24 Studies for evi : The Left Hand Re ee ry ° CARL CZERNY, 0p.718,Book I. a Allegro moderato. NOL" 1 1 342 sf a) As the left hand, in all of these Studies, is the important part, great care should be taken when practising it, b) Anexcellent exercise. — Scales in connection with hroken triads ¢) The eighths must be especially marked. 1Allegro moderato ee Tr Nog Pp dole. a) In order toexecute well the double notes, so that the tones are heard simultaneously, not one after the others commended that the fingers first touch the keys and then give quickly the down pressure. = “_ ©)Grace notes reckoned with the time-value sn Very light, from the wrist only.Allegro. ae ri 5 i . 4 N°3, Luates | getea Eee | ee goo eu 8 t- ) The melody of the upper voice well marked. The broken chords of the accompaniment very light,but clear. 4Allegretto vivace. ee OS aad at ip teggtermente dolce No4. a) a) The skips here and on the following page, slowly, at first, til they can be made with entire certainty.Se a) Between ec and G no break.Allegro vivace. bee eR Allegro moderato. 1 ee a) The notes written as eighths must be marked, but played somewhat lighter than the meloviy of the upper voice. 824 Studies for The Left Hand. Ree Saegnae C. CZERNY, Op. 718,Book Il Moderato. 4 on fo wey _ ¢ me Staccato tage sempre staccato. a) staccato, from the knuckle joint.Allegretto vivace, 2 1a) The hand to be kept in these figures as quict as possible. iA) Mere, practise especially the passing of the second finger over the first,Allegretto vivace. (er wy seeAllegretto scherzoso. a —— -— } 2 1 de a F a) Preparatory study with strong touch SEEEPEEEFS by The double notes to be practiced as inAllegretto.Andante. 4 2 NOW”? aN a) a) Execution of double gracenote, which would be written thus:b) In repeating notes on one and the same key, as above, the hand,at each change of the fingers, moves to the left. 71924 Studies for The Left Hand. Revises ‘ingere W Saaee roe 4 CZERNY, Op.718.Book Il. Allegretto. ——, Nez. \ Pp dole. . 4 2 Passhsay a) A very useful exercise tostrengthen the 4th and 5th fingers. 20Allegretto vivace. a) The time value of the grace-note is taken from the preceding note, in order to matk the / with the proper accent. The two small notes, therefore.are played with the siath 10th of the measure. 22Allegro vivace. osAllegretto.25Allegro commodo. § ————__Allegro moderato. 5 3 i wo2a! ( Tage Rgrns : N23 se"ne 2 CAs | om leggitrmente = 1 of trilton thus: SERSa hese = dl Allegro vivace. = —_ 7 a) Do not play this too often in succession with the left hand, causing an overstraining of the wrist, As soon as the least weariness is felt, tefraiv from playtag. 29