Edelma


Pasillo


                                    
Terig Tucci

        

                         
        
         
10

 
                                          
    
1.
19

      
 2.        
      
 
         


25


              
                                

   
34

               
        
 
 
          

42

                        
                   
     
 
52

                    
 
               
61

     
                                        
    
69

                              
       
76

Transcripción: © 2019, Juan Carlos Moreno

 

               1.      2.         
  
      
84

                        
             
      
93

     
                     
     
 
102

2 Transcripción: © 2019, Juan Carlos Moreno