Sir Osbert Lancaster, CBE, (4 August 1908 – 27 July 1986) was an English cartoonist, architectural

historian, stage designer and author. He was known for his cartoons in the British press, and for his
lifelong work to inform the general public about good buildings and architectural heritage.
The only child of a prosperous family, Lancaster was educated at Charterhouse School and Lincoln
College, Oxford; at both he was an undistinguished scholar. From an early age he was determined
to be a professional artist and designer, and studied at leading art colleges in Oxford and London.
While working as a contributor to The Architectural Review in the mid-1930s, Lancaster published
the first of a series of books on architecture, aiming to simultaneously amuse the general reader and
demystify the subject. Several of the terms he coined as labels for architectural styles have gained
common usage, including "Pont Street Dutch" and "Stockbrokers' Tudor", and his books have
continued to be regarded as important works of reference on the subject.
In 1938 Lancaster was invited to contribute topical cartoons to The Daily Express. He introduced the
single column-width cartoon popular in the French press but not until then seen in British papers.
Between 1939 and his retirement in 1981 he drew about 10,000 of these "pocket cartoons", which
made him a nationally known figure. He developed a cast of regular characters, led by his best-
known creation, Maudie Littlehampton, through whom he expressed his views on the fashions, fads
and political events of the day.
From his youth, Lancaster wanted to design for the theatre, and in 1951 he was commissioned to
create costumes and scenery for a new ballet, Pineapple Poll. Between then and the early 1970s he
designed new productions for the Royal Ballet, Glyndebourne, D'Oyly Carte, the Old Vic and
the West End. His productivity declined in his later years, when his health began to fail. He died at
his London home in Chelsea, aged 77. His diverse career, honoured by a knighthood in 1975, was
celebrated by an exhibition at the Wallace Collection marking the centenary of his birth and
titled Cartoons and Coronets: The