ae eta) en laa13 STEPS TO NOWHERE Words and Music by VINCENT ABBOTT, DARRELL ABBOTT, PHILIP ANSELMO and REX BROWN, ‘All girs, tuned down approx. 1% steps: = @=E O-Ft@=cs @-8 O=ct Moderately slow: Tempo I (J = 84) Intro: Drums 4 % ES BbS ES Bos “Pitch falls somewhere between 1 & 14 steps down, **TWwo gts arz. for one. ES BbS BS BbS 13 Steps to Nowhere - 5-1 02238 © 1996 WARNER-TAMERLANE PUBLISHING CORP., METAL MAGIC MUSIC, RESS MUSIC DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC, INC. All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights ReservedVerses 1 & 2: ES BS. 1.Your win - dows board- ed — up, 2. See additional lyrics Rift A. WRI A (Gtr. 1) 3 times ES BbS ES BbS ES BbS ‘The talk shows pump it up, Jab rats dis-eased for show. We're doomed to use the slang, BbS. BbS ES BbS out- break of drug rou-lette, ‘A chorch bumed to the ground, not e- ven no-ticed yet.— horus: ser ToCoda® ne DS.% al Coda oR 3 ‘ ~ ‘Thirteen! Thirteen’ —-Thir-teen!_—Thir-teen! Thirteen! —Thir-teen steps! 3a 39D ITT ITD IT asa Bridge: + NCB5S) b Your back - fash dis ~ 13 Steps to Nowhere - 5 -2N.C(Bb5) by b I The wolf poked with a-waits with can - _cer- ous breath! NC. DPSIAb—ChSIGb-- N.C(BPS) ers 13 Steps to Nowhere - 5 - 3 02238N.C.BP5) The truth should not sur- prise, your homes were built ‘on lies! Slower: Tempo II (J. = 48) NC. Interlude: i ‘Two girs. art for one, va oa eae 13 Steps to Nowhere - 5-4 02238‘Tempo ( J =84) Outro: NCES) ES BS ES BbS ES Bbs -EDS/Bb bee 35 35 35 bas Thir-teen! ‘Thir-teen! Verse 2: A backwards swastika, ‘The black skin riddled in lead, A nazi gangster Jew, It beats a dog that’s dead, It's in to use the slan; Outbreak of gua roulette, The cross sants to the sie, rove the damnedest yet. (To Chorus; 13 Steps to Nowhere - 5-5 0223810 BECOMING {All rs. tune down { step: Words and Music by ©-D O=F VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, Qs @=a REX ROBERT BROWN and PHILIP HANSEN ANSELMO- =C =D Moderately 4 = 120 wiRhy. Fig. LA (Gtr. 2) Intro: Play 4 tomes DVA No Chord(ES5) “Gtr Rhy, Fig. 1 Verse: Half-time feel Fis GS N.CAES) FES GS (Last time). A long time a - go. 2. See additional lyrics end Rhy. Fig. 1 nev : er knew my - self fa N.CAES) FS GS N.CAE5) ‘Then the mem Gu.2 Be. . cee Rhy. Fig 1A = = end Rhy. Fig. 14 SF wiGte synth. effect © 1994 COTA MUSIC. INC. and POWER METAL MUSIC, INC, Becoming - 5-1 All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. 0223B ‘All Rights Reservedi Fis GS N.CAES) HS GS Double-time Dek wie, 4A (ra.2) (4 7h HES) Hs Gs The small one, N.CAES), FS GS 3 N.CAES) FS os more than Becoming - 5-2 0223812 Fis GS Chorus: Half-time feel ‘wiFill 1 (Gtr. 2) %& BS ca DSA 65) (As) DSA A ——~.o BS AS DNA with snake's Becoming -5-3 02238wiFill 1 (Gtr.2) tO ws) (as) DSA Double-time w/Rhy. Fig, 1A (Git 2,4 times) N.CAES) FAS NCES) FIS G5 —-N.CAES) YS GS —-N.CAES) FES GS Becoming - 5-4 022384 Double-time To Coda ® DYA het lay 4 times Fis GS DyA D.S.% (2nd ending) al Coda @ N.C(ES BSC et imitates Rhy. Fig. 1) wiGtr. synth sound effects Play 4 times Coe Neca FIS GS Bs (2nd time) God - FS G5 Additional Lyrics Verse 2: found my life was slipping through my hands. Perhaps through death my life won't be so bad Lean see you, can fuck you, inside of you. Staring through your eyes. . Bettie your friends to serve me, to suck me, to realize my saving grasp. Tof suicide. I the unlord. Becoming -5-5 022381S DRAG THE WATERS Words and Music by VINCENT ABBOTT, DARRELL ABBOTT, PHILIP ANSELMO and REX BROWN ‘All girs. tuned down 14 steps: @=ck 4 @=Gt O-ct Moderately J = 126 Intro: NC. *Gte1 k Feary dst PM Gtr. 1 doubled, ‘witty. Fig. 1 (Gtr 1) 3 times FS ES FS ES NC. FS ES FS ES NC. = ‘2 ‘2 25 Drag the Waters - 11-1 02238, © 1996 WARNER-TAMERLANE PUBLISHING CORP., METAL MAGIC MUSIC, RESS MUSIC, DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC, INC. ‘All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved16 Verses I & 2: FSES SES NC. FS ES NC. 1.A _ smack on the wrists i from the mouth of the out - 2. See additional lyrics Gted Rhy. Fig. 2 - sid- ers, law - yers, po - lice. A. small price to pay— for the dope— —— and the guns and the rape, it should ali be - kay. ‘end Rhy. Fig, 2 wiRthy. Fig.2 (Gtr 1) FS ES NG fa - ther is rich, he's the judge, he's. the ~man,— he’s the god—— that got your sen-tence re - duced.— FS BS NG. - te = But in the back of his mind he well knows— what he’d find if he looked Drag the Waters - 11-2 0223817 Chorus: lit - He deep - er Fs ES NC. Drag the wa - ters some more.— —— 5) ‘ Drag the Waters - 11-3 oe18 wRthy Fig. 1 (Gtr. 1) 4 times CSG DSA EDS/Bb FS ES FS ES Drag the wa- ters some more.— Like never be - fore. 1 2 Drag the wa-ters some more. Interlude: FS ES _ FS ES Sf grad. bend wiflanging & echo effects, & wah as filter effect 1 1 Drag the Waters - 11-4 0223819 Guitar Solo: eT w/flange echo & wah used as filter Drag the Waters - 11-5 (2238‘Tap string while holding bend, Drag the Waters - 11-6 0223821 «F5) Es) Drag tho Waters - 11 - 7 0223822 Chorus: vwiRthy. Fig. 1 (Gir. 1) 4 times FS ES FS BS NC. FS ES FSES = NC. Drag the wa- ters some more.— FS ES FSES ONC. FS ES FS 55 NC. Drag the wa- ters some more. Double-time feel FS BS FS ES No. FS ES FS ES Drag the Waters - 11 - 8 0223823 nev - er be - fore Drag the wa- ters some more... an Drag the Waters - 11-9 223824 See what it is in- side that fuck- in’ Quiro Chorus: Half-time feel wiRhy, Fig. 1 (Gur 1) 2 times _, FS ES FS ES NC. FS BS FS ES NC. Drag the wa - ters some more. Like nev - er be - fore. FS ES FS ES NC. FS ES FS ES GS AS Bhs AS BbS BS Drag the wa- ters some more.