17. 17A. 18. 18A. 18B. 18C. 19. 19A. 24. 24A, 24B. 25A. 26. 26A. 27. 28. 29. Dracula Version List 2/28/02 Entracte Mist Reprise There Are Risks Db Holmwood to Asylum Asylum Underscore Renfield’s Gonna Get It Master’s Song Reprise Neck to Salon Heart is Slow to Lean Mina’s Seduction Seduction to Hypnotism I Blame Myself Pull the Pen Killing Time Jonathan’s Promise Deep in the Darkest Night Train Sequence Part 1 Train Sequence Part 2 Good ‘n’ Plenty I'll Be Waiting reprise The LongerI Live Em Deep In the Darkest Night Reprise Quincey’s Death Hello, Castle Heart is Slow Reprise Hello Again, Castle Finale Act II 09/25/01 02/19/02 02/19/02 09/27/01 09/27/01 09/27/01 09/25/01 10/07/01 09/27/01 09/28/01 09/21/01 09/27/01 09/27/01 09/26/01 09/27/01 02/21/02 09/29/01 09/29/01 09/29/01 09/27/01 02/19/02 09/29/01 09/21/01 02/21/02 09/30/01 09/28/01 09/29/01 page 2 (pp. 6-7)9/25/01 Entracte 17 Music by Frank Wildhorn Lyrics by Don Black and Christopher Hampton Arranged by Constantine Kitsopoulos Bb Dm A7/D Dm 7 Cc Dm 2 3 : g a # ms — — a GEE = at So te tS zs 2 Bae v ov uv a oO > > > = > > , A7ID Dm Bb c Dit 6 7 8 9 a wae z — = St a —_—_— tf g zg S Z $ 3. Dm EbMaj7(#11) AbMaj7(#11) 11 13 14 poco rall, Copyright 2001 Segue as oner Mist Reprise ie Piano/Vocal Music by Frank Wildhorn Lyrics by Don Black & Christopher Hampton Arranged by Constantine Kitsopoulos Tempo di "Mist" Gm 3 Dm AMD9 Dm 4 6 All your suf - fer ~ ings are - pos. - sessed. Te » sist? thrall you had to fall but who could © » ver had you in his Copright © 200102/19/02 17A. Mist Reprise Van H.: "...how to find-the author of all this sorrow and stamp him out." [MUSIC FADE] BhMaj7(#l 1) Dmia AT DMW/A BbMaj7(#11) 14 1 wor - shipped the a E DIRECTIO} pm - NI Gm ATICH 3 7 f + : 2 22 2 3B —# e £ 2 fee FE 2p» —s he 7 ete Lt a # —— ot a = == — — — —_——— a fee Bb Edim Dm Dm 6 2 7 29 + a seas == aS eo = Dracula: "when you summon me, and not before." Dm/A BbMaj7(#11) - OUT CUE: VH: "Strange, I thought Edim AT 3 33 Theard voices." 1|§————] . 3a - 30 3: 5 et —s = SES £ CY ae a a ar Cdr : a | |02/19/02 There Are Risks Db Major Music by Frank Wildhorn Lyric by Don Black and Christopher Hampton Db Ebm7b5 Dp , 4 —<—. 6 a + sa = + SSS SS do this on my own, I've no fear of the un-known, it would not be fair to risk your lives this Fesus F Bbm Gm75 And it's not just your lives you brave, if you fail you'll be his slave. Take fivyl.4 Copyright © 200202/19/02 18. There Are Risks Db Absus Ab JONATHAN: Bim 3 co 3 3 T'll be be-side you Pro-fes-sor no mat-ter what you may say —. 3 3 3 This is aonce in a life-time ad-ven-ture so count me in You may be needing some med -i-cal know-how a- cb ARTHUR: 3 AbIC EbmBb Fm7 Gbiab ab 17——3— 18 19 Jong the way We're all with you D> phic Bbm7 — Bbm/ab Gbvaj7_ DbiF _ Ebdim 22 23 24 worth tak-ing, there are bets worth stak ing, we can rid the earth of this crea-ture02/19/02 absusa Ab D> phic Bbm7 18. There Are Risks Db i 30 DbiAb GbMaj7 Dor Ebm pane shak - ing, some - times there's Ebdim ab Db chmp> Db GhmiD> — the vic-tims you are sure to save en eee . phe ag18. There Are Risks Db 02/19/02 pbicb Ghava Db7icb 42 4B 44 In - — no-cents con-demed to end-less_ hell Those who lin - ger on the = boa Te ol: a bes bs Ghm/A Dbiab Adim “— pbiab Absus Ab 47 wrong side of the grave The tor- ment - ed un-dead long-ing just to be dead OO boa Db DC Bbm7 Dbiab +”02/19/02 18. There Are Risks Db Db phic Bbm7 Dbiab 3B 56 ST 59 night GbMai7 DoE Bn Adim Ab ao choice,02/19/02 18. There Are Risks Db GbMaj7 