The Friends of The Origami Center of America CONVENTION hence The Annual CollectionCopyright 1991 by The Friends of The Origami Center of America, a not-for- profit educational arts organization committed to the sharing of origami around the world. All rights reserved, including the right to reproduce this book or portions thereof in any form without prior written consent. The Friends of The Origami Center of America 15 West 77th Street New York, NY 10024-5192 (212) 769-5635, ‘The "Flapping Bird in Hand! reproduced on the cover is a copy of a wood ‘engraving showing a popular parlor game from tha 19th century. Wood ‘engravings wore widely used inthe early 18th cantury, but wore largely replaced by halftone illustrations as the century passed,Acknowledgements To our readers it may seem like just another year, just another book. To those of us on the Publication Team, however, it seems like another year, another major miracle. Considering the literally thousands of hours of hand work involved in testing, diagramming and layout, we are continually amazed to see the pages add up one by one to become such a large book. Everything you read and see was considered carefully several times by several people, and worked on by several more. We would like to express appreciation to these people, all Friends volunteers, for their abundant and patient effort and substantial sense of humor (prerequisite). Principal team: Mimi Hug May Leo Jan Polish Susan Purcell Michael Shall Bob Stack Maria Velazquez Donna Walcavage Ron Weinstock Michael Wrenn Additional help: Brad Arter Jean Baden-Gillette Lin Balinsky Becky Berman Andrew Borloz Kay Eng Myer Gotz Linda Grady Troia Raymond Lutz Phyliss Myth Carol Tams Maria Valdes Bob Voelker Mary Ann Wilk Wendy Zeichner And Kathleen O'Regan for her cover design. er Oe he ee Tony Cheng * Marc Kirschenbaum Carol Ann Wilk LutzFOR MISS ALICE GRAY WITH RESPECT, ADMIRATION AND LOVE The Friends of The Origami Center of America respectfully dedicates this book to our President Emerita, Alice Gray. Alice is a founding member of our Board. For more than twenty years she edited The Origamian for Lillian Oppenheimer's Origami Center of America, setting an example in the diagramming of models and the communication of origami vocabulary emulated by us, and by folders and societies around the world. Alice Gray's contribution to origami extends beyond the brilliance of her teaching, her creation of the first public origami tree, the respect she has earned from origami leaders worldwide and the sharing of her values. For fifty years the door of her office for the American Museum of Natural History's Department of Entymology was always open. If one was in need, Alice was always there to share. There is a small universe of folders and teachers in all disciplines whose first lesson was with Alice Gray. Alice no longer has the vitality which helped to build the foundation of this international origami movement. Her spirit, however, continues to inspire us. Be well, dear Alice. We love you." Animals of the Land wD Rabbit S| | Ms. Meow S| | Beaver ur Edwin Corrie p1| | Ranana Benjamin p3| [Kunihiko Kasahara Po Slamese Cat Lt} | Catand Mouse : Lt | | Scottie Dog 1 Martha Mitchen p7 | | Kunihiko Kasahara p10} | Edwin Corrie pi2 Boxer 1| | Horse 1| | Mouse 1 Joshua Koppel p14| | Robert Bink p16 | | Peter Muller IZ Cobra 1] | Bu Ht | | Lion HI Melinda Smith p20 | | Ron Weinstock p22 | | Stephen Weiss pedBisonte (Bison) HI Juan Gimeno p34 ~ee* Rhinoceros Hi) | Horse HI! | Squirrel HI verry Harris 38| | MarcKirschenbaum _p42|_| Kelvin Cheung p50 Frere ||" SE || pA Cankerworm C| | Scorpion C| | Stegosaurus c Marc Kirschenbaum __p52| | Jerry Harris p60| | Christopher Zima p66 S = Simple LI =Low Intermediate 1 = Intermediate HI = High intermediate © = Complex Giratte c John Montrolt pravi Animals of the Sea American Jumping Frog S| | Angoltish u Dan Torpey p80 | | Gloria Farison pat Loch Ness Monster 1| | Intermediate Fish 1 Mark Kennedy pas| | Jery Harris pe7 | | Luls Bas Arrechea p88 HI = High Intermediate © = Complex Blue Crab c Aaron Einbond p90/ Animals of the Sky Duck s Turkey s Parrot in Flight s Edwin Corrie ps7 ‘Sarah Muegge ‘p9s Joshua Koppel p9g Duck s Hummingbird ut Winged Dragon u Robert Bink pt00 Dan Bilozir p10t James Carroll p102 Flying Bat t Peacock HI Timothy Murphy p10s Matthew Green p109 Chickadee HI| | American Eagle HI | | Papagayo (Parrot) c Aaron Einbond pit Ken Waisanen pia Juan Gimeno py viivill Butterfly c Robert Lang pr2t Dollar Bill Models imple LI = Low Intermediate I = Intermediate HI = High Intermediate © =Complex George Washington S| | Money Koala s| | $swan ur Gay Merrill Gross p127| | Edwin Corrie p130| | Ted Bond pi3t $ Change Purse ut | | $ clown u| | sPig 1 Karen Reeds p134 | | Cyril Tessier p136 | | Stephen Weiss 138S =Simple LI = Low Intermediate | = Intermediate HI = High Intermediate Cc =Complex $ Frog 1 $ Cobra ! Eric Tend p142 Hoan Bul pias Flowers and Nature y/ | Modular Flower s Flower Bud u Rose I Mark Kennedy p147 | | Martha Mitchen p14g Matthew Green p150 Two-Faced Moon i Standing Flower I Flower from Hexagon t Ken Walsanen p151 | | Bob Voelker p153 | | Michael Naughton pIss* Geometric Models & Lattice Module u Michael Naughton 156 LN 60° Geometric Box Nick Robinson 3-Way Box 1 Edwin Corrie p159 dh ‘at 6-Sided Star 1) | Modutar Box 1| | Toshie's Jewel Variations 1 Mike Thomas p161| | Shirley Johannesma _p163| | Michael Naughton pi67 S = Simple LI = Low Intermediate 1 = Intermediate HI = High Intermediate © =Complex 3-0 Chain Link HI vames Sakoda 168Hearts Cupid's Arrow Francis Ow HI pies Love Connection HI T&MKirschenbaum —_p186 Heart with Wings S| | Heart Shaped Frame U| | Heart with Crane u Aldo Putignano p171 | | Aldo Putignano pi72 | | Edwin Young pi73 Star with Heart LI] | Loving Pajaritas 1| | FLove-You Valentine HI Edwin Young pi74| | Francis Ow p75 | | Aaron Einbond pi78 S =Simple LI = Low Intermediate 1 = Intermediate HI = High Intermediate © = Complex. Human-Related Models Bedroom Stippers S| | Newspaper Hats s| | 3-0 Gargoyle ! Carol Tams p189| | James Sakoda p190| | Ken Walsanen pigt 1] | Eitor Clown 1| | surterona Wave HI p192| | Karen Reeds pi94| | simmy Shafer 196 HI = High Intermediate © =Complex Exhibicionista HI! | Guitarist c Carlos Pomaron p200| | Robert Lang 202xii The Lillian Oppenheimer Collection Lillian Oppenheimer is the First Lady of Origami. Her enthusiasm, more than anything, has created and generated the Western development of paperfoiding. itis important and necessary to credit the worldwide proliferation of Paperfolding over the last 30 years to her. Lillian shares: folding, teaching and corresponding with enthusiasts everywhere. The Friends’ Lillian Oppenheimer Origami Library and Model Study Collection is the prize of her decades of sharing. Lillian said, "I collected. | never wanted to give anything away. My guests received lessons ~ not models.” The benefits of this collection will be shared forever. In this book, we are sharing eight models from her collection with you and hope that you enjoy them, Kissing Cousins s Flowers s Dory Boat s Florence Temko p207 Edith Braun (p208 Verdi Adams p2tt = <\\\ Church s Flapping Butterfly s Blossom s Alvare Mufioz p22 unknown p214 John Montroll (p215 / \ simple ow Intermediate Zc intermediate igh Intermediate © = Complex Snail 1| | sau Boat HI John Montrolt p217| | Bradley p2i9O Newspaper Hat/Basket S| | Card/Sign Stand s s James Sakoda p21 | | Shirley Johannesma _p222| | Deborah S. Claypool _p223 ‘Snappy Envelope S| | Christmas Tree L1| | Moder stand Margaret DiPlazza p224| | Ranana Benjamin p226 | | Mike Thomas p22e Tray Lt} | cross 1| | Sota 1 Nick Robinson p229| | Ricky W. K. Wong p230| | Carlos Pomaron p232 Present Boxes 1) | Church HI | | Fruit BowvChalice Francis Ow p233 | | Ken Walsanen 241 | | Phitip Shen padHoneymoon Box HI| | Match Box HI) | Gothic Table c Dave Brill p249 |_| Fred Rohm p251 | | John Montrolt p255 S = Simple LI =Low Intermediate Match Box c Marc Kirschenbaum _p263 Intermediate igh Intermediate xvxvixvii ORIGAMI BASICSxviii Steps Sides and Edges Side Edge Landmarks Fold Valley Fold Mountain Fold Introduction Models are presented in step-by-step instructions. When you fold, look to the step ahead; each illustration indicates the results of the past action and directions for the next action. Sometimes illustrations show a step in progress for clarity white on one side ‘and colored on the other side, ‘An edge Is a folded or raw corner, short edge long edge Several landmark words are used to locate an area or a more precisely, such as corner, center line, diagonal, and center or middle. comer center line center/middle raw edge white side colored side folded edge diagonal Symbols and Words Any origami fold is, basically, a valley or a mountain fold, or some combination of the two. Fold paper toward you along dash line Fold paper away from you along dot-dash (or dot-dot-dash) line.Directional Arrows Crease vs. Fold Fold Crease/ Fold and Unfold Hinge Fold xix These symbols orient any action; they move as your hand would move. Fold in front — > Fold under/inside S 7 Fold behind “> These terms indicate that paper should be folded. They differ in whether the paper should remain folded, or the fold should be undone. LL [T aoe ual Complete a move as indicated. The next step starts from this position. Complete a move as indicated, then undo the move. The next step starts from the “undone” position. Models are often pre-creased to prepare for the next step, or for some future maneuver. Ci Be Valley fold and mountain fold back and forth as a preparation for the next step. v tyxX Scale Turning the Model Repeat Diagrams change size for clarity. Larger ‘Smaller Tum of rotate the model as indicated. Tum model over. 74 Rotate model 90 degrees, 1/4 tum, etc. @@ je Rotate model 180 degrees. Repeat arrows are used to denote a repetition where indicated (e.g., do the same thing at the other side). The number of cross strokes on the arrow indicates the number of times to repeat the action.Hold Here Cut Fold/Roll Over Pleat xxi Hold your fingers at the point indicated by the circle. < C w Cut along the dotted line. x Fold or roll the edge of the paper over the number of times indicated by the number of loops. 00% 00> Fold paper in alternating valley and mountain folds, like an accordion or fan. iDivide Hidden Parts Layers X-rays Open Out/Unfold Fold the paper into equal sections or angles. Divide into equal sections. Gui Divide into equal angles. AANA Sometimes a fat illustration of the surface of the model is not adequate for clarity. tiustrations often show layers for clear understanding, even though your folded ‘model should be flat and even. A dotted line indicates hidden parts crucial for understanding. Open or unfold a previously completed move. =>xxiii Blow In/Up Inflate at arrow. &> oY Fudge Factor ‘A small gap or space which allows for the thickness of the paper when folded layers are brought together. Fudge factors prevent the buckling or cracking of thick folds. Push Push in or sink at arrow. v Look here Next illustration will show view from this angle. axxiv Name Folds/Maneuvers Name Folds/ Many common sequences of folds have come to be called by the everyday objects Wanouvers they resemble. Teachers use name folds to abbreviate explanations without sacrificing accuracy. Name folds can also be used as memory devices in linking together longer series of folds. Blintz Fold corners to center. Book Fold Crimp ‘Accrimp is a tapered pleat. There are four basic kinds of crimps. Ssdsiphp Cupboard/Cupboard Fold opposite edges to centerline. Door Fold 2XXV Diagonal/Diaper Fold Fold one corer to the opposite comer. Double Rabbit Ear This is formed by a squash and a petal fold. Ice Cream Cone Fold Fold adjacent edges to the center line. O Kite Fold Tum over an ice cream cone fold. Lock ‘Alock is @ move that helps to hold the model in shape, often the insertion ofa flap | into a pocket.xxvi Minor Miracle ‘Book fold front and back. Much used in four-sided models. ( | C Petal Fold Petal fold uses two corners and one edge. Pull lip of squash out and back to model to create a new flap or “petal.” b> Pinch can have two meanings, normally clear from context Pinch Push in two sides of a point to narrow it. ! \ 4 \ Fold and unfold to create a landmark to be used in a later step.Rabbit Ear Reverse Folds Inside Reverse Fold Fold adjacent sides to meet the center line, and form a diagonal fold from the connecting comer to where the two folds intersect. Bring the resultant point to one Mountain fold corner or flap into itself on the angle indicated. Outside Reverse Fold _ Valley fold comer or flap back on itself on angle indicated. Sinks Open Sink Closed Sink Begin with hinge fold at angle shown to precrease. Push in crease as shown. Open out flat. Make mountain folds all around little central square of creases. Pinch up ‘center lines of sides to comers of central square. Push center of paper in. SN = FFX RE D Valley fold top. Hold top flap down while bringing top single layer from behind it to on top of it. & 9 YO xxviixxviii Spread Squash/ Lover's Knot Move ‘Squash ‘Swivel Fold Wing Fold Pull to flatten out an enclosed area into which it is not possible to get a finger. QP OO) ‘Spread the two layers of a flap apart and press the folded edge into a centerline ie a Narrow a point or angle by bringing in the outside edges to meet the centerline or another edge. Two examples are shown. alts ~c 1. Fold in half and pinch at A. Fold comer to.A and pinch at B. D Z 2. Fold comer up to B and pinch at C. dD ae 3. Fold comer down to C and pinch at D. 4. Fold corer up to D and pinch at E. Ee Rotate 1/4 tum. i Ht : Ly z $ s 6 3 5.£188/17 of side of square. Crease O IS according to the order of numbers 10] a W (2) 8 Mt s LK u T'sTo divide into 19ths: 1. Fold in half and pinch at A. 2. Fold comer up to A, pivoting at adjacent comer, and pinch at B. Rotate V4 tum. woe a une eat lo u 2 1S Is Ir “UIDs 18 3. B is 8/19ths of side of square. Crease according to the order of numbers. 7BTeaching Tips Our organization has grown in numbers and enthusiasm. When we meet, everyone is excited about learning crigami. As our membership increases, so does our need for teachers, This chapter has been prepared to encourage members to share through teaching. We have brought together the ideas of several experienced teachers - their techniques, phrases, and simple tips may be helpful to our members during an origami class in {heir homes or at the Convention. itis our aim to build confidence in teachers, thus helping them enjoy their teaching experience. The goal of origami teaching is to enable the student to construct a model with pleasure in the execution and Salistaction with the result. Whatever the means of communication, when the pupils are happy with their achievements, the teaching has been successful Before The Class ‘The following tips are offered by teaching members to help you Prepare for an origami class: 1. Listen to your teachers, and try to understand what itis that makes one teacher's instructions clearer than another's, 2. Familiarize yourself with origami vocabulary and try to use these terms when teaching. Always define an origami term the first time you use it. Include shapes as part of the description, such as colored triangles, kite, or roof top. 3. Understand the skill of novice, intermediate, and advanced students. Begin with simple models, and lear to {old the model you are teaching very well. Try to match the model being taught to the students’ level of Competence, with enough difficulty to maintain interest, but not enough to raise frustration. 4. Practice, practice, practice. As you leam to fold the model, also try to predict which moves or folds will be citficult for your students, and have several precise explanations for them. 5. Teach several people the model in advance and leam by their reactions where the instructions need to be improved. it may take three times as long to teach the model as it does to fold it. 6. Make step folds i you feel the need of reassurance during the teaching, 7. Decide on the size and type of paper needed. Your sample should be large enough to be seen from the back ow, but not too large for comfortable manipulation. From a distance, the contrast between the white side and light colors or foil cannot always be distinguished. 