- “Gur. 2 ad libs, trem. bar dives, pick scrapes and feedback until end. Drag the Waters - 11 - 10 02238wikthy, Fig. 1 (Gur 1) 4 times FS ES FS ES NC. FS ES PS BS s Yeah! Drag the = wa - ters some more. Like nev - er be - fore, Drag the wa - ters some more.- FS ES FS ES NC. FS OES Verse 2: Sweet is the slice and the lips ‘You're gonna have that woman. She is your favorite lay. Promised, you swore, that no one had been there And she was gonna keep it that way. Let it move in, you got thin And got high and your money went ‘And so did your friends. But she’s by your side and her smile Cannot hide the premonition of the beckoning end, The end. (To Chorus:) the Waters = 11-11 tasCOWBOYS FROM HELL Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO Cc AICH DS. BbS AS + 2 320 aun 36 134 Be Moderate rock J = 116 Intro: cer NC Rift end Riff A w/dist, flanger WIRE A (Gir 1) 2 times Gtn2 RNB will (Grr 3) ‘Cowboys From Hell - 10-1 02238 © 1990 COTA MUSIC, INC. and POWER METAL MUSIC; INC. All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved27 Cowboys From Hell - 10-2 07238Verses 1 & 2: tall no = bad-y touches us at 1.Un-der the lights- where we stand bet-ter not take it out on 2, Pillage the vil-lage, trash the scene, but shoot - out, spread fear with-in, with = - out is found where your cit-y ‘used to be Cowboys From Hell ~ 10-3 wa= gona take- what's ours to. have. Spread the word through-out the land... They say out of the dark-nessand in-to the light, sparks fly ev - “ry-where in sight. From my bad guys wear black. We're tagged and cant. tun dou-ble bar-rel,___ twelve gauge, cant lock = me in—__your nde ir Gs ots Gs Bbs AS AbS Cowboys From Hell - 10-4 3B% Chorus: Here we come, reach for your gun, and you bet-ter — lis - ten well, my _—_— friend, You we're the cow-boys from Hell. (its) been slow at you,- Deed is done, a= gain we've = won, ain't talk-ing i Cowboys From Hell - 10 - 5 0223831 ES ToCodal [7, ~ Com. in’ from you, we're the cow- boys from Hell. — Cowboys From Hell - 10 - 6 0n3B32 Com-in from you,— : from ‘Cowboys From Hell - 10-7 02238‘wiRthy, Fig. 1 (Girs. 2 & 3) Em (8va) ‘Cowboys From Hell - 10-8 2238 BbS SR Bridge: wiFill 2 (Gtr. 4) Ist time only NC. Gt. 2&3 Nt (va) 3334 (8va) wR (Gt. 3) last time only WiFi 2 (Gr 4) 1s1 time only Gt. 2&3. ‘WiFi 3 (Gr. 3) last time only wiRift B (Grr. 2) (va) (va) (8va) To Coda35 D.S.% al Coda D.S. 9% al Coda It =, Step a - side, we're the cow- boys from Hell.— Cowboys From Hell - 10-10 223836 HERESY Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO Fast J = 176 Intro: (8a). ond Rhy. Fig. 1 Heresy - 10-1 02238 © 1990 COTA MUSIC, INC. and POWER METAL MUSIC, INC. All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. AIL Rights ReservedBS Heresy - 10-2 BB BS BbS BbS ADS BbS GS G#S AS BS BbS BS BS BbS AbS BbS GS Gis AS BbS AbS BbS BS BS BS BbS BbS GS Gs AS BbS AbS BLS cts Gis chs —3— 3738 Verses 1 & 3: ES FS FAS na - ture is of vio - lent list is.-—stron - ger than your G5 cts ES EbS BbS EbS my fu - ture’s laid = out, = for_~—me.. - gion gives them rea - son to_fight. Heresy -10-3 0223839 ES cls Gis cis BS EbS BLS Eb5 ES cis Gs chs 3 a - bove the fies Die for pride. —3-— Verses 2 & 4: ES AbS AS) BbS OES 2.Mor - als on a back- wards glove, a 4A “proup that ca- ters no one's fees’ or —— Gs Gis ES PS FHS sin to you. For its my life and pro- vi - syn thet - ic de is” where I ‘be - long. —— Heresy 10-4 2BES GS Gs Black or white, some pay to._— pray. + You ~— ques - tion why the My stand = iss the «= hu --man race with - out =a la - b ES NC. cis BbS Its their fuck- ing de - ci - sion) so they can lick my sack, — GS BS cts BbS ES chs BbS as BS chs BbS Heresy - 10-5 0223141 wiRy. Fig. (Gir. 1) 4 times ES — Hon - ‘sty bom in me, Her- e - gy. AbSBbS ES BS BbS FSGS42 Bhs AS Heresy - 10-7 02238 Gis Gis Gs FS FES FES ES Gis FES ES ats FAS cs cs Gis BS FAScs ais FHS ES cs BS BbS AS GS FS ES GS ES GS BS GS ES GS ES GS EBS GS ES AS cs BS AS GS OFS ory 10-8FIS ES GS ES FIs ES GS ES FAS ES Gs ES FIS ES GS ES FHS ES GS ES FAIS ES GS ES Fis 123. lf CS BS AS FES EBS CS BS AS Fis ES CS BS AS CS BS AS FES ES C5 BS AS FIS ES C5 BS AS FHS C5 BS AS FAS BS C5 BS AS FAIS ES CS BS AS FIS He Heresy - 10-9 0223845 ‘wiRhhy. Fig, 1 (Gtr. 1) 5 times Gis AS GES AS cs Ds cas pis BbS ES Heresy - 10-10 2238THE GREAT SOUTHERN TRENDKILL Words and Music by VINCENT ABBOT, DARRELL ABBOT PHILIP ANSELMO and REX BROWN “All girs. tuned down approx. 1¥ steps: Fast: Tempo I (4 = 224) Intro: N.CAES) 2 Ib, Ip Ip (Scream) Blah! **Gtr, 1 (w/heavy dist) Ry. Fig. *Pitch falls somewhere between 1 & VA steps down, "Slide eft hand flger up and down @ a. wight pressure, not enough to fet, producing artifical harmonics. ‘The Great Southern Trendkill - 7-1 02238 i (© 1996 WARNER-TAMERLANE PUBLISHING CORP. METAL MAGIC MUSIC, RESS MUSIC, , IND DARRELL MUSIC, ABADABA MUSIC and COT, ! Px Nigh ‘Admniowered by WARNER-TAMERLANE, PUBLISHING CORPYu | 47 Half-time: Tempo II (/ = 112) ARS ES 6 Fs PIs G FS FAS ‘2 Verses 1 & 2: wARIME A (Gtr 1) 4 times G Fs FHS 3 b FS FAS wear-ing = ons my_—smind._ Tm speak-ing all my_-— doubts. a - loud You 2, See additional lyrics G FS FES. G FS FAS. rob a dead_ man's grave, then flaunt it like you did cre - ate. Double-time: Tempo I (4 = 224) wiRhy Fig. 1 (Gtr. 1) ES 3 3 3 3 3 1 hit bot - tom and ev - "ry thing’s gone inthe _— great Mis - sis - sip - pi, please Half-time: Tempo II (4 = 112) ‘wRilf A (Gtr, 1) 2 times G FS OFIS GG b FS FES ee drown me and run. Double-time: Tempo I (4 = 224) ‘wR. Fig. 1 (Ger 1) Es 3 3 Ts dig- ging time. a- gain,— you're nur-tur- ing the weak-est trend.