Contents

Preface [page vii]

part one methodological orientation

1 Harmonic practice in the late eighteenth century: twelve
excerpts from string quartets by Haydn and Mozart [3]
2 Anatomy of the I–II]–V two-part exposition: twelve
keyboard sonatas by Haydn [41]
3 Composition in a minor key: six arias in G Minor from
operas by Mozart [89]
4 The happy ending: three sonata-rondos in D Major from
piano concertos by Haydn and Mozart [120]
part two masterpieces
5 Haydn: Symphony No. 45 in F] Minor (“Farewell”),
movement 2 [153]
in response to James Webster
6 Haydn: String Quartet in G Minor (op. 20, no. 3),
movement 3 [166]
in response to Robert O. Gjerdingen
7 Mozart: String Quintet in C Major (K. 515),
movement 1 [183]
in response to V. Kofi Agawu and Michael Spitzer
8 Mozart: Don Giovanni (K. 527), Act I, Scene 13: Donna
Anna’s recitative and aria [205]
in response to Carl Schachter
9 Mozart: Symphony No. 40 in G Minor (K. 550), movement 3,
Trio [221]
in response to Leonard B. Meyer

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10 Haydn: Symphony No. 96 in D Major (“Miracle”),

movement 1 [232]
in response to Warren Darcy, James Hepokoski, and Lauri Suurpää

Notes [247]
List of references to music examples [283]
Select bibliography [284]
Index of Haydn’s works [294]
Index of Mozart’s works [295]
Index of names and concepts [296]

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