8. Diagrams are always a plus. If you can draw diagrams or gain permission for use of diagrams in print, your class will be overjoyed. 8. Prepare suggestions for the type of paper suitable for exhibition models. Make a model for exhibition.{ii During The Class The following tips are offered by teaching members for use during an origami class: 1. Introduce yourself, the model, the model's creator, and any background information on folding this specific model that would be helpful to the students. Place yourself where all the students can see your hands and the sample. I not everyone can see you at once, repeat each step as many times as necessary for each side of the room. Enjoy yourself throughout the class. It you have some jokes or stories to share, use them while you wait for the students to finish a move. This will help to create a pleasant atmosphere. 2. Begin at the beginning unless you are sure that your pupils will all know what you mean if you ask for a specitic base. 3. Try to use origami vocabulary to describe each fold or base. Remember pronouns like “it,” “t words like “over here” are not precise enough to be part of origami vocabulary. “there,” or 4. When describing a fold, use its name, the place where the fold begins and ends, or other “landmarks” to locate it exactly. Make certain that you orient your sample the same way your students are folding - learn to fold the model upside down if necessary. Treat each step as one unit: first identify the present condition and orientation of the model, then perform the step, and confirm the new condition and orientation of the model. Don't continue until you have confirmed that each of your students has performed this step correctly. 5. Encourage the students to observe your demonstration of a move before they attempt it. Demonstrate each move twice. 6. Watch your students carefully, and not just their hands. Look for blank or quizzical expressions and if you sense any hesitation or uncertainty, repeat your instructions in a slightly different (hopetully clearer) way. 7. Be supportive and non-threatening in your instructions and corrections - not everyone learns at the same pace. Give the class as much assurance and positive encouragement as you can 8. Try to ensure that your students are quiet and attentive. A noisy room is not the most comfortable learning environment. 9. Suggest that folders compare their models with their neighbors’ models. 10. Help individual students who have particular difficulty. Avoid folding the student's model for them. If you have to Perform the move on the student's model, unfold the step and let the student try. If the student is still unable to Perform the move, you may need to fold the mode, if that is necessary to enable the student to proceed to a satisfactory end. The student's self-salisfaction is the one great essential. They must succeed. Frustration and failure will alienate them from origami altogether. Do, however, encourage students to avoid models well beyond their present skill levels. 11. Keep aware of the time.livRabbit by Edwin Corrie (UK) - ©1988 1. Colored both sides, cela pee 8. Double outside reverse fold.Ms. Meow by Ranana Benjamin (NY) © 1990 Use a 2X1 rectangle white side up. ———L_ 1. Precrease in halt lengthwise and 3. Fold the sides in while pinching the widthwise. P Rreoreee aaany ‘comers outwards. at code = — 4, Tum over. 5, Mountain-fold the bottom up. Swing the tip down while incorporating a waterbomb base. 6, Petal-fold the top downwards. 4 b : _ 8. Valley-fold upwards. 7. Reverse fold the top comers. Diagrammed by Marc Kirschenbaum (NY)Pull out the top points to form ears. Thin the bottom left point to form a tail, Fold the bottom right point over to form the leg. 10 a) Shape the body with mountain folds. b) Shape the head with mountain folds. ©) Pull out some paper from the bottom right point to form the legs. ¢) Curl the tail, €) Add creases for the face.Beaver by Kunihiko Kasahara (Japan) 8. 9. Repeat behind, 10. Repeat behind.Existing crease. Inside reverse the inner flap. 11. Repeat behind, 12. Open the tail and fold it up ‘making this valley fold. 13, Outside reverse. 14. Round shoulder and nose. 15.Siamese Cat by Martha Mitchen (GA) © 199010 Cat and Mouse by Kunihiko Kasahara (Japan) oO Hee P4 oS bX | 7% ©1990 4. 5. Skip steps 5 and 6 when you fold Mouse. fei 9. Outside reverse.Cat 11. Inside reverse. 12. Open, using the crease you made in steps 5 and 6. Inside reverse. ye Be 13, 14, 12. ah)12 Scottie Dog 3 by Edwin Corrie (UK) © 1990. 1. White side up. 2 5 ASE at : 1%” 10. Closed sink (keeps == layers together on _ the left hand side). =e,1314 Boxer by Joshua Koppel (IL) ©1990 ‘A 10" square results in a 4” model. 5. Squash fold, 11. Inside reverse fold, Fp 3. Unfold, g| a by a 6. Petal fold. Leave 7. Swing flap down. point down. See step Repeat steps 5-7 on 7. the other side. 4 9. 10. Sink along existing creases. 12. Inside reverse fold. 13, Mountain-told in half,14, 15. Inside reverse fold. =_— 19. Inside reverse center point all the way to center hump. IRN 22. Squash legs down and rabbit ear the ears. a 25. Inside reverse fold. Ae 28. Crimp neck up. The spot just between the ears should ‘meet the hump of the back. 15 17. Inside reverse fold. 18. Inside reverse fold. ad iat ae 21. Repeat behind all steps where Possible, 16. Inside reverse fold. site 20. Bring 2/3 of center point back down. 23. Petal fold legs up, then bring back down, 24. i, Fold tip up. ii. Fold {eg in halt. 26. Crimp tail and legs... WS e 29. Crimp inside. 30. Crimp head and fold innose. 31. The completed Boxer!17 Mouse by Peter Muller (NC) © 1990 ‘A10" square will produce a model 10” from the nose to the tip, of the tail 1. White side up. Valley- 2. Valley fold point to fold sides to center. point 3. Untold. 4. Valley up the corner along the crease. oe OF 5. Bring the flaps 6. Valley fold where 7. Unfold. Repeat steps tum eves underneath. lndicetednee nat 6-7 onthe other side. step. \F w& 11. Unfold. Repeat oiesied 10. alts, Note Stops io-tronthe Bonen slong the Jew the tot other side. fold from step 9. intersects the precreases, and see next step for positioning. . Diagrammed by Marc Kirschenbaum © 199118 A 13. Collapse as indicated (basically => a rabbit ear). 14, Squash fold. 15. Petal fold. 16. Swing down. 17. Valley fold where 18. Valley fold; note . ia indicated how the fold is in alignment with the comers indicated. /ON Nie NA / 19. Swivel the sides thmoonee 20. Complete; turn over.21, Tuck the flaps underneath. 23. Mountain fold in halt and round the ears. 22. Form assymetrical squashes (swivel fold). 24. Completed Mouse. 1920 Cobra by Melinda Smith (Co) 1. Begin with the white side up. Valley fold in half along the diagonal and unfold. 4. Valley fold sides to center line. ©1990 A6" square makes a 4" model. 2. Valley fold and unfold along the other diagonal, but only 3. Valley fold the comers to the make the fold in the center. center mark. @) 5. Again. 6. Mountain fold the right side behind. Then rotate the model 90° clockwise. LN 4 7. Reverse fold an arbitrary amount at left u down along the angle bisector p for the head. Valley fold the tail point ¥. Repeat the tail fold behind. Diagrammed by Jerry Harris (CO) © 199021 8. Pull out the layer of paper inside the head and turn it inside out by pushing the ‘corner at the base of the head inside (essentially a closed sink). Repeat behind. 9. Grab the corner of the topmost layer and pull it to the right until the hood “pops” into place (it will pop along the valley fold line to form a bowl). Repeat behind. sal 40. The result. (The dotted line shows where the paper is “popped” inwards.) Rabbit-ear the tip on the hood out so it is perpendicular to the hood plane to form a snout. Make mountain folds along body sharply so body can stand. 41. Finished Cobra.22 Bull by Ron Weinstock (NY) ©1991 6° square makes 4" model 1. Colored side up. 2. Let rear flaps swing out as 3. Mountain fold. This is the you fold. blintzed fish base. ww Ap 4. Valley fold top flap forward _5. Inside reverse fold sides twice 6. Inside reverse fold sides, four and rear flap behind. in front, twice behind, times in front and four times in back. 7. Narrow flap, 8. Inside reverse fold homs out 9. Shorten nose with mountain and up. folds. Inside reverese fold base of hors, front and back,23 > 411. Outside reverse fold hors to desired shape. View from side. wrapping single layer from center of horn to front and from center to back. Precrease at edges. 42, Pull apart nose and tail, 18. Push in side of front legs. making model 3D, Shorten back legs. View from side. ey | MWA Lh 15. Finished bull24 Lion by Stephen Weiss (FL) ©1991 Use a square that is darker on one side than the other. Begin with the darker side up in Step 1. Editor's Note: 10° square Produces a model 5” from head to tail, 2. Make the pre-creases shown, finding reference points on the paper, and then collapse into the base shown in Step 3.8. Tuck center flap under layer. Fold near right edges to center. Swing right point behind. 4. Fold as shown. Note that center line mountain fold begins about 1/3 from comers of triangles to vertical crease mark. 5. Reverse left end down; note 13 distance to vertical center crease. Crimp down right end (tail) so that top edges align with back, 256. Reverse long point in front from bottom to top. Mountain fold rump area. 7. Color-change the front by bringing the single layers from the inside to the outside. (Be careful not to tear the paper when perfoming the color change.) Mountain fold the bottom of the tail. 8. Crimp the top down so that the mountain fold is perpendicular to the front ‘edge and the protruding triangle is centered betwoon the top and bottom comers of the edge at its base. Outside reverse fold the forelegs ‘asymmetrically. Pleat the hind 9. Reverse fold the face down to the front of the mane. Crimp the ears. Swivel the outer layer of each hind leg27 h 10a. View from under the tail. 10. Color change the face only = “S# : A (40. {see Siep 12); open the ae head to Step 8 to do this. 7 11. Color ch: ip of the Mountain fold the front of the oe erent ‘mane on both sides. Pull down the inner layers of the tail. Crimp the hind feet—note the swivel. Tuck a small part of the front of the forefeet behind the layers of the legs. 12. Tuck the face under the mane. 1. Press down the back. Crimp the tail down slightly at its 7 base and press it down on Ss top. Round out the mane = and open the face and ears somewhat. One hind leg can be angled forward to give the impression of walking it desired. 13. Pleat to form the mouth. c 14, Reverse fold the tip of the lower jaw. Mountain fold the bottom corer of the face on each side,2 Hippo by Kati Cheung (Scotland) ©1991 PPP a@eins ty AB BE Ex AS ZS a a 17. aN 19. ate * HA % A y A30 Bull by Jerry Harris (CO) ©1990 Editor's Note: 10” square will Produce a model 4” from head to a \ iN 1, Begin with white side up. Fold 2. Valley fold both comers to the 3. Valley fold both corners in and unfold one diagonal; tip. Rotate 45 degrees half, valley fold the other. counter clockwise. ee 4. Collapse the whole thing as a 5. Petal fold the 2-layered top preliminary base. part of the preliminary base. ‘Tum over side to side, 6. Petal fold this side too. When {ifting the petal, lift not only the top layer, but the two flaps beneath i, too. <— | 1 7. Fold both petals down, 8. Fold each side in halt (that is, ‘Switch the sides around). 10. Grab the two inner points and pull until the top point “pops” inwards. (Make sure that the “thick” side is on the cs) 11. The model does not le flat Rabbit ear the protruding flaps to the right by pinching them at the tips.12. The result. Reverse fold the “thin” tip up. Thin side 14. Valley fold top layer only. connects lines made in 16. Reverse fold the corners inside also using the folds from 16. Fold goes under top layer. aN me 20-First, reach inside and 31 13, Unfold back to what is essentially step 4, though this will be the other side. Make sure that the flaps folded in steps 2-4 remain in the folded state they are now in (rabbit eared). Rotate 90 degrees counter clockwise 15. Recollapse the bird base ‘except for the top layer and do not fold in half. 16. Valley fold protruding comers, along edge inside and untold. we fe 18. Rabbit ear the white flap 19. Valley fold the extra white while folding entire model in half. This is a dificult step, and won't be finished until step 20. reverse fold the small tlap sticking up. Then, reverse fold the flap at le side. flap down. when this is done ‘on both sides, the flaps at ‘op will be in place. These ‘wo will be the horns. (This pulls out part of the corners reverse folded inside in 17). 21. Reverse fold the same flap ‘once more. Dotte: shows where fold lies.32 a 22, Closed sink the fronts of the 23. The result. Look inside the horns. This is extremely front. ifficult and it helps to pull the large white point at right ‘down unfolding the model slightly. 24, Reverse fold tiny point up. (This is what remains of the first reverse fold in step 20). Close up. 25. Reverse fold large front point 26. Reach inside the point and 27. Outside crimp the entire up (the point will lie to one turn the flaps inside out. This head (including the hidden side of the homme not nite will cover the homs. Make horns) down. The circled center. sure that the points at the points will become the ears, sides remain colored, by 80 do not neglect their having the single colored placement, flap remain on top. TS 29. Rabbit ear and curl horns. Crimp ears. Reverse fold tip of nose inside. Repeat ear and hom folds behind. 28. Pull horns up. 30. Outside reverse fold the 31. Fold under the lower edges nose. of the head. The head is low complete.33 ieeeeeeeeeeeoer 32, (body details) Rabbit ear 33, (rear legs and tall) Outside 34. Outside reverse fold again. front lags. Lift one layer of reverse fold legs parallel to the rear part and rabbit ear body. the hind legs. 35. Reverse fold tail up. 36. Reverse fold base of tail 37. Reverse fold tail down. inside. 38. Push in back and push up ‘stomach. Form feet and curt tail. Spread horns, Round out snout. 39. Finished bull.34 Bison by Juan Gimeno (Spain) Colored side down. © 1989 Editor's Note: 10" square produces a ‘model 4" from head to tall38 Rhinoceros by Jerry Harris (CO) A10" square will produce a model 5” from nose to tail 1. Begin with white side up. Valley fold sides, to center diagonal line. N 2. Valley fold tip to comers folded in step 1 SJ D N 4, Fold corner to intersectin of lines. ‘The flap folded will ie along the edge of the ‘small triangle folded instep 2. 7. Fold uppermost assembly underneath. 5. Valley fold flush with line beneath, | 8. Repeat steps 4-7 on the opposite mirror image). 10. Push in the sides and fold circled Points down. © 1990 Ze 3. Unfold flaps folded in step 1 a 6. Fold protruding tip up flush with edge beneath. 9. Fold and unfold upper flap along adjacent edges. 11, Pull out flap from step 2 at top. Rotate 45° counterclockwise.Z\N, SK 43, Petal fold, leaving petal down. 12, Squash fold. 15, Repeat steps 12-14 16. Fold tip up. onthe left (in mirror image) 2 An RNY om on A 19, Valley fold edges to center. Turn over. 18. Reverse folds. Turn @) 14, Fold back over. ‘ NE 17. Reverse folds. 20. Valley fold to center line. Tum over.21. Valley fold in halt, 22. Valley fold 23. Valley fold sides of Tum over. uppermost flap flap to center, tangent to the tip of squashing gussets the white square, that form at top. |} 24, Pull the layers 25. Valley fold lower 26. Pleat uppermost undemeath over the portion’s angle layer of snout. tail assembly. bisectors and untold. Turn over. ‘ 27. Rabbit ear both 28. Squash ears. points at the snout Outside crimp hind up vertically. portion. Mountain fold in half. Rotate 90° counterclockwise. |(ears) 29. Petal fold. Repeat 30. Valley fold in halt. behind. Repeat behind. 