be awarded
for the ARD International Music Competition 2014 the special prize by the association “Bru Zane” (information regarding
the sheet music can be found at: www.ard-musikwettbewerb.de).
The sheet music will be supplied along with the admission to the
­competition. The commissioned composition may be performed with
the music, it may not be publicly performed prior to the competition.
6. One of the following works:
Pavel Haas, Wind Quintet op. 10
Paul Hindemith, Kleine Kammermusik op. 24 no. 2
Heitor Villa-Lobos, Quintette en forme de chôros
Jury Wind Quintet
George Caird  Chaiperson  Great Britain
Pirmin Grehl  Germany
Karl Leister  Germany
Wolfgang Meyer  Germany
Ramón Ortega-Quero  Spain
Marc Trénel  France
Szabolcs Zempléni  Hungary
 Schedule 2014 19
Violoncello Prize Winners’ Concerts

Tuesday, September 2: 1st round begins
Saturday, September 6: 2nd round begins
Tuesday, September 9: semi-final
Friday, September 12: final
Piano
Thursday, September 4: 1st round begins
Monday, September 8: 2nd round begins
Thursday, September 11: semi-final
Sunday, September 14: final
Schedule
Concert with the Münchner Rundfunkorchester
Wednesday, September 17, 8:00 P.M.
Concert with the Munich Chamber Orchestra
Thursday, September 18, 8:00 P.M.
Concert with the Symphonieorchester
des Bayerischen Rundfunks
Friday, September 19, 8:00 P.M.

Percussion
Monday, September 1: 1st round begins
Thursday, September 4: 2nd round begins
Sunday, September 7: semi-final
Wednesday, September 10: final

Wind quintet
Contents Thursday, September 4: 1st round begins
Sunday, September 7: 2nd round begins
1 Title
Wednesday, September 10: semi-final
2 General Conditions | Organizers
Saturday, September 13: final
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners

Repertoire and Jury

12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet

19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions
 Honorary Committee Patrons 20
Thomas Goppel The General Directors of the ARD

Honorary Committee | Patrons

President of the Bavarian
Music Council
Ulrich Wilhelm
Wolfgang Heubisch Bayerischer Rundfunk
Former Bavarian State Minister of Science,
Research and Culture Helmut Reitze
Hessischer Rundfunk
Winrich Hopp
Artistic Director of “musica viva” Karola Wille
at Bayerischer Rundfunk Mitteldeutscher Rundfunk

Mariss Jansons Lutz Marmor

Chief Conductor of the Norddeutscher Rundfunk
Symphonieorchester und Chor
des Bayerischen Rundfunks Jan Metzger
Radio Bremen
Martin Maria Krüger
President of the German Dagmar Reim
Music Council Rundfunk Berlin-Brandenburg

Zubin Mehta Thomas Kleist

Conductor Saarländischer Rundfunk

Kent Nagano Peter Boudgoust

Conductor Südwestrundfunk

Contents Peter Ruzicka Tom Buhrow

Head of the Biennale Music Theater Festival, Westdeutscher Rundfunk
1 Title Munich
Peter Limbourg
2 General Conditions | Organizers
Albert Scharf Deutsche Welle
 3 Prizes Former Director General
 4 Special Prizes of Bayerischer Rundfunk Willi Steul
Deutschlandradio
6 Concert Invitations Christian Ude
7 Further Concert Engagements Lord Mayor of the
8 Conditions of Participation State Capital of Munich

9 Conduct of the Competition

10 Presence | Accommodation
11 Prize Winners

Repertoire and Jury

12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet

19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions
 Main Committee Directors 21
Ulrich Wilhelm, Chairman Artistic Director of the Competition

Main Committee | Directors

Director General of Bayerischer Rundfunk, Axel Linstädt
Munich

Dorothea Enderle Administrative Director

Head of the Music Division, Südwestrundfunk,
Baden-Baden
Elisabeth Kozik

Brigitte Fassbaender Assistant

Artistic Director of the Richard-Strauss-Festival Garmisch-Partenkirchen
Amelie Krause
Siegfried Mauser
President of the Academy of Music and Theatre,
Munich
In collaboration with BR-KLASSIK
Christoph Poppen Director: Oswald Beaujean
Conductor

Detlef Rentsch
Program Director of the Mitteldeutscher Rundfunk
Cultural Division, Leipzig

Werner Wittersheim
Head of the Music Program Group,
Westdeutscher Rundfunk, Cologne

Contents
1 Title
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
7 Further Concert Engagements
8 Conditions of Participation
9 Conduct of the Competition
10 Presence | Accommodation
11 Prize Winners

Repertoire and Jury

12 Violoncello
14 Piano
16 Percussion
18 Wind Quintet

19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions
 Upcoming Competitions 22
2015 Competition Informationen:

Voice – Flute – Trombone – Piano Duo
2016 Competition
Double Bass – Harp – Horn – String Quartet
Upcoming Competitions
Internationaler Musikwettbewerb der ARD
c/o Bayerischer Rundfunk
Rundfunkplatz 1
80335 München
Deutschland
Telefon ++ 49 89 5900-2471
Fax ++ 49 89 5900-3573
E-Mail: ard.musikwettbewerb@br.de
www.ard-musikwettbewerb.de

Subject to alterations!
In cases of doubt, the German text applies.

Contents The text of this invitation is available in the Internet in

German, English and French, the invitation with reper-
1 Title toire can be downloaded (application will be available in
February 2014): www.ard-musikwettbewerb.de
2 General Conditions | Organizers
 3 Prizes
 4 Special Prizes
6 Concert Invitations
Imprint
7 Further Concert Engagements
8 Conditions of Participation Responsible for the content
Axel Linstädt
9 Conduct of the Competition
10 Presence | Accommodation Editorial office
11 Prize Winners Elisabeth Kozik, Amelie Krause

Design and composition

Repertoire and Jury Gorbach, Büro für Gestaltung, Utting
12 Violoncello
Editorial deadline
14 Piano October 1, 2013
16 Percussion
18 Wind Quintet

19 Schedule
20 Honorary Committee | Patrons
21 Main Committee | Directors
22 Upcoming Competitions