Te wediGreene 2004-12-06 hrrangement OTH SIDES Now a ss Playi Som reve 2005-01-03 mS erik Solo Guitar Ont be En? Faq? G T o . a 2 Key of D 1 tor oft uit (eee —<——— 2. Moons and Jones and fr te whee heBoth Sides Now - Ted Greene Arrangement (page 2) now they ony block the sun, they now its just m - oh - er show: you 0 and +? F = £ it you care don't Jet them know. Gar Feat eS Briss i visited Hig EEE iar 1 weske SUG met TEI 215k 2 55 4 4 ot bag but clouds got in ay dont give your self aBoth Sides Now - Ted Greene Arrangement (page 3) pes D * Fhe (We) cit eo lol jot T Hay “ie| “Ee > | Hy 1 > 242: 24 , > h t t <= % * a Ive looked at clouds from both sides: now, from a oth ides now, fom & DA a9 K it [o| Jo t ot tin tit HH s Fe ee 1 we I EER of f Hi Hee TH ia He a? i 4 i — + vm am 2a Esl gl ar 2 Awe ATs ral - ly dont know clouds. wal - ly dont know love.Both Sides Now - Ted Greene Arrangemem (page4) Ifyou want to go to verse 2 and stay in the key of D, you might use this Ist ending to create some kind of interlude. This I-TV-I-IV progression is from the original sheet music....maybe use this as a stepping stone to some nice fill, or... D G D G D G i) G ir all Did Ted intend to have another chord here? Ifs0, perhaps this F#7+ would ‘work as a transition fh, Key of B t 3. Tears and fears and feel = ing proud cy say I love you right out oud,Both Sides Now - Ted Greene Arrangement (page 5) ra Tot ot 4 4 oie $e ¢ aS ) ET hammeron Ted’s written angen ends here. ¥ ° Continuation, based anyon chords from Ted’s BQ 8 ont recording and from Peat transposed chords, from the previous key of D sections now its just mo - oh. oe show; you 8/9 Dén? 2 » a o 4 4 eB shake thir hea, they changed, butBoth Sides Now - Ted Greene Arrangement (page 6) qui ¢g7 2 aBoth Sides Now - Ted Greene Arrangement (page 7) F7et Fol Bp Dn/t GH? Gifs F#TSUS 4 Ceo7/t 6 Ch? tou" 7 trem 647 E/B ism Tings Ted’s written arrangement ends at measure 39. In order to complete the piece I added chords as follows: The chords in measures 40 - 47 are taken from Ted’s recording of “Both Sides Now.” The chords in measures 48 - 50 are the same chord forms from the key of D secion (bars 17 - 20) but tansposed to the key of B The chords in measures 52 - 58 are also taken from Ted’s recording, Thope this helps. These are my suggestions, and just one of many possible ways to follow through with the arrangement. Try them out, and then experiment with your own variations. Enjoy!