— Those with the heart and the brain to get past this can spot a pa- thet- ic with - out e- ven ask - ing. Half-time: Tempo II (J = 112) G FS Fis G Fs FAs bem Fock your = mag-a_ = zine,— and fuck the long dead = plas-tic scene, (Sma) Oe Ae wnees ‘The Great Southern Trendkill - 7-2 (oa48 G FS FHS o FS b “in”, you'd give your soul To Coda ® DC a ‘The Great Southern Trendkill - 7-3 0223849 Slower: Tempo Til (4 = 72) e Interlude: nn) NC(ES) E 7 E E (Spoken:) Its the great south- ern trend- kill. ee (Sma RITC us (@va) (5a) (15ma) The Great Southem Trendkill - 7-4 ‘mE50 Guitar Solo: IRIE (Gir. 1) 5) (8va)-- . wiki (Gee 1) fw > ~~»: Ged Ds) zw _—~ ‘The Great Southern Trendkill - 7-5 0223851 ‘wiRIREB (Gtr. 1) (5) Gu3 bya WRT C (Gtr 1) Ds Gtr. 3 tacet 1 Ge South Tiedhil-7-6 25 fret is approx. Play wislide just past 24 fret,52 *Gtr3 £ ef Gti 3 walight variation on repeats. Use these 2 meas. as a model for improw £ Repeat ‘The Great Southern Trendkill - 7-7 154k, Verse 2: Buy itat a store, from MTV to on the floor. ‘You look just like a star, 11 proof you dont know who you are, If Thit bottom and everything's gone, in the Great Mississippi please drown me and run. Tes builshit time again, You'll save the world within your trend. ‘Those with the heart and the brains to get Past this can spot a pathetic without even aski Politically relieved, you're product sold and well received. ‘The right words spoken gold, if Iwas God, You'd sell your soul. (To Chorus:)53 I’M BROKEN ; _ ; Words and Music by - loderately J = 148 VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, = Halesime fest REX ROBERT BROWN and PHILIP HANSEN ANSELMO. — No Chord (ES) “Guitar [ anf Vw oo ee Feedback Feedback Ultito sO *2 guitars arranged for 1 with harmonizer effects set 8 Feedback Pick slide ei tee Tuning for all guitars: © = C#, ® = Ff, @ = B,@=G,O = GH, O=Ct YmBroken -9- 1 © 1994 COTA MUSIC, INC. and POWER METAL MUSIC, INC. 238 All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved54 Verses 1 & 2: NG xd Be won - der 2, See additional lyrics I'm Broken - 9-2 02238 t if, we'll much rbd) bed in smile - ing, es for them— to cof- fins while laugh - ing, oe loved eyes. oe ? pie ab mourn the day, ‘con - clu + sion55 Bridge: NCAES) J r how! That's how! Thats how! Choruses I & 2: N.C.AES) —e. 2. See additional lyrics T'mBroken-9-3 23856 Interlude: I'm Broken - 9-4 0223857 Bridge: Guitar soto: *2 guitars arranged for 1 — ie Fm Broken -9- 5 0233858 Guitar 2 Guitar | Tm Broken -9-6 02238 > Hold bend With barChorus: NCES) Im brok - ent. brok - ent. 59Bridge: NCES) how! Guitar 1 Chorus: NES) N.C.AES) I'm brok - en! Vm brok - en! I'm Broken -9- 8 02238- Verse 2: Bridge 2: Chorus 2: Lm Broken -9-9 038 Outro: Additional Lyrics One day we all die, A clichéd fact of lite, Force-fed, to make us heed, Inbred to sponge our bleed. Every warning, a leaking rubber, ‘A poison apple for mingled blood. ‘Too young for one delucion, The hiestyle cost. Venereal mother embrace the loss. Thar’s how. Look at you now, You're broken. Inherit your life. (To Imerlude) 61 Repeat and fade———— F 62 I CAN’T HIDE Words and Music py VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, PHILIP HANSEN ANSELMO and REX ROBERT BROWN All gts, tune @ down to D- Moderately fast metal in2 4 = 126 a J 4 J NC. Percussion J “fuass gue arr. for att. Verses: DS ATve writ- ten a 21 still takes Gtx.1 (Elec. widist.) Gtx, 1 (Elec. widist.) “Composite rangement. ‘Dold. by Gtr. 2. * Gs FS BbS 1 Can't Hide +8 = 1 02238 © 1997 WARNER-TAMERLANE PUBLISHING CORP, COTA MUSIC, INC. and VDPR MUSIC 'WARNER-TAMERLANE PUBLISHING CORP. ‘All Rights Administered by "All Rights Reserved63 shit about right now. still clear. strength I do; BbS Gs cs Ds war with dope, just like you. BbS GS FS sight. must have a A man that stands i ground with 2nd vel: My guts are blz =i VoAat Hide -8 -2 (238Chorus: Gs AbS Gs FHS Gs ADS Gs FS FES Gs ADS GS FAS Gs ADS GS EbS AS ps. BbS GS cs 1 Can’t Hide -8-3 02238= GS Cant hide my - self Cant Hide - 8-4 38cs ADS cs 2ndvel: Makes. AbS GS cs AbS Guitar Soto: NC. NC. “Dm Gers, 3& 4 (widist. & effects) “Composite arrangement. *Srtarmony implied by bas gle. Jano Zz. 1Can't Hide - 8-5 02238Ss ap slack w/trem. bar & gradually release Gtr, ttacet ae Can't Hide - 8-6 xB| 4 4 o7 oT ‘scoops wiirem. bar-- ‘scoops whrem. bar-- oh “Top note produced by harmonizer effect. Ny 2 * trem. scoop and dive wy Slower J.= 62 (2 = 186) Outro: #4 Ff siacarto q L Can't Hide - 8-7 77h,de - pres - sion in - side, tI eens /~ % + tal with - drawl. 