-101 Frank Sinatra Hits for Buskers Keyboard/Piano/Organ Edition with Guitar ChordsA Fine Romance, 1 A Garden In The Rain, 2 All Of Me, 3 All Or Nothing At All, 4 All The Things You Are, 5 All The Way, 6 Among My Souvenirs, 7 Angel Eyes, 8 April Played The Fiddle, 9 Because Of You, 10 Begin The Beguine, 11 Brazil, 13 Bye Bye Baby, 12 Call Me Irresponsible, 15 Christmas Dreaming, 14 Come Dance With Me, 16 Come Fly With Me, 17 Day By Day, 20 Dear Heart, 18 Do I Worry?, 19 Don't Blame Me, 21 Don’t Worry ’Bout Me, 22 East Of The Sun (And West Of The Moon), 23 Everything Happens To Me, 24 Fly Me To The Moon (In Other Words), 25 Fools Rush In, 26 From Here To Eternity, 27 Full Moon And Empty Arms, 28 Goodbye, 29 Granada, 31 Guys And Dolls, 30 Have Yourself A Merry Little Christmas, 33 Here’s That Rainy Day, 32 Hey Jealous Lover, 34 High Hopes, 35 I Could Have Told You, 53 I Hear A Rhapsody, 36 1 Only Have Eyes For You, 37 I Think Of You, 38 1 Wanna Be Around, 39 I Wish You Love, 40 Vl Never Smile Again, Until I Smile At You, 41 Pil Remember April, 42 I'm Beginning To See The Light, 43 'm Gettin’ Sentimental Over You, 44 I'm Gonna Live Till I Die, 45 I'm Gonna Make It All The Way, 46 I'm Gonna Sit Right Down And Write Myself A Letter, 47 I've Got You Under My Skin, 48 If You Are But A Dream, 49In The Blue Of Evening, 50 It Was A Very Good Year, 51 It’s Nice To Go Trav'ling, 52 Lean Baby, 54 Learnin’ The Blues, 55 Let's Get Away From It All, 56 Love And Marriage, 57 Love's Been Good To Me, 58 Lover, 60 Luck Be A Lady, 59 Moon River, 61 Moonlight Becomes You, 63 Moonlight On The Ganges, 62 More Than You Know, 64 Mrs Robinson, 65 My Kind Of Girl, 66 My Kind Of Town (Chicago Is), 67 New York, New York, 68 Nice ’N’ Easy, 77 Oh Look At Me Now, 69 On The Sunny Side Of The Street, 70 One For My Baby (And One More For The Road), 71 September Song, 72 Somethin’ Stupid, 73 Stella By Starlight, 74 Stormy Weather, 75 Strangers In The Night, 76 Tangerine, 79 ‘Teach Me Tonight, 80 ‘Thanks For The Memory, 78 That Old Black Magic, 90 ‘The Christmas Waltz, 81 The Coffee Song, 82 ‘The Lady Is A Tramp, 83 The Nearness Of You, 84 ‘The Night We Called It A Day, 85 The Song Is You, 86 (Love Is) The Tender Trap, 87 The Things We Did Last Summer, 88 The Very Thought Of You, 89 These Foolish Things, 91 Watch What Happens, 92 We'll Be Together Again, 93 Witchcraft, 94 Without A Song, 95 Wives And Lovers, 96 ‘Yes Indeed (A Jive Spiritual), 98 Yesterday, 99 ‘Yesterdays, 97 ‘You're Nobody "Til Somebody Loves You, 100 ‘You, My Love, 1011 A Fine Romance Music by Jerome Kern Words by Dorothy Fields Moderately LA fine ro - mance with no. (See additional Iyries) kiss - es, A fine ro = mance, my friend, Bidim | AT this is! We should be like =a cou- ple of hot to - ma toes, ——____ But you're, = a8 cold as Dmg as? yes - ter - day's mashed po - ta + toes.___ A Fain ga o. fine ro - mance, you won't nest - Ie, A 1 Copyigh 1936. Harms & Company Incorporate, USA, warmer Coppa Muse Lite, 129 Park Stet, London WL/PolyGram Metic Psishing Limite. 47 Beith Grove, Landon WS, {Al Rise Rewcwed, Iterator Copia Sera,fine ro - mance, you won't Ao t's wrest - lel 1 might aswell, play bridge with my old maid aunts, 1 have = n't got a q 3 This is a fine ro = mance! 2. A fine romance with no kisses, ‘A fine romance, my friend, this ist We two should be like clams in a dish of chowder, But we just fiz like parts of a Seidlitz powder! A fine Fomance with no clinches, A fine romance with no pinches! You're just as hard to land as the He de France, Thaven’t got a chance, This is 2 fine romance! 