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LONDON,
- _ JOSEPH WILLIAMS LIMITED,
29, Enford Street, Mar~lebone, W.l. ~N
Made and printed in~ Britain. ~
 IIi
v. I
Ecole Moderne du Violon
(Modern Violin School)
PAR
WILLIAM HENLEY Op. 51
B02K 1. Initiatory Course.
l67 studies and melodies on time-keeping,
intonation, for the wrist, staccato, and other
bowings, and 48 duets for two violins.
BOOK 2. The 1st, 2nd, and 3nt Positions.
485 studies for moving from one position to
another ; 23 melodies, scales, and arpeggios
in two octaves; and s hort pieces introducing
rests.
BOOK 3. The Ground-work of Bowing.
530 studies for the wrist, martele, detache,
legato, marcato, spiccato, staccato, and com-
plexity of bowing.
BOOK 4. Elementary Double Stopping & Chords.
370 studies up to tbe third position in thirds,
sixths, octaves, chromatic, diminished and
augmented intervals ; scales, and 39 short
p:eces.
BOOK 5. The Art of Shifting.
450 studies in single and double notes for
ruoviug between the seven positions.
BOOK 6. Tone Production and Phrasing.
337 studies in various bowings, specially
designed for producing variety of tone: and
145 studies for turns, trills, aud shake~ .
BOOK 7. Rapidity of Fingering.
119 studies for the cultivation of clearness
in technique. All positions.
BOOK 8. Bravura Double stopping.
10 Preludes aud 7 Concert-Etudes in thirds,
sixths, octaves, tenths, chromatic, augmented
and diminished intervals.
BOOk 9. The Art of Bowi11g.
Studies in the most complex and difficult
' 'arieties of staccato, arpeggio, saltato,
sautille and feather bowing.
BOOK 10. Chords and Part-Playing.
Three Concert-Caprices, Prelude, Tannhauser
Paraphrase, and Cadenzas to the Brahms and
Beethoven Concertos.
MILLS MUSIC, INC.
1619 BROADWAY, NEW YORK 19, N . Y.
CAHIER 1. Eltmentaire.
467 etudes et melodies pour Ia mesnre, Ia
justesse, le poignet, le staccato, et coups d'ar-
cbet divers, aussi 48 duos pour deux violons.
CAHIER 2. La premlh'e, Ia seconde, et Ia
troi~me position. _
485 etudes pOUr le changement de position.
23 melodies, Jes gammes et les arpeges en
deux octaves, et des petits morceaux
employant les silences.
CAHIER 3. Les exerclcesprfparatoimde l'archet.
530 etudes pour le poignet, martele, detacbe,
legato, marcato, spiccato, staccato, et coups
d'archet divers.
CAHIER 4. Les doubles cordea elimentaires ·et
les accords.
370 etudesjusqu' aIa 3me position en tierces,
sixtes, octaves, les intervalles, chromatiques,
diminues, et augment«~s. les gammes et 39
petits morceaux.
CAHIER 5. Le changements de positions.
450 etudes en simples et doubles note".
employant les sept positions.
CAHIER 6. Les exercices pour les nuances.
337 etudeS en Cf)Up~ d'archet divers, desig-
nees surtout pour donner de Ia variete au
son; et 145 etudes pour les orueruents.
CAHIER 7. La vitesse du manlsme.
119 etudes pour l'egalitt: des doigts dans le
technique, employant toutes les positions.
CAHIER 8. Double Corde de Bravoure.
10 Preludes et 7 Concert-litudes en lierces,
sixtes, octaves, dixieme::, les inten·alles chro-
matiques, augmentes et diminuts.
CAHIER 9. L'archel
Etudes sur les coups d'archets les plus
difficiles les staccato, les arpegcs, le saltate
le sautille et le staccato volant. '
CAHIER 10. Accords et I'Ensemble.
Trois Concert-Caprices. Prelude, Paraphrase
de Tannhauser, et Cadenzas de les Brah111s
d Beethoven Concertos.
199
 1
Ecole Moderne du Violon.
(Modern Violin School)
Part I. WILLIAM HENLEY1• Op. 51.