4 eee /~ . whrem. bar 1 wees Jan Hide - 8 - 8 0238—— 70 SHEDDING SKIN Words and Music by Stowly J =72 VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, ‘Intro: REX ROBERT BROWN and PHILIP HANSEN ANSELMO Play 4 times No Chord Gtrs. 1&2 wiRhy. Fig. 1 (Gtr. 3,3 times) Verses 1 & 2: Em7addA Em7 Em7¢naj7)}+5 Em7 Em7(maj7)+5 ET us don't a while I'm shedding Spoken: 2; See additional lyrics i pasuisdunsansiunnuenunneneneneneer eee nccenrsneeneeeesenaa (end Rhy. Fig. 1) Be aoe mmf Let ring--- 4 Let ring-- Em7addA Em7 Em7(maj745 E°7 EmTaddA fjord for you 0 see whar's inside, It yaiher shoot myself than have = You watch me. ae wee nn 172 We wee eee Shedding Skin = 10-1 © 1994 COTA MUSIC, INC. and POWER METAL MUSIC, INC. All Rights Administered by ‘WARNER-TAMERLANE PUBLISHING CORP. "All Rights Reserved71 Em? Em7(maj7)+5 E°7 Em7addA NY r, I feel you'd steal my skin to try and wear me 1 was be - trayed- one more day Gui Gites. 1&2 ~ a, —3— of my short You were car-ried a - way,— | = cate. my be - ing. but you were-n't you. awh Se 12 wo You were sticking to me- like ascab_ Sol peeled you a - way.— bled for days. Shedding Skin - 10 - 2 23872 =~ BID ASaddD AbSaddD ‘Then stepped out of my- self, — wR Chorus: Tm shed- ding — skin, chang- ing with-in, — fall - ing Through swol-len eyes... dreamed you died,- caught in = side. Pm shed - ding skin,- spread ing Shedding Skin - 10-3 02238Cre- at - ed the end, Killing a friend I'm shed - ding my ASaddD AbSaddD You're fuck - ing __ and suck + ing, —_ You're friend - less, Your flow - er —_ Double-time fee! Hts end + tess, you're friend - less. ‘Shedding Skin - 10-4 3874 but no one’s been in-side you long - er Half-time feel the fear, To get you off, you need the fear The fear, 2" AS GS FIS FS 3-7 the fear, Verse 3: N.C\ES) BbS/F 5) BDS/F ney- er love, Blood - y touch. Bro-ken wrist Need-le rust ‘Shedding Skin - 10 -5 0223815 5) BISIF 5) BbS/F Chok- ing throat. ‘Swal- lowed teeth, 5) coIG Fis) csiG I'm shed- ding my— 5) BIS/F (5) BOSE NC. Guitar Solo I: C.E5) iS Shedding Skin - 10-6 023816 (Be a ‘serni - harm. grad. bend Verse 4: (E5) BLS/F 5) BbS/F Om - a- ment. ‘Shrunk-en head. Snake strike. (ES) BbSIF (ES) BbS/F Poi- son- ous, Syph- ill - lis. Drenched me. ‘Shedding Skin - 10-7 02238(rts) csIG Fs) cag I'm shed~ ding my skin, You've got to semi + harm ‘Shedding Skin - 10- 8 OB8 semi - harm. ees With bar (dive) 14 1 Guitar Solo II: NC. (ge) (es) BISIF (ES) bse 5) BOSIE Shedding Skin - 10-9 02238‘Shedding Skin - 10 - 10 mB Verse 2: Idon't think you betong in here, I feel I’m sick Don’t ask because you know damn well where I've been. I've kept a simple woman through the thick and thin. But I've found the guts to severe from my Siamese twin. [throw you away, Every day. A dead part of fe Strangling back, Seething black. In between my longing for fortune. Blood on my face that came from your face. ‘The mix of kissing and bleeding, [;put you away. shut you away. I pissed you away. I threw you away.MOUTH FOR WAR Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTI REX ROBERT BROWN and PHILIP HANSEN ANSELM( Slow rock J = 80 Intro: Double time J = 160 ES GS BS NC. GS NC. Gs BS NC. GS BS NC. Gs Rhy. Fig. 2 ES G5 BS NC GS NC GS BS NC. G5 BS NC. GS BS GS BS NC. GS NC. Mouth For War -9 = 1 02238 © 1992 COTA MUSIC, INC. and POWER METAL MUSIC, INC, All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights ReservedNC. GS BS NC. Gs _ (8va) “Fret top2 sys. front edge fae Halftime J = 80 BS BSCS) AS BLS GS. AS FI GS) BbS BS CSAS Bhs Ry. Fig.3 BS BSCS AS BbS GS AS FIS G5 BbS BSCS AS BbS GS NC. ES Re venge!- Verse 1: wiRhy, Fig. 3 (Gur 1) 34 times BhS BSCS ASBbS G5. AS FAS GS BbS BSCS AS BbS GS) NC. ES 8g rc Hm scream-ing re - — venge~ a - gain BbS BSCS ASBbS GS AS FES GS Bhs BSCS AS BLS GS NC. ES — 7 I've been wrong for far— 00 long — Gs AS FHS GS BbS BS cS AS BbS GS NC. ES Been— con-stant-ly so frus - rat - Mouth For War - 9 - 2 238 I've moved — moun-tains with less. —‘wiRthy, Ful (Gtr 7) Bhs BS C5 AS BbS GS AS FIS GS Bbs BSCS ASBbS GS = NC. ~. —~ When I chan-nel my hate— to pro- duc - tive,— don't find it hard to im- press. S% Pre-Chorus: why. Big. 1 (Ger 1) NC. BS NC. BS Ne. BS ic. BS Bones____ in tac + tion, hands break 10 hold raw en er = gy.— wiRthy. Fig. 1A (Gtr 1) Nc. BS NC. BS Nc. BS Ne. BS ———s ~ Bold—___ and di- sas - trous, my ears can’t hear what you say 10 me.— Double tine J = 160 Chorus: ‘wth Fl. 2 (Gtr. 1) ES GS BS N.C. GS NC. GS BS NC. GS BS NC. GS ES G5 BS NC. G5 NC. —_— Hold your mouth for the — war—— GS BS NC. GS BS NC. GS BS GS BS NC. GS NC, GS BS NC. GS BS NC. GS ‘ Ye Speak the truth a- bout me,— Use it for what it’s for. (Fret against pickup) PM. Mouth For War - 9-3 1BSubstitute wiRtny Fi3 (Gur 1) 2nd time only To Coda ES G5 BS ONG Gs Nc. ES — De - ter - mined. Half time J = 80 wiRthy Big.3 (Ger 1) BbS BSCS AS BbS GS AS FIS GS BbS BS C5 AS BbS GS NC. ES w/Rbay Fill (Gir. 1) BbS BSCS ASBLS G5 FIS GS BbS BS C5 AS BbS G5 NC. Verse 2: ‘wiRhhy. Fig, 3 (Gor 1) ¥4 times BbS BSCS AS BbS GS AS) FIs Gs Bhs BS C5 AS BbS os NC. ES I feel a con-quer- ing will down in - side— BbS BS cS ASBbS G5 AS FIS GS BbS BS CSAS BbS GS NC ES >. —, — Strength —____ The strength of man-y to crush who might stop me. Bbs BS CS AS BLS G5 AS FAS GS ES BbS BS CS ASBbS GS NC. ES - —. My strength is in num - ber, and my soul lies in ev - ‘ry - one wR. Fab? (Gir 1) DS.