3. A fine romance, my dear Duchess, ‘Two old fogies who need crutches! ‘True love should have the thrills that a healthy crime has, ‘We don’t have half the thrill that the March Of Time has! ‘A fine romance, my good woman, ‘My strong “Aged In The Wood” woman! ‘You never give the orchids I send a glance, No! You fike cactus plants! ‘his is a fine romance!2 A Garden In The Rain Words by James Dyrenforth Music ll Gibbe Moderately asic by Carroll Gibbons B on LT fe- call a sum-mers day when you and Thad 21 te call our sud - den gasp of pure de - light and ps o abo Amt strolled a - way, And sud - den - ly a storm drew then = a clasp of bands that said, “Do you see B nigh, Seek - ing shel - ter too With that = clasp, Ame pis ‘sr 7 from = the rain we hur - ried down a fit - tle lane, And sto - ry starts, For then it first dawn'd in our hearts that co Abs a] Bag found a love - ly sight near-by. you loved me and = T loved you ‘Twas just a gar den in the rain, Close to the The Tain- drops kiss’d the flow~ er beds, The los - soms (© Copyrgh 1928 Campbell Comelly & Company Limited 89 Pith Stes, Londo WI forall Coutis. ‘A Rights Resere.Intesatonal Copight Sieep's 1, ag pals + tle leaf - y Jane, A touch of their thir - sty heads, A per - fumed Figim Baby B ocr. col - our "neath skies of grey. say. “Thank you," they seem’d to Ang’ pr Gm pr pr ey Sure - ly here was charm be ~ yond com - pare to view! pr c. Am] D7 May- be it’ was just. that «1 was there with you. Gm Br abo "Twas just a gar-den in the rain, But then the nts fm? held ES abr sun came out a - gain, And sent us hap-pi- ly on our way, way.3 All Of Me Words & Music by Seymour Simons & Gerald Marks Moderately i Chaim You tok my kiss = es and took my love, Baim or ‘You taught me how — to Am T to be just the Em, pia gy ft fem - nant of a one sid - ed love af = fair? py props gy Ebaim Al “ in i me to save. All of — me,—____ Why not — take all of me?—____ Can't you see. Dust Dm 2 Be — Tm no good with - out you’. (© copyright 1951 Boorse Campany, USA. ‘rane Day & Hnntr Limite, 127 Charag Cros Ron, London WC2 All Rh Reeeved Intnatonal Copyright Secor.Asus Take my lips, 1 want to lose them, pa —3— — Take my anms,—____ ri onev - er use them. Your good - bye. — left me with eyes that ory, — You took the part that all of me?4 All Or Nothing At All Words & Music by Arthur Altman & Jack Lawrence Moderately An? Amimgi? Aat Am6 F A—____ noth- ing at all, Al noth- ing at all, Am, m6 Ant ——3— Half a love ney - er ap - pealed tome, its love there is no. in be - tween, By Gm Gn 1 heart nev - “er could then cry for some - thing that GL rath - er have yield to me Then I rath = er have night have been, —___ No, noth - ing all all. — But please don't bring your_—ilips, «sso close. tomy © Copyright 1940 MCA Musi [a dvslon of MCA Incoxported, USA} MCA Musi Lied, 77 Fulham Palace Rod, London WE forthe wert leselading Nore, South and Cental Americ, pan, Ausalsa and the Pipes ‘A Rigs Revered, tternatdonal Copight Sesredlost be - yond re BT BT kissin your eyes, ons cr —_ And my And if 7 Am6 Fr Ant call. Bh By Bom? BH The touch Ee heart fell Am6 ir may of your hand makes me grow un - der Argfauj7 Ant diz - zy and the spell of your call, pig Be i No! All be or caught noth ~ in the un - der-tow,—___ G6, Dat ing at all.5 All The Things