S@UND ss lam i@ag a GGThe following diagram illustrates the function of some of the controls discussed: Vibrato (Wah-wah) Tone color Loudness gq) OOO|Os x ae ~| oO bP D ° a 9 On 5/6 O 3/6 Modulation sietaaon ook roNase Speed ‘Shape @~ ents | __ Modulation Amount MOOG MUSIC would like to thank those who contributed ideas for Sound Charts, with special thanks to Hannah Shapero: we welcome further suggestions. ‘—Pitch bending SOUND: SHAMISEN (Chinese plucked instrument) CONTROLLERS OSCILLATOR BANK. emo e-cs NOTES: *OSCILLATOR-1 and OSCILLATOR-2 in unison. Play f black keys only in middle of the keyboard. :ce—?4 SOUND: HARESICORD 56°. Oda SCO Om 55 OGSO8 SROSGe |, fOO}oo* GBOGOS NOTES: *Oscillator-1_ and OSCILLATOR-2 in unison. Increase DECAY TIME control to 700 for lower register of key- board. 46SOUND:. ELECTRIC PIANO SOUND: VIOLA CONTROLLERS OSCILLATOR BANK * o ou 8 SOUND: VIOLIN 8 O® CONTROLLERS LO | Todo OSCILLATOR BANK OOO © O O Oa O #4 ourrur © e~ i NOTES: Apply modulation gradually on sustained tones. Use MOOG 1120 Foot Pedal to control loudness. Use MOOG 1121 Foot Switch to control GLIDE on/off for portamento effects. SOUND: CELLO & OD 20 86 OOO? HOCIYOO & © © oe NOTES: *OSCILLATOR-1 and OSCILLATOR-2 in unison. Apply modulation gradually on sustained tones. Use MOOG 1120 Foot Pedal to control loudness. Use MOOG 1121 Foot Switch to control Glide on/off for portamento effects. **Glide when appropriate. 1" ‘CONTROLLERS OSCILLATOR BANK Mixen. MODIFIERS. output ConTROLLERS | OSCILLATOR BANK @-Ca e om NOTES: *OSCILLATOR-1 and OSCILLATOR-2 in unison. Apply modulation gradually on sustained tones. Shorten AT- TACK TIME setting on LOUDNESS CONTOUR for rapid passages. Use MOOG 1120 Foot Pedal to control loudness. Use MOOG 1121 Foot Switch to control GLIDE on/off for portamento effects. **Glide when appropriate.SOUND: BASS VIOL, BOWED SOUND: PICCOLO 34 |e Bos as TeGoo IOC) OO BGG aaa 910 = ‘osc .aton-2 a6! OOO O00 O OSCILLATOR BANK. MIXER MODIFIERS. ourur NOTES: *OSCILLATOR-1 and OSCILLATOR-2 in unison. Use modulation sparingly on sustained tones. Use MOOG 1120 Foot Pedal to control loudness. Use MOOG 1121 Foot Switch to control GLIDE on/off for portamento effects. **Glide when appropriate. e- a NOTES: Use modulation sparingly on sustained tones. Keep NOISE VOLUME just below edge of easy audibility. OOO ih SOUND: BASS VIOL, PLUCKED SOUND: El LUTE 4 | to create shorter tones in upper register. os 6 om O|Om “ ; | sl OOO 08 a) 2 ote os 2 n © BO Oss MOCO" controiers | OSCILLATOR BANK mixer MODIFIERS ourput ‘CONTROLLERS: OSCILLATOR BANK mixer MODIFIERS tones, om @~ °c" NOTES: Vary DECAY TIME control on LOUDNESS CONTOUR en NOTES: Use heavier modulation on sustained tones. Not too much noise for air hiss sound. Play fast passage with staccato touch. Slow modulation speed for lower register. tone aASOUND: RECORDER FAMILY SOUND: OBOE board or F below. Sopranino 2) ff Soprano 4’ o-c L Alto a tf Tenor 8 c-c Bass 8 ff Increase LOUDNESS CONTOUR ATTACK TIME for lower instruments. ae 2 y @ ® a 4 7 © Wa ~ cose © ou O'@ eae. 7 08 WCOOs cowTnoLens | OSCILLATOR BANK oxen woorens oureut contnousns | osciLaTon san oxen nooeRs ourrut nD ony NOTES: Use small amount of modulation. oun NOTES: *Two octave playing ranges from middle C on key- e-us SOUND: CLARINET (BASS CLARINET) SOUND: BASSOON (ENGLISH HORN) BOOO|O CONTROLLERS |_OSCILLATOR BANK covrmo.iens | osciLaToR BANK om om om NOTES: For bass clarinet change RANGE 16’ position. Place o-on NOTES: U 1 | both ATTACK TIME controls at 400. aiGes.emaltameunt otmodulattor|SOUND: TRUMPET - os = @ © @/O #5 CONTROLLERS OSCILLATOR aN sxe woowiens | auteur om o~-oE NOTES: Oscillators tuned to unison. Add oscillators for progres- sively “Fatter” tutti sound. SOUND: HORN SOUND: TROMBONE (JAZZ) py SSGOss ourpur Mooiriens. OSCILLATOR BANK Mixer conrrouses | NOTES: Play in middle and upper keyboard. Use PITCH wheel for scooping pitches. Add vibrato with MODULATION wheel. SOUND: TUBA CONTROLLERS 6 Oo. OSCILLATOR BANK “66 oureur mixer MODIFIERS. NOTES: Alter FILTER ATTACK TIME and DECAY TIME con- trols to suit taste. Oe conrrouers | osci.taron Bank xen ootriens oureur © on NOTES: Use small amount of modulation. Play articulated pas- sages with staccato keyboard technique. Alter AMOUNT OF CONTOUR and CUTOFF FREQUENCY controls for brassy or muted effects. oe 8 1SOUND: DRUM ROLL SOUND: XYLOPHONE CONTROLLERS. OSCILLATOR BANK CONTROLLERS | _OSCILLATOR BANK SOUND: TEMPLE BLOCKS NOTES: Play in middle and upper keyboard using staccato technique, or emg I — SOUND: BASS DRUM NOTES: Depress and hold any key; play rhythmically to create drum cadence. —— from unison to produce rapid beating: (3) return SUS- TAIN LEVEL control. Play rhythmically on black keys near middle of keyboard. conrnowens | OSCILLATOR BANK xen conTROLLERS om eum evo NOTES: “Detuned from unison. Detuning procedure: (1) turn eos NOTES: Strike and hold a note in the lowest octave of the key- SUSTAIN LEVEL control to 5; (2) detune oscillators board.SOUND: TNEEING BELLS SOUND: EMERSON, LAKE AND PALMER'S Tilody 6 © © ao 6 8) 3) © a 3 OO}m | , ~| OOO Om x a Glo sla] 5 LOOOOm 5S Glo sh conrmouiens | oscutaron san xen woorens ourrur conrmouens | osou.aron ean oxen moors | en o~-c e-ao NOTES: Alter modulation amount. Strike and hold keys in low, o-a f | middle, high octaves of keyboard. SOUND: EMEHSON, LAKE, AND PALMER'S Aauatarkus, from Tarkus SOUND: EMERSON’S FAT BASS FROM Brain Salad Surgery o® FOOo|e on contnowsrs | OSCILLATOR BANK xen | woorrEns ourrur CONTROLLERS | OSCILLATOR BANK ss ee NOTES: Tune oscillators to a fourth and a fifth from the root. e yer i NOTES: *Oscillators tuned to unison. asSOUND: EMERSON’S STEEL DRUM FROM Brain Salad Surgery SOUND: GOOD SOUND lo. Glee 45d doa) ; a ® © Olan Ooalon OF Besos :| 4 4 4 conrnoiters | OSCILLATOR BANK xen | moDiriERs ourrur om eu NOTES: Full modulation. *Oscillators-1 and -2 in unison. Every NOTES: *Tune oscillators to triad or fifths; alter RANGE set- [ key will produce a different sound—find your favorites! tings. SOUND: RICK WAKEMAN’S Catherine of Aragon po O Olx CONTROLLERS OSCILLATOR BANK mixer NOTES: *All OSCILLATORS in unison.SOUND: THE MOOG SOUND SOUND: MOON CHORD CONTROLLERS 8, ourrur CONTROLERS | OSCILLATOR BANK. MODIFIERS ourpur ea eam i NOTES: *OSCILLATORS-1 and -2 tuned to perfect fifth. e-m eco :— NOTES: *OSCILLATOR-2 in unison with OSCILLATOR-1, OS- CILLATOR-3 tuned to an augmented fourth. SOUND: THE T.L.R. SOUND SOUND: HINDEMOOG © 66 GGG MOS MODIFIERS CONTROLLERS eum eos — OSCILLATOR BANK NOTES: "Oscillators in unison; octaves altered.**Alternate white noise with pitched sound. Glide optional. Play through chords rapidly—invent figures, NOTES: *Oscillators tuned to perfect fifth. Second rectangular wave gives % time. Glide optional. **Set modulation wheel so that alternating interval is a perfect fifth.SOUND: VREE OO BLEEP-BLEEP SOUND: HOMMAGE A BADINGS Lan Oos ¢ 66 bal #geoe SS SOR ie CONTROLLERS |_OSCLLATOR BAN xen MODIFIERS ourrur | contRo.iérs | OSCILLATOR BANK. e a NOTES: *Oscillators tuned to augmented triad (consecutive em ea major thirds.) eos NOTES: Depress one key and hold until tone cycle is complete. SOUND: RING MODULATOR EFFECTS SOUND: RUNNING RHYTHM “ le 8 ourrut MODIFIERS. NOTES: GLIDE Optional. *Vary OSCILLATOR-3 FREQUENCY control. Vary MOD wheel. NOTES: A Rhythmic ostinato in the bass register. Glide is optional.SOUND: NIGHT CREATURES MODIFIERS SOUND: SURF doa . le ourput NOTES: Play various registers of keyboard. NOTES: Play lowest, then highest key and release. SOUND: THUNDER af GSO ® s FO Ooos OGo0os8 = oo bla © © Olwa OHS SoCs ourpur 4 xen MODIFIERS sound and slowly rotate the EMPHASIS control to 7 and return to 0. | | 2 | ‘ors conmouns | _ oeuinon ute = ne ee witicuina | _ meat ie orm = os — os NOTES: Play an upper key rapidly followed by a lower key. o-cs NOTES: Depress and hold any key. Release key at peak of Increase AMOUNT OF CONTOUR control to 5 for closer thunderclaps. 2SOUND: WIND LO OOO On Ot @ Ole rODO\O=s teen SOUND: GASOLINE ENGINE Oe mixer MODIFIERS ourrur NOTES: Play keys for winds of varying intensity. NOTES: Depress key. Change speed of engine by altering OSCILLATOR-3 FREQUENCY control. SOUND: EXPLODING BOMB 516 deg a: eQOo0s © FOO #. ©) 2O & ©: 6! a a NOTES: Strike a low note. — a) —— NOTES: Depress any key.SOUND: SIREN SOUND: STEEL DRUM © OO 8OOO ‘CONTROLLERS OSCILLATOR BANK ‘CONTROLLERS OSCILLATOR BANK xen MODIFIERS ourrur NOTES: Depress any key. The FILTER can produce a pure sine = hee NOTES: *Vary FREQUENCY control for different sounds. | | waveform. The CUTOFF FREQUENCY control estab- lishes the pitch of this tone. SOUND: ROUTING AN INSTRUMENT THROUGH THE MINIMOOG Insert S-Trig Plug Insert external signal 1 SOUND: WHISTLERS os © Olx ‘CONTROLLERS conrrowers | OSCILLATOR #ANK NOTES: Play the keyboard. Another use of the FILTER as a NOTES: Turn EXT. INPUT VOL. control down if OVERLOAD sound source. light stays on. Note — if output is weak, increase gain of amplifiers.Cm Peas 4 4-1) SRO aT eel m NM Tolle r eR Mele oA aN ool ole MTN) .