% al Coda Bhs BS CS) AS BS GS AS FRS GS BbS) BS C5 AS BS GSN. De KT The re-leas-ing of an - ger—____ can bet-ter an-y med-i-cine — un-der the sun.84 ‘Half time J = 80 e Guitar Soto: wiPill 1 (Gtr. 2) Coda Gis BS ES NC. wR Fig. 4 (Girs. 1 & 2) 22 times wiki A (Gtr 2) Gis Mouth For War - 9-5 0238wiRby, Fill4 (Gtr, 1) & 4A (Gtr 2) ES ava ~ BS GIisDIs Ds Cts Bs PIS ES DHS Ds “N There comes a time — with-in. €v- "Ty - one—__ (sma) ay,86 FHS GHS BS GIs Double time J = 160 ots FES Gis ‘Mouth For War - 9-7 0223B Dds DS Cis BS FAs to close Ds your eyes— to what's real. fail. (w/dela) ah, (widely)88 Gis Am/C 2a Gis FIs GHS FS DmF Gis FS Play 14 times ats FHS GIS FIs Gts FIs GIs Mouth For War - 9-9 0223889 STRENGTH BEYOND STRENGTH All girs. tune down 1/2 step: @=£+ O=ch b Words and Music by @-p! O=eb VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO. Moderately J = 112 Verses 1 de 2: AS Gis Gs Gs AS cs noth- ing. + tion, No 2,See additional lyrics AS Gis GS Gs AS es AS BS AS BIS AS BS jobs to = day, Surength Beyond Strength - 7 - 1 2238 © 1994 COTA MUSIC, INC. and POWER METAL MUSIC, INC. All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. Al Rights Reservedknow the op - in ~ No Chord os Fs rec ~ ord, a ADS BS ES — you and your col- lege is ‘re strong-er than —3— “AS GIs Gs Gs NC. Strength Beyond Strength - 7-2 02238Play 3 times Strength Beyond Strength - eo but - fucked 91 Interlude I: Half-time feet Play 3 times Sad state of af- fairs. . Strong-er than alll, 392 Half-time wiFill 1 (Gtr. 2, 2nd time) FS C/E FS Gs FS C/E FS os FS C/E FS os FSC/E FS Gs (2nd time)Rrert. We've Rhy. Fig. 1 (end Rhy. Fig. 1) Bridge I: FS C/E FS Gs FS C/E FS Gs. FS C/E FS Gs grown in - to —— An ar ro- gant, ex- plo ‘See additional lyrics [ErEN i Interlude H: ‘wiFill 1 (Gtr. 2) u Play 3 times Fs C/E FS Gs FS Gs ——3—— _———. fuck. Far too late! AH, be Au ewes With bar (dive) FS FS FS os Yee he. ‘Strength Beyond Strength - 7-4 02238Guitar Solo: wRhy. Fig. 1 (Gtr. 1, 4 times) FSC/EFS qs FS CIEFS AS FSCIEFS Gis KS CIEFS Gig FS CIEFS Gis Oth 2 oy h, beh; eo Wharmonizer effect SF Wharmonizer effect FS C/E FS os FSCIEFS Gis FS CIEES Gis +i A wirem. bar an Strength Beyond Strength «7.5FS CIE FS Bridge Tt: FS CE FS GS FS CIE FS —3— Stronger than all. —3 Verse 4: (See additional tyries) Strength Beyond Strength - 7-6 02238 Gs Fs (CIE FS G5 FS C/E FS abs FS CIEFS = Gis Fs C/E FS GIS Double-time NC A5 GIS G5 GSStength Beyond Strength -7 7 0238 Additional Lyrics Verse 2: Rouse working for perfect bodies, Perfect minds and perfect neighbors Sut Um helping (0 legalize dope on srt pstine stzets and I'm making a fortune, Nowe mustle snd galt Deep down stronger than all (To Interlude 1} Bridge 1: Hatd as a rock, Siut like a lock Finally, the president in subsescion Fie holds out his hand on your ‘elevision and draws back a stump, It too late for some. (To Interlude If) Verse 4: Be there no question of certain ste ths, Know this intention, Foreves ‘stronger than all, (To End }96 SUICIDE NOTE PT. I Al tes. in drop D tuning: Words and Music by | => O-G VINCENT ABBOTT, DARRELL ABBOTT, | ee PHILIP ANSELMO and REX BROWN ~ ‘Moderately slow J = 62 Intro: N.C(Dm) NC. Gtr. 1 (Acoustic 12-siring) a RITA “+wimiseollaneous backwards guitar and synth. effects. wIRitt A (Gir. 1) Gt 2 (Acoustic 12-siring) Verses 1 & 2: Ga G Gd) G Gd) G Gd) G io —, co - eae - the pills that kill. and keep the ain 2 Be aBaidonal ions pills tha p- the pi Gtrs. 1&2 Rhy. Fig. (Take the pain a- way) I Suicide Note Pt. T= 4-1 02238. © 1996 WARNER: :TAMERLANE PUBLISHING CORP., METAL MAGIC MUSIC, RESS MUSIC, MOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC, PAN Righte Administered by WARNER TAMER /-TAMERLANE PUBLISHING CORP ALR97 wiRhy. Fig. 1 (Girs. J & 2) Gd) G Gd) G Gd) G Gdi) G A A Di-et of life shel- ter with- out, the face (Aah) = LI that can - not see in - side N.C(D) yours and = mine. Pre-Cho (Yours and mine.) re-Chorus: Gor NCD) t q Would you look at me now? Can you tell_ (Would you look at now? } Suicide Note Pt. 1-4 - 2 3B98 D Go GSE D GSiE. GF SS t 7 — I'm a man? With these scars on my wrists to prove Tl = try— a gain. — Can you tell 'm aman? end Ry. Fg. fi wiRitt A (Gir. 1 &2) N.C(Dm) —————— Try to die a+ gain, —— Try to tive x — through this night. Try to die Gtrs.1& 2 SS wiRhy. Fig. 2 (Girs. 1 & 2) D GF GE D GE Gr ¥ i. =, — ——————— = 2 — Serio > * Err LS Pool ss —— . Would you look at me now? Can you tell. — Yi uy— a- gain. Would you look _at_ me _now?- D GE GE D GE GF , ———= = — Tm a man?——_ With these scars on my wrist. = tos prove I'l, «try a- gain. Can you tell I'ma man?- With these scars on my wrist to prove- Outro: wiRiff A (Girs. 1 & 2) 2 times N.C.(Om) <—mom ft oo Try to die a ~ gain Try to live. Pi uy a - gain) Suicide Note Pt.1- 4-3 0223B99 == eH —— through this night. wiRitt A (Gitrs. 1 & 2) ‘WIFI (Ger 3) 3rd time Dm *Sung Ist time only. Suicide Note PL. 1-4-4 2238 (Die “Depress bar one whole step before striking note Verse 2: Forever fooling, free and u: Sliding down the slide that breil awill. Mother's angel, getting How smart are you to fegress unfulfilled? It’s a damn shame, but Who's to blame? (To Pre-Chorus:)100 SUICIDE NOTE PT. II All les. tune down 1 whole step: Words and Music by ©=D O-F VINCENT ABBOTT, DARRELL ABBOTT, O-c os PHILIP ANSELMO and REX BROWN @=¢ O-D Verses 1 & 3: Fast rock J = 114 Double-time feel Intro: NCE) 1.0u of my 2. See additional lyrics 6 bao Focady iiss. ‘wiDigitech whammy pedal at octave settin Grohe . no, pre- sen - sion, ex - e+ cu - ton, 6 $ =< Zz 4 Verses 2, 4 de 5: % live and learn, 2. Fret not, fam 45. See additional lyrics Roy Fie} z Suicide Note Pt IL- 8-1 02238 © 1996 WARNER-TAMERLANE PUBLISHING CORP... METAL MAGIC MUSIC, RESS MUSIC, DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC, INC. "All Rights Administered by WARNER-TAMERL ANE PUBLISHING CORP: ‘All Rights Reserved101 wiRty. Fig. (Girs, 1 & 2) 3 times end double-time feel pre- judged ar - my,—— this is for me—_ and me on - ly, cow-ards on - ly Chorus: ES wiRhy. Fig, 2 (Gers. 1 & 2) ES Irs iv + id its 1 ToCoda® as cs GS and makes —graves..