You Are Moderately Music by Jerome Kern Words by Oscar Hammerstein If Time and a- gain [ve longed for ad- ven - ture, G br iH Some. thing to make my pots Bbraus p7tsto 0 hheart beat the fast- er; What did 1 long for? g. I nev-er real-ly knew. Brasd B?, Find - ing your love, I've Dypwst found my ad-ven- ture, Touch - ing your hand, My All all hheart beats the fast - er, that 1 want in of this world is you. (Cl, Gat c7, Fm fn? pm Em cm BT Amat rr se i / fet pb se Dima . You are the prom-ised kiss of Dis omg? gz Cay? «tq o spring-time, That 6 ist makes the long. lone - ly win - ter seem (© Copsriph 19507. Hane & Company ncerorsted, USA, PolyGram Alsi Paling Limite, 47 Bris Grove, London W4 ll igus Roteee.tmarostional Copii Secaee‘You are the breathless hush of eve - ning, That AL Abi 86 Angi? fae firtoe dizer trem - bles on the. ~— brink of) adv = You are the = an - gel glow that_ lights. a star, Fut By hous Fo Fa? Bm Fn 7 By cm ph are. —___ Some day my = hap - py arms will Dt Dhawj7_ Bhat! x ad hold you, And some day, ru know that mo-ment di - a vine, When all the things you are, Are.———minet.6 All The Way Words by Sammy Cahn Moderately Music by James Van Heusen B Q When some-bod - y loves you, It’s no good um - less she loves you, When some-bod - y needs you, It's no good un - less she needs you, Po By En? All the way, All the way, Dim6 By ga in to good or Jean years, And Brug ET ay need some-one to cheer you, All the way. Tall - er all the in bet-ween years, Come what may. Who_knows. wr Daw! 3 a than where be near you, When you Tor the the tall - est tee is, That's how it's. got to feel, road will lead us, on = ly a_fool_would » BT Beim Cm Cut? i/o] ‘of Deep-er_—_than the deep blue sea is, That's how deep it goes Rw aa | B pio ct, it's real say, But if you let me Jove you, It's for sure I'm gon-na love you, Gis Ets bas & Bo. C7 oe All the way, all the way, © Copyrinh 1957 Marable sie Corporation, USA. ‘he Ineratonal Marc Newer Lined, Ladepenont House 4 Larksall Rex Chloglore, London Bs PD. All ips Reserv International Capyight Seeura.7 Among My Souvenirs Words by Edgar Leslie Music by Horatio Nicholls ‘Moderately & Edm 7 / of days that used tobe, ‘There's noth- ing left. forme. A. photo - graph or two, Some let - ters tied with blue, Ghin ena By By a a —— They're just a mem-o - ry a - mong my sou ven — 1 see a rose from you a - mong my sou - ven BT A pris 7 plots ob E / & A. few more to - kens rest with - in. my trea - sure chest,— B Etim 7 ro oF? BMS Bag oT I a // —— And tho’ they do their best_____ to bring me con - so ~ iB timp o's J //t 1 count them — all And as the tear- drops start, Gain ea (BT Bho pha Bb / —— I find a — bro- ken heart a - mong my sou- ven - its, © Copyright 1927 and 1947 by Lewtence Wright Music Company Limited, London W2 for UK, Britsh Commonwealth (escuding Canada & Australia), Bie & Comtinemal Europe (excluding Lax Counties & Switzer ‘AU Rights Retrve. International Copright Scere8 Angel Eyes Words by Earl Brent Music by Matt Dennis ‘Moderately slow Dm Baim Bion tS G7 Ghai? Rags G7 Gimay Try to think that, —fove's. nota round, An- gel eyes. that old dev - il sent, Bags Be A. Still it’s un- com - — fort- "bly near, They glow un- bear - a- bly _ bright, Dm Baim Beaim ‘Dm no's GI / My old heart ain't gain. - im’ no ground, Be - Need Tsay that my love's mis - spent, Mis - Ror BT'S Bho avs pm Ke 17 Gy cause my an - gel eyes ain't here. spent wih an - gel eyes to - night cu So drink = yp—____ all you peo. = - ple, Or - der an- y= thing you see, © Conyiah 156 enewed 1973 Dovey Brothers Mois a division af Musi Sales Corporation, New Yor, USA. Dorey Brothers Mase Lined, 79 Fu See, Lendan Wi. ‘Al igs Reseed Innstonsl Copy Scare— Have fun, —_~___ you hap - py peo - ple. The drink = andthe laugh’s___ on me!