Gbrab co Db - 72 Some - times you must do what's right. a —_02/19/02 There Are Risks D Major ; Music by Frank Wildhomn Lyric by Don Black and Christopher Hampton VAN HELSING: D Em7b5 D 5 6 — a He 3 se? 7 a? oe o + do this on my own, I've no fear of the un-known, iit would not be fair to risk your lives this — oto ——= o—— £ — — —— = And it's not just Copyright © 2002 your lives you brave, if you Ghm75 9 fail you'll be his slave. Take fills ii02/19/02 18. There Are Risks D as *_ foxamay] ,,"" ae 3 Till be be-side you Pro-fes-sor no mat-ter what you may say —.. 3 This is a once in a life-time ad-ven-ture so count me in ‘You may be need-ing some med -i-cal know-how a- Fem? GIA A c 3 Ach EmB long the way I want to be there We're all with you D pick Bm? Bm/A GMaj7__—séF# _ Edim 24 25 26 There are risks worth tak-ing, there are bets worth stak ing, we can rid the earth of this crea- ture -2-02/19/02 Asus4 A D pict Bm7 18. There Are Risks D 27 DIA Edim A D Gm/D D Cm/D D7Ic Gmat Think of the vic-tims you are sure to save ~ ba02/19/02 18, There Are Risks D DTIC Gmad D7IC 42 43 - no-cents con-demed to end-less__ hell A bane. A Gma# DIA Abdim DIA Asus A The tor- ment - ed un-dead long-ing just to be dead D pick Bm7 DIA GMaj7 Dirt Em Bhim =A02/19/02 18. There Are Risks D D pick Bm7 DIA02/19/02 18. There Are Risks D GMaj7 GIA c D -6-(Vampires) 18A Holmwood to Asylum VAN H: Surprise him with her! Music by Frank Wildhorn Lytics by Don Black and Christopher Hampton Arranged by Constantine Kitsopoulos 2 3 4 Vampire Women : ae = a oO —,,_— Ah ie Oe ele oe foe Copyright 20019/27/01 18A. Holmwood to Asylum B 7 13 | ee —— _ GUY (fade as dialog starts)Asylum Underscore Cue - Renfield:"Very well, Mrs. Harker" | Music by Frank Wildhorn Lyrics by Don Black and Christopher Hampton Arranged by Constantine Kitsopoulos Moderately Slow in 3 2 4 oH tett Meee Renfield:"He can enter nowhere without invitation" 9 10 Copyright © 20019/27/01 18B. Asylum Underscore Mina: "Is the world worth your soul?" [MUSIC FADE] 13 14 15 16 17 18 - -2-9/27/01 18C Renfield's Gonna Get It | Music by Frank Wildhorn Lyrics by Don Black and Christopher Hampton Arranged by Constantine Kitsopoulos Cue - Renfield:"Don't walk Jack:"Calm yourself." Renfield:"Please, tat ni doctor, I entreat you, I implore you, let me down the street at night! out of here at once. Put me in a straight waistcoat, in manacles and leg irons if you wish, but don't keep me here another hour. 3 4 = Jack:"Nonsense, Renfield, you're perfectly Renfield:"Tomorrow will be too late, safe, you're well guarded, you have nothing to doctor, don't you understand? For God's fear. I'm grateful for your frankness today and sake, you must take me out of here tonight!" in due course, tomorrow perhaps, we may Jack: "That will do..." [MUSIC FADE] II begin discussing the terms of your discharge. 5 6 7 8 Copyright 20019/25/01 ' . [Renfielé, Dreculs] "The Master's Song Reprise - ; iaaaahiieel Music by Frank Wildhorn Cue - Mina: "Good evening Mr. Renfield, and thank you." Lyrics by Don Black and Christopher Hampton Lightning once on 3rd cage opening Arranged by Constantine Kitsopoulos 1 2\ 3 Renfield sees Drac 4 ia ~ Drac: "Oh, Renfield." ice 7 Renfield: "Master." 