Verbal instruction has been purposely dis- Vauteur considere que la tenue du Violon etc,
pensed with as the author consid ers that the ne peut p<1s etre bien appris sans les renseigne-
holding of the Violin etc, can only be success- ments d'un professeur.,
fully acquired by the precepts of a teacher. Chaque etl!de doit etre jouee dix fois.
Each exercise should be played ten times La vitesse devrait etre acceleree avec le pro-
successively gres de l'eleve.
The tempo should be increased according
to the ability of the player.

SEMIBREVES. DES RONDES.

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 7

MINIMS and CROTCHETS. - Les Blanches et les Noires.

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8
FOR THE WRIST. - POUR LE POIGNET.

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 9
EXERCISES in C. I EXERCICES en UT.
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 11
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12
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 .13

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 15
SYNCOPATION and TIED NOTES. - Les syncopes et les notes liees.
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t.l\ I I --...'Jl i I rall.

...
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16

INTRODUCING RESTS. Exercices avec les silences.

God <;ave the King. - Chant national de PAng leterre.

" ~Ioder a to .
First.l ..
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4

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 1'7

STACCATO. - LE STACCATO.

Andante. Aileen Aroon. - Air lrlandais.

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18
ARPEGGIOS. - LES ARPEGES.

Adagio Spohr
~~~~ n.- . ~ fl. • - • -~1

First.!
So~d.
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..
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 19
EXERCISES in· F. EXERCICES en FA.
CROTCHETS in VARIOUS BOWINGS. LES NOIRES en COUPS D ARCHET .QIV ERS.

Allegretto. E rns t •
fl JJ n 4 0 no - ~
4

First.l p --- - - . -
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20
MELODIES. - MELODIES.

Andante. Hungarian Mel ody. - Melodie hongroise .

fl n *' • •• ~

't. I I
nif 0
3

.
~ 2 I

t. ~ i ~ .. ~ =j ..
 21
FOR THE WRIST. - ETUDE POUR LE P OIGNET.

Allegretto. Mozart .

First.
fl~ n - -
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...
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Second.
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22

DOTTED NOTES. - LES NOTES POIN,rEES.

Moderato. The Harp that once. - Air Irlandais.

flit \I l
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 23

INTRODUCING RESTS. Exereices avec les silence::;.

Scotch Melody. Air Ecossais.

Allegro.

~ lf
-. -· ,......,..,
- .
.......
l
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t
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r 1

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24
STACCATO. - LE STACCATO.

Andante. Scotch Melody. - Air Ecossais.

01
--. I I I I
4 n •

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,..-..... .. n
.
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-
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 25
ARPEGGIOS. - LES ARPEGES.
..
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Allegro. Hungarian Melody. - Melodie hongroise.

....----..... ,.,