__ AJ, Afoug Baim Buin Dm DyxtS G7 Ghmej7 ar if but = T got- an, Ei ‘The fact's un-com - mon-ly — clear, Bdim Bedi Dm pat G7 Got-ta find who's now “Number One;"___ And why = my an - gel eyes ain't. here *Scuse me while To dis = ap pear9 April Played The Fiddle Words by Johnny Burke ‘Music by James Monaco Moderately slow 1 6, Alm? BT pig Bb jeg tan ERS OT used to think a love song was o es Ao, none E or sire Armajt 87 Begs af - of my Cldim BP fir, Em? ie But one fine spring BY ip in the air. A. Badin Bb pril cer = tain dim played the Abdi be - gan to dance, And mance, was so sur - prised to find my = arm B Emi A - pil played the fid - {© Copyiht 190 Sat orca fnenrporated, USA Ccampbal Connally & Comany Lined, 69 ath Stet London W ‘AL Riis Reserved. eteratons Copa Secured dle, And 1mem - 0 - ised the tune, And la - ter ona dream and = Ts went’ = sing - ing = tothe. ~——moon, Then cm May be - gan — gos ~ sip, And June just winked — her Gaim eye, ‘And you should have seen the = “know - it - all” ex: Fjaug Be Agim Egim pres - sion on hoe sdy, A - pril played the Fag By acct Aime! EB Em gin fid - dle, Ah! But here's the fun - ny part, 1 cm BT Blim B Bain br / had to pay the —fid - ler with my one and on - ly heart.10 Because Of You Words & Music by Arthur Hammerstein & Dudley Wilkinson ‘Moderately ao sing Bhs dim 86 Abm6 BSBA ee . ise plertor All my days were one - ly ones, TW you came a - And pr Jong. Now my days are. hap - py ones, You B Edim r filled my life with song. Be = cause of you there's a Fm BT B Edim ove you my ro ~ mance had its start EG pists Gis 7, (oT, —— Be- cause of -~— you. ~—the- sun— will shine, The moon and © Copyright 1940 © Copyright 1968 Broadcast Nase Iocoparted USA Dash Mise Copa Lined, 8/9 Ft Stes, London W {All ighte Roser, laernaonal Copyright Securedstars will say you're mine, For - ev - er and nev - er 0 par,________ I om - y live for your love and your kiss, — Ws par - a - ise o be near you like this, Be - cause of, you my life is. now worth while, “And =I can Fo BT Aa Bp smile, Be - cause of ‘you.11 Begin The Beguine Words & Music by Cole Porter Moderately ¢ Cai? (C6 TT When they be - gin—________ the _ be - guine,_—____ It ¢ 6 it ig aa TI brings back the sound of .mus- ic so ten der It Dn? | eae brings back a night of trop - i - cal splen - dou, It | 7 Tass Cm ¢ brings back a mem - with you once more——___ un - der the stars, And ¢ ong? @ - onal ith down by the shore an ot - ches-ta’s play - in And © Conyigh 1885 Harms corporated, USA. - Warmer Chappe Male Linke, 179 ark Suet, London W1 ‘AN Rigs Reserved temalonal Copyright SecuresDm ev = en the palms seem to be sway - ing, ql CIgpss When they be ~ gin. Cm Fo Bh five it a-gsin is past all en ~ BT oo 3 cept when that tune clutch- es. my heart, ___ And Agim Flim G —~I—— — there we are, swear-ing to love for - ey = et. And_ pro- mi- sing En? pits 3 ney er, mey = ert part, What mo-ments di vine, What rap- ture se rene, TLcr. c re 3 Pe clouds came a- long to dis - perse the joys we had tast - ed, And Em Foy Foyimgi7 Fog Dav’s 3 3 ma now when I hear peo- ple curse the chance