____________ Eat shit dick. i, ‘Digitech whammy pedal Suicide Note Pt. HI - 8 = 2 at octave setting, 238wiRthy Fig 3 (Girs, J & 2) 3 bars only WIPO 4 (Girs. 12) wiRhy.Pip.3 (Girs. I de 2) 1% times ES FS ES ES FS ES ES FS ES ES FS ES Woah. Why would you help an-y - one who does- n't want it, does- n't needit, does- n't _want your shit ad - vice when mind's made up to go a- head and die? ES FS ES ES FS ES ES PS BS WAFL (Girs. I de 2) — What's done is done and gone, so why cry? Ah. ‘Suicide Note Pt. 1-8-3 02238103 Guitar Soto: Double-time feel ‘wiharmonizer set one octave higher. ‘sDepress bar 14 steps before suiking note. ‘slack ‘ack harm, 8784. dive w/bar \ tack __———— “Grad, depress bar while hammering on/pulling off. uicide Note Pt. II- B= 4 3B104 “Discontinue harmonizer effect. DS. al Coda ® Coda aS CS GS Freely (To send you down.) Suicide Note Pt.IL- 8-5 02238105 Slower 4 = 78 Outro: - ES DS ES DS ES DS 6 ja Tih many ai ak wiRhy. Fig. 4 (Gers. 1 & 2) ES DS ES DS ES DS ES DS ES DS 3 = - (Sung Ist time:) Woah, ‘end Rhy. Fig. 4 eee 5 Suicide Note Pt. IT- 8-6 } 02238106 Suicide Note Pt. II- 8 -7 02238107 Begin fade GS ua Verse 3: It’s not worth the time to try To replenish a rotting life. Tend the problem, facing nothing, Fuck you off, fuck you all. Verse 4: ‘Tortured history, addict of misery, This exposes me for weakness is a magnet - Watch me do it, do it. (To Chorus:) ide Note Pt. I1- 8-8108 THIS LOVE Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO All gtrs. tune down 12 step =cb ® @-p) O-eb Moderate rock J = 102 intro: « Fim FinvG Fim FinG Fim FimiG Fim FinvG itr 1 Rhy. Fig. Bm BovC Bm Bac Fim FimG Fim FinG Verse: Fim FimvG Fim FimiG Fim FinvG Lif ev + er words. were spo - ken, pain - ful and— un = true 2.0d been— the tempt - ing one,— stole her from— her = self— ‘This Love -9-1 02238 © 1992 COTA MUSIC, INC. and POWER METAL MUSIC, INC. ‘AIL Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved1 This said 1 gift in loved, ___ pain, her pain. was was the keep - T te gret_ deep- er with- in. me, so un- hap - py ing this, of | some- one the hurting of love was twist - Vd take my— like: ed life you. you, and and but point-ed at leave it with you. you. lied. tite. —____ As it turns— out, But you make— me110 wiRhy. Fig. 1 (Gtr. 1) 4 times ‘*wiBill 1 (Gtr. 2) 2nd time only Fim Fin/G Fim FlavG Fém Fim/G (Spoken:) Never i ending life. ae “Ist time only, 2nd Gime Fill | only. Fim FRG FAS Cm Bm Am ‘You keep this love, thing, _love, child, yr You keep this Gtr. 3 (Elec. w/dist) wiRhy, Fig. 2 (Gir. 1) 3 times, simile Fis Cm Bm Am FAS love, fist, love, scar, love, break. You keep this love, love, This Love -9-3 02238You keep this love, It wiRhy. Fig. 1 (Gtr, 1) 4 times Fim FinG *Vocal tacet on repeat, F5 FISGS Gisas Ais112 Slower J = 128 faa Ahhhhi FS GS BS GS FS GS FS GS FS Gis FS G5 FS G5 FS GS PS GS FS GS FS GS FS GS FS Gis FS Original tempo J = 102 Fim? Fim7/G Fim? Fim7G Fim? Fim7/G Fim? Fim7/G Gm2 Gtr, 1 (Clean) ib Guitar Soto: Fim? Fim7/G Fim? Fim7/G Fh? Flmv/G Fim? Fim7/G wiRihy. Fig. 1 (Gtr. 1) 4 times vv a x hold bend 7 an mea wiecho repeats Bm7 Bm7/C Bm7 Bm7/C Fim? Fimv/G hold bend 1 ‘This Love-9-S OB113 Fim? Fim7/G, Dm Davct FC cB us Dm Duel ‘wARby. Fig. 1 (Grr 1) 4 simes. Fim7 Famv/G Hh Ae QA. Py N hold bend 1 DS.% al Coda Fim7/G Fim? Fim You keep this Ay dive w/bar slack114 F5.G5 FS GS FS GS FS G#S_ FS: GS FS GS FS GS FS Gis FS ~ FS a love, Rhy. Fig. wiRihy. Big. 2 (Gir. 2) 3 times F5G5 FSGS FSGS FSGS FSGKS F5 GS FSGS FSGS FSGIS FS GS FSGS FSGS FSGS FSGIS FS #- — == —- ———— You keep this love. You keep this GS FSGS FSGS FSGHS FS GS FSGS FSGS FSGS FSGIS FS G5 FSGS FSGS FSGIS FS love. ‘You keep this love. You keep this love, ah,“WIFI 2 (Girs, 1 & 3) FSGS ors gs FS G5 FS GS "Stud crons-ade": G2 fades out as Gara 3 fade in (see Fi 2) Original tempo J = 192 Outro Solo: wARby. Fig. 1 (Gir 3) till ened Fim? FimG Fim? Pm7g Fhn7 Fini. Qo A ————— mee. Fz Original tempo J = 102 Gu3116 Fim7/G Fim? Fimv/G [ns ce HOST. A otboth oll oA Fim7 Fimv/G Fam7 FimviG v4 ae a Aa ee Lk Fim7/G s “*Deptess bar and strike harmonic, then steadily back to pitch. This Love -9-9 022387 THE UNDERGROUND IN AMERICA Words and Music by VINCENT ABBOTT, DARRELL ABBOTT, O=G O=a PHILIP ANSELMO and REX BROWN, All gts, tune down 1 whole step: *Tune © one octave lower than @). Moderate rock J = 90 Intro: N.C{AS) Gt 1&2 eee Cee! "Studio fade in (va) (6va) 7 . oy Buajenns ip AX, pitch: CH Rhy, Fig: 1 The Underground in America - 11-1 on @ 1996 WARNER-TAMERLANE PUBLISHING CORP., METAL MAGIC MUSIC, RESS MUSIC, DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC, INC. PMI Righs Adminstres by WARNER-TAMERLANE PUBLISHING CORP. Al Rights Reserved118 Chorus: 3 3 3 a a 3 3 3 Put in po - si-tion to wage teen-age may - hem,. a com-mon af - fair for the ones who are juiced Rhy. Fig. 3 ‘The Underground in America - 11 - 2 02238119 witty. Big. 3 (Grr 7) 3 If it ix weak- ness that grants us the pow-er, we thrive on wha's strong-er than most of the world. 