1 2 b 3 4 = er z = = = a Qe --2-------5 > Na Le = p VAMP iF P VAMP] |]| (D's: once only) [VAMP oe = a % 7 SFE 7 Zz Zz Cue low B: Renfield: "Be mericful, Master. If you..." w (On Drac's arm move) —_(Em) Renfield - £ a 9 10 ie ot 4 5 5 gee -nns nnn = ME7INE You sailed a - cross the sev. - en seas, your Airs ; : 2 = = 7 —— Copyright © 20019/25/01 Em 19. Master's Song Reprise 17 18 19 20 21 2 comes up, the blood of slaves, We have | Seed SS OS Fim75 Em Fim7b5 B 27 long for the mast - ers rie Gm G#dim Adim Em 30 31 song, sing it and strong and the. a? F F . al 36 i 3107 Dracula: "Or not," Segue10/7/01 [Vampires] Neck to Salon Cue - (Dracula breaks Renfield's neck) ; Music by Frank Wildhor Lyris by Don Black and Christopher Hampton Arranged by Constantine Kitsopoulos Hold till Drac looks back at Renfield cb Db A Moderately Fast Vampire Women fy — a! CL ! re | = i = = = ——_——_ ——* —- Ah. Enmily/Margaret 49, JodiLynnette u R Tracy/Sara Ne. - mo Jenny-Lynn > > ns Copyright © 200110/7/01 19A. Neck To Salon Lynette: Im - mor - di - te Nos - fe - ra_-_tu sa “\" - wR Rye ded 13 , Emily: Other vamps:Im_ - SS S__ — < = = : Lynnette continues faster through bar 20 (3 times through phrase) > > > > > San - le San - ge - le e - ~~ ona aos a oni nv n (typing music)10/7/01 2s ite 19A. Neck To Salon9/27/01 rq! [Mina] 7 The Heart is Slow to Learn nae Piano/Vocal Music by Frank Wildhom Cue - Van Helsing: "I think our friend is right." Lyrics by Don Black & Christopher Hampton Arranged by Constantine Kitsopoulos "...clear on our mission." 5 6 Wonathan exits) 7 8 9 2nd X eo MINA AM6 Gim EMaj ——— — seems the heart is slow to learn. No one can tell’ it what to do. Copyright © 20019/27/01 20. The Heart Is Slow To Learn CHmin AM7 Am(maj7) GHm7b5 cH . 14 16 17 18 It ne-ver learnsfromits mistakes, what twists and turns it puts us through Oh yes the es es AM6 GHm EMaj Cem? oo heart is slow to leam, so ev'-ry les-son is in vain, < it goes the z oll AM7 Am(maj7) B7(-9) E Fam75 23 24 25 i way it wants to go, re - gard - less of the pain. And 80 1 fool ish - ly go more drive...9/27/01 20. The Heart Is Slow To Learn C#alt. - on APT Gms Se 2D 28 Ig-nor-ing all the signs, dis miss-ing all the doubt in-side me AM6 Gm EMaj Chm7 ———— heart is slow to Jean. No one can tell it what to do. It ne-ver AMaj Am(maj7) 36 Gm 7 (-5) q A 37 ml a oN + —— 7 Jearns from its mis-takes. That's why it fin-ally breaks and o-ver pow . Some pas - sions Ss9/27/01 20. The Heart Is Slow To Learn AM6 Gm EMaj cim7 7 42 — <——— ne-ver let you go. Some fi-res ne-yer cease to bum. It should-n't RE $l! 7 AMT Am(maj7) B7(-9) EMaj Am(maj7) 44 45 46 come as a sur-prise. That the heart is slow to leam The heart is slow to a —~ oll EMaj Am(maj 41 a 7) @ FHT 50 ee The heart is slow to leam. CEES es9/27/01 20. The Heart Is Slow To Learn On Cue: Guy turns to center . ao a —- (thunder) They sit On Drac's arm Jon falls 59 60 61 ie ee = {— ea > 8 = = hfe Glass breaks SS Bay = it i ——— Segue As One9/28/01 [Dracula, Mina] . ' = Mina's Seduction Piano/Vocal Music by Frank Wildhom Cue - Dracula: "We have met before I think." Lyrics by Don Black & Christopher Hampton Slow 7 3 4 : Arranged by Constantine Kitsopoulos "he would be a dagd man." Dracula amt Fm Copright © 2001Tempo (in moderate 1) 9/28/01 mn 6 cm 21. Mina's Seduction 20 21 22 23 Bbdimn Dm Edim Dm Gdim Dm You're the one out of all the loves I've known All these cen-tur-ies a - lone, you are Ne * poc @ poco cresc. Gm Em7b5 Asus4 AZ BL9/28/01 Dm Gm Dm 21. Mina’: i vn 7 ys a br a ina's Seduction Em7>5 AZ Em7b5 AT Em75 A 46 50 51 52 emp-ty and tri - vi - al molto rail. Moderately -— . Dm_ | Mina Em7b5 AT»9 Dm 3 54 Penney 4+——_+-___— — [sre __ 5 —o- = + Please don't make me love you, please don't make me need you. ye ar FEF TRI iF FS You know ve - ry well I can't can feel the night fall.9/28/01 A 58 9 Dm Bdim Gm Emmb5 471. Mina's Seduction 59 oO 3. 