that was wast - ¢d,___ 1 rd ¢ Gg Cmaip * mo know but too well__________ what they mean. __ So don’t Jet them be - gin ________ the be - guine,____ Let the +S love that was once a - fire re-main an em =~ ber,__ Let it FE Dmt En oa sleep like the dead de - sire 1 on- ly re - mem - bey, Dm maj? aa ‘When they be - gin———__________ the be - guine._ Oh yes,the be = guine, 6 pr Make them play, Till the stars that were EF whis-per to Dat — sud - den - ly a When they there me be - fore once Gigs know. Dat more, re- tum, a you, “Dar- ling, what you!” —___ —I hea- ven we're in, ¢ Cmai? be = gin Till you And we guine.12 Bye Bye Baby Words by Leo Robin Moderately Be Music by Jule Styne Gr my rh bein my room a-lone, Ev "ty Post Me - rid-i-an, And a Er po Gm cr FT far ano = ET rn be with my = dia = ry, And that book by Mis-ter Gid-e- on. Bh gals Bh oh cm Guz Bye bye ba - by, Re - mem - ber Bye bye ba - by. Re - mem - ber cn F7a Ay Bb Gi? AL. And tho” I Just know show eye, eye, that you that “1 cm care, care, Won't you write ae = Twill write and de That ET Didim Fl ro Baim tho” on the loose, You are still onthe square. I'm fon the Toose, But Tl stay. onthe square.— © Copyright 1948 Consolidated Music Publisher Toeorporate CCopyigernn and asigod to Dosey Brothers Msi, USA igh forthe British Commonwealth of Nations excluding Cana & Ansrlsin, the Republe of re and South Aen aod Benclux courte cortuled by Dorsey Brolhers Musi Limited, 8 Frith Stret, London WI ‘AL Rigs Reserved, otarannal Copysgh Sewae —_ Pil Jone - ly, But send that rain - bow to me, Then my But evo- en tho” Tm Jone = ly, ‘There’ll be we Gut any br cm pr rl be smil - ing with my ba - by bye and ing with my ba rH be mil = by bye and bye. bye, —______ With = my ba - by —__ bye and bye.13 Brazil Music by Ary Barroso English Lyric by S..K.Russell ‘Moderately slow Go Gms the Bra-zil that I knew,———— Where I wander'd with you, Brightly BT, el Lives. Where the songs in my im-ag-i-na- tion, DB D3 pT are pas. ~ sion - ate, And a smile has flash init, pis And a kiss has atin it, For you put your heat in it, And so. —_ 1 dream ——______ of old. (© Consight 199 rmaos ie, © Coparsh 1939 Soutora Music Publishing Company Incorporated, USA 1B Copyrgh Lata Amerien Mosie Pushing Company Lied, 8.14 Verulam Steet, Lendor WEI ‘AIL Rigs RevervtInteralonal Coppi Secrod gna 1945 to Peer International Corporation, USA— Bra = zi, Where hearts were Am’ ie am sm en - ter ~ taining June, We stood be ams Am6 Anis # a an a neath an am = ber moon, —— And soft - ly Am6 Am Fdim Ga 96, Gna am mur - mur'd “Some-day — soon.’ _______ We kissed. _ and clung, es Then, to = mor- row was an - oth- er day, ‘The = mora - ing found me miles a - way, Bx75 With stil a mil ~ Tion things to say.dims the sky & a - bove, Bhai Am? Re - call - ing / / Bio's thrills of our Pu put ze # love, Gaus Gamair's Re - one fn. tur, thing Am’ rm cer ~ tain ane Haim oft old.14 Christmas Dreaming Words & Music by Irving Gordon & Lester Lee Moderately Cas ear - WW this year No Sign of) snow a round, — g —— And yer 1 go a- round, bia a GB? Cg? ¢ 2 oe Hear-ing jin ~ gle bells air EZ mtst be the rea = som thes hap ~ py sea = son ¢ es Edin — shee, Som do = ing my Christmas Ents ap Dot GR comm i¢ as ww Re dream - ing ait’ te ear = sy this ye © Consign 1967 MCA Mais, USA Asignedo MCA Masi Lita, 77 Fam Place Raed, Landen WE for he fenioy ofthe ws (excusing Non, Cena and South Ameren, Jan, Asta andthe Pilipine) A ighs