1.Glass breaks— the dim- ming lights. Sweat, heat and — pro- fane de ~ bate. The 2, See additional lyrics Gtre, 182 Ry. Fig. 4 smart ones stay on the out - side. (While drunk - en heads and arms e - ‘rupt) Rhy. Fig. 4 (Git. 1) Bbm pos = tures odd. — A Cen + tered = man— swings @ —punch,— spits a tooth, — ‘The Underground in America - 11-3 one420 Dom Em Gm bucks a head— to be king dick in the crowd.— ‘end Rhy Fig. 5 wihy. Fig. 2 (Gir 1) wikthy. Fig. 4(Grr. 1) NC. Bbm 3 3 3 —3— We are the ones who must sport the po- si- tion. Cheap beer, trend-y dicks, les-bi-an love is ac- cept-ed and right. wiRthy. Fig. (Gir. 1) Dbm Em Gm 7 7 7 Shaved heads meet hair in the mix, blend - ing the eight - ies and nine - ties with hate. Chorus: swARiny, Fig. 3 (Gir. 1) 2 times NC. a 3 a ——j3——_ a a 3 Put in po- si-tion to wage teen - age may - hema com-mon af fair for the ones that are juiced. 3 3 ’ 7 3 7 7 If it is weak-ness that grants us the pow- er, we thrive on what's strong-er than most of the world. ‘The Underground in Ametica - 11-4 02238121 Stower J = 80 Interlude: N.C(AS) ‘WRIT A (Grr. 2) The Underground in America - 11 ~ 5 238122 wIRUE A (Gtrs. 1 & 2) 2 times . Se <== a a a | T r r e ¥ it is free. You can just keep— it (To the fam- ‘ly that’s seen.) + + a + & ——S ——— = T t z ——a ———— Tr you must beg. (its bet ter in ~ stead) (C5) t ae re ] ne wIRift A (Gurs. 1 & 2) 2 times (AS) Ay. * t know when it rains you're. in = -your’__bed at home, —____ ‘You act so real when you are a+ Ione. wARMEB (Gurs, I & 2} 5) : a 4 z = = = = $ 7 (Fake. Fake, —____ Fake. Fake.) ‘wIRift A (Gurs. I & 2) 2 times (AS) bet- ter not let the mo - hawked crowd see, —____ Ha, hd, —___— You— —_ fuck ‘The Underground in America - 11-6 02238Give it five years, you'll re - tire your perc - ings. *Gu. 3 (Dist) witremolo effect. ‘The Underground in Ametica - 11 -7 ane124 You must ad - mit that you mim - ic the weak- lings. ‘The Underground in America - 11 - 8 02238125 Gtr. 3 out “Depress bar then gradually raise while hammering on/pullng off. “*Fret w/pinky while holding previous bend, then pull off. The Underground in America - 11-9 02238126 wir 1 (Gir. 3) 4 Slower J =90 Outro: viRhy. Fig. 1 (Girs. 1 & 2) NC(AS) *Gir. 6 (Dist) Two girs. arr. for one. ‘The Underground in America - LL - 10 02238CC LEISEOSESUS:Ww:~S—— OR 127 whRhy. Fig.2 (Gitrs, 1 & 2) 4 times ick st steady glss. “Freely oS. ‘wad lib, sound effects. “*Strike chord 1st time only. ‘Play repeats simile; segue into “Reprise Sandblasted Skia.” Verse 2: ‘Show’ on, dates cancelled, Kicked out for reasons that seem so unfair, Skin crusts against the c A foregone conclusion that's tired and beat, Ring worm, crabs and lice, VID. ecstasy, speed and horse. A heaven of unmatched importance, An honor of sex to be stuck by the punk, We are the ones who must sport the position, Rich homes, money and food, Abandoned for the bums on the street, A lifestyle that’s unexplainable. Don't try and save what is all meant to be. (To Chorus: The Underground in America - 11-11 OB128 WALK Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO Bass and drums fade in NC. Bbs NC. ADS NC bs NC. bs FS Fas FS Eb NC. EbS FS FES FS EbS Rhy Fin t-. — ces co Walk - 8-1 02238 © 1992 COTA MUSIC, INC. and POWER METAL MUSIC, INC. A Rights Administered by WARNER TAMERLANE PUBLISHING CORP. ls Reserve129 Can‘t you see. Tm eas - i + ly. Rhy. Fig. 1 ‘You want in to get un-der my your - self a friend. Cake bi oka bs 2 , Dbs C5 Dbs 2 Walk - 8-2 2238130 % Pre-Chones: cs ADS AS NC. An oh stan - dard an- y- more?. cs AbS AS —— where I've been,— You cant be some- thing you're not. : Walk -8-3 02338131 cs ADS. FS ES EbS ‘*Next four bars, vocal doubled two octaves lower. Chorus: NC. BbS NC. AbS NC. Dbs NC. EbS FS FAS FS EDS = 00, what did you say?_— end Rhy. Fig, 2 wiRhy. Fig. 2 (Gers. 1 & 2) To Coda ®@ NC BbS NC. AbS NC. Dbs NC. EbS FS FAS FS BbS ~\ . Re - spect! Walk! Are you talk-ing 10 me? Walk 8-4132 NC. EDS FS FHS FS EbS NC. Are you talk-ing to me?— Verse 2; wiRihy Fg. 1 (Girs, 1&2) simile NC. wh “ >, YS Run your mouth— when I'm not a - round, its eas - y to a - chieve.. Dos NC. You cry to weak ~— friends that = sym-pa - thize.— Can you hear— the vi - 0 - lins— D.S.% al Coda Dbs cs Dbs I play ing your song? — ‘Those same friends tell me your ev- "ty word. ‘wiklhy. Fig. 2 (Girs. 1 & 2) 2 times, simile Coda NE Bhs NC. ADS NC. DoS NC. EDS FS FAS F5__EbS i Z~ Re - spect! Walk! 00, what did you say? | | | ! ! NC. Bhs NG. ADS NC. DoS NC. EbS FS FIs FS EDS 02238 Re : spect! Walk! Are you talk-ing to me? w/Rhy. Fill. (Gir, 1) 3 times NC. BS F5 FHS Fs BS NC. ES FS FES FS) EDS N.C. EbS FS FHS FS EDS om mn ~, — ~. Are you talkin’ 10 me? No way, — punk. : ‘Walk - 8-5 | |Ds sr; Brad. bend134 ee ae 2 steady glisses, Ae a 3 f # rs ts oe = £ B SSS = i ee ee ee em = trem. bar (slight descent) 1 Bass and drums fade in woke bs ‘2 ‘a Chorus: ‘wiRhay. Fig. 2 (Girs. 1&2) 4 times NC, BbS NC. AbS NC. Dbs (Shout:) Re . spect! Walk! Walk-8 +7 0223B.135 NC. EbS FS FES FS ELS NC. BbS NC AbS cr . 00, what did you say? Re : spect! w/Rhy, FIN 1 (Gir, 1) NC. Dbs NC. EbS FS FES FS EDS N.C. EDS FS FAS FS__EbS Walk! Are you talkin’ to me? Are you talk- in’ to me? Outro: NC. ES EbS DS ES ES DS ES EDS DS BS EbS DS mo NC. ES EbS DS ES EDS DS NC. ES EbS DS ES &bS DS I SI — Play 7 times and fade NC. ES EDS DS ES EBS DS N.C. ES ESS DS ES ES DS a Walk - 8-8 2238136 “All gir, tuned down approx. 