A PLACE IN! PARIS ASK YOURSELF WHY BRIAN’S SONG HIS EYES, HER EYES I STILL SEE YOU TE WwiLt SAY GOODBYE. 1 WILL WAIT FOR YOU ONE ATA TIME ONE DAY PARIS WAS MADE FOR LOVERS PIECES oF DREAMS SEA AND SKY THE SUMMER KNOWS SWEET GINGERBREAD MAN TOUCH ah SUN WATCH WHAT HAPPENS WHAT ARE YOU DOING THE REST OF YOUR LIFE THE WINDMILLS OF YOUR MIND THE YEARS a MY YOUTH‘a tempo fe — ral, —— |] ep | §_§ —___ * Ebmaj? Bbo(eus4) ya = SSS a a ft z S Dbmaj? Db Eb Bb1l atte a7 seem unease oe aeDm? cu Cmaj7 Tacet___# crese. poco a poco a ——= ea Dbe Ebmaj7 Edim Ebmajr Bbo (sus4) Ebmaj?dim, poco a pocoModerately Slow with Expression R * ® (sim) Gm7 Gmaj7 Gm7 Gmaj7 Gm7 Gmaj7 | cetopyy 7 Gm7(Dbass) pf} psGmaj7 Gm7 Gmaj7 US ’ ‘Cppyinl 1968 1073, 1078 Mtg rete Musi oI USA Om nteaones Copy Beaute Al as Hse. 7Gm7 Gmaj7 m7 Bm7 Gmaj7 FTW) ET) Gingj7 Bomaj7 tacet Gm? Amaj7Bon? Es709) EM Abmaj9 fe Gmaj7 Gin7(Dbass) of pnasy Dm7(Gbass) G78) OS — - # os rall —| | p a C6(Gbass) Am7S) D7QB} — G_—Ebmaj7 Demaj7 Emaj7_— Gmaj7se Desi a ee ae pas aa Ent at emt aq ent AT D6 emo 1S. AEH) ‘Pao yen wane gee, oor zeae yh eel et ae acaba UM casing age an CL eagle Raia Sah ear cS, 10 Sian eb heeioetapr ae Sg aes”Dmaj7 En? Daj? cidim Ds ce Dé LS isaeest Ste = =e! Dry GEA Dmaj7 Em? Dmaj7 CAdim Dé HT GE) at im] poco a poco 2 F e z ag CHpedD) okpedD) > CHoeaD) dD 05cm Abr Fm? Fm? egos Can cnt ence He Beas bere Now ork USA. "iaiowcd nS CE? Mores Se, meals Seartaitacied highs Reseed Bb? BbT (ab)co pr Bm? ET@b). Am F#T(b5) Br Em Chm Fa (ob) (5) (5) (9b) (ob 114) 13* = ——+ —s 7 ine o Dmaj9 D6 Em? AT(Ob) Dmaj9 Dé FH a i aaa = Ja = =a =e oe Dmaj7 D6 Amt Dr Dr Am9_—AbT (9b) (11-1) (94) ani ri odie tang ead Sgro, USA 14 'm\pgmstons Copyright Secured. 8Em9 AT(9b) Dmaja De Emt AT(36)Am? D Gmajr ce GmajT cs Gmajt co cts) D/A (ada 9)Fairly bright with a strong beat oem 1989 Pmaj? 1 Ate Mun 1s, 9-92 Moine Stat, London W1 Tntrotel Soy Sacre Ri igh Resume FGF/G 6 F/G Tacet____+ face # 6 AbT Dm? Dbmaj7 § 19Moderately A AIGE DIFE B7/GE A AIG# D/FA ET/GH A cim D/Fe AJE GID D Esus E A AGH DFE yao re AIGA Fano econ Gr Ua ane eg Ear Grd Road, London WC2. 20 Seb al Cah Socued Al ahs ReseedEm? Bm Bm/FR Esus susA AIGt DIF# E7 A AlGt D/FA ET A AlGt D/FF AE GID D A AiGt All Ay Dmaj7 22alce Bm? Bis s A AIGH D/FF E/Ge A AIG# D/FH E/GH A AIGE D/FE AIE molto Rall | tempo Rubato |Slowly with expression ape —— AT (Dbass} Dm B Bbs. dim, | pocoa poco Gm? cu er Fmaj? F Bb Sa ee * 24 LondenitO2 Sn Eves remanence ts Soa evan Sere Tne Wore SephoraF cu cr F Bbmaj7 Em? At(eust) AT Dm Tacet be (5) a Gee fos AT Dm Dm? Gm cu ct? 25dim poco a poco poco oh”Bm? Bm? caoarneenansnnael |Am Ams Fmaj7(ass) (Fines) (ef Base) Se Se Bm? (E bass) (E bass) (5) ae , Am eb) (E bass} Mia oe eee | Tee aoa= = Z % am FT ET Am (G# bass) (G bass) 29cmajo Amt