Moderato Ferdinando Carulli

(1770-1841)
From Supplément à la Méthode, Op.192

 4    4  
               
  
2 0 1
3 0 2 3 0
1 4 0 4 3 0

m i m i m i m i m i m

   4              
                  
   
4 4 1 0 0 0 4
5

   
0 2 4

i m i m i p m p i p m p

   
                           
4

3
4
9 0

          m
   
0

2 0 3
i i i
p m p p m p

               
             
13

     
       
1 1 4 4 4
17 2
2

     
                



  

  
21 4 4 4

© Bradford Werner, 2020, All Rights Reserved.

Sheet Music with Videos: wernerguitareditions.com
Lessons, Pro Video, Blog: thisisclassicalguitar.com
      
    
         
0 1


25 0 2

3   
3 1 0

3 0
0

p i m i m i m i m

         
           

29


4 3 4 4

    4 
        
       
34 1

3
 3
p i m i a
p i m i m i i m i


   

1 
3    
38

p m i m
4
3 0  3
 4
p p m p
p p p

Comments
- Bars 12-26 - Carulli wrote most of this work in one voice but I've added downstems in this section.
- Bars 27-36 - I recommend you continue with i-m alternation for the entire section. Alternatively, at slower tempos you
could use p for all the lower passages.
- Bars 40-42 - You could easily jump the 3rd finger from C to G but using both fingers is smoother.

© Bradford Werner, 2020, All Rights Reserved.

Sheet Music with Videos: wernerguitareditions.com
Lessons, Pro Video, Blog: thisisclassicalguitar.com
 Moderato Ferdinando Carulli
(1770-1841)
From Supplément à la Méthode, Op.192

           4   0 2   
      
  
2 0 1
3 0 2 3 0 3 0 4 1 4 0 4 4

m i m i m i m i m i m


0 0 1 0
0 1 3 3 1 0 0 1 3 3 1 0 0 1 3
0 2 2 0 0 2 2 0 0 2
0 2 3 3 0 2 3 2 3
3

                                 
 
4 1 0 0 0 4 4

  
4 4
6 4

           
           


i m i m i p m p i p m p
0 1 3 1 0 1 0 0 0 1 0 0 1
3 1 0 3 1 3 0 1 3 1 3 0 1 3
2 0 0 0 0 0 0 0 0 0 0 0 0

   
              
     
11 0

  m 3 2 0 3
0


i
p m p i p m p i
0
1 3 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 0 3 2 0 2 0 3 2 0
3 3 2 3 3 2

     
                            
4

 
16 1 1 4
2 2


0 0
1 1 0 3 0 3 1 3 0 3
0 0 0 0 2 2 2 0
2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3

© Bradford Werner, 2020, All Rights Reserved.

Sheet Music with Videos: wernerguitareditions.com
Lessons, Pro Video, Blog: thisisclassicalguitar.com
         
          


4 4 4 4 0 1

 0
21 0 2

3
0


0 0 0
1 3 1 0 1 3 0 1 3 0 3 1 0
2 2 0 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 0

      
        
   
 
26

    
3 1 0 4

3 


p imimim i m

0 0 1 0 1 3 0 1 3
0 2 0 0 2 0 2 0 2
3 2 0 0 2 3 0 2 3 0 2 3
3 3 2 0 3 2 0

   4
3 3 1 0 3 1

    
       

   
32
3 4 4


p i m i m i

0 0 1 0 1 3
0 1 3 0 1 3
0 2 0 2
2 0 3 3 2 0 0
3 2 0 3 2 0 0 2 3 2
3 3

 
     

 
       
37 1
1

0 3
3 3 4 4
3
p i mi a i m p m i m


i p p m p
p p p
0 0
1 1 1 1 1 0 1
0 0 0 0 0 0 0 0 2 0
3 2 0
3 3 3 3 3 3
3 0 3

Comments
- Bars 27-36 - I recommend you continue with i-m alternation for the entire section. Alternatively, at slower tempos you could
use p for all the lower passages.
- Bars 40-42 - You could easily jump the 3rd finger from C to G but using both fingers is smoother.

© Bradford Werner, 2020, All Rights Reserved.

Sheet Music with Videos: wernerguitareditions.com
Lessons, Pro Video, Blog: thisisclassicalguitar.com
 Moderato Ferdinando Carulli
(1770-1841)
From Supplément à la Méthode, Op.192

     
       
  

                 
                  
   
5

   

   
                              

9

           


               
             
13

     
                          
17

            
   
               
21

© Bradford Werner, 2020, All Rights Reserved.

Sheet Music with Videos: wernerguitareditions.com
Lessons, Pro Video, Blog: thisisclassicalguitar.com
  
        
          
25

   

            
        

29

 

      
        
        
34


        
   
    



38

  

Comments
- Bars 12-26 - Carulli wrote most of this work in one voice but I've added downstems in this section.

- Free PDF: A fully fingered notation edition and tab edition are also available for this piece.

© Bradford Werner, 2020, All Rights Reserved.

Sheet Music with Videos: wernerguitareditions.com
Lessons, Pro Video, Blog: thisisclassicalguitar.com