31. Squash ear down, 32. Off-center petal fold Repeat behind. ears back. 33. Valley fold uppermost layer of head to form eyes. Fold belly layers under, squashing ‘gusseis inside hind legs. Reverse fold tail down. Double reverse fold all feet. 34. Finished Rhinoceros.42 Horse by Marc Kirschenbaum (NY) © 1990 10” square paper = 3" horse CU 7 : 1. White side up. Form a fish 2. Valley fold. base. 3. Tum over. 4. Valley fold, 5g 6. Open up entirely. Turn over. 5. Unfold. Repeat steps 4-5 on the bottom. 7. White side up. Mountain fold. : : 8. Outside reverse fold along the existing creases.43 TAT? 9. Valley-fold to the intersection of creases. 10. Valley fold. Loe ' 11. Valley fold. 12. Swing back as indicated, 13. Complete. Open out entirely to colored side up. 14, Collapse as indicated. Form the mountain folds first.44 16, Swivel in; repeat behind, 16. Swing the lett flap up. Fold the single layers up as far as possible on the right. cal Be 18. Collapse both sides as Tale. 19. Swing down both sides. 17. Fold the bottom flaps up as far as possible. 21. Reverse fold. 22. Reverse fold twice. 20. Reverse-fold in and then out along the existing creases.45 aoe 24, Untold. 25. Spread the layers evenly 23. Fold to the indicated crease. Wille spread squashing the comer. Edge A / Edge B 26. Close it up. 27. Pull the rear section up, so that Edge A is parallel to Edge B. 28. Valley fold down as far as possible. The center layer fn the rear end will stretch | out.RRM 31. Thin the rear; a layer from 30. Rear shown only. Pullthe 9+ anne ra ayer fo 29. Bring the single layer to the tell Upwigids UvOugh the tail will be stretched out surface (closed sink). leo cs in the process. Repeat Repeat steps 26-29 behind. behind. > aN . \ ° | 4 92. Pull a single layer to the surface (closed sink), Repeat behind. 33. Thin the legs. Outside 84, Swing the front over. reverse-fold the tail, Pes 85. Sink the indicated region 36. Swing over. about halt way. Open up 97. Valley fold both sides. 38. Swing over again. ‘Model slightly to do this.47 Right edge I aa 6- DY 1 7 Indicated Crease 41. Swing over. 39. Precrease as indicated. 40. Valley-fold so that the right edge is along the indicated crease. 42, Swivel fold, using the 43. Swivel as indicated. creases from step 39 as a 44, Swing over. Repeat steps 45. Squash fold the point. 46. Spread-squash the point. 42-43 on the other side.48 48. Valley fold. 49. Swing over the flaps as | indicated 47. Spread-squash the comers, Lercfoats - Hold here. Q 51. Swing the head down as indicated. 50. Sink the indicated region ‘triangularty, so as to lock the back of the neck. 82. Outside-reverse-fold the tip about 1/4 the length of the top of the head. Sink the top corner slightly.49 eee J a g 7 ach : <\ : 53. Reverse-fold to form : 54. Crimp the hin 55. Swivel-fold to thin the legs. muzzle. Reverse-fold twice inp the hind lege Outside-reverse-fold the tip to form the ears. of the tail. Shape the body and legs. 58. Completed Horse.LAs “& ‘i § a Pee Yioa WA Pine 5152 Cankerworm by Marc Kirschenbaum (NY) © 1989 Use a darkly colored foil-backed square. The length of the completed model is one-half the length of the original square's diagonal measurement, - s. 2, Fold the top and bottom comers to the intersection of 1. White side up. Precrease and creases. Tum over, then turn over. NZ ESN LN FUL 3. Fold the edges to the center 4. Fold the corners to the center. while bringing forward the flaps from behind, XDA LNERK 5. Precrease using mountain 6. Fold multiple swivel folds as and valley folds where indicated, working from the indicated. center outwards. (J53 7. Same as in the previous step, 8. Squash fold the two end but this time form a rabbit ear Points. ‘on the original corner. Repeat steps 6-7 on the other side. 10. Bring the single layer to the 11. Completed step. Turn over. 9. Flip the top section up. Tum surface. This is basically a Repeat steps 9-1 on the over. closed sink, bottom. 12. Valley-fold the sides to the 13. Bring the single layers to the center, bringing the ‘surface; this is basically a triangular flap from behind to closed sink, the surface. 14. Fold the long flap over to the 15. Pull out a single layer from center while reverse-folding each side. Ths is basically two layers where indicated, undoing a reverse fold.54 ° ' 16. Flip the flap as indicated. 18. Valley-fold the four newly a formed flaps. 21. Flip the single flap up while reverse folding. 17. Un-sink the indicated Bring a single layer to the surface where indicated. Rotate model 90 degrees. ae ren 22. Lightly valley-fold the flap across as far as possible. regions. The model will have to be opened up to facilitate this. Repeat steps 14-17 on the other side. 20. Top shown only. Precrease using valley folds. 23. Again valley-fold lightly while pulling out paper where indicated.24, Squash the single layer. 25. Valley-fold the top layer of the square over lightly, while spreading out the layer under it, and while stretching the indicated region. The flap folded in step 22 should stick up at a right angle. 27. Bring flap down while ‘4 28, Swing the top back. Bring the reverse folding. Repeat ng steps 20-27 on the other ‘two thick side flaps up. side. 55 26. View from step 25. Fold the flap down while reverse- folding. This is the flap you folded up in step 22. 29. Precrease where indicated. Flip the top back to the front. Repeat steps 20-29 on the other end. 31. Swing lap down while 0. Qpenobtine top, reverse-folding the sides.56 82, Enlarged view of center tlap. Collapse using the indicated folds (model will not lie flat). 33. Valley-fold the single layer Untold. up. x*x« 34. Fold the two small flaps to _35. Flip up as much as possible; the center, the top center flap will fall back naturally. Repeat steps 30-35 on the bottom. 36. Precrease by reverse-folding with the indicated folds and unfolding. 37. Valley-fold each of the four eps haiway; 38. Bring the sides in while forming the pleat in the top single layer. You will have to reach inside to accomplish this. ; 40. Repeat step 39 on the 39, Make the set of mutiple bottom. Swing the top flap ‘swivel folds as indicated. down,57 44. Sink halfway. 42. Valley fold where indicated; the edges will naturally spread out. 43. Pull single layer to surface of 44. Valley-fold where indicated. flaps folded down in previous step; i., closed sink. Reverse-fold the comer flaps. q 46. View from step 45. Reverse- fold the single layer up and — then down. The fold on the interior should form naturally. Repeat steps 45-46 on the other side, bd 45. Reverse-fold where indicated. Do not flatten. 48. Lift the top flap at 90 degrees and reverse-fold the sides. 47. Valley fold. Repeat steps 39- Won the bottom: Pee node should no longer58 49. Partial view from step 48. Using the folds from step 32, collapse as indicated. ¢ 51. Complete. Repeat steps 48- 50 on the other side. 58. View from step 52. Reverse- {old the indicated region. Pull down the legs and open out the end by pulling on the original comer. Repeat all steps behind and on the other side. 50, Pinch the indicated regions, pulling down the five legs into an equidistant formation. a A 4 52. Partial view from step 51. Sink the areas indicate triangular regions will pop out. Repeat on the lett side. 54. Collapse the legs as indicated, stretching them into ‘an equidistant formation. ‘Swing over the top flaps as indicated into this formation. Repeat everything on the lett. e55. Complete. 57. Rabbit-ear to form the legs. 59 56. View from step 55. Mountain fold. Do not repeat behind. 58. View from step 57. Round the body as indicated. Pull each of the legs out slightly at an angle from the body while positioning them. 59. Completed cankerworm.60 Scorpion by Jerry Harris (CO) ©1990 1. Begin with colored side up. Fold comers to center. 2. Collapse as a 3. Squash fold. waterbomb base. 5. Pulloff a layer of Paper. (Beet of erauing omitted for clarity) 7. hi ‘Squash fold, eee 8. Wing-fold in progress. /\ 8. Wing-fold complete. 10. Repeat steps 7-9 on 11, Fold tip up. the right12. Asort of rabbit ear. a A 16. Two inside reverse 17. Bring all three points folds. A 20. Valley fold up as far as possible. \ 24, Reverse fold flap through; fold entire flap down. 61 O04 14, Pull out flap. 15, Reverse fold. 13, Reverse fold inside. 19. Repeat steps 3-18 on the right side. 18. Fold one more flap down while folding over flap to the lett 21. Pullout one layer on 22. Fold tip under. 23. Another rabbit ear. ‘each side of flap. 25. Squash fold.62 26, Petal fold, folding Petal undermeath. 27, Fold at angle This willbe the bisectors (ie., as mouth, far as possible). 28. Narrow top with valley folds. 29. Mountain fold underneath; turn over side-to-side, 30. Reverse folds on angle bisectors. 31. Valley fold flush with 32. Reverse fold as far 33, Reverse fold. The edge underneath as possible. valley fold is even and unfold. with the edge beneath,63 4 94, Reverse fold. 35. Repeat steps 31-34 36. Repeat steps 20-23 ‘onthe remaining ‘ontop point. These "| flaps. will be the eyes. Note that this flap is abit smaller than the one from step VR \An/ 97. Squash fold. 98. Fold flap back down (not all the way). 39. Fold tips of eyes under fold edges an ; ; ‘old angle bisectors 41. Valley fold inside: Behind to lock eyes behind. turn over side-to- inplace. ao= a 43. Narrow with reverse 44, Narrow remaining _—_45. Spread legs. folds on top two ‘ayers together with layers. a reverse fold. 42, Reverse fold inside the second opening. This will lock the legs together. 48. Narrow leg with reverse fold. 46. The result. Repeat steps 42-46 on the left 47. Inside crimp remaining leg so it lies just below other 49, Reverse fold. legs. \ 52. Fold comers to center line beneath 50. Valley fold inside. point. b Repeat steps 48-50 53. Mountain fold in half con the left. Open 51. Pleat tp. again (model will ie claw out flat and forays look at it from the gain). inside, and rotate ‘the model 180 degrees.65 56. Reverse fold again. 57. Outside reverse fold. 55, Reverse fold claw. a 54, Tur over side-to- side. 58. Pull out claw. 60. Spread mouth parts. Sy Pinch and curve yy legs down. Rabbit ear tail so it stands vertically above body. 59. Pinch to shape claw. Repeat steps 55-59 on left claw. 61. Two outside crimps “j= to shape tail. y 62. Reverse fold tip 63. Pinch and curve in 64, Finished Scorpion. down. stinger.66 Stegosaurus by Christopher Zima (DC) ©1990 1. Blintz. 2. Preliminary fold. 3. Petal fold. 4. 5. Petal fold,67 6. Fold top flap down first, then fold the left flap to the right. Repeat steps 4-6 on left side. 7. Untold to step 4. 8. Unfold top folds (similar to an outside 9. Unfold second pair of flaps. reverse fold).68 12. Double sink. 13. Refold the four points back to their original position in step 8. 2 14, . There is a hidden flap inside that should have been squashed. 16. Hidden view.69 18. Expose the paper underneath by 19. While folding down this flap, squash ‘opening the two top layers. at the ends. 20. 21. Move the two top flaps to the left. 22. Unfold the right side and open up lett side to show the layers underneath.70 23. Fold down flap as far as possible while squashing the left end. 24, Refold to step 22. Repeat steps 21-24 on the other side. 25. Fold in half and turn 90 degrees 26. Fold only the top flap and unfold. clockwise, Repeat behind, 27. Combination of squash and crimp 5 folds. Repeat behind. oe.71 29. Valley fold. Repeat behind. 31. Reverse fold and unfold. Repeat ‘32. Pull up some of the paper inside. behind. 83. Two crimp folds. 34. This operation is difficult; look at the next step to make sure you folded this correctly. 35. Combination of crimp and reverse 36. Bring two of the narrower flaps folds. forward by squashing them and making points 1 and 2 narrower inside. Twist the four flaps on the tail to make the spikes.72 39. Double reverse fold flap A. Mountain fold line for this operation is not shown, 40. Reverse fold above the front legs. Repeat behind. 41. Double reverse fold neck, double crimp legs to form knees, reverse fold to form feet. 42. Inside reverse fold to thin neck; Fepeat behind. Double crimp fold tail in two places to lower tail; this step may be omitted if it proves too difficut.73 42a. Double crimp fold. 42b. Outside reverse fold, 42¢, Pull down paper inside. 42d. Slide head downward so that it is aligned with the neck, 43, Completed Stegosaurus.74 Giraffe by John Montroll (MD) ©1991 One day Ermy said to his great aunt, “Why can't | be on the basketball team?" The great aunt said, “You might be tall, but can you dribble?" “No, but | can drool." And that, in essence, summarizes the plight of the giraffe. Would you like to be a giraffe? Imagine how long the telephone cord would have to be. Or what the toilet would look like. Or even the social aspects of day care centers and commuting, So be grateful that your DNA sequence does not contain the code for creating giratte proteins. Fold and unfold, repeat behind. TK Use A and Bas guides,Reverse-fold, Reverse-fold. Fold up to the top and unfold. Repeat behind. —_ Repeat behind. folds Reverse Repeat behind, Reverse-fold. Hold this in the air and do not flatten tt. Tuck inside. Fold down and unfold. Repeat behind. Repeat behind,76 28 Reverse-fold, repeat behind. Kite-fold and unfold. Do not flatten this. Pull out the Squash-fold Petal-fold. hidden paper. Reverse folds. Sink both ends, starting with the thicker one.77 Fold and unfold, repeat behind. Hold the dark paper to fold up the neck. Fold at an angle of one-third. Repeat behind Repeat steps 47-48 behind. ‘This is a three-dimensional Fold at an angle of step. Spread-squash-fold to ‘one-third, Repeat behind. flatten the model78 Fold at an angle of one-third by the neck and leg, Repeat behind. Repeat behind. Place your finger Fold at an angle of inside the second one-third by the leg, layer. Repeat behind. Repeat behind. 1. Place the dark paper on top. 2. Squash-fold the ear. Repeat behind. Repeat behind. Repeat behind.1. Fold the tail in half while The lower hind leg is shown, thinning the hind legs at Thin at an angle of one-third. an angle of one-third. Repeat on the other hind leg. 2. Slide the head up. 1. Spread the tip of the tail. 2. Fold the leg in half while bending it up. It will be three-dimensional. 3. Make a little squash fold to make the top of the horn round. Repeat behind Giraffe 1. Bend at the knee. 2. Fold in half, 3. Shape the head. 4. Bend the ears. 2 5. Bend the neck with a crimp fold. Repeat behind. The legs are three-dimensional. 7980 American Jumping Frog with Mouth by Dan Torpey (CA) © 1990 folds. 7. Fold AB to CD. 8. Completed Frog.81 Angelfish By Gloria Farison (OH) © 1990 Especially effective with two-color ue designed paper. ply 2. Fold a narrow pleat. (For 6" paper fold a/teth’). 1. Colored side down. Sy oo Y Y : Z “f- 45 4, Rotate to right. 8. Fold flaps outward. 6. Crease between diagonal creases only. Repeat around to form small square in center. Unfold to figure 4. 5. Fold horizontal edges together as shown,82 8. Squash on fold lines. This Angelfish is an action model if 11. Place paper clips on fins while fins are not glued and clipped. shaping tail. Remove clips after Hold both fins where clips are lightly glueing tail and fins in place. shown moving hands up and down; mouth will open and close.83 Seahorse by Melinda Smith (CO) ©1990 Begin with the white side up, having creased both diagonals. 2. Valley fold the ‘ears’ in halt 1, Rabbit ear the opposite comers (to 3. (only the ‘ear’ on the form a fish base). right side is shown) ‘On only the right side, fold the rabbit ear in half again. Then turn over trom side-to-side. 4, Valley fold the edges to the center. 5. This is a weird fold! Swivel a part of the flap under (note where ends of folds are!) while folding the sides in (not fo the center!). 6. The result. Tum over from side-to-side. 7. Tuck the flap on the right into the pocket behind the flap on the left (fo lock the body) while valley folding the entire 1 ‘model in half. Diagrammed by Jerry Harris (CO) © 199084 8. Outside reverse fold some of the top and most of the bottom to form the head and tail, respectively. 9. (only head shown) Inside crimp the snout and reverse fold the tip inside. 