BOSSA

ABA One note samba

A.C. Jobim
INTRO: Bm7 VAMP
A

Bmin7 B¨7 Amin7 G©7(b5)
                      

   
 
This is just a lit - tle sam - ba built up - on a sing - le note. Oth - er

Bmin7 B¨7 Amin7 G©7(b5)

   
            
        
notes are bound to fol - low but the root is still that note. Now the

Dmin7 G7 Cmaj7 F7

     
                    
 

new one is the con - se - quence of the one we've just been through, as I'm


Bmin7 B¨7 Amin7 G©7(b5)
 G6
        
               
bound to be the un - a - void - a - ble con - se quence of you.

B Cmin7 F7 B¨maj7

               
       or near
  
There's so man - y peop - le who can talk and talk and talk and just say noth - ing, - ly noth - ing.

B¨min7 E¨7 A¨maj7 A±7 G©7(b5)


                     
         or near
 -ly no - thing. So I
I have used up all the scalesI know and at the end I've come to no - thing,

A Bmin7 B¨7 Amin7 G©7(b5)


          
                 
come back to my first note, as I must come back to you. I will

Bmin7 B¨7 Amin7 G©7(b5)

   
          
  

   

 
pour in - to - that one note all the love I feel for you. An - y -

Dmin7 G7 Cmaj7 F7
 
   
                   
one who wants the whole show, re, mi, fa, sol, la, ti, do. He will


B¨6
  
A7

G©maj7
  G6
                  
find him- self with no - show, bet - ter play the notes you know.