1 em-brace your dark-ness, But must I give up all the beau-ties of day? — 77 PA P i Ebm Fm7b5 —_-Bb7b9 Ebm Fm7b5 —_ Bb7b9 61 62 6 4 Dracula] Pure plea-sure for in - fin - i ty - Whyshould we all be bom to PERF F PP GP § Db7b9 Ebm Gdim 65 66 Eb7b9 Abm Fdim 67 6 love. A love un-chang-ing as the stars a- die? of fe yo my_love, —_esisnal__p NPR Gb | Both CbiED BbID Ebm . 70 71 bove. My blood will be your blood, my bed will be your bed, to-geth-er we will pass the cen-tureies a- = mf poco stringendo9/28/01 Adim Abm7 Bb7b9] Dracula Ebm 21. Mina's Seduction B 4 8 16 — head and when the.world's grown old. Our gold will still be gold. There's al-ways a to - mor - row Em Fim7b5 —-Fiidim Em Fiim7b5 B B 80 1 know the mist is clos i i 1 feel Im lo-sing all Em | Dracula Abdim Am Fidim 81 82 8 a trol, You have that far a - way look in your yes, a look that no-thing spo - ken can dis- a wooo = nf G CE B/D} Em guise. It tells me that you feel the things you want to feel. Your bo-dy wants me now some signs you can't con- — ee9/28/01 21. Mina's Seduction Afdim Am6 B7 Em 9 92 ceal. We'll live our lives and then, — we'll live them once a - gain. There's al-ways a to - mor - row, to Cc Em Cc Bsus4 Both 94 98 96 -N 's al- ways one more night... o long hold Edi Pre py 8m 22 pa 100 paw a o —# z a oe —_ * <—o— SN molto agitato —====zz_a a Z9/28/01 Both Molto Meno (in 3) 21. Mina's Seduction Em Am 108 109 no 1 a How can we tum back when we have come 1748 a 106 107 ON B Em 12 7 13 K 14 us = @- te T + V 7 o An-y sac +i - fice is worth it to be where. you are. You I ee ra = » — ———=££==_—w aS : # —— * z thrall, you had to fall but who could Te = sist Am = Piu mosso B F B7 1209/28/01 21. Mina's Seduction = molto rall. (roar) (cross effect) (roar) IN 135 136 137 138 139 140(vampires 21A Seduction to Hypnotism ; Music by Frank Wildhorn Guy at center Lyrics by Don Black and Christopher Hampton- Arranged by Constantine Kitsopoulos Cue - (right after roar) 2 Stop on sizzle 3 4 5 [Safety] (wafer sizzle) PEt S ebe obe = 2 mf—————— || fs ry . nt > Van H. turns to exit Vampire Women 6 Copright © 20019/21/01 21A. Seduction to Hypnotism “4 (Quincy speaks) 1 12, 13 Quincy: "Whatever the Professor says, Arthur. "Evidently" Arthur: "None whatsoever." Arthur. "Whatis it?" seems like hunting down this devi] [MUSIC OUT] ain't going to be as easy as shooting Quincy: "But I'm making no (Van H. & Jack arrive) fish in a barrel." other plans till the job gets done, are you, Art? 15 16 7 18 = | = = = = ats Psifet te Ee Repeat as necessary @ |) oI Blame Myself . ." If." Music by Frank Wildhorm Cue - Jack: "I blame myse Lyrics by Don Black and Christopher Hampton Arranged by Constantine Kitsopoulos 2 3 4 6 pis 19 20 21 rs ay SLR qual OLLh. Copyright © 20019/27/01 2 1 C Pull The Pen Cue - Van H.: "Understood." Music by Frank Wildhorn Lyrics by Don Black and Christopher Hampton Arranged by Constantine Kitsopoulos 4 Cue: Mina: "All is dark." 9 10 ul 7 a, low notes on cue] Copright © 20019/27/01 21C. Pull The Pen Cue: Mina: "Yes." Van H.: "What are you doing?” [MUSIC OUT] 12 2 a. : i [low notes on cue]9/26/01 21D | Killing Time [Ethyl named it] Music by Frank Wildhorn Lyrics by Don Black and Christopher Hampton Cue - Mina: "There is one more thing of utmost importance." ged by e Kitsopoulos "...not hesitate to kill me." [MUSIC OUT] 4 Copyright © 20019/27/01 (Jon, Arthur, Quincy, ' 22 Jack, Van