Roserod International Copyright Seesr,15 Call Me Irresponsible Words by Sammy Cahn Music by Jimmy Van Heusen Moderately slow F cm Fim Call me ir = fe - spon - si ble, Call me un - ore - i : a- ble, Throw, in AZ p79 p95 im 7 / i" a un - de-pend - a - ble 100, Do my fool - ish al - i - bis bore you? Well, rm not too clev = oe, © Copyrgh 1963 Paramount Msi Corpralon/Femous Muse Comortion, USA ll Nights Reserved. International Copycat Securejust a= dore you. Cal me Fi Gn Gag hain un - pre-dice - a- ble, Tell, §—me. Ym im- prac - cal, Rain = bows Tm in- clined to. pur suey, m6 D7 — Call me it - te- spon = si- ble, Yes, rm uo - eH | b> pr un = de = oni = a= bly true, Tm ir - re- spon - si - bly mad for you!16 Come Dance With Me Words & Music by Sammy Cahn & Jimmy Van Heusen Moderately g Gira pz ae Put on your danc- ing boos. and Hey there utes! (bo come dance with me, Come dance with me, — 7 ant Pret-ty face Tknow a swing-ing place, Come on, — dance with _me,— Ep. fim Boy En Ae Dsus — Ro - mance with me on a crowd - ed floor. ps gg Dat Bins s hi bn 3 And while the — rhy - thm pings, Oh what love - ly things Tbe © Copy 1958 ty Maraile Music Cospration & Cabs Mast, USA ‘The intimin! Mase Network Liste, tndependent Howse, Larkhall Road, Chingfore,Londoo Es (50%/ ‘Warner Chapple Limite, 129 Park Stet, London Wi (20%. ‘i RightsReserved. Iieeatonl Caprio Seared.mak - ing love When the band — Come on! and dance with o mus fo leave the we waltz home, Come on! g me!__17 Come Fly With Me Lyries by Sammy Cahn Music by James Van Heusen Moderatel Ebdim emi C6 Come fly with me,— Let's fly, let's fly a- way! fly with me,— Let's float down toe mu! Cog C6 engi? 6 oc vee ie = If yon can use some ex - ot = ic ‘There's a —_ In Lia- ma Land there's. a = one-man band and he'll FE bat in far Bom - bay, Come fly with me, Lets fy toot his flute for you, Come fly with me Let's. i, 2 Fo Gist G7 9 Gist GT a. way! —______ Come off im the blue We'll = just glide star - ry- eyed— rar i fied, Copyright 1958 by Mraville Manic Corporati & Can Masi, UA, ‘the Inston Masi Network Limited, Independewt Hows, 5 Ladaall Rosé, Chinglrd, London B& (50%) ‘Worter Chappel Mise Limited, 129 Park tse, Lonon WH (50%, ALU Rights Reseed International Copyright Secured\( Once I get you up there, — TU be hold - ing An? an - gels cheer “cause we're to - geth - er! C6 Eiim Bm a Coie Weath-er - wise ifs such__ a love = ly day, a Cmaj? 6 EEE — Just. say the words and we'll_beat the birds downto Bg maj? co 7 Fa - ing bom - ey = moon they say, Come fly — with me, Let's fly Jets Ty a - way?18 Dear Heart Words by Jay Livingston & Ray Evans Music by Henry Mancini Moderately F rs ET Baim Dear heart, wish you were here to warm, this night, My dear heart, seems like a year since you've been out, of my sight ___ A sin - gle room, a ta - ble for one, Ws a £2 Copyigt 1984 Norridge Mate Incorseited fe M. Wimark & Sons, USA. (Global Muse Lee, 171 Sonthgate Ros London NL ‘Ali ighs Reserve, Interoatonal Copyright SecuredJone = some town all right! But pai? rs kT 2» Bein soon rt Kiss you hel - lo at our front door, —______ And dear heart, 1 want you to know ru leave your arms—_________ nev = er (Instrumental) FE Em E19 Do I Worry? Words & Music by Stanley Cowan & Bobby Worth Moderately F Agim Gm Per - haps you won - der how = feel mt E Amt pr a bout your sud - den change. I thought at last that this was real, But since you're act - ing strange - ly: Do “I Gm 