CHORD ACCOMPANIMENT FOR MODERN SWING AND CONTEMPORARY SWING. 2 1 3 2 ns i Y4zat 924 194 vote vate A139 Emit1 &b7b5 mitt B75 6 3 4 $ 2rae Sami | darn 152rt Fmio Bris Bhists ebm emis Abia 1 3 5. ~ jaa ff H ¢ ue juni C at at “oie 2 2399 BbMa7—-BMaS_G/A. Arg Dmi7 F/C Bmi7’s — Bbmi7 7] Hite 1 t 23 2143 1324 2134 1334 1333 1 324 3 4231 Gmitt FMaa Emi795 A13%6 Ami11?5 Ami7's D7b9 Dp 13°9 G7tsto cists G79 Cmit1 &>Mas5 5, 3 | a Et 5 Emit aistg Dmi7's, 7s cmi7’s, Fisho Bbma6/9 MODERN SWING This popular progression has a beautiful way of creating tension and release while winding through several keys. In Bars 3 and 4, a I-7 chord shifts to a V7»9 in the Key of Bo. _ Bars 5 - 7 show a Il-7, V7»9, | Maj progression in Eo. Bars 11 - 13 have a “Key of F” feeling. : Bar 17 creates tension with the G7#5 chord, which is released at Bar 19 with the Eb Maj chord. Bars 27 - 30 use the #-705 and V7.9 chords for the ending climax and beautifully resolve to the tonic. Bars 1 and 2 and Bars 25 and 26 provide material for the altered dominant A79. an“STELLA QY STRAT" 5 GO——_ eas y . 2 3a vat, —& a tty tg A a3! ¥ Fmt) S42 7g Ji ¥ eg 879) aitt goad 123, 1 oat EMa7 30 Geyer) 5 8 hma7 vee ae Peay wT 1 ee: Bmi7b& 14 a4 5 Emi7 AT Omi7 Dmi7/C 34 Bmi7 ag2 1923 zai4 2444 38 rat? —5 Azo (Om samel— yoy, —3 132 3 Omi7rs 1214 3431 1213CONTEMPORARY SWING This solo melodically fuses tonal and atonal music. Bars 1 and 2 are constructed in fourths, built on the altered dominant chord A7.9. Bars 3 and 5 are also constructed in fourths, built on minor seventh chords (C-7 and F-7). Bars 6 - 9 contain a combination of fourths winding around thirds and seconds. Bars 10 - 12 are Be-Bop oriented. (Note the syncopation.) Bar 13 — note the fourths. The last eight bars, 25 - 32, are somewhat unusual; study them to learn about playing through altered chords. a . J STELLA “ys on 1 2 4-3-3 1 a3 ane read cee 7 ? 759 F7b9 Fmio Bb7 ce 3=Maz7 3am a7 BPMaz 4 cress a nea tee brat 2gta Emi7 Ar Omi Dmi7/C emits Bbmi7 G79 cmi7's F7#9 fa) aes aa ae