ft ~ r"l .
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Se~d.l
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26

CROTCHETS inVARIOUS BOWINGS. ·- Les noires en coups d>archet divers.

 27
FOR THE WRIST. - ETUDE POUR LE POIGNET.
...

CD ~ - 11 jj J J IJJ JJ IVJ JIgj J JI@J J I4J JJ IJg· ~ r I ., J

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German Folk- Song. - Chanson Allemande.
Allegretto.
II i1 ~ n - .-........
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28
SYNCOPATED and TIED NOTES. La syncope et les notes liees.
n ,

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® ~ *I j r:tr E I ~ 43~ E· I r rill r- I ~ r I J. I
A ndante. Moza rt.
29
30
INTRODUCING RESTS. Exercices avec les silences.
n
CD ~ 11 r f, r p,lr ~ir ifl,lJJi 'J J'IJ J'iJ ~'!IJ itl~o'ilr Pir ~·i!J ~'!J JJ(..I

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Moderato. Bohemian Folk- Song. - Air bohemien.
ll.W v --.. ....--..... --..
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 31
STACCATO. - LE STACCATO.

Allegretto.
~~ n . ~

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Weber.

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 CHROMATICS. _ EXERCICES POUR LES NOTES
CHROMATIQUES.

() II
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II
-
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II

,., l\loderato
v :>>.> ::> .n ::> > >:::;;:.. -n
Donizetti.
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 EXERCISES in A. EXERCICEB en LA,
CROTCHETS in VARIOUS BOWINGS. LES NOIRES en COUPS D'ARCHET DIVERS .
..

CD ~~~ e J;Jj 1VV1Jrn lr1 ffl1U if!ff lj] 4J IJJJfll

~-:.___../ 4---'-..._; ~
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~

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34

FOR THE WRIST. - ETUDE POUR LE POIGNET.

CD ~-i,,JQJIJ§r:JJmOJ I JiJJIJ@J I H2JJ I Jr§JI]r=) I

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_.... _....
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........___. ........___. ~

American Melody. - Melodie Americaine.

 35
QUAVERS. - LES CROCHES.

CD ,-.,rrerrrrrlerrrrrrriErrrBrrrr lrrurrrr:ll r w 1
® 4-~~ € r u JJ JJ I r F I JJ J J JJ JJ I J J :II J J I
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M11

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The Vicar of Bray. - Air Anglrus.
u F :IIJ JI
M o era o.
fl .ll 1/,

First.

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t

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36

INTRODUCING RESTS. - Exercices avec les silenc~s.

CD ~ ~! UJ' it\' IJ:),J'i,l£)'1 ~1' IO' P' Ip,J), IFl 'P' If]' p, IF t I
i:_ V~ n ~ ±
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I
CD ~ ~ l,p;,p,~i~J~~IP,pl;p,lp'~hP~'~~p'I P$,p,p,l .. I
segue

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11
~

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11

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1
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4 - - \._.; ~ y. ft~'*ltl '- ~· \.....~ ; \..••_/ ~~71Rf

2
>>>>>> >

J. w. 14808
 37
MELODIES. - MELODIES.
Moderato.

CD . 'M 11 JJ:l FiD 1J iJ uIJurtf'lr EU l~rEtr lEft UrI ctr crJ fS'F J:l~ I
'ti Jif3 fflJIJ JJ1m IJ urrr! lr crrrEFjf trr Ulr EEr u iJDJ JJ IJ. ill
Moderato. ::::--..

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Andante.

