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Why The Traditional Hanok Is The Forerunner To Eco-Architecture
Why The Traditional Hanok Is The Forerunner To Eco-Architecture
Culture Trip
12 April 2017
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Hanok means ‘Korean house’ but on a broader level it includes all types of
traditional Korean architecture, such as Buddhist temples. It is the forerunner to
environmentally friendly architecture that can serve as an inspiration in this
increasingly eco-conscious world.
Hanok design
Hanoks are made using natural materials, such as wood and earth. No artificial
material is used in their construction, so these homes are 100% natural,
biodegradable and recyclable. Even though some hanoks are more than 500
years old, they are designed with special consideration given to energy
conservation. The overhang of the roof is specially designed to prevent the
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sunlight in the summer from entering the interior of the hanok, thus keeping it
cool in the blistering heat. During the bitter winter months, because of the angle
of the overhang and the lower sun, the sunlight can penetrate a part of the interior
to provide heat to its occupants and, by doing so, decrease the amount of fuel
needed to heat the hanok. The walls inside the building can be raised, to change
the size and shape of the interior, making rooms smaller or larger: a truly multi-
purpose space. As the heavy roof rests on the wooden frame structure of the
building, no support is needed by the outer walls, so during the summer months, if
the occupants wish to do so, they can elevate the outer walls to lower the
temperature of the interior.
Even without raising the walls, some hanoks have windows and doors that are
purposely placed to act as frames to the beauty outside. Some of the residents of
hanoks were so much in awe of what they saw around them that they wrote and
posted poetry on the pillars of their hanok while they viewed the natural splendor
around them. Hanoks create open space by connecting the human living unit and
its surroundings, joining man with nature, and giving birth to life.
While Frank Lloyd Wright was working in Japan on the commission to design the
Imperial Hotel in Tokyo, he discovered the ondol system (under-floor heating)
which was taken from a Korean palace by the Japanese during the colonial rule of
Korea. Wright was so impressed by this that he incorporated this system into the
Jacobs House, which he had constructed in Wisconsin. Wright went on to create
the Usonian houses in the 1930s in the USA for middle class families without
servants. The houses included the ondol and ceiling to floor windows, bridging
the gap between human space and nature. The bedrooms were made small, so
that the residents could be encouraged to spend more time together in the large,
open-plan room with interconnected smaller bedrooms: the ideology of hanok.
Another architect who was interested in Eastern design and philosophy was
Ludwig Mies van der Rohe. He created the famous Farnsworth House between
1945 and 1951. Like Wright’s Usonian houses, this house blurred the lines
between the exterior and the interior, but to a more extreme level, which was
minimalism at its greatest at the time.
In the past few years, there has been a revival of hanoks in Korea. An increasing
number of people are choosing to live in hanoks – they are rated as high-end,
‘trendy’ homes, and even some sitcoms are being shot in hanoks. Because of this
new hanok trend, the South Korean government created The National Hanok
Center, to help facilitate research into new forms of hanok construction and new
concepts of hanok for modern living.
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