10. (only tail shown) Reverse fold a large Portion of the tail 11. Outside reverse fold. Continue the inside-outside reverse fold patter (steps 10-11) until the point runs out. This will curl up the tail. 13. Finished Seahorse. 12. Reverse fold the tip of the fin inside.85 Loch Ness Monster by Mark W. Kennedy (NJ) © 1989 1, Start with 2x 1 rectangle, white side 2. Rabbit ear opposite corners. up. 3. Mountain fold behind the rabbit ears. 4. Form rabbit ears with top layers, allowing bottom layers to swing around. LS 5. Along center line, mountain fold 6. Open out one layer along center behind. One full rabbit ear will be front crease. and one behind. 7. Starting at tip, fold outside folded 8. Valley fold out flaps, so that the tips edges into center line. extend out a bit beyond the folded edges.9. Open out folds and return to step 6. 10. Repeat steps 6 through 9 on the other side. 11. Step 10 complete. 12. Flip flop the rabbit ears to establish the vertical crease. Align all rabbit ears in one direction, 18a. Valley fold between vertical crease ‘and folded edge. 13b. Valley fold between double raw ‘edges on bottom and vertical crease. ‘14a. Valley fold so that the crease made in step 13b is aligned with the vertical crease. 14, Petal fold down to form the flippers. 15. Put back in the folds make in steps 6 through 10 to form the humps. 16, Small reverse folds on the flippers to round them off. An inside reverse fold to form the neck. 18. Completed model. 17. Flip small flap back along neck to smooth the features. Outside reverse fold the neck to form the 3-D head - see details of head.Intermediate Fish by Jerry Harris (CO) Note: Begin with waterbomb base, white side out. 1. Valley fold in half and 2. Unfold completely _ unfold. and turn colored side up. 87 ©1991 3. Reform on existing creases. x 4, Reverse fold only front tail lap. Fold the two fin flaps over to the right as far as, possible. 6. Valley fold tail flap part way back out. Valley fold fin flap back over flush with the line beneath, dad 8. Squash mouth in. 5. Valley fold the other tail flap inside the first. Valley fold most of the fin flaps back over (the exact amount doesn't matter.) 7. Swivel the paper above the fin down, then fold the fin back over. Repeat behind. Af 9. Finished Intermediate Fish.88 Rana by Luis Bas Arrechea (Spain) © 1988 Editor's Note: 6” paper makes a3 1/2" frog nose {o ear. 1. Color side down.90 | Blue Crab by Aaron Einbond (NY) 1990 | Note: 10” paper results in 2 1/2” body ! width. 1. Start with a square, white side up for a eee colored model with white eyes, foil works well. Precrease. ‘3. Fold the comer to the 4. Repeat step 3 on the intersection of the other three corners. landmarks, unfold.91 6. Sink along existing creases. 5. Form a waterbomb base. yé pos 7. Open sink the front two comers along existing creases, do not repeat behind. 8. Squash folds. 9. Precrease. 10. Reverse fold while folding in halt 12, Cutaway view: Reverse fold two small flaps, repeat 11. Reverse fold in and on right. out.92 AS ! ats Xs 14. il 13. Valley fold, pet fold while x | 15, Repeal steps 14-15 16a. Outside reverse on right. fold, turn over. 160. Another view of the 17, Outside reverse told ‘same step. back down. AE EES, 1 7 1 19. Petal fod front layer, —— ‘model will not lie flat. 21, Valley fold the flaps Into the pockets next to them, two small reverse folds will be made in the process. 20. Close in the sides and swing flaps up.93 eh ee 22, Pull out tiny flaps 23. Reverse fold the 24, Precrease. from under the front flaps back into the layer. second layer from the front. y| | (O° 25. Closed sinks, some 26. Squash the small 27. Sink the point in layers will sink point between the layers, further than others, turn over. 28. Valley folds. 29, Valley fold flaps back 30. Fold down the front out. layer of one of the flaps, model will not lie flat.94 31. Flatten the assembly ‘80 that the legs are spread out. 34, Slide a single layer of paper out slightly on each side, 37. Cutaway view: reverse fold inside flaps. ae 32. Wrap a single layer 33. Reverse fold to ‘of paper around the Narrow legs, repeat assembly, forming a steps 30-33 on the closed sink. right Sy = < = | > zj ‘85. Reverse fold under 36. Tum over. front layer as far as Possible. 88. Valley fold front 39. Cut-away view: layers into pockets. rabbit ear so the point is on the inside.40. Cut-away view: slide the point into the pocket formed in step 37. > 43. Precrease by folding ‘comer to circled point. 46, Mountain fold. 41. Crimp the claws sideways. 44, Open sink along precrease. 47. Valley fold to close. 95 42. The following ste will be Peery magnifications of the indicated area. 45, Valley fold top layer, a squash will form in the process. \ 48. Reverse fold.96 K \ 49. Valley fold, repeat 50. Reverse fold. 51. Crimp while pushing ae in some paper on the len. Ye cri : 54. Repeal stops 43-53 — —" on the right claw. 55. Rabbit ear the legs. 56. Crimp to position the 57. 1. Spread the claws legs. .. Pinch tips of shell 3. Pinch eyes and make them stand up. 58. Complete Biue Crab!97 © 1988 Duck by Edwin Corrie (England) Recommended paper for best results - double sided colored Paper 1. Using double sided colored Paper, make two book folds and two diagonal folds. Leave in second diagonal fold. 7 2, Make mountain fold as indicated; inside reverse fold. 3. Make valley fold starting from 1/8 of top folded edge as indicated; outside reverse fold. 4, Mountain fold as indicated, repeat behind. Valley fold bottom flap for wing, repeat behing. 5. Finished model.98 Turkey by Sarah Muegge (MO) ©1991 Author's Note: This is a simple model of a Turkey I designed several years ago for the American Cancer Society and their “Great American Smokeout" celebration which is held the Thursday before Thanksgiving. | felt it would be ‘something simple that reforming smokers could busy themselves with as they attempted to stop “cold turkey.” | have also taught it to my son's second grade class for their Thanksgiving party. 1. Start white side up. 2 | a 6. Reverse fold then open and roll, Diagrammed by Carol Ann Wilk (NY) © 199199 Parrot in Flight by Joshua Koppel (IL) ©1990 as 4s 2. Rabbit ear behind, note Water bors, ‘mountain folds. 4, Fold in halt, 5. Fold wings up. 6. Squash wing up. Z.Inside reverse head. Rabbit _—_—8. Outside reverse beak. Rabbit 9. Lift wings up and ... * ear wing ear wing. Creator's Note: This Parrot is a variation of a perched parrot by Samuel Randiett in his first book. What Ihave done is redesigned the wings to take the parrot from its perch and into flights. 10. ... FLY It400 Duckling by Robert Bink (Netherlands) ©1990Hummingbird by Dan Bilozir (Canada) 4, Note: Folds AB and cae fold 4. Start with birdbase. 2, Precrease (or AC are top layer only. and untold). /\ 10a. Shape from center. Taper to edge. 14, Humming Bird ‘complete.Winged Dragon by James Carroll (GA) ©1991103 _ Peacock 2 by Edwin Corrie (UK) ©1990 Note: 6” square makes 41/2" model Ng (i) reverse fold (i) mountain fold Double rabbit's ear.104105 Flying Bat by Timothy Murphy(Canada) @1991 Start with paper white side up. 410" paper makes a bat with a 12" wingspan. . 1. Fold to center. 2. Rabbit ear. 4. Fold and untold. 3. Enlarge. 5. Squash flat. 7. Fold over. 8. Fok ep layer only. Repeat on106 10. Fold up and unfold. 9. Fold up. Enlarge. I Ll 12. 11, Fold over and back. Ah AK 14.107 15. Tum over. e 17. Unfold and turn over. 20. Fold out, - Enlarge. 49. Turn over. Enlarg Repeat steps 10-19 on other side. 23. Forward view of ears. 21. Fold straight up. 22. Push up forward108 i 25. Reverse fold down. 27. SN For another wing shape, refold step 10 as a ‘mountain fold. Rear view. Finished.109 ©1991 Editor's Note: 10” square will produce a model 4” long. The tail Peacock by Matthew Green (NH) 1. White side up, precrease 2. Fold in the top 3. Form the point as shown as shown, comers. (really half a stretched bird base, inside out) . (enlarged view) 5. Rabbit ear hidden point 4. Rabbit-ear the point inside, out. to thin it out., Repeat the whole process on the J other upper corner. SN aN 8. Reverse fold down the 4 sain, reverse fold each flap into 7. Refold the precrease: two big points, soasto 9: Again, ap i | Fe thot the middle of the paper bisect the angle. itself, so that they are all bisected (all Froves up and the sides move in edges should be flush, at top and resulting in half bird base with bottom.) halfa frog base sticking out of it. 10, Repeat the process as many times as ; patience, paper, and time permit. 11. Spread out the tail.110 7 12.Do not fold the front of the bird flat. Round off the tail by 13, The completed stage (left and right should be valley folding in the comers over increasingly smaller the same, but this diagram shows two separate intervals (for example, the first time fold across 1/4 of the examples) Refold the tail and body. total number of sections, then 1/8, then 1/16 (if you have 32 divisions) then 1/32 (if you have 64.... etc.)) The left side of the diagram shows the folds for 32 total divisions, the right side for 16, 15. Reverse the neck and feet.. 14. Valley fold in one third of the top edges to thin the body and neck. 16.Thin the neck, and crimp the til 17: Reverse fold down a evenly. a 18. The finished model. The more folds in the tail, of course, the better.11 Chickadee by Aaron Einbond (NY) © 1990 1. Start with a 1:2 piece of paper, white side up. Precrease. 4. Fold half-way between the folded edge and the 3. Precrease. landmark. 6. Rotate model 45 degrees, the following steps will show a magnified view of the indicated area. 5, Valley fold comers. yw 5 AD 7. Precrease. 8. Bisect angle. 9. Reverse fold along landmark.12 oC 10. Reverse fold. 41. Reverse fold back. 12. Reverse fold. wy e 13, Reverse fold corner in 15. Re I~ between other two points. 14, Reverse folds. ion steps 7-14 onthe 16. Mountain fold in half 17. Precrease. 18. Bisect angle, repeat behind. SS : " 21. Mountain fold and { 19. Fold point back, t 20. Swivel fold, repeat behi and form a bene Hope pve! fold, repeat behind swivel fold at the right, repeat behind,113 22. This is an irregular double eer rianen te hace bemmocel 24, Petal fold. rabbit ear. Fold over a single . layer, this will not lie flat. Closed sink the corner. Form a double rabbit ear and pull the assembly forward, repeat behind. Y UY) 26. Mountain fold, repeat 27. Crimp beak. Spread toes on 25, Crimp to form head. behind. Narrow legs. both legs. 28. Fold a single layer of paper 29. The chickadee is complete. on the beak to perform a ifthe feet are postioned round oat Seay folate correctly, it will stand. round out body, rotate model.14 American Eagle by Ken Waisanen (CT) Use a square of paper colored black or dark brown on one side. A 10-inch square Produces a model with a 9-1/4 inch wingspan. 1. Begin by folding a bird base, colored side out. Position so that the four flaps Point upward. Fold one flap down as far as it will go and untold, 5. Fold sides around to change the color of the head. 8. Fold entire head assembly upward. 12, The twist complete. As points P, X and Y indicate, the model is now three- dimensional. Hold the tail flap at the indicated circle and pull down fat with the plane of the rest of the model. X and Y will swing upward, but no new creases will be added. 2. Fold tip of flap to bottom of model and unfold. & & 6. Fold down. dG 10. Fold tip to line of fold in step 1 and unfold. 9. Completed for now. ‘Tum model over. x) ’ MIN © 1990 & ® 3. Add a mountain fold 4, Pull out the extra halfway between Paper from behind these two creases the flap. and one more an equal distance above the top crease to pleat fold the flap as shown, 7. Swivel fold so that the colored edges meet in the center. aN Gf 411. Make valley and mountain folds as indicated, twisting flap about vertical axis as creases ¥ sol 13, Holding the tail in place, flatten the wings X and Y upward and 14, This is the result outward as far as they will go.115 i 18. The next move is Close-up of the tail, 16. Slide out the extra 17, Pleat-fold again, as somewhat difficult, TeCose ene paper andtum shown, and tum and quite messy, but shown model over. cover. Note that this go slowly and fold involves neither patiently and you the top flap nor the will achieve a bottom one; the next pleasing result. Fold drawing should help primarily along the clarity the desired indicated creases effect. (the edges of the white area revealed in drawing 17). As you do, the layers underneath will pull and buckle; seek to flatten them as best you can. Work one side, then the other, 7 always keeping the X center axis straight. 19. The fold half done. 20. The completed tail, ‘The small points all flat. Now crimp indicated by the the bottom of the arrows must be wings over the legs, folded in toward the folding back atthe 24, Swivel fold the center and flattened. _ingicated points X. bottoms of the wings Note that the flaps Let the top edges of as shown, again already down form a the wings swivel as 15x horizontal line you do this and vee - across the center of flatten the new igunes, the tail; they may ‘edges into place. come closer to each other than the drawing indicates. 22. Swivel fold again to narrow. 24, Inside reverse fold the points to form the legs, folding all the way in to the ds in pk center and eno ‘squashing the fold in the middle.116 vIi< result would look with the top layer (the shield) removed. Note how the flaps have indeed inside ined Oe, each side (the dotted lines show hidden edges). 27. Mountain fold the wing edges back from the comers of the shield. The model is now complete except for the head detail. a 30. Pleat fold the beak around the edge of the head, 31. Pull the top layer of the bottom halt out of the beak pleat slightly and fold under to form the eye. 26. Fold the edges of the shield in to the center line, folding the top edges of the ‘wings in as needed. Hind it helpful to locate the shield crease lines by valley folding to the center first. 28, Head: make a crimp fold as shown, one which does not quite reach the left hand edge. The extra paper folds behind. ‘The center line of the beak should be horizontal 29. Fold back the sides of the neck. 32. The completed American eagle, with shield.117 Papagayo By Juan Gimeno (Spain) © 1989 Editor's Note: A 10” square produces model 5" from beak to tail feathers. 1. Colored side down. A - SaveButterfly by Robert J. Lang (CA) 121 © 1990 2. Crease the 3. Pinch near the left edge. 1. Begin with the colored side up. Crease the paper in half and turn the paper over. 4. Fold and unfold, but only make the crease sharp where it crosses the diagonal. mi Hl 1 da 6. Fold the left edge to the crease you just made and unfold 7. Use the intersections between the crease from the last step and the diagonals to place these Ure creases, Turn the paper over. 5. Fold the right edge to the intersection of the last crease with the diagonal and unfold. “Turn the paper over. 9. Fold and unfold. 10, Fold a ‘Waterbomb Base. 11. Squeeze in the sides and swing the middle of the bottom edge up to the left 14, Fold two layers to the left in front (one wide, one narrow) and two to the right behind. 15, Repeat steps 11-12 here; they must be performed simultaneously. 13. Repeat steps 11-12 behind. 8. Use the intersections between the crease from step 5 and the diagonals to place these creases. 12. Squash-fold. 16, Repeat steps 11-12 behind as well122 17. Open out 18. The opened flap forms a __19, Fold two flaps 20. Repeat steps the top of the shallow, downward-pointing (the large triangular 17-19 on the left and near right flap. cone; closed-sink the top of the flap and the narrow on each side of the cone upward (1, push from trapezoid behind i) back inside the model) and squeeze to the right. the sides of the flap together. Swing it over to the left. 22. Fold and unfold, but 23. Use this intersection as a make each crease sharp only guide to divide each flap into where it crosses the diagonal, PRN fo | set E aS 24, Fold and unfold. 25. Reverse-fold the edges in and out on the existing creases. Be 26, Enlarged view. This is probably careful that you do not trap any _the hardest step in this entire model layers at the top (see next step). (and you get t0 do it six more times!). 