Helsing) . ' ° Jonathan's Promise Music by Frank Wildhorn Lyrics by Don Black and Christopher Hampton Cue - Mina; "That I might live.” Arranged by Constantine Kitsopoulos Quincy: "I promise." Slow 2 3 4 5 6 7 Jonathan Bb Fé Bb Fm6 18 Peer 9 10 Peery 11 ois = = H sure it could-n't hap-pen but should that day ar-rive I pro-mise I will hon-or your com-mand I = es o S colla voce Pp —=_=_= == gq 2 = S Se Bb Fm6 ob Bb(no3rd) will not let you suf-fer as long as I'm a-live you have my word Copyright © 20019/27/01 cb All Guys Bh(no3rd) 17 22. Jonathan's Promise 19 2 30 31 32 aa a - == ————— ele a —— — ee lemme 7 lz = ee Ie $e = Be2/2102 [Van Helsing, Jon, Jack, D 7 k Ni Quincey,Mina, Maids, Quincey-Mina Maids», Deep in the Darkest Night Piano/Vocal Music by Frank Wildhorn Lyrics by Don Black and Christopher Hampton EbMaj7 AbIED Arranged by Constantine Kitsopoulos 1 2 3 4 ‘Now that we've found where the en-e-my's lurk-ing, no-thing can stand in our way. EbMaj7 AbIED 5 6 “7 8 Since we are fac-ing the for-ces of dark-ness, we must be the cold light of day. Gm AbD 9 W 12 ‘We are the Jan-terns that burn in the light-house, the Copyright © 20012/21/02 23. Deep In The Darkest Night Fm All Bbsus4 EbMaj7_ | Van Helsing AbrEb 20 fail. This is a war and we must be the vic - tors, there's too much to lose if we _ a a, ae EbMaj7 [Jonathan AbIED 21 We'll cross the seas like a band of cm - sa-ders, search-ing for some pre-cious grail. a ————2/21/02 23. Deep In The Darkest Night cm Quincy} ab - We are the em-bers that glow in the win-ter, the dia-monds Gm [Arthur AbrBb Bb [aii] Let's take our torch-es and pray God will show us when there's no spark2/21/02 23. Deep In The Darkest Night Eb BbiD cm CmBb Ab AbiBb - 7 38 39 40 pierc- ing the dark Bright as the ED BbID cm CmBb Ab we'll raise our —_2/2102 Bb When the great bat - tle 23. Deep In The Darkest Night(sounding pitches) 2/21/02 23. Deep In The Darkest Night Add Jonathan/Mina Fm7 AbBb OB E CHim Gim 62 night, when there's no piere - ing the Bright as the dazz (normal notation)2/21/02 23. Deep In The Darkest Night2/212 [Dracula, Jon, Mina, Van Helsing} 24 Train Sequence Part 1 Revised 2/21/02 Music by Frank Wildhorn Lyrics by Don Black and Christopher Hampton Arranged by Constantine Kitsopoulos 2 3 4 Gm | Van H. FIG Gm biG Now close your eyes your pret - ty eyes the ev'-ning sun - [Safety-vocal last x} mf Gm FIG. Gm BIG. and you. can feel the things he feels Copyright © 20012/21/02 gh BIG cms 24. Train Sequence, Part One 1B 16 Bbm AbIC 25 26 ee Jonathan |She made me give my pro-mise, a _ter-ri-fy-ing pro-mise. _It's not the kind of pro-mise - = S S p colla voce a — + eS x ra —— za2/2102 abo Abrab Bbn Dbiab 24. Train Sequence, Part One 2 30 31 32 G to de-se-crate a tem-ple, to tram-ple on a flow-er, to catch a but - ter - fly Fm Bb Fm Ab 33 3 af 35 B 5 Ege - xx eS SSS => tear off its wings. It's worse than all of these things. : ott " ill as oe P T p> Abic Bbm pbiab ab 36 To dim the sun be-fore the sum-mer ends, to bum the cas-tle down > ee mp abiab ab p> Dbic Bbm DbiAb GhMaj7 Gib 41 42 prin-cess is a-wake To kill a love when it's still so a-live. I could-n't do it, my heart would : ; ia aS fete en of = eel 5 ra z bo a FZ. + Wo fT2/21/02 24. Train Sequence, Part One DP Ebm Fm Go 44 45 46 But I have g-ven her my word. And if the time should come, I will do what I A D arch Bm Bm/A must, how could 1? To dim the sun be-fore the sum-mer ends, 3 GMaj7 GIA m34 A D Ach Bm DIA 50 — (emeeee cas-tle down be-fore the prin-cess is a-wake. To