Aqualung JETHRO TULL 6 Badge ERIC CLAPTON 26 Brown Sugar THE ROLLING STONES 17 Every Breath You Take THE POLICE 32 Heatseeker AC/DC 38 Holy Smoke IRON MAIDEN 44 Knockin’ On Heaven's Door GUNS N'ROSES 52 Master Of Puppets METALLICA 62 Rock And Roll All Nite KISS 73 Samba Pa-Ti SANTANA 82 Since | Don't Have You GUNS N'ROSES 122 Sultans Of Swing DIRE STRAITS 90 Sunday Bloody Sunday U2 108 The Sky Is Crying STEVIE RAY VAUGHAN 116Tablature & Instructions Explained Both Tab Keys are used throughout this book. Please refer to the appropriate one as required. OPEN CHORD ‘SCALE OF E MAJOR & (0) Sina Sas ed Se 8 iy Se Rtg sis to Sena . Ny.F fy ‘za Le OY (on eS WALETONEBEND FULLTONESEND = THTONEGEND —«2TONEBEND QUARTER TONE BEND ard RELEASE TONE BEND Strike wing bed ing aul tone on rece Sd wn sing val tne et tne) ranean LL — < \ J PREBEND end RELEASE UNISON BEND VIBRATO ‘SCRAPE or RAKE GLISSANDO or SLIDE GLISSANDO or SLIDE Bend sringa full tone, Strike both strings Strum the notesin Up ordown roma Upor down toa srke string with your simultaneously then the manner of a fast ‘note. ote. plectrum and then release immediately bend the ‘arpenaio. ‘the bend as indicated.” 3rd string up fll tone on Ne. 05 PALM MUTE ~ PERCUSSIVE TONE Z NO CHORD Fae pupae of ie (Heeey mtn. (Finger mut rae qor> STRUMMING oc cher Fartup and dowm rake ‘sn, AN Harm. AH ‘OPEN HARMONIC PURE ARTIFICIAL ARTIFICIAL HARMONIC HAMMER ON PULL OFF HARMONIC (Octme) “(With plectrum] sounding _(Where applicable) (were applicable) ‘overtone of Sth Hammer finger down on Pull your finger off the string the next note without. with a pkcking motion to striking the string again. sound the next note without ‘viking the string again with ‘your plectrum:Tab Key 2 HALF TONE BEND FULL TONE BEND DECORATIVE BEND PRE-BEND Play the note G then bend Bead the sung as indicated, the srng oo tat he pte rises strike the string and release, ‘by half tone (sem tne). Bend Uni Bend Bend [IIS 7: BEND & RELEASE. BEND & RESTRIKE UNISON BEND STAGGERED UNISON BEND ike the sing, bead it as ‘Strike the string, bend o iss ‘Swik bth strings ‘Ske the lower string and bend as indicmed, then release the bend 8 indicated, then esi the simultaneously then indicated; whit its sl sounding hil it ssl sounding sting wher the symbol occurs immediately bend the sik he higher string. lower string a indicated. HAMMER-ON PULL-OFF RAKE-UP RAKE-DOWN HARMONICS Hammer finger down Pallyourfingeroffthe string Sum the notes upwards Strum he notes downwards _Swike the sing whist conte next note without witha plucking motion to in the manner ofan in the manner of an| touching i ighty atthe fiking the sting agnin, sound next note without speesio. spetsio. fret poston shown. ‘aking thesring again Asia Harmonics, (AHL), wil be described in contextAqualung JETHRO TULL Words & Music by lan Anderson & Jennie Anderson Gtr. 2 Capo 3rd fret: Pete ie ee See see fe Ee e- FFs C9. Cm). Gm?" Eh Ga Hig B fie fae Halle su Fat a fe" Rhy. Fig. 1 Nc Db oe stan gg toma TBD TBD Sit tingon_a parkbench, eye ~ ing lit-te girls Gtr.1 (no capo) zac 7 Pram fill Rift B * Gur 2s Capo 3rd fret (end Rhy. Fig. 1) F EbF EF Gb Db! Db! Gb Lon BAR, AAT Ald) tentwRift B wiRhy. Fig. 1 NG. Db Eb F Eb OF Snot's run-ning down his nose, greas - y fin - gerssmear - ing shab-by clothes, _ Eb F Gb Db! Bb Db! Gb EDD ap OT —,. inthe cold sun, hey Aq ~ ua = Jun wRhy. Fig. 1 & Riff B Db Eb F Eb OF ing as the fil - ly pant (end Riff C) Feel- ing like a dead. duck, spit - ting out piee - es of his Aq = ua - long, bro = ken. tuck, —____ oh (2nd time) heyToCode Ray. Fig.2 ER oD Gm Gm Gn? F Gm? F Gat D))TR 3) 3H) 3) aM (Vocals Filtered) Sun oe an F Fous F Gm? oc ccm co) ) FV FTFIV ) ) FIT) TTT) old man wand’ - ring Jone - ly. Tak - ing time the (end Rhy. Fig. 2) Gm7_F Gm? F Fous_F_Gm7 7) 7) F Gm? F Gm? F Fus Fo Gm? C Se ee bad, — as he bends to pick_ a dog-end,* be 2 cm co) Gm Gm! Gm F Gm? F Gm? F Fsus F Gm? wiRhy. Fig. 2 F Gm? F Gm? F Fsus FGm7 Gm Gn? F Gm? Fo Gm? Feel - ing a - lone * Cigarette butt,wiRhy. Fig. 2 Gm? FF Gm?_F Fs F Gai? Gm Gm? F Gm? F Gm? ¥ === SS SE —— T — — Aqu-a-lung omy — feiend — don't you start a= way un-es = y. You poor old sod__ you Rhy. Fig. 3 Gm Gm7!_ Gm F Gm? F Gm? _F Fs F Gm? F Gm? F J=176 Presto F Gm? F Fos F Gm? Gm F Gm FradivliTTimd))) Do you still re-mem = ber De - Gm Gm Gm mn) om cem - be’s fog - gy freeze, — when the ice that clings on __ Gmt Gm W)o)o) FamnaT Ds) to your beard__ was scream - ing ago ny? (ans fiter:) Hey! Then youGm DODD PD DR MDD PD snatch your rat - tel-ing last breaths. with deepsea. div. - er sounds_ and the Fous F G7 TdT WT} diodod) FIT flowers bloom — like mad = ness in. the spring, Rhy. Fig. 4 Fous F Gm? Gm Dy dard] mam 7 nid 9) Cm mmm os) i Rene ol6 man wand? ring one = ly, tak - ing time the Gmt Fous F Gm? ere D) hy mm on y way wiRhy. Fig. 4 Gm F Gm7 F c co) Leg hurt - ing bad, — as he bends to pick a dog-end, hecm Gm Gm? F Gm? F Fous F Gm7 F Gm? = = ing a - lone, | te army's up the road, sal va = ton Ta mode. wiRhy. Fig. 4 Gm? F Gm F Fsus Gm? Gm F Gm? oF c ce) cm Gm don’t. you stat a- way un-eas - y. You poor olé__ sod, you Gn? F Gmt F FousFGm? 0 F Gm? D>) b) +d —— se its ony me oh whoa. "6 6 9 (oy po | t fo cm — a Feedback (2nd gtr) » It 12DMA OAD NyrAmMonAn> —— Siege mel (B—-5— Guitar Solo: Gur. 2 cont. simile Gm14Gm Gm? F Gn? F Gm? F Fsus =F Gm Dee dee dee dee, dec dee dee dee dee dee, wiRhy. Fig. 2 F Gm? F Gm? F Fsus F Gm? Gm Gm7 F Gm? Fo Gm? F Fous F Gm? C oc o fiend, - don't yous start a - way un-eas + y. You 15‘wIRift D (Grr. 2) Cm Gm F Gm? F poor sod, — you we ison = yom, yeah. — old F Gm Gm? F Gm? F Gm? 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