7. wor - oy ‘cause you're step = pin’ out? Doo wor - oy when” the ice - man calls? Do wor - oy “cause you've got, mein Tho’ your wor = ry if Ni - a - gira fall, Tho"_you're 1 copyright 048 Melody Lane Publiestions Incorgrted, USA. Pearmusi (UK) Linte, 814 Verulam Sr, Landen WEL ‘A RightsReserved, fterstonal Coppashe Securedkiss - es aren't right, treat - ing me — like’ dirt, you think I give 6 ET FO stay home ev - ‘ty night and read my = mag - a - feel - ings real - ly hurt when you're in some - one’s, Gm 9 Am, “cause We've the spark? cur = ious when the gos - sip flies? Ant / pan - ic when it starts turn - ing dark? And = when fur = ious "bout your lit - tle white lies, And when Gm Gets eT. £ ne eve - ning shad - ows cre do 1 tose =a sony Sleep, ~ ver all our eve - nings end "cause you've got a _— sick fiend who needs bo Gm “e you? you? You can 1 wor - oy? You — know ee a 2 bet your life 1 do! Do "T co! dog - gone well 120 Day By Day Words & Music by Sammy Cahn, Axel Stordahl & Paul Weston Moderately Amo Bm Am] D7 And in Jove with you, And Eo e7, Am day by day. my love seems to grow There is- n't an- y (BL Em, Emiggi? Em Ay. Em? AT, end to my de - vo - tion, Is deep-et, dear, by far than an - y ant pi po? g's fe “ 7 (Ee / o = cean. 1 find that day by day you're mak ing Am® D7 Gay i ail my dreams come te, egg, Ba stay, AS we go through the — years, Day by day, ____ 1 Copyright 1945 Hanover Music Corporation, Barton Mase Corporation & Can ste Company, USA. Famous Musi Corporation, USA (66 66%)/Maridu Mise Limited, 171 Sothase Rose, London NI (38.35%) All Ris Reserve, Totentonat Copyright Secured21 Don’t Blame Me Words & Music by Jimmy McHugh & Dorothy Fields ‘Moderately By Don't blame me for fall- ing in love with you, tm Can't you see when you do the things you ‘do? if Dats Ep Gt Epis awe g7 [pm Gag ft Roy — — 3 un der your spell but how can I help it? Don't blame me, 1 can’t ‘con- ceal the thrill that I’m feel - ing, “en ET, sy Ss a Don’t blame — me. 1 can'theip it if that dog-gone moon a bove— D7 pms ci — makes me need some-one like you 0 —_—_ ove! B Dmt’s Blame your kiss, as sweet asa kiss cam be, And Anos, blame alt your charms that melt in my arms, but don’t blame me. 1© capstan 1985 MOM Corporation, USA. Asigad Robbins Music Corporati, USA Corel Connelly & Compan Limite, 8/9 itt Set, London W1 A Rigs Reserve Jneroational Copyright Secured.22 Don’t Worry ’Bout Me Words by Ted Koehler Music by Rube Bloom Moderately AY Baim Bim? fae at calla voce , the one mo- ment that I thought I nev-er could live thro’, But Bei Bia pay 5 tf 3 = now, some-how, that it’s here, my dear, That fool - ish fear dis-ap- pears, And Bom Bio Bp a z im ‘ Its plain that Fate did n't want us oa a one, = way Agim iyi it atempo “= street, —________ Don't wor - ry "bout me, Bo get a - bout me__ Be hap - py = my loves © Copy 1959 Mile Muse Teeorported, USA. ‘inephonie Music Comsy Lite, 79 Fe Sweet, London Wi [A Rigs Reserwed, tention Capa Sewres,Bhat —3— Let's say that = our“it'- Ue show is oy - er and so the Bs J] = ry ends, —__ Why — not call it a day the pout Bat Fai - ble way, And still be friends. Am — Give your heart and your love to who - ev - er you love, Don’t Dimsp 7) for se to Dar - ling, Why should you cling x BY a Agim duane He some fad - ing thing that — used. to be?