Dm? Gis_Db9_Cmaly Gis G7(5>) GmT of Bis Bhs AIS. Ab Gs cS cis (9b 11+) Dm7 cis _Db9 (ab 119) 30(9b) Dm? cua ET AT AT Eee eee eee molto ral. bmi cu ct of BE Bb§ cmajr 31Moderato (with a beat) #12 A129 Dmm(m8) Dm qa ola Gm o cmt og cls Ra F Nang) AD Gala AID Dm{suss) Dm chs pis om emKsb) 32EmSH) Dgsuss) Dm ale diy mS BbTES) at a 7 = ana) at amshy or at none Dm mec F ais Geis a1 om bm om pm ping c7=)Moderate beat tempo PAA mf Pe =e Gmaj7 Fmaj7 Gb Gmajr maj? BbT BbT (5b) 35Ebmaj7 Eb6 orare re = == — ss Emaj7 Fmaj? — Emaj? Ebmaj? Eb6 F9 CmT F9 pe re oF # a ; * Gm ce Gm7 ce Gmaj7 Fmaj7 GbGmaj7 Tacet maj? 36ei Pre 2 Sat == == fto- a F F6 Fmaj’ F6 Fm7 BbT Fm? Bb7 BbT (5b) 37Moderato (with a strong beat) Bm(F# bass) nes evauponl he cartlesun Lao Fo sare Sg Sip ior gre UK ieD(sus4) D Brit Em? Bm? Em. Em? c G@edB) Ami pu B(sus4) B ‘B(sus4) B c G(PedB) Ami Gmaj7 Amt Abo G Bm Em Em? 39G pu G ret Bm? EmT D Dit D pu D ‘Abo (114) cops dim, poco a poco @ ou e cu NET Es 40Moderato ge > Pa ow Pm om 2_—__* sim 2 ee cr Fm? ce Fm7 (54) (Pear) ‘acapyant 971 py Mee Seis te Wola nett trace ee oy seca Saal Casa Ot Capyign TOPs gdsiots "USA and Baneds fier tang 'euutes Ai ass Resewes 4 cea Coppi 97 airedBy Ebb Fm? Gm7 FT Bbmaj? Ebmaj7 amb i Gat cr Fmt 42Bb Tacet Fm(add9) #719) wie rm Fm? br Ebmaj7 Fm? c+ (F bass) Fm7(5b) Bbr Abmaj? Bhat Bb Eb6 Ebmaj7 43.Moderately mf mM = a «Eb Fmt Eb/G = Cm Fmt Fmv/Eb poco accel Bom? Bbi/D BbT Ebmaj? Fm7 Gm? Abmaj? - sre a z tempo Bor Baim Cm cm/Bb — Am7(5b) DT Gm B * szpooumsceree titer aay ats “4 ‘tenationa Sopysgh Secured hi Fights RovereGm7 cr Fm? Bb7(9b) Eb Fm? Ebmaj7 Fm? Gmt Abmaj? Bm? Baim cm Ab/c Abm6/cb eee eee 4546 Ebmajt/Bb ER = Gm? Abmaj? gi pp slrgando Al _ fy = 2 BS 6 Bb Dbmajo cbmajt Asus Eb) Bb Beh * be shRubato ees aooé ———~ a a tempo Bb Ebmaj7/Bb Fm? Bbmaj7 pre e d m7 FT Dm7 ar c m7 FT Bb Bomaj7 commits me ea Ttarationt Cs Sacree 47Gm Dm Gm Dm Cm? FT Bb Epmaj7/Bb Fmt Bomaj7 m7 FT Dm? G7 c Fm7 Bi Eb EWD Dm7/C Fras) Bm765)/E ET ae oo peered I A Dmaj7/A. Em? Amaj7 48Bm9 ET Chm co Fam om Fain Cm Bll E7 Amaj7 Dmnaj7/A Em7 Amaj7 Bus e A aT Ty = .Slowly with expression = , Br BT tm? E Amal? pi? Gém E re? F#7 Fem? BI(9b) Br Gtm7 (sus 4) ocean 271 terol nears al rap Copa 197 50 "Prenatal Ccpyight Sacuree Al gts Resonodo mn a cli ie) Fe BT(9») fm Chm Bo Gtm7 == cémt—F#7 Gm 9 F C7 (sust) Amt ¥6 G7 6b) Gdim F — Bbm Gaim (Fbass) (Fass) Dbmaj7 | | 51Slowly with expression (Freely) (LH - Fm Fm(Ebass) —* (Ped. sim) ty) ge Fm(Ebbass) a tempo Bom omr(s) cre) F (abbase) eae eget SN i cae 82 (ewe soccer ee Aeneas ee‘Bbm6(Fbass) F ‘m7 (Fbass) Bbmaj7 ——~S G BmiGh ET EY(@ Amajr —-ET(@b).—Amsj?_—“-EWT(0)—Abmajt?’—bT(@H) a AbmajT —D7(9)) @ Gm76h) Fr sees Eee eee Bbm6(Fbass) F(Chass) Bbm6(Cbass) Fm6(Cbass) Bbm6(cbass) 5354 ET Amt Gmaj7_Tacet554 emp