kill a love when it's still so a-live. Til keep my Ss —— a ed oe KF F F2/21/02 24. Train Sequence, Part One GMaj7 GIA D Ach Bm DIA G(add2) G/A 34 55 56 S7 Tl keep my word and my heart will9/29/01 [Dracula, Jon, Mina, Van Helsing] Train Sequence Part 2 Music by Frank Wildhorn Lyrics by Don Black and Christopher Hampton [Dracula] Arranged by Constantine Kitsopoulos Gm Cm6 64 I hear the soundof wa - ter cL cL Se amp (Safety-vocal last x] Am7b5 Db 67 but wa - ter pass - ing eS Dracula Gm Gm —— eee Cee et zx, To Copyright © 20019/29/01 Cmé 24A, Train Sequence, Part Two 7 the - wa - ter rush- es I hear voi-ces but what's voic-es but what's there's some-thing else 1 there's some-thing else I9/29/01 a ays Am7b5/E> Just let me whis- per pb Gm 33, —— 3——_ 3 Tl be wait-ing for 3-5 Prt tre Se 82 ab 224A, Train Sequence, Part Two I - ma-gine stay - ing9/29/01 Atm7bS pitho 24A. Train Sequence, Part Two : % or oo why should we all be bom Let's leave that-to the 90 OL why should we all be bom we don't have to go we don't have to shoul - der —3— birth we dont have to go att9129/01 a Hames pits ctn 24A, Train Sequence, Part Two 8 3 99 100, It's not some -thing we'll you know there is no you know there is no Abm75 Abm70S/E A you're com-ing here where you 1069/29/01 24A. Train Sequence, Part Two pio 107 A Van H. ich Gtm Alct Ghm 0 un 12 113 Go on, go on I com - mand you! Tell me what's there .in your mind us i ch A 12 a 22 a} a eee Sor-ry what-is it you're say-ing? Are you an-gry? What have I said, what-have I done? I was a ee i p colla voce Sar rs tit q Hea9/29/01 2AA, Train Sequence, Part Two Gtm Van H. FhiG# Gtm EIGR Gh FhicH But ev -'ry dawn we have this chance Ghm EIG# Ell) EIGH 1279/29/01 24A, Train Sequence, Part Two 138 o — i A Segue as onea Good 'N' Plenty Music by Frank Wildhorn Lyrics by Don Black and Christopher Hampton Arranged by Constantine Kitsopoulos pt ‘under dialogue) [=r a a a = Copyright © 20019/27/01 Dracula, Vampires, Guy} 25 I'll Be Waiting Reprise Cuce.- Quincy: "A Winchester's handier in.a.crowd." Music. by. Frank Wildhorn. Lyrics by Don Black and Christopher Hampton Arranged by Constantine Kitsopoulos 2 3 4 154 6 —3—— 7 | k 8 —a oe - oa oe SS pr i pe SS eS = “TE RE RR» —s ee aa jj» 2 # FE oe ———— = —— —— yoo es y_? T y 2 LS f—t ee TS st = $ === : 3 3 Copyright © 20019/27/01 , 25. Il Be Waiting Reprise 9 10 uu 12 Se - ———t Don't tell them Don't tell them ev-'ry - thing you hear Just jet me whis-per an eS £ E Es p= ™p __—_——— 2a Be ae = SSO uz Se oa eo es ba Segue as one -2-02/19/02 254 The Longer I Live . Music by Frank Wildhom High key Lytic by Don Black and Che stcpher Hampton Adagio Espressivo _Bhm Ab pb bic jdm = Bbm =, FmiAb_ Gb I've seen so ma-ny sun-sets in my life, 1 should knowev-'rythingthere is worth know- Bbm 7 Ab a> Abic Bbm Fm/Ab 10 ing. But since I saw your face, I don'tknow where I am, there's no map that can show me long - er Ilivethemore] won - der Copyright © 200202/19/02 25A The Longer I Live High key 16 EbMaj7 Adim D9 wn BPMaj i AT T know an-y-thing at all. ev-er been in love I can't D> The long - er I live, the less I'm cer - tain that I have all the an-swers 4 Gm EbMaj7 Am7b5 D7 Gm ay I'd give all my yes-ter-days for one 28 G7B Cm 2 Agim A Dsus - It's hard to makeeach mo-ment count when you're a-lone, may-be that's all you need to know. “202/19/02 25A The Longer I Live High key ,om AniTOs DPS long er I live with-out you near er the emp-ty years will Gm EPMal7 3g AmT7b5. 59 D7 will not tum un-til you tum Epa Ags DT Me fe 2. 