eunmeres meg rudiuuan wiudiafumsennetdaann meget udmonity 2 dau Roramnseregon, uncon mermegntiy venwsesveg nt unionlsznauiae susie Sonseumauanssidragy madidros AyspeNuawieuaeNseseRS I NEesIEETU duluhududusetveosnseumadetd aie yoxdnaund yorvanmnpaddrddusedauw vivm a Aadriglusmnsengduuonvesnseswis ‘untdedu lds nonnaioafemmrmammsnUeyS aethitlemssdiiwerm! unenieminlia wii THE OUTER PALACE Similar to most That royal palaces, the ‘compound is divided into two sections, the Outer: and the Inner Palace, Whereas the Outer Palace ‘consists of buildings for public and ceremonial Uses, the inner Palace is reserved forthe King and his immediate family. Formerly the Inner Palace was forbidden to male members ofthe court. “The principal bidings in the Outer Palace are the folowing HO HEM MONTHIAN THEWARAT, 'SAPHAKHAN RATCHAPRAYUN, PHRA THINANG AISAWWAN THIPHYA-ART, PHRA THINANG WAROPHAT PHIMAN ‘vomuuatiesinIe wduunado’ tonnse AUsiatmiuuvay wesvimanitie: B rseqaaouundsanyiha nas manguilsningy Wats Silla win. 2223 ows ie arguueinseiSavsrermmes + dynsliSunmamidosvin luitiovernssesr VR nudsranmuvuronieunada ow auvioad Hp. (Sbrine) HEM NONTHIAN THEWARAT Gon Palace, King ofthe sod) . =o Het Monthian Thewarat isa small stone $tfacture jp the form of a khmerstye prasat {residence of king or god withra"corncob-shaped super-structure) built by King Chulalongkorn in 1880 and dedicated to King Prasat Thong’ of Ayutthaya, the literal translation of whose name is King of the Golden Palace, because a miniature Kimerstyle prasat of gold was dscovered during his reign. smanssilieys sduinaastutinh abrstudle na. 2419 dot sduittaevivveatunuthemhuaethaeutine dpqiudnuansdsvostiigyaindionenseun exudonsestrogpinginaagosion dtastuitameniney SAPHAKHAN RATCHAPRAYUN, (Assembly Hall Tor royal relatives) AS its name implies, ths colonial-styie two- storyed sfructure was built in 1876 to house king Ghulatongkomns brothers and thei suites Majesty the King Bhumibol Adulyadej and ether occasions are on display inthis building wiciislonassdameonal unssitiauem Tosnersareth tas Tuuuuusraimaqsayy mrearmauansega- souinsrdrogiio mss qenquilvamnd : Whhaouwvunremn wisihdoornadiftund Unarnlumeunannsnts atiuduatated ne, 2419 unensesnoU ri seilanssdinenad mrannanmviiivesruan demathlsianmewiaanas: mnnlusnintia Wied aadu a weve eeeuuuvis @ thatudutustiveunseusugundodtiqnéues imevrmanndonseqaanniniuroga aaomseosf sdusrseunannsundemeunmagonsziongins hoya manisengarlusnindn Bett PRA THINANG (Royal Residence) AISAWAN THIPHYA-ART. (The divine séat of personal freedom) PHRA THINANG AISAWAN THIPHYAART.is a “Thaistyle paniion with four porches and a spied oof built by King Chulatongkorn in the middle of an outer pond in 1876, itis a copy of the Phra Thinang Aphonphimok Prasat in the Grand Palace, ‘Which was buit by his father, King Monekut, as a pavilion for changing regalia before mounting palanauin. King Chulalongkorn named this buld- ing Aisawan Thiphya-art ater King Prasat Thone's ‘rigiral paviion, This pavilion now houses a bronze statue of King Chulalongkor in the uniform of a Feld Marshal which was sat-up by his son King Vajravuh (fame V0. saeihialearefiu (Sunsettisiinduea wieumandonssga. souundadnoyh wsensenqaulsnindin biatraue tafadted na. 2019 axvnarivsevuavonaeum poh dlawishsduoynin auifonsegosiind'w 2 Hu voaridnwintoostdutes BehuAlsety parle otrietians ronan lits Fujoauamtomsonsediony Useummitey _mnimsesronsenienstiseoontaneussvemnduse asiqudadummungmaaieragtuuse Readme uavannd] viMasuAMnsvewies dnaeuiy aubonaggesouindrabogiha naenzenqanivin haan Winn rniveniiiudie® win, 2030 Veqdu sssideosdddslsduflusestuusiesinsiamouls mmemepudimaertah wes PHRA THINANG (Royal Residence) WAROPHAT PHIMAN (Excellent and shining heavenly abode) PHA THINANG WAROPHAT PHIMAN is a Neo Classic style, one-story mansion built by King CChulalongkom in 1876 as his residence and th fall. The audience chambers and anterooms are decorated with oil paintings depicting significant “evets in Thai history and scenes from Thal litera ture. The series of historical paintings was commis sloned by King Chulalonekorn ia 1888, The private Bears of ths baling which ate lesen the tfiner Palace section, are still used by Thete Hjesties whenever they reside atthe Palace. engiernennt somnsesingrutuludoumiatuwmsesegTu uuen faeeewnuMianwoue fies Aasluwooinediy ununderunersnsonuvitenty Wowiadumeau souhoutharunitauasatetudodmuniis dadnet, eansmsmncsnunlemnodligniaiy awn ddoasinwistiatineiaiuduizegenaatasiia datuahegmatinae nepal hansen, puluvsenoudauthiaesty néunorusenarnrey deadreoplunsesrsqnemunelaey asdrfylu nseragrutululdud wseiiiqnowghatins pene mretiamedigy wimg elu ‘THE INNER PALACE The nner Palace is separated from the Outer Palace by a covered bridge with a bauyered wall from which the court ladies could look out witho being seen Themselves, This bridge connects the WAROPHAT PHIMAN MANSION to the. TEVARAL KANLA, (The king of the gods goes forth) GA which isthe principal entrance tothe inner Palace Within the Inner Palace are residential buildings, pavilions and gazebos lad out in a garden setting,