26. Elias-stretch the bottom 27, Reverse-fold the two edges points up and out to the sides. down to thebottom again behind. 29. Fold one large and one 30. The model is now 31. Fold one layer down, small flap to the right in front; symmetric. Fold one narrow repeat on the left behind. flap from right to left.123 35. Repeat steps 30-34 on the left 36. Repeat steps 21-28. 37. Fold the narrow flap to side and on each side behind, the right 39. Enlarged view. 40. Pull outa single 41. Pull a single edge Fold a rabbit ear layer of paper. out from the inside. next edge. 45, Repeat steps 39-44 on 46.Sink the 47. Mountain-fold 48, Fold three flaps (one large, the right and twice behind. frontmost two the next two two narrow) to the left in front; corners; donot comers. Repeat _repeat behind. As you do this, repeat behind. behind on the _reverse-fold the front point down corresponding and to the left; reverse-fold the pair of corners. corresponding point behind down and to the right.124 49, Mountain-fold 50. Mountain-fold the frontmost two the next two comers into the pockets just behind them, Repeat behind, corners. Repeat 511. Reverse-fold the four 52. Reverse-fold the four points behind on the large points downward. back outward. Note where the corresponding pair folded edge intersects the rest of corners, of the model 53, Like this. Now we will 54. Fold down the cluster of three 55. Fold one layer work on the top of the points. (You don't need to fold it all the to the left model way down, although it is shown that way in the next step for clarity.) 56. Fold the remaining layer to 57. Reverse-fold the 58. Reverse-fold two the left and simultaneously middle point points each to the left fold the cluster of points back downward to lie and right. up. Repeat steps 54-56 on the alongside the left point. far side, 59. Narrow the legs with valley 60, Fold a rabbit ear from the folds (reverse-fold where the leg top point; repeat behind. ‘meets the body).61. Sink the edge to 62. Reverse-fold the narrow the leg, 63. Pinch the two points on the left (the antennae) and narrow the point on the right (the abdomen). ‘Then rotate the model 1/2 turn. 67. Fold the point back up and undo half of the petal fold. 65. Detail of wing. Squash-fold the edge on the crease you just 68, Fold in half. 69. Reverse-fold the point 70. Fold and unfold. to the inside, locking the Repeat on the far side wingtip together. of the wing. 125126 71. Fold the top edge to the crease you just, made. Do not repeat on the far side. 75. Tuck the white flap into the pleat on the near one; flap A goes into a tiny pocket inside the pleat. 77, Fold down the wings. Bend up the feet at the end of the legs. 72, Mountain fold 73. Valley-fold the 74, Fold a rabbit ear, the near flap comer of the far layer behind. of the wing over the near layer, 76, Repeat steps 65-75 on the remaining three ‘wings. Note that the fore wings (on the right) are longer than the rear wings.George Washington Framed by Gay Merrill Gross (NY) Paper to use: One dollar bill, the newer and crisper, the better. : @ TIE UNTIED STAMES OF ANEERICA il 127 © 1980 Begin with dollar bill face side up (Washington's picture will be facing you), 1, Make valley fold #1 as shown. Crease will run through end of first bar in letter “E" of UNITED. Unfold. 2. Make valley fold #2 as shown, crease will run through very end of letter “F* in OF. Untold. 3. Pinch 1/2 mark at short sides. 4. Cupboard fold long sides to center, (Use pinch marks as your guide.) 5. Fold raw edges that are now in center, away from each other till they touch folded edge - crease only near center of dollar (around Washington's face). Crease and untold. 6. Unfold cupboard folds.128 Tie gente stanes er Ararmen 7. Put back fold #1, 9. Bring raw edges of triangles formed by squash folds over to lie on left-most folded edge. Crease and unfold (back layer of dollar is not creased). 11, Put back fold from step #2. Repeat steps 8,9 and 10 on right side of model. 8. On front layer only, valley fold top and bottom raw edges to center, at the ‘same lime accommodating at left folded edge by squashing to two triangles (see next drawing). 10. Swing thin flap over to left - valley fold is made where flap meets raw edges of triangles. 12. Hold left flap in left hand and right flap in tight hand. Pull flaps away from each other and model will open into a box.129 13, Collapse box by folding each top ‘edge to corresponding bottom edge. At the same time, push in sides of box by refolding on crease you made in Step 9. 14, Note width of frame side, then make a mountain fold parallel to side crease of frame, creating a bar equal in width to side of frame. Repeat on other side of frame. Turn model over. 15, Bring ends of dollar together and slip ‘one inside the other. Turn model back to “lace” side. 16. Push both side edges in at same time. Back strips should slide together a little more and frame will take the form of a thin rectangular box. 17. With one finger press Washington's portrait so that i touches back of frame. Your 3-D framed portrait of George Washington is complete.130 Money Koala by Edwin Corrie (UK) © 1990 Use any banknote or 2. Inside reverse fold so rectangle of similar that point x lies on Proportions— diagrams top edge. relate to an American dollar bill (3x7 rectangle). Note: U.S. bills- black side up makes a black koala with a green head, 3" tall. 3. Mountain fold, 4. Valley fold one flap. Pr oF 6 : 8. Proportions and angles can be altered to taste and according to the kind of banknote used.Dollar Bill Swan by Ted Bond (MA) ©1985 131 Editor's Note: The model is 3” long with a2" neck when made with a dollar bill. Green side up for a green swan. cK132 42 12 4. First fold in haf lengthwise and untotd, Then valley fold as indicated spreading the upper layer of paper each side and bringing the lower layer completely into view. 5. From points x to rear is only one layer of paper. Back section rounds up from the front section. SL 6. First execute small fold on each side, 10. And outside reverse fold. then reverse fold the neck forward. Another reverse fold, and yet another Teverser fold,11. Sink where indicated to round chest and neck (if necessary). Stretch head paper to limit, for maximum width, then valley and mountain fold to form bill. Spread tail end respecting A and B comers, and review diagram 12. 12, For tail frst fold the two mountain folds (darker lines) at the rear of the tail (top of diagram). Next prefold the remaining lines. When squeezed together the tail will construct itself ‘Adjust tail | X 133134 $ Interlock Change Purse by Karen Reeds (NJ) © 1989 1. Dollar bill face down. Bring bi 2. Mountain fold the hems. short sides together and Valley fold the hemmed sides crease. Put change on center to the center, allowing the before folding the model. hem comer under the model Valley fold the top right edge to come up. down to the center crease, 7 the bottom left up. 3. It you have trouble with the valley and mountain folds on the hem, start by valley folding one side of the model. Then, line up the crease on the hem with the raw edge undemeath it and refold. The hem folds wil fall into place. WY 5. Tuck flap A into pocket A. Tuck flap B into pocket B.135 $~ Finished purse. 7. (Top tlap folded, but not yet tucked in.) Variation: Less seoure, but prettier pattern of interlock. At 3, valley fold top layers so that both folded edges lie along an imaginary center line. Tuck flaps under innermost layers. 4, Tuck loose corners under.136 Dollar Bill Boat or Laughing Clown by Cyril Tessier (MA) ©1990 1. Fold bill in half lengthwise. Hold open ‘side toward you. Bring folded corner to 2. Valleyfold bottom edge up twice in front center. and once behind. 3. Mountain fold all four corners behind. 4, Mountain fold bottom half behind.137 5. Bring long points together to square 6 valley fold front and bsck opening the model. 7, Pull front and back flaps apart while 8. Finished dollar bill boat. pinching the center triangle down in the other diirection. 9. To make a laughing clown from the boat, bimg the two ends of the boat together. Put the face flat on the table, and push down on the two ends. Fold the points up or down as preferred. ‘Stick a small piece of red paper inside the mouth for tongue. Eyebrows, nose, and mouth may be outlined with marker pen. The face is part of two letters, E and O. Who said dollar bills don't have a sense of humor?138 $ Pig by Stephen Weiss (FL) © 1990 Start with green side up for a green pig, 1. Mountain fold the bill in half and unfold it. Fold two of the comers to the center line. 2. Fold the two flaps from the center line to the outside edge. 3. Slide the flaps until the crease made in step 2 lies on the center line. 4. Fold along line CD and unfold. Fold AB to line CD and untold. 5. Mountain fold along the center line. Diagrammed by Michael Wrenn (NY) © 19916. Reverse fold the top horizontal edge 10 lig along the vertical crease made in step 4. 10. Fold the angle biseotors where indicated (two pairs). — 12. Swivel fold to form the tall, 7. Unfold, 9. Valley fold the tip inward. 11. Valley fold the tip through points of intersection of the folds made in step 10. 139140 18. Fold the model in half along the center line. 14. Crimp the tail section downward. Fold along line AB, bisecting the angle shown, Slide AB until itis perpendicular to the top horizontal ‘edge, forming a crimp. 15. Mountain fold along the edge of the flaps in the head section, and crimp head upward along the existing valley fold. 16, Lift up the front leg and swing it forward, without creasing it. 17. Narrow the back of the front leg while returning it to its original position. Repeat steps 16 and 17 behind. 18. Narrow the rear legs using inside reverse folds. Inside reverse fold the flap located inside the head by pushing it backward, creating Mountain folds along the head flaps.14) 19. Narrow the rear by crimping it as. 20. Use a swivel fold to narrow the front indicated (bisect angle twice). legs and simultaneously shape the Crimp the head section downward. jaw. Repeat behind. 21. Fold the flaps on the front legs into 22. Round the back with small the pockets located behind them. sink folds. Round the belly to match Crimp the snout upward. the curve of the back. Fold the ear flaps up. Reverse fold in the tip of the snout. 23. Use offset rabbit ear folds to form flat ends on the pig's ears. Open the ears Partway out. Crimp the front legs forward. Fold up the tips of the front legs and squash them to form the front feet. Inside reverse fold the rear 24, Completed Dollar legs to form back feet.142 $ Bug Eyed Jumping Frog by Eric Tend (CA) © 1990 Aone collar bill will produce a 2" model. Use a crisp dollar bill only! (ON 1. Begin with the white 2. Turn model over. 3. Orient paper white side up, green side Valley fold four side up, green side down. Crease in half ‘corners on the two down. Valley fold top and then untold, right flaps to right and bottom flaps. Valley fold both side edge of triangle. Valley foldiuntold side edges to center Valley fold two flaps. edges to center crease. along same edge of crease. triangle and unfold Then unfold large triangles (leaving flap tips folded). SSS SS. Sy 6. Tum model over. Valley fold/unfold to form center line ‘guide. Valley fold/unfold top tip down using the “0° in ONE as a guide. 4, Mountain fold through 5. Valley fold/untold to wie ips to wener the center of both "X" form a center line line. Using the bottom creases. Then guide. of these creases as a collapse folds to form guide, valley two mirrored n Watetoomb bases, fold/unfold the bottom tip up.7. Using the creases formed in step 7 as a guide, perform four open sinks. The two side sinks are Performed on the top square layer of paper. 11. Shows the finished front legs. 8, Tum model over. Detail of hour sinks and paper layers fall together. Note inside edge of side sinks luck inside the tip of bottom sink. Move top layer to the side to reveal bottom layer of side sink. 14. Turn model over. a. Looking down at top sink. Open up sink and reverse fold the two inside sink flaps ‘outward to form mouth. b. Valley fold base; pinch together the top and bottom layers. ¢. Offset rabbit ear fold the lower legs. 9. Detail of how side sink layers fall in place. Bring top layer back into place, 12. Tu model over. Valley fold the eye sections from the lower base of the front legs to the midpoint between the center line and the outer edges. Mountain fold the top lower flaps. underneath. (a) (o) ¢ {c) NS ‘) P| (e) 143 10. Rabbit ear fold the front legs on both sides so that they are offset at a slight angle. 13. Shows the completed folds. 15. Shows the completed folds. Detail of front and rear legs. and d. Open up, spread apart, and flatten the two layers along the inside edges. Sink a small diamond shaped indentation on the top midpoint portion of the foot and flatten to give the foot a 3D look. The front feet will angle outwards slightly. band e. Shows the completed feet. Repeat on other side. «. Valley fold the two flaps to match the flaps folded in step 12 {to form the lower jaw of the mouth.144 a. Open up, spread apart, and flatten lower layers of each triangle. At the same | time, push the inside (NN upper portion of the | triangle as indicated. The eyes will puff out a 1 at this location, Lo b. Shows the completed Finished Bug-Eyed Jumping Toad eyes. fa) ) 16. Turn model over. Detail of eye section, Jumping Tips ... By pre: down on the center tip of the toad’s backside, you make it hop! Note that the angle of the finger contact changes the type of hop. The spring flaps above ZS the rear legs may be <— Press down adjusted to increase hese (back) or decrease (forward) jumping ability. ice vew Back rua tap Ford With practice, you can train your toad to perform somersault flips KL / where it may land facing in the same direction, in a head stand (with legs 7 k up in the air), in the opposite direction, or on its back playing dead. Facing Head _ Facing Playing Somersault Flip Forwards Stand Backwards Dead$ Cobra by Hoan Bui (CA) 145 © 1990 1. Crease in half. 4. Valley fold flaps to center line. 5. Valley f 2. Valley fold outer corners to center line. fold side edges to center line. Inspired by Eric Tend's Baby Cobra ‘A one dollar bill will produce a 1-3/4" model. Use a crisp dollar bill only. Begin with the white side up, green side down. 3. Valley fold outside ‘edges to center line. LS ) Valley fold bottom flaps to center line. This paper section is F very thick, 7. Valley fold along center line and pinch ‘model together. Diagrammed by Eric Tend (CA) © 19908. Detail of head section, at the very tip (approximately 3/16" down). 146 aS a. Inside crimp the fang formed. Z d ™~ 10. Reverse fold the head at its thick base. This will form the dome-shaped hood section. Flatten out the sides and curl the headitang forward. 11. Shows the entire head section detail from looking down. Push in extra layers on the inside and flatten down, b. Inside crimp the head (approximately 3/16") below the fang just c. Shows the completed two crimp head section. Note the spiral is shown for reference and will form eyes on the backside of the head. 9. Reverse fold the hood section of the head approximately 1" down from the top. The inside layers, should be turned outside and the head should lay Perpendicular to the rest of the head. Hold below the head at *O" and wrap the tail section around ina tight level spiral three times in the direction indicated. At the same time, angle head forward so that it is looking 13, Shows the level with the rest of completed cobra ... the body, ready to strike!147 Modular Flower & Butterfly (Neo-Traditional) ©1989 Collected by Anna Lee Culp and Becky Berman 2. Fold down side raw edges to bottom folded 7 edge. Repeat on other side. 1. Start with a 2x1 or larger rectangle. Size is not critical. Book fold in halt + 3. Fold down top raw edge to bottom folded edge. 4. Finished unit; make 3 units for lower or 2 units Repeat on other side. fo ly. , ioe: B1. Lay 2 units on top of each other wih the Dee ee een He esee double folded edges on top. With a V shaped pipe cleaner, twist around the units. ‘AVB2. Insert index finger between top two folded edges. With thumb underneath, push up and separate units. Diagrammed by Mark Kennedy (NJ)148 Flower Bud (or Seed Pod) by Martha Mitchen (GA) ©1991 ‘A10" square makes a 3- 1/2" flower. 