1% steps: ‘Words and Music by @=-ct O-£ VINCENT ABBOTT, DARRELL ABBOTT, 33 et PHILIP ANSELMO and REX BROWN Moderately: Tempo I (J. = 100) Intro: NC. BS Gtrs. 1&2 “Pitch falls somewhere between 1 & 1% steps down. ‘Two gtrs. art. for one. end Rhy. Fig. 1 Tempo Ii (J = 100) cs op AS FS ES C514 War Nerve -7-1 02238 © 1996 WARNER-TAMERLANE PUBLISHING CORP., METAL MAGIC MUSIC. RESS MUSIC, DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC, INC. ‘All Rights Administered by WARNER TA - TAMERLANE PUBLISHING CORP. Reserved137 ES BbS BS os Bbs Gite. 1 (lefty ua 1 Gite. 2 (right) Wat Nerve- 7-2 02238138 Verses I & 2: wiRby, Fig.2 (Girs, I & 2) 8 times 1.Fuck the world for all__~—it’s-_ worth, ev = ty inch of — plan- et Earth. — 2. See additional lyrics Fuck my - self, don't leave me out, don't get in - volved, don't cor- ner me. In - side ul = cen, un - just bas - tards, file. ~—out__~— face _—first. + Meet the ‘lies_ and see what you are, Chorus: NCES) Bs) 5) It's fore-ing you down— War Nerve-7-3 02238139 Bbs) (5) (Bos) Let the war nerve —? 7 Tempo! (J. = 100) Tot Interlude 1: eS (Bbs) eae @ NCES) For ev~ ‘ry fuck-in’ sec-ond the pa- thet - fe me-di-@ piss-es on me and judges what I am in one par - a- graph (Bbs) (as) (G5) 5) . oo War Nerve - 7-4 0238140 DS.% al Coda ‘Tempo 1 (J.= 100) Interlude. wiRitt A (Gurs. 1 & 2) 2 times e Coda NCES) All the mon-ey in the fuck - ing world could- n't buy me a sec- ond of Bhs) (AS) (GS) ES) trust, or one ounce of faith in an - y- thing you're a- bout Fuck you alll (Bhs) (As) G5) Bridge 1: wiRhhy Fig, 1(Gtrs. 1 & 2) 2 times ES (BS) (AS) GSES bs) (AS) GS) ES (Bhs) (AS) GS) aoa Feel flow. and I. will. 55 Fs ES (Bb5) (AS) (G5) BS (abs) (AS) (G5) — Noth-ing is worth the sleep that I've lost, a - pol- o- gies are un- -cept-a- ble now. A ES (Bis) (as) (GS) ES. FS blis- tered re- venge a waits in me, this is fuck - img love - less! War Nerve -7-5 02238141 Tempo II (J = 100) Interlude 3: NCAES) Now! Gites, 1&2 Bridge 2: WIRGME B (Gtr. 1 de 2) 3 simes Hatel Hate! Hatet, Hate! N.CAFS) Gur. 1&2 Wat Nerve -7- 6 02238142 wIRMEB (Girs. 1 & 2) 2 times NCES) ARIE C (Girs. I de 2) ee —— in jail in - stead —______ Hate!—___ Hate! wiRift C (Gurs, I & 2) 2 times ———— —— NCES) Hate!_____ Hate!___ Lord knows there's worse,— ‘Tempo I (4. = 100) Interlude 4: ww a (Cire. 1 & 2) NCES) a: ig nore the curse. Art (Bis) (As) (G5) Blah! Uh! UhL Uh!—_____ Ah, fuck you Outro: ES Bis AS GSES. BS AS GSES BOS AS G5 (Ast time only) all. Gtrs.1&2 Verse 2: Expect the worst, you bleeding heart, Bu kill me fist Before ft itstarts fo are bom diferent atte Weare born different after all. Invite mayhem, produce weapons. Shout out, burn down, NOCNN ormedis now. (To Chorus:) War Nerve -7-7 02238a WHERE You COME FROM Words and Music by ICENT PAUL ABBOTT, DARRE} ELL LANCE ABBO Pane HANSEN EN ANSELMO and REX ROBERT BRO\ ate all gts, down one whole step: O-d O-F =G Oe. be BS Moderate metat J = 108 Ne. *Gtrs, 1 & 2 (w/dise) eee so mo Deenneeee eT ee “Two girs. arranged for one gtt. Where You Come From - 13. 02238144, ~~ bar staccato shroughond “Gus. 1 & 2 panned left and right. ‘Where You Come From - 13 + 2 02238Verses: strange to be— 2. See additional lyrics SS > round. a- gain, aS down the road. ‘Where You Come From - 13 -3 02238 NC, 145146 Pre-Chorus: TTT TTT Tore a But it's still a - live. Abs FS N.C. ET AbS PS NC. ES Andit lives and breathes, but T can’t give a fuck. my ge NY a Chorus: Tve got a big Where You Come From + 13-4 02238and there’s a lot to_ lear. from a bot-tle of whis - key. To Coda ® [7 : , ; Ws where you come from.— ‘Where You Come From -13 - § 02238148 Is where you come from,— it's whereyou come from,— iv’s where you come from,— it's where you come from,— Where You Come From -13 - 6 02238149 12 where you come from,— where you come from,— where youcome from, — where Bkgd. vel. ad lib where youcome from,— where you come from.— Whoa, whis- key! Guitar Soto: NC. Ges 4 (abla) ~~ t ete eae OS — (ws aN eo Depress bar before striking string grad, descend and ascend -~ whrem. bar Right-hand finger-taps. ‘Where You Come From - 13-7 2238150 “Tap notes with edge of pick. e\ 2) eV) 2 EV AAV END Where You Come From + 13-8 02238in front of my friends, ‘Where You Come From - 13-9 02238 I dropped out in front of the world. va random pick slides down neck 151 DS.% al Coda152 Faster J = 152 GS FS 3 Black wings will weath- er your 3 flight. 4 partial PM. ---- Where You Come From - 13 - 10 02238 Bbs AbS ——3—— —3—— ' partial RM. For hold open string -- some, there's fol - low - ing paths of your 3| 153 | BbS cs. I stepped off the moun- tain to the ‘Watch your eyes, no, t = LS poco accel BbS ADS where you come from. Watch your eyes, no, ‘Where You Come From - 13 - 11 02238154 Gs BbS Abs ‘Where You Come From - 13-12 02238Surtfade 5 Gs ‘Where You Come From - 13 - 13 OB where you come where you come where you come Verse 2: A remedy to the curse, ‘On harder waves control. Look at what's around, Tjust can’t lie around, eling sorry for myselt, Pre-Chorus: But it’s still alive, And it’s in me now. And it lives and breathes, But I coutd care less, (To Chorus:) 155 from,— from.— Fade from.—