7 be 7 | to ; world will not turn un-til you tum to me. |, 5B z te f fee a z —— re = a 3 oH —_—_—_ P = = = a = = t z. £ ieee > 202/19/02 SA The Longer I Live . Musi Frank Wildho: Medium (demo) key Lyric by Don Black and Ch stopber Hampton Adagio Espressivo tm FH B FHaAR Bim Gh , Dimi 3 E T've seen so ma-ny sun-sets in my life, I should knowev-'ry-thingthere is worth knéw- Dt ttm FHiad . 2 Phat Sam Gtm Dim/FH But since I saw your face, I don'tknow where | am, there's no map that can show me where I'm E ype ges c7 14 Fm {gm7b5 long - er Ilivethemore] won - der Copyright © 200202/19/02 2SA The Longer I Live Medium (demo) key 16 b Mai cn Fm DMaj7 Gaim a7 ev-er been in love I can't 2» ¢C Fm 4, Gm7bS Gro long - er I live, the less I'm cer - i that I have all the an-swers cerry 2% Fm DbMaj7 Gm7bs,, C7 Fm 27 I'd give all my yes-ter-days for one 2 FTA Bbm 29 Gaim G ,Csus . It's hardto makeeach mo-ment count when you'te a-lone, may-be that's all you need to know,02/19/02 2SA The Longer I Live Medium (demo) key Fm Gm7bs sere 32 er I live with-out you near the long er the emp-ty years will CErr will not tum un- til you tum DbMaj7 Gm7b5 c7 a2 4B 40 ——™—COT h$—* | 2 = world will not tum un-til you tum to me. o +i+—e = | fee , 0 5% o a ee o tt zz i laneleer —-S- Pp — aera! - € > o=p$a— S a 2. Maj7 8 9 19 n no-thing can stand in our way. Now we are fac-ing the for-ces of, dark-ness, we ep Copyright © 20019/29101 (#2) 26. Deep In The Darkest Night Reprise AbED Jack | Gm Jonathan 12 8 14 15 - must be the cold light of : We are the lan-terns that bum in the light-house, the Pop Por — | —— — Ab All Fm can - dles i crypt. We are the light, let there be + Pfr: Bbsus4 cm Gm 20 21 2 3 great bat - tle sure-ly the light will pre - vail. We will break down his de - fenc - es, he will9/29101 (#2) 26. Deep In The Darkest Night Reprise Ab Fm7 AbiBb - 28 2 30 ctTVaapies (offstage)] : ' 2 6A Quincy's Death Piano/Vocal Music by Frank Wildhom Lyrics by Don Black and Christopher Hampton Violently in 1 Arranged by Constantine Kitsopoulos 1 4 "empty coffin" effect oN : (wolves) Copright © 20019/21/01 42 (carriage transition) 26A. Quincy's Death = —— ae P?s "3 fs We Pees = $ =e 3 =e —— z we a UF e 0 UOU . Mt 1 « a 7a « el q cll all “| « ia! aH | Me (dialogue) oT rs. st [Safety] va 2 Loe te “Ets Ef} f a g9/21/01 26A. Quincy's Death Cue - Van H. tugs on reins 33 (they see the castle) Qo a 11d alle Segue As OnePantie Hello, Castle 27 Reading Version g Music by Frank Wildhom Lyrics by Don Black & Christopher Hampton Arranged by Constantine Kitsopoulos (Mina in circle) 1 2 3 Vampire Women Cue - Van H. holds up cross ‘cross effect) (sizzle sound as Van H. pours holy water) é voices reverb cresc. e accel. poco a poco - Segue As One Copyright © 20019130/01 a9! [Mina] The Heart is Slow to Learn Reprise Piano/Vocal Music by Frank Wildhom Lyrics by Don Black & Christopher Hampton Arranged by Constantine Kitsopoulos 4 oN MINA — OT ——_=.—»s- —_—_~ ag - a2. AMajé Gim7 L Cim 5 6 heart is slow to leam, tell it what to do, Tt ne-yer AMaj7 Am(Maj7) Gim7b5 9 10 1 Jeams from its mis - takes. That's why it fin - ally breaks and 0 - ver pow ae e e uo Copright © 20019/30/01 28. The Heart Is Slow To Lear Reprise CR7 3—— 1 AMajé Gm7 E 14 mm a8 15 —— Some pas - sions ne-ver let you go. Some fi-res ne-ver cease to burn. cm AMaj7 Am(Maj7) B79 E 18 The heart is slow to Segue As OneHello Again,Castle 28a Piano/Vocal Music by Frank Wildhom Lyrics by Don Black & Christopher Hampton Arranged by