Mingus - Cornell 64 - ARTWORK

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Charles Mingus Sextet H with Eric Dolphy CHARLES MINGUS SEXTET WITH ERIC DOLPHY CORNELL 1964... Trg ce fom Janes Jes 6 mht cal is tba, “Ming's Woke” Wet ust sch sir hid hen Apesecondae Ne ecase iscotcer aS ‘he asian reactions th ‘ml pine reacting a the spire ination te clsng wate Notbecause ie ramarabe set scones he tat tick of ining eitemely acu ruse le uoting nd! atonary 0 te ‘nt mses ee. No, the main thing hte i that Chros Ming —a men nore eres anprese- iy ral is anus — is eve in 2 fine of huts oy. Her is the sound of igus leased wih hse, ms tana, tna nis me, Hare eth sound of Ming fated. Ths inspite of program that Incldes to thirty-nine deineations of polis agony an 3 reactant freel to Ee Dap. irgus had easan to el apa when he ok he stage at Corel University on Mare 18, 1964, Yet tn eon and sterically eveaing brfomance tas een ail but wiped from meray unt Sue Gahan Mins ‘Mingus's bass al but eiates the ensembie izcomed tape spparenty 90 ote wine presumabl exception of students vo ware actualy tee, fnew the event took place — aot the lscgranhes, Diogapers, oF histevans, who are now bid to courte one of the most wal The Caml cana Sekases by thee stat tom an Ai Town Hal ence ‘tiny rsa Ming a abt oa open tau ong coca in Hoa, Nowa Sweden, Denar, Fane, ein, It dose’ get much etter than his band a dente paromarcs of plces wore en rust he tor, mos ty SMectabene” and "rings wn the Cut os asus that they mr rt in concer Carats att be fia of dba. Ming rived thre shortly aftr o- ont engagenent tthe Fe Spt, were he tac fered the set an word on “Meats” and eet fe pore he plage theughout Europe til this concats'sieniant my asa tareton betwen the Fie Spt a Town Hl ar as “acumet bya sort ved ete that nee rade stu sion ant eh oly 4 anatt of ve oeocings. Te Crt Peromancs a he ea fo bt than ‘no tat lew ‘Te myth eoction wat in place Store the Fie Spt: Mingus recruits Dannie ehmonéin 1956 nd Jah Byrd hasbeen his ane since 1962. Me had decided to fom a quintet by acne Johny Coles fon trumpet and Ee Oop, who wares the eoiy-1960s. But Dolphy’ absence for much of the gig prompted Wings te lvile guest saxophonists, including Coleman Haws, Bon Weber, Banter Ervin and liar Joan, Mingus was 50 tate nit sen that opt hi on ter Dnpn'sratr, creating the att ot ast. Dep give notice Coles ws espe n Pais: Jordan itn Jue, “he Corel concert copes them inthe hat ight of sed see J. win otra ing prs a ba lt in a muy va Caton hp cored es “Seren et a ae Saeed cea ‘rom Blesin he Ng” "In he Hal at “Ald Wan Rive” andi Ai Necessary So" among eter mings ada’ robust atxty cee here anc thoupout the ence, Dolphy te ay inte wal peat o Anew H's Pt of Depa) ‘ums nis sauawing base clarinet to 3 ings recorsed a sl plane version ot "Orage ns the Clow” 6 1963, a et tg a alle the Fe Sos ine cern sto reste ret and bles fem nt the anes pece deter, ses onto Ns most enzo ove mele ian 8 los frat, wre oe section is 1 Bas {ih wo xb ir as opie) an ‘ner 10a Ces ec hora, na Mingus appr especily fo Baran Dy, asi oc! an musical ne ‘Sting Alan wit Yo" Wingard big band vrsone ily State's “ake te Tr” bt hs theft sat veron snc neal eating ineetaton ‘The stcond st sustains te fany being Inendveton faapr wrk, tee os sndincatie (Nee aa hes punch ove in te second theme by the bass ‘line ander.) Ate Day's eth in une, "Se Leng nie” wade tought ues isnt by some emo took ple doy ater St. Pat's Day. ings septs “usta! of "When ch jes ee Sling” eatsirg 7 0 Ces, ay reaches higher tin Ming's only recrane of Vle's “siterbue Wats.” 3 pit tothe aulence andthe muses wth py’ ae I ons get mich beter than the, (ary Gis she uta, stacey, fata! Section a Weather Bu and “Here te sound of Mingus elated.” Spe tant rcs Luca ‘or maha ths la pb LF] i 4 i CHARLES MINGUS SEXTET WITH ERIC DOLPHY CORNELL 1964 1 SoPHisICaTEO DY 423 uM wn) aah sce 146-3-922 10: = a |

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