2. Preliminary fold. 3. Wing fold. Repeat on other three sides. iH 5. Flip top flap to the left. 5 7. Flip top flap to the ‘ right.150 Rose By Matthew Greeen (NH) ©1991 Editor's Note: 10° square will produce a 4” flower. Pre-crease into eighths as shown with the additional diagonal lines as indicated (white side up). BY Reverse the top point down, It will not fold flat, Fold flat as indicated. Repeat on the next point going counter-clockwise. 7] white flap under. Fold around the flap marked X in the previous step. Repeat with the remaining two points. ares Thin the bottom point. After the last point, tuck the rp ‘Spread the top open some, pulling out the white flaps. Flip over. Pop up the bottom square Good. Now... into a waterbomb base. en hs! Fold the white back to form petals. Curl the outer petals back, and shape the hollow center,Two-Faced Moon by Ken Waisanen (CT) Use a square of light: colored paper. A 10- inch square produces a model about 7-1/4" high. JN 7 \ 2. Mountain fold in half. 8 1. Rabbit ear opposite comers to form a sort of modified fish base. 9 INS Y 4, Tum over. 5, Valley fold the other 6. The result rabbit ear flap so that tho top edge lies horizontally across the top of the nose. \ \ . Fold the top point over al the top of the 9. Fold up along a 410. Untold eyebrow, crossing horizontal line. over the tip of the nose. 151 © 1990 Crimp fold the top flap upwards, tucking undemeath the top layer to form the nose. 7. Enlarged view. Swivel fold to form an eye, folding the top edge over as necessary. 11. Outside crimp fold the top point along the crease lines, folding symmetrically front and back.152 ¥ aN , < i 12. Note that the crimp 18. Inside reverse fold 14. Detail of same fold, ‘goes behind the the tip of the crimp eyebrow. Tum over. to form the other eye. 15. Outside crimp the 16. Outside reverse fold 17. Two inside reverse bottom point to the tips. folds. match the top. 18. The finished man-in- the-moon. Experiment with ways to make the two facial expressions differ.153 Standing Flower by Bob Voelker (NY) © 1990 1. Begin with stretched bird © base. Valley fold the top flap to lie along the left, then right horizontal edge, as indicated. Untold. Repeat behind. 2. Hold the two top points and stretch the bird base the other way. Valley fold the top flap to lig along the left, then right vertical edge, as indicated. Tum over. 3. Bring the top flap over to lie along the left vertical edge. YH 4, Spread open and flatten.154 | Ne | (Aaa | Pe coata | 5. Mountain fold on existing creases. — Vana ee 6. Valley fold and tuck under the ‘two points. I A 7. Mountain fold the square base (not the petals) at the arrows. Valley fold diagonally (base only). Bring the four comers together to make the stand. Bend the petals down to give alifelixe appearance. 8. Completed flower.155 Flower from a Hexagon by Michael Naughton (MA) ©1990 Editor's Note: A hexagon cut from a 10° square will yield a 4 1/4” flower. aD PY 1. Colored side UP 9. Fold each edge to center crease only 8. Valley fold each edge to 3/4 mark. as shown. Crease as shown (a to a, for example, produces crease b). 6. Inside reverse fold using creases shown. Crease AB will flatten out. Repeat with each point. 4a, Collapse along the creases in step 1. OOo ee aomes 3:0. 8. Precrease each point as shown, Variations: a) Sink point X to line YZ in step 4. Omit step 7. b) Double sink point X. Do not omit step 7. This flower makes a good pinwheel, also. 7. Press at points indicated to flatten out 8. Crease petals as shown. center by spread squashing while twisting counter clockwise.156 gee "Lattice " Module by Michael Naughton (MA) © 1989 Be | we I eee | 1 aie I | | 1 1. Colored side up. 2. i 3. 4. 5. \ 13. AB is mountain crease. Final Crease Pattern Open out to step 3.157 Initial crease pattern* Forming "Points TNE let & Neh + aN KBAR ENO PNP NE oe S ° 1 °8 ° oxo 2. ©o °. xe) Zo | oxe Les ove ‘Note: Module shown will produce o “points” facing "i reversing EVERY crease EXCEPT AB will produce points 8. Insert point P in pocket as indicated Hoang Fou forming "point." Point patterns —— = module o point ) 3 piece/2-point (note: one point must face “out.” A 6-piece/4 point 12-piece/8-point 30-piece/20-point158 60° Geometry Box by Nick Robinson (England) ©1990 10. Completed 60° Geometry Box.159 Three-Way Box by Edwin Corrie (UK) © 1989 10” paper makes a 2 1/4” box. NU) x ow a 5. Repeat 1 to 4 on other comers. 6. Precrease all missing diagonals.160 c 9. Rabit's ear into 3D using existing creases. 10. Tuck flap into hem. Repeat 8 and 9 for comers B, C and D in that order. The last corner is very difficult, but it can be done! (il) Raise comers of base to form partitions ee =, ay). ceo 11. (i) Fugimoto Twist )161 Ejight-sided Star by Mike Thomas (IL) © 1990 1. Start with color side up. Blintz. 2. Preliminary fold. 3. Petal fold. ¥ | 4, Pull out flaps. 5. Sink point and lift front flap. 6. Squash two lower flaps. 7. 8. Pull out all four hidden flaps. 9. Squash flap. Repeat on all sides. Diagrammed by Joshua Koppel (IL) © 1990162 10. Pull out hidden flaps. Repeat —_11. Fold edges of points to their 12, on all sides. centers. Repeat on all sides. 13. Fold as shown; center will ‘open up. hg DNA 14, Finished star.163 Modular Box (Petal Design) by Shirley Johanessma (AZ) © 1990 Box Lid 3. Fold bottom up to fold made in step 2 and unfold. Open up completely. 1. White side up. Diagonal fold both ways. 2. Fold top layer only to bottom folded edge and unfold. 4, Fold right corner in S where fold lines intersect edge of paper; left side is folded in approximately 1/8" more. ZN 5. Fold bottom halt up. | = 6. Fold right side over to 7. Bring AD to BD, left on center fold, valley fold. Bring side changing it to a ‘AD to CD, mountain valley fold. fold. 8. Open out to triangle again. Additional Diagrams by May Leo (NY) © 19919. Reverse valley and mountain folds as indicated. Retold each layer separately. Fold accordingly, bringing box sides at the 10. Inside box view. ‘same time (both Fold each side of layers together) “petal” in to center forming "petal" line and open again on the inside layer. Do the same to the outside layer “petal.” 411. Wingfold inside petal first. Turn over and wingfold outside petal 13. Outside view. Completed squash Wy shown. Inside view A. Turn over and squash rabbit ear 412. Inside view, Rabbit pacteee ear inside petal flap, Bring folded rabbit ear forward and ft through open slit to outside of box. See view A. 16. Valley fold again as indicated so that the Paes new folded edge "abot ear under faded edge oth folded edge of the petal layers to 15. baad fold petal layer underneath conceal. This also . and the point locks both layers touches the raw together. edge of the base.165 CS 18. To interlock pieces: Insert short side into longer side. Slip top and bottom layers under petals. 17. Make four of these modules. 19. Outside view. ' Mountain fold petal _ . tips behind lap of 20. Finished outside 21. Finished inside view next petal to view of id. of lid. interlock modules together. Box Bottom 24, Repeat steps 3 through 8. 23. Fold top layer only to 3/16" from bottom fold. (This is 22, White side up. to adjust size of Diagonal fold both bottom box to fit top ways. box.)166 25. Using existing folds, form “petal” on 26. Outside view. . inoldeot ‘box only. Crease as 27. Valley fold inside flap Winglold this petal indicated. Bring A to on x-ray lines (fold Tum over. D and Bto C in one line already exists). move (creating inside flap), 28. Tum to inside. Rotate 180 degrees. 30. Lift top layer and work on bottom layer. Mountain fold as indicated bringing point A to B. Bring Mountain fold to lie on inside center fold, forming valley fold CD. 31. Bing pointed tap straight up an through sittin petal. 32. Squash flap. 33. Repeat steps 14 through finish. (inside of bottom looks the same as outside of lid.) 34. Bottom outside view.167 Basic Crease Patterns for "Toshie's Jewel"-type Modules & ‘Some of the Models They Produce / by Michael Naughton (MA) ©1990 A LG TY, Begin with module smooth side up. m te ; ; G D E aoe Valley Crease Lah ft \ / 2-6- Mountain Crease Regular Models: Coaster/Mat Hexahedron Coaster/Mat Hexahedron Cube Coaster/Mat Cube Stellated Octahedron Cube Cuboctahedron 12-Pointed Star Stellated Octahedron Stellated Icosahedron 24-Pointed Star 30-Pointed Star Stellated icosahedron Non-Regular Models "Squashed"Cube 3.x E 2xE 3x1 3xG “Tesserae Dividienti" 6 x E 4xB 3xH 6xc One-Hatf Stellated 6xE ‘Octahedron 3xG . Thom Hull BxKA 3xH 12xB 3x1 2xH Stand/Motar 3xG 24x A 6x! 24 x D* 24 x1 xe 24 xD 2xF and 2? 30 x H : *D'(or"D-prime") = D with all creases 48 x1 reversed 60 x1 In general, if a model is made from X, It 60 x D' May be made “insideout” from X’.168 3-D Chain Link by James M. Sakoda (Ri) The 3-D Chain Link is based on a technic is its strength. Bending along the center Provide a hiding place for the loose e' 4. § |. Start with the underside of a paper about 1 x5 in dimension (e.g., 2" x 10", 25"x 14", etc.). Start with a long bond or origami paper, since foil paper is harder to work with. Valley fold lengthwise in hat, folding the bottom edge to the top edge. Fold lengthwise a second time. Unfold and flip over to the side with the mountain fold crease. Fold over almost in halt, leaving about ‘a quarter of the folded over portion. Fold over the excess at the end. Then Untold both folds, Fold the two larger segments in halt and unfold. This leaves four valley folds on top of a horizontal mountain fol ». Make diagonal mountain fold creases In the second and fourth segments. Start with the first of four bends using a {00t fold type of crimp fold (bend toward the folded edge without reversing the folded edge). Fold the fifth segment at right angles to the rest ‘To make the bends mountain fold the flattened section and push in the foot portion from the side. Repeat this Procedure three more times, pushing in from the sides of the developing chain link, ©1991 ique of bending a triangular tube. One of the advantages of a triangular tube line is easier, but the procedure here of bending to one side is used to nds. But this involves a troublesome insertion of the corners into pockets. Le So 7 Rei cecS Ean SS eT Sree 7 ey9, The preliminary fold of the chain link. Flatten out to a horizontal position, keeping the horizontal mountain fold ‘ontop. 10. Open upward to the underside of the paper. 411, Fold down the top panel part way to form two edges of a triangular tube. Fold up the bottom panel, covering the first upper panel to complete the triangular tube. 12, Repeat the foot fold procedure, using oniy the top three panels. Corners of the lower panel are tucked into the pockets formed by the foot fold procedure. Details are shown for the shortest segment. 18. Valley fold along the vertical crease, where the bend is to take place, flattening the tube temporarily to make the bend. Fit the horizontal ‘mountain fold in the angle of the V- shaped mountain folds. Fold in the first panel to form the triangular tube. 14, The two panels on both sides of the bend are folded over one at a time. Fold in the panel on the inside of the pocket first and make a diagonal 45 degree crease. This crease is needed to insert the commer into the pocket 15. Fold up the remaining outer panel. 169170 16, Open out the two outer panels in preparation for the insertion of the corner into the pocket. 17. Place the edge of the comer inside the pocket and push in all the way. ‘Some force may be necessary. A nail file makes a handy tool for this move. This more is more difficut with foil paper than origami or bond paper. 18. The completed bend and insertion of the comer flap. 19. Continue the bending and corner locking procedures on the remaining three comers. 20. Insert the short loose end inside the longer segment and tuck in the ends 22. The Chain of Links. Use as a of the latter into the pockets below. decoration or to hang things. 21. The completed chain link. Make several to form a chain.171 Heart with Wings by Aldo Putignano (NJ) © 1989 . , 2. Lift bottom single 1. Begin with square, edge and squash. Maloy itd tons 3. Mountain fold Valley fold top edge between layers. to center. Collapse petwecn ayers into waterbomb base. Turn over to back, a Sf L~N Z~ 7S 9. Detail of head. Reverse fold the 10. Completed Heart head. with Crane. Diagrammed by Marc Kirschenbaum (NY) © 1990174 Star with Heart by Edwin Young (CA) © 1990 AG" square makes a 4” model. y 1. Begin with a blintzed bird base, white side out. Fold rear flap up, 2, Reverse fold two side flaps up.Loving Pajaritas by Francis Ow (Singapore) © 1989176 enter line, 15. Fold edges to c 18. Pajaritas omitted.178 |-Love-You Valentine by Aaron Einbond (NY) @1990 1. Start with a piece of 1:4 paper, colored side up. Precrease. 2. Valley fold. I 1 3. Precrease at half and quarter marks, rotate 180 degrees. 4, Mountain fold behind.179 vy oH | | 1, i 6. Squash folds. 5. Valley fold along landmarks. 8. Outside reverse fold | 1/4 of the distance to where the red point on the right meets the white strip on the left. 7. The following steps will be magnifications of the indicated area. eee 9. Repeat step 8 on the 10. Open the two sides Fight. and fold the flap up.180 12. Retum flap to the Position in step 8. 11. Valley folds, note the circled intersections. 13. The following steps 14. Valley fold. will be magnification of the indicated area. 15. Fold down the two 16. Pull out the two ‘small corners. flaps.17. Reverse folds. 19, Fold the assembly back up, now only the “I"Is colored. & IKN <> 21a. Pull the two flaps down, new folds will be made in the process; turn over. 181 XJ 18. Fold the flap back, two spread sinks will be made in the process. a po 20. Complete “I”. v 2tb. Another view of the ‘same step.182 22. Reverse folds, 23. Pull down the red edge, paper will come out from the sides. Ze » 24. Pleat the flap. 25. Retum the “U" to the position in step 22, mountain fold the white corners behind, turn over. 26. Swivel the flap “O)| upward, turn over. 27. Petal fold to the right, tum over, 28. The I-Love-You Valentine is complete!183 Cupid's Arrow by Francis Ow (Singapore) © 1989 Ox 1.41 rectangle, white side up. 2. 3. 4, Add in creases.184q 4 ; tee Et to step 22. 27. Completed Cupid's Arrow. Fold from 8 x 1 rectangle to make a longer arrow. 22. Lift up a and b and fc IN Aig @ and b ang fold the 25, squash a and b and return 185186 The Love Connection by Todd and Marc Kirschenbaum (NY) xX a> BB .< o— 1. Begin with a colored 2. Fold the four 3. Reverse fold four preliminary base. indicated comers to times. the center and untold, 4, Mountain fold the bottom single layers, front and back. Precrease the top lightly. 5. Sink the top halfway. Lightly 6. Squash as indicated. Repeat fold the front and back flaps ‘everything behind. up. 7. Prectease sharply, Repeat behind, diagrams by Marc Kirschenbaum © 1990187 Zr 10. Rabbit ear again (front side only). 8. Swing flaps a: (minor-miracle). 9. Form large rabbit ears. 4 i 11. Closed-sink the top edges (front side oniy). Sink the center flap. (@) 412. Tuck the flaps into the pockets. Rotate the model 180 degrees. 