• Paintings in manuscripts (books) Newar art is basically religious art. Newar have learned the past and absorbed the contemporary, now they are attempting to unlearn the rules and formulae what they had learned, and hearing their own inner voice, creating their own codes and putting their own signature in subconscious manner. Listening to oneself and expressing in one’s own visual language is perhaps one of the best ways of creating art.devotional paubha painting, sculpture and metal craftsmanship are world- renowned for their exquisite beauty.[4] The earliest dated paubha discovered so far is Vasudhara Mandala which was painted in 1365 AD (Nepal Sambat 485).[5] The murals on the walls of two 15th-century monasteries in the former kingdom of Mustang in the Nepal Himalaya provide illustrations of Newar works outside the Kathmandu Valley.[6] Stone sculpture, wood carving, repoussé art and metal statues of Buddhist and Hindu deities made by the lost-wax casting process[7] are specimens of Newar artistry.[8] The Peacock Window of Bhaktapur and Desay Madu Jhya of Kathmandu are known for their wood carving. Building elements like the carved Newar window, roof struts on temples and the tympanum of temples and shrine houses exhibit traditional creativity. From as early as the seventh century, visitors have noted the skill of Newar artists and craftsmen who left their influence on the art of Tibet and China.[9] Newars introduced the lost-wax technique into Bhutan and they were commissioned to paint murals on the walls of monasteries there.[10][11] Sandpainting of mandala made during festivals and death rituals is another specialty of Newar art. Nepali art is as old as Nepali culture despite the fact that we can only find the sculptures of fourth century A.D., the point of time in houses of Kathmandu valley despite the fact that the earliest Nepali painting ever found is the Prajnaparamita manuscript illumination. Our culture is as old as our civilization, and our art is a constituent part of our culture. Our cultural rituals and festivals integrate a number of arts as sculpture, music, painting, performance and installation. At the then time, art was not for art’s sake but for life. Art had spiritual as well as pragmatic value. We can find this trend, for instance, in Mithila art even today.