Professional Documents
Culture Documents
Referential Composers:
● José Maurício Nunes Garcia
● Carlos Gomes
● Alberto Nepomuceno
● Heitor Villa-Lobos
● Camargo Guarnieri
● Gilberto Mendes
● Almeida Prado
● Edmundo Villani Côrtes
● Jayme Ovalle
● Ernani Braga
Songs:
● Keng Sabi by Antonio Carlos Gomez
Colonial Beginnings:
● Modinha: 1st Brazilian gender of song from beginning of the 18th century and even
before
● Mutual influence on the modinha from Portugal and from Brazil - Italian influences
● “Hei-de Amar’te Até Morrer” (Anonymous from the 19th Century)
● Rhythm cinco would become characteristic of Brazilian Song
1808
● Portuguese Court Arrives in Rio de Janeiro, bringing musicians, composers, singers
● Marcos Portugal
● Pe. José Maurício Nunes Garcia
Antonio Carlos Gomes
● Modinhas and cancoes left the imperial salon for street
● Transformed into serestas
● Assimilated by the voice of the population
● When he went to Italy, he wrote Italian songs.
Alberto Nepomuceno
● More classical
● “The people that does not sing in its own language has no country”
● Director of the National School of Music in Rio de Janeiro
● Lead the transition to the 20th century as a leader among Brazilian composers