14, Pull a single layer over from behind i the “crimp” (closed sink) to help lock 13. Swivel down. teaWw 15. Completed move (which resolves a 16. Rabbit-ear and sink this flap as in Tevetse fold) Tur over steps 10-11. UD 17. Valley fold. 18. Crimp for the arrowhead, Pull out 18. Thin the shatt of the arrow, Pull the single layer (the body at the heart) over the center thickness. This is basically a closed-sink. Paper where indicated. Steps 1-10 were created by Todd Kirschenbaum. The remainder of the steps were developed by his brother Marc, 20. Fold over the inner layers to lock. 21. Completed Love Connection.189 Bedroom Slippers by Carol Tams (NY) ©1990 2s : ‘The finished slipper will be 1/3 the length of the initial square: for example, a 9° square makes a3" slipper. Fit one end into the other until it holds in place. ani | | o eel Make a vertical mountain fold alongside the top edge, then measure 1-3/4" across Use a square sheet of patterned or foil paper, and valley fold and make another vertical mountain fold. in thirds, white side up. Note that foil paper holds the model belter, but patterned paper makes the model more attractive. Put your finger undemeath the top layer to flatten out the area underneath. The front S center part of the slipper may week ; become wider. Make 2 curved mountain folds Mountain fold both layers Gp ty, with the top layer only as about3/16 onthe rg and one, Perc mere shown. The center part in _ left side. ° between should be a small 10 round out the slipper. amount of space, around 3/16 i 7 Valley pinch top layer in the Make another slipper to form center. Also push in at the apair. sides to curve the slipper. This will complete the model.190 Newspaper Hats by James M. Sakoda (Rl) ©1990 Newspaper Hat, Traditional. Used as a container, Roll upper layer of raw edges ‘Start with three or four sheets of over twice, first folding to the fullsize newspaper folded in lower edges ofthe folded half, Fold the corners tothe ‘comers, vertical centerline. c The hat turned upside down to be used asa container. If desired fold inde gle sd pinch Fold insides to the centerline orners to fatten | or far enough to fit haf of Sonor make sale cal wetelower edge aod) Gres ot baer tuck into the horizontal bard, Newspaper Hat with An Inner Band. A large hat which provides shade, but can be worn securely. [F] Making certain that the inner hats accessible, rollup the lower edge ia ae Fold down the top sheets over two steps and turn over, 1 4 the tight hat and fold both [1] Str withfour or ive sheets of 4d newspaper opened out. Use one EES to make a tight iting hat. Fold : one sheet down and hook the top [6] Hat withiner band, ofthe tight hat along the folded edge. Fold in a narrow band at both ends. [5] Make two horizontal folds and tuck the lower edge behind the horizontal band,191 3-D Gargoyle by Ken Waisanen (CT) © 1990 Te Use a square of paper colored differently on pi both sides, folded into a bird base. The color on \ the outside of the bird N base will be the color of \/ the head, whille the tongue and homs will have the other color, so plan accordingly, 2. Rabbit-earthe 3. Foldthe topleft. 4. Fold the nose depending on how you 1: ae Points“ fontilaptothe edgetothe center ‘to the let. le h ; ; c want your gargoy! right, forming the line, squashing the colored. A 10-inch at cae aeuannig th square will produce a model about 4 inches high. « 5. Repeat step 3 onthe 6. Inside reverse fold the 7. Fold down the top of 8. Pull out a single layer top lett edge. two side points to the head. Inside from inside the horns, meet the top of the reverse fold the horns front and back, and squashed comers. in half upwards. Fold caretully fold outside Fold the bottom tip to the top layers on to change their color. the bottom of the either side of the Fold the cheekbones nose. nose upwards and under. FOId in the back down to define sides of the botiom the eyes. Spread the flap. bottom flap from the inside. 9. Fold back the top of the head on two sides. Fold up the bottom edge to form the jaw. 10. Outside reverse fold 12. the tips of the horns. Fold back the sides aati ake 11. All folds complete. To shape the model.cur! the tips of the Xasinsteps and ‘Norms upwards. Open up the upper eyelids, which pulls 5. Squash the nose _‘forward the flaps behind the sides of the nose. Pull the pen gctrdey nose forward to match. Unfold the sides of the mouth to the tongue. 90-degree angles. Open out the jawslightly and cur! the tongue upwards.192 Demon Mask by Thomas Hull (Ri) Editor's Note: 10” square folds into a6" mask. Sb en ee 2, Fold and untold. 1a. Begin with the preliminary base. Petal fold the top layer only. 3a. Sink 3b. Turn over again. 3 7. Undo step 4 by swivel 5. Fold the top layer up as far as : P 4 by swiveling the pobe 6. Valley fold to the right. top layer to the left. 10. Open and spread the sink 8. Repeat steps 4-7 om the right 9. down, Fold the top point down.193 41. Valley fold a pair of eyes. 12, Outside reverse fold againto 43, Valley fold the top layer (the Outside reverse fold the left complete the horn. Repeat schnoz) up. Mountain fold hom as shown in 12. 11-12 on the right. the mask in halt. . Finished nose. Undo the ‘mountain fold from 13. 14, Outside reverse fold the 15. Outside reverse again. nose as shown. 17. (enlarged view) Open the 18. Mountain fold the raw corner 19. The Demon Is done! lower flap as shown to make into the chin. the jaw.194 Elf or Clown by Karen Reed (NJ) © 1989 Use red paper for Santa's Elves. From Step 2 on, the white side is shown cross-hatched. The elf can hang from tip of Christmas tree by fitting back of elt's head over waterbomb tip of tree. Elf can sit on the edge of mantel piece or on chair. 1. Preliminary creases. Start A 2 with white side up. 7. Waterbomb folds. Drawings get bigger. 8. Reverse fold arms upwards.195 WI 10b. Draw in smiley face. 10a. Fold inner tip down to make beard. ‘ 11. Bend legs into sitting position " \ _|\ for Fat Elf (finished). 4 i ‘ c \ { | ) £5 N / f XV 12. For slimmer elf, fold back sides and narrow arms. 14, Finished elt.196 Surfer on a Wave by Jimmy Shafer (CA) ©1990 1, Start with a colored preliminary base. Petal fold top flap. 2. Turn over. |\ oe ‘3. Book fold right to left. 4. Tum over. Diagrammed by Carol Ann Wilk (NY) © 1991197 5. Fold top flap up at a 22-1/2° angle. Note that the entire surfer and surfboard is folded from this flap. The rest is the wave, 7. Rabbit ear flap toward center of model. 8. Rabbit ear fold flap up. This flap will be half the surfer’s body.198 9. Reverse fold down both sides of the rabbit ear, 10. Rabbit ear fold remaining lower flap (on right side away from the center of the model, matching guide X's, 11. Valley fold this flap in halt. 12, Reverse fold this flap up to form the ‘second half of the surfer’s body.199 4, Start shaping the surfboard with 14. Continue shaping the board with mountain folds on top. ‘mountain folds behind. Finish rounding the board by mountain folding the bottom point. 18. New for the surfer - rabbit ear both 17. Valley fold the bottom part of the halves of the body. Rabbit ear again model the shape the wave. if the paper permits. 48. Twist the body halves together to create a standing surfer with arms outstretched. 19. Completed surfer.200 Exhibicionista by Carlos Pomaron (Spain) © 1983 Erotic variation of "Dracula" by Sonny Fontana (Venezuela) who worked in Hollywood as a magician, Larger size. 5 7 Larger size. 9. Pull out the internal point, 8. Tum the model.201202 Guitarist by Robert J. Lang (CA) ©1990 1. Fold a Preliminary Fold. 2. Petal-fold to 3. Unfold 4, Fold in the edges all the way make a Bird Base. completely. around and rabbit-ear the corners. 5. Mountain-fold in half. 8, Spread-sink the comers. 11. Sink a tiny bit of the hidden 12, Fold one layer down, 13. Fold the model in half corner. incorporating a reverse-fold,203 14. Fold one flap _—_‘15. Pull one flap 16, Fold one flap 17. Turn the upward in front downward, releasing back to the left. model over. and behind. some loose paper. 18, Pull out some 19, Pull out the same 20. Reverse-fold 21, Reverse-fold loose paper. amount of paper behind. the white corner. the comer, 22, Fold one layer 23. Fold and 24, Fold the point down and rotate the unfold; repeat up ‘0 the left with model 1/8 turn behind, two linked rabbi 26. Mountain-fold_ ioral, a sent the comers asymmetrically.Te: ue b/ 28. Crimp the 29, Fold and 30, Fold the flap down unfold. hidden comer asymmetrically. upward. 34, Crease through both layers. 31. Mountain-fold 32. Fold and 33. Reverse-fold. the corner to the unfold. inside, 35. Reverse-fold the 36. Wrap one layer to 37. Fold the white 38, Reverse-fold the comer. the front. layer up and tuck it edge. under the flap at the body.205 39, Reverse-fold 40, Swivel the 41. Squash-fold the edge. white flap down, the flap upward. 43. Reverse-fold about 44. Tur the model 45, Reverse-fold about 46. Fold the flap 1/3 of the point. over. 2/5 of the point. upward. 47. Closed-wrap one 48, Crimp the arm 49, Mountain-fold the 50. Reverse-fold the leg layer to the front downward. triangle inside. to the left so its edge lines up with the corner. a Zr) [= € 52. Repeat step 51 53. Reverse-fold 54, Squash-fold and 55, Swivel-fold and behind. the comer. tuck the resulting flap squash-fold so that the inside the body. bottom edge is horizontal,206 56. Reverse-fold the 57. Fold one layer of 58, Wrap a single layer of colored flap up inside the foot upward, Paper around the other flap; the white one. repeat steps 57-58 behind, 59. Turn the model 60. Reverse-fold the 61, Outside-reverse- over. top of the head, fold the hair. 62. Crimp the guitar (the 63, Blunt the top of the 64, Pull the near arm over to stand white flap) halfway down guitar with a small reverse straight out from the body. Rotate the flap and pleat its tip. fold; narrow the neck with the guitar away from you and twist mountain folds. its neck slightly upward. 64, Pull the near arm over 65. Outside 66. Carefully tuck the 67, Finished Guitarist. to stand straight out from reverse-fold the Comer of the arm under a Hold the back and the body. Rotate the guitar nny single layer of paper. pull the head, and he away from you and twist ‘Squash-fold the hand. will strum the guitar its neck slightly upward. Shape the guitar.207 Kissing Cousins by Florence Temko (CA) ©1972 From the Lillian Oppenheimer Collection Florence has been creating origami for many years. This model, from 1972, is simple and elegant. POH 1. Start with ice cream 0. Reverse folds. Note ‘cone ba that they are asymmetrical folds. When in place the points almost Eonverme, but the right point is a little longer. 5. These are asymmetrical outside reverse folds. Beaks should touch. 6. Completed model. 6" paper makes a 3-1/2" model Diagrammed by Bob Stack (NY) © 1991208 Flowers by Edith Braun (NY) © 1975 From the Lillian Oppenheimer Collection Eaith is well known for her many flower designs. Mother Nature has designed more, but give Edith time. These flowers are particularly nice when used on stationery. Start with preliminary f 32, color side out ‘This model works best Ow vy cS \ with vari-colored paper. JY ni sR oS x 4 eS j Y fo - \ hy 1. Fold the tip of the 2 So . Untold. Side flaps to center line. Line AB is shorter than line CD. There are no landmarks, eas ! 7 4. This is the allfour towers: 3. Reverse fold. Diagrammed by Bob Stack (NY) © 1991209 ctey sieve. a i. Revere fold wo 6a. Finished model. inner flaps. 5b. Fold top flap down. There is no landmark for this fold, 7b. Finished flower. 6b. Reverse folds.210 5c. Center point is found by lifting top flap. Pracrease X. Lightly precrease Y and Z(Y ends below the 1/2 mark). Minor miracle right to left while using precreases. 6c. Minor miracle front and back. 7c. Finished flower. 5d, Fold top flap down 64. Valley fold top flap. as far as possible. 74, Do minor miracte, moving back flap first. Repeat steps iS 4d and 5d on 8d. Finished flower. opposite side,an Boat by Verdi Adams (NY) ©1975 From the Lillian Oppenheimer Collection Verdi, Lilian's longtime companion, played an important part in the growth of origami. His recent death was a loss to all of us, but his many contributions to The Friends will live on, This is a model created by Verdi in 1975. Itis called a Dory Boat. These boats were used so that fisherman could leave their large ships, and cover a wider area. The seats were removable so that the dories could be stacked on deck to conserve space. T I I | | 2. Turn over. Valley fold top to center line. 1. Colored side up. Precrease bottom Precrease book folds. comers ol | | at aT | N\ é | 4 Nod 17 Nee | A \ 7 Ss : PRS \. 4, Pullout inside comers 7 7 ‘I to lip of boat and ‘squash. 3, Simultaneously fold to form step 4. of 6. Sink. Press bottom flat 7. Boats stacked. 5.Tuck white flap into pocket. Diagrammed by Bob Stack (NY) © 1991212 Church by Alvaro Mufioz Saez (Spain) ©1968 From the Lillian Oppenheimer Collection [This is a simple mode. It is one of two churches created by the author. It is good for a greeting card, or for part of a landscape. it ap. also stand on its own. When using 5"x 10" papor, the church base is 2-1/2", the chimney 1-1/4" and the church 5". Paper size 1 x 2. Begin with white side up. i T \ | | | | | | | t | | | | eee | | | | | | | | | | | ' ! ees) I 1. Book fold lengthwise 2. Cupboard fold edges. 3. Fold model in half as and open. indicated. Diagrammed by Maria Velazquez (NY) © 1991213 4 L . 7 ao 4 4 \ | | im — —_ 6. Fold sides to first “onopen » Centar open Grease on te top and do an inside reverse fold on both ends. Rotate model 7 90 degrees. wy 8. Book fold pinch on chimney for landmark. 9, Mountain fold left corners and inside 7. Church base is reverse fold right ‘complete. Inside comer to shape the reverse bottom strip top. to form chimney foundation. 10. Church completed.214 Flapping Butterfly creator unknown ©1972 From the Lillian Oppenhelmer Collection This model was taught to Alice Gray by a small boy, a visitor to an origami show at Takashimaya's in October 1964. The origin is unknown, 6" paper will make a 3- 1 a 1/4" butterfly from nose : to wingtip. 8. Valley fold all the thicknesses only as far as indicated. Shape wings. 9. Flap away! Diagrammed by Bob Stack (NY) © 1991215 Blossom by John Moi:troll (MD) © 1968 From the Lillian Oppenheimer Collection John Montrolt's reputation has been built, for the most part, on his animal creations. To find this non-animal model in the Lillian Oppenheimer Collection, therefore, was a revelation of his early diversity and his early high level of creativity. Although guidelines have been indicated to form petals, the folder can use their own judgement in placement. The model is good for a greeting card. V 1. Begin with a colored 2. Fold edges to pinch preliminary base. and crease. Fold Book fold; fold point to intersection “folded” edges to made above. Unfold pinch landmark. the whole model, color side up. 3. Model with all the creases in. 5. Hold the two sides with both hands and push towards the Tm ae square. Valley fold making a preliminary sass. Mountan Rodel ita into” fold bookfold creases place. upto the center square. Bookfold model. Colored side up. Diagrammed by Maria Velazquez (NY) © 1991216 6. Valley fold top layer down, Open model by bringi : bettorn na up 7. To begin to form Petal, reverse fold point'and repeat on all four sides. Tum model over. 9. Completed blossom. 8. Valley fold middle point. Repeat on all four sides. Mountain {old the four corners to complete the petals. Tur model over.217 Snail by John Montroll (MD) ©1968 From the Lillian Oppenheimer Collection John is well known to paperfolders all over the world. Most of today’s folders think he's been around forever, which isn't quite true. The Snail and the Blossom were designed by him in 1968 (the rumor that he was in diapers at the time is false). In 1975 David Pacheco diagrammed the Snail. These diagrams were updated by Bob Stack and Carol Ann Wilk. The Blossom was diagrammed by John in 1968, and updated by Maria Velasquez, Start with stretched bird base color side out. 1a. Reverse fold lower tip in. ‘tb. Open up top layer. 2. Fold down, 4, Outside reverse fold. There is x y no landmark for this fold. (Note line XY is folded to vertical). 2 |)=h ant bx ves tO 2,219 Boat by Bradley From the Lillian Oppenhelmer Collection This model was published in the October 1926 issue of Primary Education - Popular Education. We have been unable to locate any information about "Bradley." Asirip 3 1/3" x 10" makes a boat3 1/3 * from bow to stem. ‘3x1 paper colored side up. Sa. Precrease back and forth at x-x. 1. Precrease vertically. 5b. Place finger in ‘center of pocket inside triangle and push side points to each other. 4, Repeat steps 2, 3, ‘and 4 on the other side. Diagrammed by Bob Stack (NY) © 1991220 6. Reverse folds. 