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Allegretto.

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Moderato.

n
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r
-:_./

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Swedi sh Melody. - Melodie Suedoise.
Allegro n
~ u \/,
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38

STACCATO. - LE STACCATO.

First.l
1\ .LI
Moderato.
\1,
Dutch Melody. -

. - ,.-.....
Melodie Hollandaise.

. -H•~

s~lid.
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QUAVERS LES CROCHES
in VARIOUS BOWINGS. en COUPS D 1ARCI-}.ET DIVERS.

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I .-
Spanish Melody. - Melodie Espagnole.
Moderato.

First.
1'\ ~ n
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MELODIES. - 1\fELODIES.

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 ,
t
§
§
GRADED
(al ) Very Elementary.
VIOLIN
(a) Easy . (b) Moderately Easy.
MUSIC i
§
§
§ ~ ~ §
.,§
. ALWVN, WILLIAM. ~ d. MARSHALL, CHARLES. s. d. §§
• (b) Three Short Pieces "' 0 (a) Six Miniature Sketches (two books) each 2 0
BAMFORD, LESLEY. MOY, EDGAR.
§ Three Miniatures each 6 (a!) For Fiddlers (Slittle pieces-in two books) each 2 0 §
§ I. Drifting. 2. Slumber Song. 3. Frolic. NYE, ELSIE M. §
BREWER, A. HERBERT. (a) Four Little Pieces l 0 §
~ (b) Pantomime Pictures (3 pieces) 3 0 REED, W. H. '-
' • BROWN, J. HULLAH. (b) Down in the West Country (Suite) each No. 1 6 l
§ (b) Oxford Passaca~Jia 2 0 1. Roving Wife. 3. Down by a Riverside. §
§ (a) Three Concertlnos. 2. Old Adam. the Poacher. 4. Widdecombe Fair. §
No. 1 in G. No. 2 in D. No. 3 in G each 2 6 (a ) Suite of Four Pieces ... each l 6 §
~ (all Contrasted, ~raded and pro~ressive I. Menuet in G. S. Alia Marcia. t.
l pieces for class use (six book$) each 0 2. Pastorale. 4. Spinning Song. l
§ (a) Welsh Airs 6 ROWLEY, ALEC. §
§ CARSE, ADAM. Four Contrasted Pieces each 2 0 §
'- (11) First-year Pieces each 6 (b) 1. Slumber Song. (a) 3. Romance. §
: 1. Gavotte in D. 4. Bourru. (a) 2. Pastoral. (b) 4. TaranteUa. ,
-, 2. Day-dreams. S. AUa Minuetta. SEYBOLD, ARTHUR. l
§ S. On the River. 6. Dance Scherzo. (a) Five Miniatures Op. 207 2 6 §
§ The Violin Teacher. Grade 1 eacb 1 6 SHORE, BERNARD. §
§ (111) I. Petite R~verie. (a l ) 4. Premiere Valse. (a) Six Impressions (two books)... each 6 §
(al) 2. Marche Militaire. (a) S. Melodie Plaintive. SOMERVELL, ARTHUR.
§ (a) 3. Air Sentimental. (a) 6 . .l:larcaroUe. (al ) Miniature Pieces (two books) each l 6 §
§ (b) The Violin Teacher. Grade 2 ... each 2 0 (a) O ld Tunes for Yount Fiddlers l 6 \
§ I. Chant de l'Escarpolette. 4. Meouet Capricieux. (b) Suite of Four Pieces ... 3 0 §
§ 2. Serenade Norvcgicnne. S. Chant de Berceau. STANFORD, C. VILLIERS. §
, 3. Chant du Soir. 6. Gavotte Sericuse. Six Sketches. Op. 155 each 2 0 ,
l DENNISON, HERBERT. (a.) I. Minuet G. (a) 4. Arietta con Variazioni. 'J
§ (a) Four Little Tunes 6 (a) 2 . Morris Dance. (a) 5. Gavotte. ~
§ DUNHILL, THOMAS F . (a) 3. Scberzino. (a) 6. Bourro~e. ~
§ (a) Five Lyrical Pieces each 6 TAYLOR, F. LOUIS. §
, I. Gavotte Plaintive. S. Supplication. (a) April 1 6 "
' 2. The Shepherdess. 4. From the HiUs of Sligo. (a) Mar ch 1 6 .,
§ S. On Dreamland River. . Six Pro~ressive Pieces. Op. lOS each l 6 ~
§ (b) A Sailor Dance ... 2 0 (al) I. Valse Lente. (a) 4. L'Escarpolette. §
§ DYSON, GEORGE. (al) 2. Petite Romance. (a) S. Marche Milita.ire. §
(b) Three Lyrics each 2 0 (a.) S. La Rose (valse). (a.) 6. Gavotte in G. ,
§ I. Reverie. 2. Arabesque. 3. Barcarolle. {b) Slx Pieces. Op. 109 ... · ... .. . each l 0 .,
§ (a) In Pixieland (4 pieces) 2 6 I. Pierrot. 3. Morris Dan"Ce. S. Serbia. S
§ GNADE, L. 2. Havanaise. 4. Connemara. 6. Gavotte. S
§ (a) Simple Tunes ... 6 THOMPSON, ROY. ~
, GRAHAM, J. (b) An Evenini Sont 6 "
'J (a.l) Very First VIolin Lessons 2 0 TOLHURST, H. 'J
§ KINSEY, HERBERT. (a l-b) Three Characterlstic Pieces l 0 S.
§ (a) Fiddl e Pieces (two books) ... .. . each l 0 TWINN, SYDNEY. S
S (11! ) My First Violin Book (4 little pieces) 2 0 (a ) Traditional Son~s and Dances (2 books) each 6 ~
, (a) Four Mlni-.ature Sketches 2 6 S
§
l LEE, E. MARKHAM.
(a) Fiddle and I. Book I... 2 6
~
~
tCLASSICS
'
~
~ S
§ Books 2, S, and 4 ... ... each l 0 BACH, J. s. \
§ (a) In Dance Measure (4 pieces) l 6 (a) Bourree in G 6 S
LENOR~D. RENE. BEETHOVEN, L. VAN. §
§ (b) Melodies irlandaises (4 pieces) l 0 (a) Menuet No. 1 in G 1 6 ,
§ LEVENSON, BORIS. (a) Sonatina per II Masdollna (Dunhill) l 0 'J
§ (b) Five Short Pieces l 6 CORELLJ, A. §
§ LLOYD, C. H. (a) Madriaat 6 §
" (a) Three Little Pieces l 0 HAYDN , J. \
., MacCANN, THOMAS. (a) Minuetto In D (H. Wessely) l 0
§ (a l ) Three Little Tunes ... ... ... ... 6 MOZART, w. A. \
§ (a) Tunes from the Countryside (3 little pieces) 6 (a) Minuet from Divertimento 2 o §
§ MACKENZIE, A. C. PLEYEL, I. §
, (a) Three Easy Impromptus (two books) each l 6 (a) 1'empo dl Mlnuetto In C (Cir. 1 ourville) 2 0 ~
' MARCHANT, CHARLES. SCRIABJNE, A.
§ (a) Old lrish Melody l 0 (a ) Impromptu ~ la Mazur 2 0 ~
§ MARSDEN, EVAN. §
§ (11) By tl\e Wayside (5 easy pieces) . 2 6 tFor other •io/in classics, i.<. So••los, et<,. m L»t 9. §
§ .. \
§ ~ VIOLIN SCALES, STUDIES, EXERCISES, Etc. ~ \
§ \
t SJ<.'edt. • SN.etd. • t
, -BROWN, J. HULLAH.· FARMER, HENRY. '
§ (b) New Fln~erboard Dexterity for Youna VIolin Tutor (Origi=l Editi011) ..:. 3 0 §
§ Violinists 1 6 (b) Forty Studies ... l 6 §
" The "Peter Pan " VIolin Class Tutor (four books). GILBERT, .J. \
l (a! ) Book 1. Is. Od. net. Dook S. ls. 3d. net. (al l VIolin Instructions for Be~lnners ... l 0 §
l (a) Book 2. Is. 3d. net. Book 4. ts_ 6d. net. KUMMER, A· ·
§ The Technique of the Fiddle Bow 3 0 (a) Forty-three Easy Studies. Op. 60 l 6 §
§ (a) Twenty-one Melodic Violin Studies ... 2 0 MANHIRE, WILSON. §
t. Viollnlsts • Daily Practice Book and Register (a I ) A First Book for the VIolin.. . 6 §
' (for one term) ... ... ... ... 0 9 •SPENCER DYKE. ,
§ •BROWN, J. HULLAH and SPENCER DYKE. Pro~resslve School of Violin Studies. l
§ Children's Violin Books ... each 2 6 (al) Grade 1 (Primary), 1st Position l 0 §
§ (a t ) Book 1. A new method for little children. even (a) Grade 2 (Elementary), 1st Position ... ... l 0 §
, those as young as five or six years of age. (4) Grade 3 (Higher Elementary), 1st Position ... 2 0 §
l (4 1) Book 2. In this book the young violinist is taken Scale Book for the Violin. Containing a sys- §
' a step forward. tematic method of fingering whereby all scales
S Violin Method for Adults ... 4 0 and arpeggios are easily acquired 3 0 §
§
§ • Descriptive lists of Hullah Brown's and Spencer Dyke's works on application.
§§

t LONDON: JOSEPH WILLIAMS LIMITED t

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1,50
1.2 1