___ It Beni eyo you can for = get, Don’t. wor - ry "bout me.23 East Of The Sun (And West Of The Moon) Moderately Words & Music by Brooks Bowman 1 wish that we could five up in the sky, Where. tain D7 iin we could find 2 place a - way up high, Am? bt En AB Ay eh Es £2 th live a- mong the stars, the sum, the moon, Just you and L g, East of the — sun,—___ And west of the moon, _ — ‘We'll build a dream - house. of Anas Amt ec love dear, Near to the | sun in the Dis Ar day, Near to the moon at night, We'll © Copgigh 1955 Picatome: Univer Tg Cu Publeon gs wslgoed 1955 Samy Brothers Inorporte, USA, ‘Canpted) Connelly & Compeny Lined 8/9 Frith Steet, London Wi ‘All gh Reserves Tateratanat Copyright Securedlie in a love - ty way, ear, Liv ~ ing con love and pr ev =e and day, —___ Love will not die, An0 g's Up a= mong the stars we'll find a har-mo-ny of life to a AB AT, Am Agi’ pb ye rs love = ly tune, East of the sun and west of the Gg. BY Any24 Everything Happens To Me Words by Tom Adair Music by Matt Dennis Moderately slow Bt!5 Gm oe Co or se Black cats creep a- cross my path un - til I'm al- most mad! I Dave Bs on E must have ‘roused the dev - il's wrath ‘cos all my luck is bad! 1 cms Fo Cnt Ba Didim make a date for golf and you can bet your life it rains, 1 nev- er miss a thing, I've had the meas-les and the mumps, And Emi aus gS Gy try to give a party and the guy up stairs com - plains, evry time I play an ace my — part- ner al - ways trumps, Bain Gui Bo guess I'l go thro" life just catch - in’ — colds and miss- in’ trains, — guess I'm just a fool who nev - er looks be - fore he jumps, — Tem 2 B hap At Ev - ‘ty- thing hap = - pens tome, {© Copstight 141 (renee 1058) Dorsay Brothers Msc Incorporate a din of Masi Sle Corporation, USA MCA atusi ined, 77 Pulham Palace Roa, London W ‘AI Righis Revers, Iterations Copyright Sereedfirst Fn? my heart thought you could break this BT the trick agi to end for me, Bh jinx des - Dpaio ay T just can’t fool this head that thinks for me, Daw Gui cr. Cnt Fy Ht He That Tve mort gaged all ‘m9 cas ~ thes Cm my Fo in the air! Dm? Didim tel - e~ graphed and phoned, 1 cnt it sent an yay Air - mail Dats Spe - cial too, g fo Your ans Baim wer was good-bye and there was cnt’ en post - age due! fell cmt in Jove just once and then it Bite iH ty to be with you, ad BS Ey - ‘ry - thing hap pens25 Fly Me To The Moon (In Other Words) Words & Music by Bart Howard Moderately slow ¢ @ co qe gt =e te Po - ets of - ten we oman - y words = tt say, a Dar oy Aang sim - ple thing, It takes thought and mit Em gy time and rhyme to make at - em sing C7. Fidim — With © mu- sic and words I've been play ~ ing, For Figim ¢ Bm? Ay inte l if you 1 have writ- ten a —somg,—__ To be sure thet you'll know what I'm say - ing, ———_— TH tans late Brg ET, Jong: Fy me to the moon and let me. “© Copyight 1954, 1950, 1973 by Almanne Msi Incorpoeae, New You, USA, ‘Assoned to TRO Essex Musi Limited, Site 2 07, Plata 585 King Rosé, London SWIG forthe Would (xeadag Canéa a USA), {Al Righis Reserve, venation Copyriht Seeaedplay ET Ju pi- ter and Mars, stars, An. me see what spring like on hand, Bag oth - er words, —____ my heart with oth = er words. De? song Rms Cmaj7 C7, 7 for ev - er - more, = yout cs aq ah, im oth ~ er words, ‘oth - er words; —— In26 Fools Rush In Words by Johnny Mercer “Tempo rubato Music by Rube Bloom gp 6 a “Ro- mance is a game for fools!” 1 used 0 say, “Sf Ds oe BT maj? Gg / ‘A game 1 thought Td ney - er play. ____ *Ro- mance is a game —_ for fools!” 1 said and FS Br? Eg E =, grinned, ‘Then you passed by, And here = am), