24.

E2c Analysis

Label the Roman numerals; then label the scale degrees of the melody .
Some of the harmonies, even if labeled with a Roman numeral, are best understood as arising from an embellishing
motion rather than as functional harmony. Mark the Roman numerals of those harmonies with blue color. Explain why
each of these is best understood as arising as a by-product of embellishing tones.

J. S. Bach, Chorale 1

1 1 5 3 2 1 1 2 3 2 3

G: I I IV 6 V6 I V vi IV ___ vii 6 I V I

5 4 3 2 1

6
V6 vi 6 vii 6 I6 ii 5 V V7 I