nostri lesu Christi secundum Lucam | partytura “score -partitur. | K.PENDERECKIKRZYSZTOF PENDERECKI PASSIO ET MORS DOMINI NOSTRI IESU CHRISTI SECUNDUM LUCAM 7 MOECK VERLAG - CELLE N Polskie Wydawnicrwo Muaycane Krakow 23515PASSIO ET MORS DOMINI NOSTRI IESU CHRISTI SECUNDUM LUCAM . eta tte imi ‘Teta sla Pring (ae ns Tyna ela eg proeae”21-26 Onvrcm Seat sunt sane cpl pe sees chen’ Pe tr sed'Fee tne "Appra ste I user Ge era Sutras am Bt ets im open Pane eae Esc tale rss ge age re Bw Deo eas ip me ger me drt Deas men, amabe er Sino om ‘atime ear pre, Doe Tota 20 29 tS 2 "helmie T8US RIS)9 Qua ad Ione exten gare e Lamennone ronoe Prophace “hata it ‘hee en et ln ore De wt ul enben mdb cadet, ‘attr cle Poa. yt Terwalon, omilem, convert a Dosis, Dea De Lamantsne Terenas Propitor Moore mel, Dens. gua coca me ewe, ‘pate 35852 FSSC em toe see enna exe tse Tass en Inacre 1 ce te paler tea dae ‘ata 20 Je atts Bt cricom exit neem, gu tar {in ed er At File Tie ‘er hi on Nn Boe a oe ‘phonae Tat I gmat Pang gus” “antphna af dgenfom Croce ‘uci cco Den er vient‘ inne san mio pode wins ‘pe irr 2 ect me {'tmon, Done, ne Slngevea aust Tou ‘Palma 2), Jee lena em dea Seen Caste nama ac ‘ec wn Rene sm er ‘in donate ox'H oe gue ste nom dine {hed rec: He vs smal gt Dowane ‘Shot ste aa cncem Ste mater la ot ee ‘ni nn orang Nan, ‘em geo it manne Nel eae it Soe die rn th tb como 16 palma eras Oe Lai 2, co-te “Bes Tose 19, 30 . 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Leet ag Soot dae He dee Heusen Tn Uap de pts Pange ag’ eee te Spon nar Kraenhlang ‘elder waren sie da hom DAS LEIDEN UND STERBEN UNSERES HERRN JESUS CHRISTUS NACH LUKAS Palm 9 cappella Di ue ic eden Madea des Toe, ‘Se rete ni tae wed Foe ed ween ns an Conan das Le Verhahnwng Christ am Kreure SEES ‘ronptete fm iher nach le Sldten, ie ea cecruinticiy St Gieewe $s Pao: Jesus uulschen den Verbrechern eh soe ir hate nck we it SA Unter dem Kesuze Es stnden aber bin Heute Jere sine Meter oad Sonar ser Mar, hi ie a ae eee den Sige ewer ele, seen, ee ‘vet crease Mere, cin So” Dee [Snaps er ne-dem Jnge yee ee Manes= Stat Mater SSeS ‘Tod Chee ad ex unr sen le sect tun sa ine SE me tek Un tome et toe Sas ar te me inde ele Ia tea Gan fuck ee Worn Yer Binale (Ps tune’ aciser nee he age Deis Our ir ue rete mick‘THE PASSION AND DEATH OF OUR LORD JESUS CHRIST A¢ Higa Sr ports nnd Te hmsge ets be doe “ign cule mat rea Jesus on the Mount of Olives And be kneeled down and pred png "Fst, 1 Gof. God sk ‘Se ht on tn Sil Yan he re, ie wa 6 mpd, © Lan, Ania st in ty al 1 hte aps de ong ‘The Taking of Jesus aie, bald» mand, and be Lamestaton Sen, ewan, courted te Lardy ‘Prom he “Lamentations offend” cag {othe serene he Ma Pralm « cappe Wig nde thw lr of © Let ‘hate a Peter Denil ‘hetpate eho se mie ceatsnt sf ing “OC's wath alr teow aos Werte ts Galle” "Man {hea ot wh {on fen And feel beget nk Bed poe elbowed re ‘tn we bay nde me, © God nd pend ay ate ‘The Mocking before the high priest ie on te fc and aed i, sang “Pophn. mn, Soman, convene Ly From the “Laman of Frente cing {the meson of he Mand fe Shae da poche Jesus before Pate eid tr him ane Wi Chat» King” — "Art thoe the Ming of the The Wap of the Cross Tow it ren me nt te dof et Passscoglia ‘cn T boot tne oo te Land of Bare ee pea ey a ‘The Crucifixion ani ot ee in ot Wot was ba mito ofthe Pane ee” ‘ad the ain Yoh ung af the So Ze hye en a to RDING TO ST, LUKE. Pasta « cappella ‘owt gh me dof et The Mocking of Chest on the Cross Jose between the thieves ince“ ese eel St na" Ne aye te ‘There stood hy the Cross ‘Suabst Mater ‘Heo her nip Son and hrs the np test th doer lonion East cy Bc ‘The Death of Chet Spot Finale (Pain)ESECUTORE Erlauterung zur Notation: Explanation of symbols coro argue open, a ———— core mista avid ¢ 1 I, I~ soprant, ale + Sti tenori, bass) ‘mined pitch) 4 tn @ pica ato) ~ A pc, at) fd (pol he) ~ bMS ts cteame 2 Seofon a= Se a 9 Fagot ~ fg ‘ed pitch) " : ee art sacdechen Seg und at tenbaler, 6 cor! n Fa = er aN ae beiween brdge and tailpiece, on two we 3 eee one Fone fembur mitre ~ ef a we tate Tem tra a sae peered al Wiederbolung der ganzen Gruppe rere Pn ae me oe = gato ton afte ae poy Coa — caves ‘mit starkem Bogendruck (knirschen- 2 gonghi (I-cinese, 2-giavanese) — gng (1, 2) allied feos oe cae te de Wee ich genau ausgftirt mu werden en mo! values need not be strictly observed fama ‘basso ~ solo t t ’ ‘Echohung un einen Vieteltor sharpen a quariertone Srmgciste ~ rece Erhihang um einen Dreiviertelton Arita — vs a 1D isonceth ~ ve nledsuog.am een Viton rele ee eet ae eee Die Chore missen eSumlich getrenat anigetellt werden ca ‘Dos Werk dart nur in ltemischer Sprache aught werden, 4 Hotngeticher mocking laugh ‘The choruses must be separsted from one another ‘The work should be perlormed in Latin eal at recta DURATA: ca 80° sussurrando Anfatrapmasea hanes ~ Faron rataMole} tonte Eebiecte PASSIO ET MORS DOMINI NOSTRI IESU CHRISTI SECUNDUM LUCAM ® PARS I Keyl Penes 965) Con fe pe / ee © 1967 by Mon Veg, Sai ht ce eee eNO ClAe Pi eovge aati ob eae 0 se ——— Se te gang 2 f&@ $a aa : “hold the underlined contonans «die untentrichenen Kontoosntenwusalen«tzymac podkresone spétlsktEvang: f egesus it secundum contutudigem in mont Olvarus, Seat eu autem Uhm et diucpa pose ge-re Ato pi es oun oA a mo Evang: Appar auem il angeus de cack, confor became fects ing: pana bers fe facta ext sudor ue ew yuttae san- (ln decurents fo tercam. 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