Constantine Kitsopoulos 1 2 3 4 "Ja ddad dd dia adie a aed Safety |p Ib Ip QPracula turns head) 10 " ae Ses ee Segue As One Copyright © 20019/29/01 [Dracula, Mina] Finale Act II Piano/Vocal. Music by Frank Wildhom Lyric by Don Black & Christopher Hampton Armaged by Constantine Kitsopoulos Em Fem7bs B7 3e™ Flim7b5 B7 I step a-cross the line you, I plungemy-selfin mor - tal Piano your bride, I give in to the feel - ings Copyright © 20019/29/01 29. Finale Act II G CE BiDE Em 11 I leave my guilt be - hind, who cares if love is blind? This cer-tain-ty is bliss, at last 1 know my chim Am6 B Em mind, We'll live our lives and then we'll live them once a - gain, there's al-ways a to - mor We'll live our lives and then we'll live them once a - gain, there's al-ways a to - mor i c Em (their hands touchi Fésus (they kiss) 18 19 20 2 ae, there's al-ways a to- mor - row, there's al-waysonemore night. oT there's al-ways ato- mor - Tow, there's al-waysone more night. He Fi 2 ri ———__ on r (synth pad) is -2-9/29/01 29. Finale Act II Meno Mosso Bm GB CHdim AMaj6 Gmaj7 Em/G FA7 Bm 22 B 24 25 M = I hear you be - fore you speak, Tm with you where - ev - ef you are, D Pno. ATICH = Fim/A GMaj7 GMaj6 Fi 2S can read your — thoughts from a - far. The first time I saw your face, I knew I would make you mine, I felt the quick'-ning of the pulse, I felt shi-vers down my ci wll or 2 a aL9/29/01 29. Finale Act II GMaj7 GMaj6 Fy Bm 32 33 M D . Mi-na, you're the chos-en one out of all the loves I've known in all my cen-tur-ies a-lone. Pho. B GB Amick AMaj6 “ 35 Mai M Ev-er since I saw your face I've been try-ing to de - ny that I was hope-less-ly in love, that I could ev-er say good- D Pao. oD poco fr a poco ? GMaj7 GMa H B GMail 6 37 Ft 7 bye, now J know that can't be done, now I'll turn a- way from light and em-brace your end-less night. Ss cresc. 7 FP9/29/01 29. Finale Act II atch But ev-'ry time I see your face I'm tor-ment-ed bythis doubt, can I de-prive you of your death? Can I con-demn you to live _— eT f FA out this dark cir-cle of des-pair? Or should T not set you free, and let you do the same for me? Y fs [big synth pad sustain] (dialogue) -5-9/29/01 29. Finale Act II -6-9/29/01 29. Finale Act II Cm Ddim G7/B Cm 61 I was bom to love you, I was born to need you, Adim Fm6 Dm7b5 G 62 3 these are sim-ple truths that I tried to. be-tray. If you tru-ly love me, — prove to me you love me, Poco Agitato in 1 8 69 (dialogue) free me and go back to the beau-tics of day. (scream) ———_—— -7-9/29/01 29. Finale Act IT (scream)9/29/01 29. Finale Act II Fm/Ab T can't poi-son your life, I can't drive you in-sane, T can't drag you in-to my world = of > a —_———_ (scream)9/29/01 29. Finale Act II life at all, it's for - giv - ing, . — a strang-er's blood, pro - long-ing life when life is not worth -10-9/29/01 . 29. Finale Act II Ab If you love me set me free, and let me touch Cai Am7 Fem765 B 112 r—3— 113-—3— (Drac steps into coffin) please don't make me end this be - fore it's be- gun. Fem7bs i FHm7b5* B 3 —I— Give me_a-toie night: fall, give me back to dark-ness, give me back my soul and step in-to the sun. a — a. Jd z a 2 Ny -11-9/29/01 Em Fhm7bs 118} 29. Finale Act II T was bom to love you, Abdi Am6 Fem7 r—3 3 I was bom to love you, lived and died to love you, I was bom to love you and need you and let you go rr HE Gdim Am6 B+7 BT — No Chord et (Jon rushes to Mina) DIE -12-9/29/01 29. Finale Act II Simply, in 4 131 132 133 134 - “a> (Mina turns head) 135 136 M D Pno. (dust effect) -13-