Ex.41 GUITAR cooKsBooK ‘Ascending Intervals Descending Intervals Minor seconds (12 step) Major seconds (step) Minor ids (Viesteps) Major tics @ steps) Perfect fourths 2h steps) Fated ths (@ steps) _—— “Raindrops Keep Faling on My Head With a Lit Help trom My Friends" “caravan” Sen HD we ae eee ce, eee a wie “Hawa FeO “Tha impoesibe Dream* “Groenseaver “Choe fo You “Onl te Tkoy nthe Saw" ‘Gons) “Proud any “When the Saints Go Marching int “On Top of Od Smokey” “Someday My Prince Wit Come" “Al the Things You Ar “Home on the Range” “Man on the Flying Trapeze" ‘Never on Sunday” “Fiedler on the Root” “Exodus” (home) nore “ay Way stand &78 notes) “Pusplo Haze" (combined tar and bass ‘n opening rf “Stormy Weather "Baby You're a Rich Man Mi *stardu “My Bomancot "Jaws" (shark theme) “Autumn Leaves" “Goin Out of My Head? ‘Norwegian Wood" “Eleanor Pgh” “Ive Just Seen a Face” “Tender” “Tobacco Road? “Close Encounters ofthe “Third Kind” (theme) “My Funny Valentine” "Stairway to Heaven "You Really Got Me" {horus “Davy Crockett (chorue)™ “On a Clear Day” “W.Can't Got No) Satisfaction” ‘alue Jay Way" "A Day inthe Lifot “Light My Fire™ smoke on the woker “Can't Buy Me Love" “Here, There and Everywhere” ‘Limbo Fock" "Baby Elephant Walk’ "0 Christmas Tree” “The Twelve Days of Christmas” "We Wish You a Mery (Can't Get No) Satisfaction" (1st and 3rd notes) "Angel Eyest (1st and ‘rd notes) “Heart and Sout” “Put the Magic Dragon” q “Lucy vi Diamonds" (chorus) “Pomp and ‘Cheumstance™ “Stola by Staright™ ‘Swann siver We Thves Kinge™ Deck the Halls" “The First Noe!" "She's Leaving Home" “iH Were a Rien Man “Sunshine of Your Love” (instrumental if) Dike "Calssons Go Roting ‘Along misty" "Bad Moon Fising™ “Light My Fret (instrumental if) “o “Walk Fight in" “ve Boon Working on the Raliroad" “Purple Haze” (2nd and ‘3rd notes of opening "Mexican Hat Dance” "Mame" “km the Walrust "God Bless America® “Fly Me to the Moon “O Lite Town at Bethienem™ *Sabce Danes? ale “Yestercay” Satin Dol” “Ob-Lai, Ob-LaDat “Dont Get Around Much ‘Anymore “Gir rom Ipanema" “Hey Jude" ‘Good Day Sunshine” “Light My Fire" 2nd ane ‘ed notes) “Sentimental Joumey* Bg Ben Chimes ‘ing of the Road" “Alot Me” “Goodnight (Beatles) "Groon Acres” (theme) olMelody Descending Intervals x reroct tthe | “My avert Thingst “Angel Eyes? “Feelings “Pop Goos the Weaser Gisstps) | “Chinchm-chereet Moon Re pias Hoppers” {ie pase) “Gadmest Yo Mery, “Scarborough Fle “star Spangled anna?™) “Dive (stand Sr notes) ‘enilement “Seorgy Gi {istand re nots) Palace guard chant tom “old vinor sits | -Bocauset For (Fdaeranihe>) | (Theme tom Lave Stan) (@step6) | “She's Womant oot) siinete Do Begin My Bonnie, Major sidhs | “it Came Upon a Midnight ingle Bells) “Nobody Knows th “All Blues” (2nd and 3rd (atestops) Gear Sars "rouble tre Seen ete} “wien Sunny Gets Buc” “My Wah Rose” “Tate he Xan? “Shortni Bread? “Daye otwne and Rosest —~"Ghorey “On Bioadvay” (Beeson crmes Mor Tomo “SheCame in Though he | -Witow Weep or Me" severe st Sie Son) Batoom Wincor (roland Senet) Sie | SF “eselwanse (ona TY series) (Set and re ots) ~ousseto Your ‘ona Goarbay Cit and Se nots) tfetand Sots) Major Crertha RARBG TS) “Chistmas Song? “Love You" (Cola Poten sevens tnd a a (stand ote) Giestos) | BalHar(isendod “Sabre Bence” rats) Cistncte above toe octaves “Swanee River (ons “Youve Goto Hide Your (eetope) | Sehesttas Song ‘Lave Away" (chorus “Bal Har (at ae ee “win oop Fore notes) “Th Pan Spi “amen You Wish upon a Sar “ne immigrant Song? After acclimating your ear to the intervals used in these well-known melodies, it becomes apparent that these movements occur in all music and that endless combina- tions of rhythms, harmonies, timbres, and playing techniques are used to vary and dis~ guise the same intervallic motion over and over. This perspective will improve your abil- ity to recognize intervals in all music. As you learn more about scale construction and theory, be sure to explore these examples as part of your fingerboard ear-training. Also, try to determine how each melody functions in relation to its key center.