8a. Open view: Push 7 down at both dark arrows while simultaneously ‘opening pocket below. in ». Middle eMac A 10a. Cut top layer only 9. Simple mountain fold. flap structure A Nn should now be Repeat behind. from center to side. closed. Repeat behind. ey 12. Completed sail boat. 11, Fold back allowing loose flap to flip out as in diagramNewspaper Hat Basket by James M. Sakoda (Ri) © 1990 ‘Newspaper Hat Basket, The hat Is enlarged to make a bigger basket. Start with three or four sheets of full size newspaper folded in half with the vertical quarter lines folded in, a. Fold the comers down to the quarter mark. Unfold. b. Fold ver the comer three times and hold in place with a paper clip or weights. [5] Fold up the tower edge and behind the horizontal band. ‘Sink the corners to form a flat bottom for the basket. Make holes for eyes to use the basket as ahelmet. Roll upper layer of raw edges over twice, leaving band about an inch and ahalf wide. tuck Fold in about 1/3 oneach side ‘The Newspaper Hat Basket. ‘Making a handle, To make To seal the open end undo the tucked in band and insert iton the opposite side. An alternative is to make 2 second basket for a cover. ahandle cut a hole along the horizontal band and tuck the loose end under ‘the band on the opposite side To make a larger basket take two sets of newspaper sheets and fold in along the long edge twice 221222 Card/Sign Stand by Shirley Johannesma (Az) ©1991 Mark only. Mark only. 2. Bring together in accordion folds. 1. White side up. Divide paper into sixths. Mountain and valley fold, fold comers, then top and bottom flaps. Tum over. “Ny End view. ==G===4 Ag aA End view. 4. Fold top layer in half. Repeat on other side. 3a. Fold comers of top layer. Inside reverse fold. Fold comers of second i layer into the inside reverse folds to PN End view, lock two accordion folds together. 8b. Valley fold up. 5. Open out top and bottom flaps with folded corners to 90 degrees. Tuck both flaps into the narrowest “locked” pocket on underside. . S t Lg or ‘Sharpen all creases. Insert card/sign or G ve L) picture. ¢ e an Note: 6" square will hold 3x5” index card or pix._ House by Deborah Claypool (GA) © 1990 41. Begin with a colored preliminary base, . | petal fold the front side only. 8. Valley-fold the side in as indicated, 2. Precrease the top flaps. oo ae -fold the bottom up. Mountain- told the chimney. Tum over. 4. Valley-fold the bottom two points outwards. 5. Rabbit-ear the top. Valley-fold the bottom tips. 8. Completed House w/Chimney, Smoke, and Fence. 7. Enlarged view of roof: Rabbit ear to form the chimney. Shape the “smoke”, al Diagrammed by Marc Kirschenbaum (NY) © 1991224 Snappy Envelope by Margaret diPiazza (NY) ©1990 1. White side up. 2. Precrease by folding Syxeaae tg tae the corners to the gor center and then unfolding, Turn over. | iN > | A 4. Detail of the top corer: Valley-fold upwards. Repeat on the other 3 corners. The fold is a little bit higher than where the angle for section 3. Fold the comers to would be, the creases just made. Diagrammed by Marc Kirschenbaum © 1991225 6. Pleat as shown. 5. Valley fold back Adjust the folds as down. The fold ecessary to get an ‘occurs a little bit even pleat. Repeat below the upper on the other 3 sides. folded edge. Repeat on the other 3 flaps. 7. Completed comer. Tum over, 8. Valley fold the left hand side almost to the center. Repeat on the top edge, and then finally on the right hand edge. —/, 9. Finally, complete the bottom by valley folding on the left side, and reverse folding on the right side. 10. Completed Snappy Envelope:226 Christmas Tree by Ranana Benjamim (NY) ©1991 Christmas Tree by Ranana Benjamin (NY) There are three sections - the tree branches are folded froma 5x1 fo rectangle; the base of the tee is folded from a square (the size of the square should be twice f the height of the rectangle used for the tree branches); the top 2. Inside reverse fold of the tree is folded from Top and base ae er ‘edges to jare (the size of the snter crease. eae — be the same 4. Start with a Repeat on other side. as the base or slightly preliminary base. larger). 6" squares for colored side out. the base and top make a6" tree. 3. Mountain fold four bottom points. The two side points must cover two half flaps inside. 4. Completed tree base ortree top. Tree branches 1, Use 5x 1 rectangle, white side up. Fold top edge to bottom and unfold for center horizontal crease. Valley fold diagonals of each square. 2, Tum over. Valley fold left edge to right edge of first square (the crease is through the intersection of iagonals), Repeat in other squares. Valley fold other verticals,3. Rotate rectangle to vertical position. Start with bottom square. Form waterbomb bases, by pressing in ‘on the valley folds so intersection pops up as a peak and mountain folds form two triangles. Repeat with each square. 4. Model now has five peaks. Fold each peak to prepare for ‘sink’ of each peak. The valley folds between the original squares lets each double triangle fold against the next, like an accordian. 5. Sink each peak. Assemby of Tree and Cosmetic Folds The bottom four edges of the base must be spread apart and carefully folded so that it stands firmly and flat. To add the branch section, spread the ‘sink’; their center fts over the tip of the base, each of four sides sliding down into the deep fold of the base. The top of the tree fits over the center with each of four bottom edges sliding into the branch section. The double vertical edges should be widened. 6. Stretch out the five bases. Form a ring (sinks are pushed in) by placing last square and sink behind the first. Refold so there are four sides with sinks betwee 7. This ring forms the middle section of the tree. 227228 | Model Stand by Mike Thomas (IL) ©1989 | 1. Begin with bird base. Valley fold up front and back flap. 2. Rabbit ear front and back. a. Squash fold ront and back 4, Pleat fold front and back. 5. Repeat steps 1-4 for the other 6. Slightly pull all four base two flaps. corners toward center and down. 7. Finished model stand. You | . can use it upside down also. JS WNTray by Nick Robinson (England) © 1988 1. White side up. 2. Tum over. 3. Model enlarged: Form a windmill base. a 6. Tum over. 4. Fold comers to the 5. Open out the original center. Precrease on comers. Bachipelne Tun ¥ , a Z| ¥ ¢ KAY 7. Reverse fold the four points on existing 8. Tum over. creases. Note: when reverse folding, only one layer should be ‘ontop and three should be on the bottom. 10. Open out. 7 11. Completed tray. Diagrammed by Marc Kirschenbaum (NY) © 1991 V Ns 229230 The Cross by Ricky W. K. Wong (Hong Kong) ©1990 Editors note: In steps 4-6, pull the pleats up and over so that they face out, thereby locking the model. They do not move easily since there are muttiple layers. If you have trouble visualizing these steps, {ty this longer, but more conventional approach:231 4a-Sa. Unfold but do not flatten the page. Reinforce the mountain folds. Starting at intersection A, collapse the corner’ into a waterbomb base. Fold in towards the center of the cross. Repeat on all four intersections. 8. Different effect if translucent paper is used.232 Sofa by Carlos Pomaron (Spain) ry tt TT tT Tapas bess: tT Lt a ENE : © 1986 Diagrammed by Carol Ann Wilk (NY) © 1991233 Present Boxes by Francis Ow (Singapore) © 1986 Lr|, Lads 3. Precrease and 1, White side up. unfold, 4. Repeat steps 1-4 5. Form waterboms 6 Lit singe layer and XY ao Oo 8 # 8. Twist and flatten top. 10. Squash.Top view 22, 24, Inside reverse fold. Repeat steps 20-24 ‘on remaining three comers, 23. Squash and fold down.26. Form into 27. Tuck under. 30. Completed. 29. One corner shown.237 15. Variation on step 15 (two comers). Xx? S Completed.238239 21. Blintz on step 20, then fold the traditional box. Completed. 17. Add in valley creases on step 17, fold model E, then form pyramid with the creases made.Church by Ken Waisanen (CT) 241 © 1990 1. Begin with the colored side up. Mountain fold one corer to the other and unfold, 2. Mountain fold in thirds and unfold. 3. Make mountain fold creases, perpendicular to the edges, which meet at the it 4, Bisect the indicated angles with valley folds. 5. Detail for the left hand side. Mountain fold where indicated, creasing only to the crease from step 3. Repeat on the right. KzA ERY SY LE LIZ ASNIZZ Use a colored square of Paper. A 10-inch square produces a model 4-1/2 inches long and 5-1/2 inches tall. 6. Mountain fold at the same points, but Perpendicular to the edges. Repeat on the fight. 7. Bisect these angles with valley folds, and repeat on the right. 8. On the right hand side only, make the indicated mountain folds parallel to the original mountain fold, then fold the tip under where the creases meet the edge. 9. On the left hand side only, mountain fold the edges to the center line and unfold. Valley fold across the ends of these mountain folds. (These are typical petal fold creases.)242 ae 10, Complete the pre- creasing by making mountain folds at the points defined by the creases made in steps 6 and 7. 11. Now the model will begin to take form, Shape the front of the church by {following the left hand creases shown. Hold the model at the circle and lit upward. 12. This shows the creases falling into place. Continue raising the tip to form the steeple, letting the bottom of this side follow into their proper position. 18. The front in place, at least on the outside. SS. 14, This is the inside ~ iow. Flatten the indicated side flaps downwards. 15. This is the result. Let the front be for now. Me ‘Shape the back as you did the front, {ollowing all the creases as they K were made in the Paper. ¢ \ 17. The sides almost together. Note the "M” shape made by the bottom edge.243 21. The left hand side all flattened. Valley fold all flaps back to the corner on each 18. The back in place. side. 19. This is the inside View of the back, looking toward the left. Grasp the flaps leading down from the roof and fold them forward along 22. Fold the bottom of each side in along the sides. the crease lines. 23. Finishing touches: Fold the sides of 20. This is what the steeple in as far happens to the as they will go (not bottom. Flatten quite to the center forward, letting the 4 line). Fold back the paper change its > b edges of the position in a natural ——~ doorway. way. ab DS 24. The finished church, seen from front and back. Variations on this design are easy to invent; a cabin and a two- chimneyed house are shown.244 Fruit Bowl by Philip Shen (Hong Kong) Vessel Be i ™ Diagrammed by Vicente Palacios (Spain) © 199015, Vew rom below cs ON Se249 Honeymoon Box by David Brill (UK) © 1990 1. Crease into sevenths horizontally and vertically (easier to do eighths and Femove 1 strip from adjacent 6. Then collapse adjusting existing creases as shown in steps 6 and 7. 8. Precrease 9. Swivel behind. 10. Lock with mountain folds.11. Tuck under central strip, 12. Tuck in ends of central strip 13. becomes 3D. into pockets formed in steps 9 and 10. Lift central strip to right hand edge of box. 14a. 15. Lid-locking details: otherend 16. of box uses same technique (but in mirror image). 17. Tuck comer under diagonal edge behind. 18, Replace central strip once both ends are locked.251 Matchbox by Fred Rohm (PA) ©1974 3x4 1. Color side up. Divide into thirds. Valley fold in half the two squares on the right. Pinch on the left square. Unfold. 2. Mountain fold at left square. 3. Cupboard fold, squashing the two comers. 4, Mountain fold long white flap. Swing flap to the left and close cupboard fold around the base of the long white flap. Diagrammed by Tony Cheng (NY) © 1991252 5. Rotate 1/4 turn 6. Fold and unfold at A. Fold and unfold at B. Hinge fold diagonal creases: ‘mountain and valley fold in preparation for later move, 7. Hinge fold diagonal creases. 8. Collapse into waterbomb bases. i Oo 9. Move completed. Turn over.253 \ Vs 10. A. Fold and untold. B. Open out long white flap. Tum over. 11. A. Pleat as many times as possible. B. Outside reverse fold. il (jee || Leh | 12. Inside reverse fold. 13, Open out into a 3-sided box shape.254 E 14. Open out to form fourth side of the drawer. 16. Loosely form box around drawer Mountain folding as indicated. Be sure the box does not fit too snugly around drawer. 17. Open out. Step 18 is an end view. 15. Fold in sides of drawer. 17a. It raw edge of flap is not even with the side of the box, open out and fold up ahem.255 18. Wrap around and tuck triangle 19, Move completed. Step 20s a side view. between the layers of the flap. 20. Form box, then insert drawer into 21. Finished matchbox. Drawer will box. Make sure the pleated hinge is. out both ends. against top of box as you insert the drawer.256 Gothic Table by John Montroli (MD) ©1991 The history of the Gothic Table has a long and interesting story. It was first used by the kings to dine upon their most festive of feasts. At that time, there was no pattern on it. Then King Gulagy ordered that his table have as many squares on it as the number of wives he had. At that tme he had sixty-five wives and his table maker told him that would not do! So he sent one wile, Esmerlardo, to India. His magnificent patterned table was made. When the wife returned, much the richer, she was so angry that she stole the table. Another table was made and again stolen, But soon Esmerlardo had no more room to store any more tables so she went back to India, carrying all her tables, and sold them for more riches. Now you can be prouder than the king and make your own Gothic Table! © John Montroll 1991 Stage 1: Pre-creasing Fold and unfold. Crease lightly but ‘The possibilities are endless! Fold and unfold. sharper by the circle So many people have spent so many hours wondering how to fold the square into 50 many ways to make so many things. 5 6 Fold behind, Fold up to the intersection.Fold in thirds. Unfold. 14 1 257 12 | Unfold. Fold the existing crease, line A-B, to the intersection. Fold up and unfold, Crease lightly but sharper by the circle. . oes Fold along the existing crease, line C-D 19 iw L\ | A Repeat steps 14-16 in the opposite direction (Fold and unfold.) mo iy + 21) a 20 E Unfold. t T _t. i i Repeat steps 18-20 in the opposite direction. L258 sage? Forming the Gothic Table Base. 22 trtt 23 t T Mountain-fold ‘This is similar to folding Mountain-fold along the center. the Waterbomb Base. along the center. Spread-squash-fold, Open the model to fold this neatly, Place your fingers inside the center pockets to open the model. 32 Rotate so that the little square labeled A is at the lower corner. Reverse folds, repeat behind. 31 A 33 34 S D The little rectangles, shown near the letters, are at the top and bottom. EM iN . [_259 Stage 3: Forming larger squares. 36 This is similar to the Preliminary Fold, Squash-fold. - Repeat steps 35-36 in the other direction. Repeat steps 35-38 on the bottom, Rotate. ‘Squash-fold. Repeat steps 41-42 on the bottom.260 Stage 4: Forming the small squares, of the model 1s drawn. Reverse-fold, Squash-fold, Petal-fold Reverse-fold the inside layer.262 Matchbox by Marc Kirschenbaum (NY) ©1990 OAD 1. Colored side up for 2. Crimy : «Swing down pee colored outside. Fold Crimp upwards. ing the sides to the a) center. Turn over. (hoe 7. Valley-fold upwards. 8. Unfold. Repeat steps 6-8 on the other side. 6. Valley-fold to the precrease from step 5. Open out. Tum over. 4 a \ | 12, Undo the reverse 11, Outside reverse- folds. fold. 1 Faia 0. Reverse-fold,Ne 49. Spread out the top using the existing folds. 16. Valley-fold in halt, 19, Undo the tiny valley fold. Vallay-fold ‘outwards along the ‘center of the model. Repeat steps 18-19 on the other side. 263 15. Valley fold lightly. 14, Mountain-fold. Allow the flap folded. 17. = (| yy 20. Valley-fold. in step 14. to flip out. Mountain-old behind to match up with the folded edge. Valley-fold the comers of the top edge. 18, Mountain-fold using the valley fold from step 17 asa guideline. Turn over. 21.1 all went well, your model should look lke this. ifthe 22, Valley-fold up along ‘corners extend th eee ie existing crease. reverse fold them outwards at step 29. Untold.264 ‘Same gap as Previous step. DN Make note of this gap. a 24, Valley-fold up to meet the folded edge underneath. 23. Valley-told down; 25. Open out the pleats. ee 26. Precrease by Inserting valley 27. Closed-reverse-told folds. Tum over. along the existing 28. Reverse-fold along crease.265

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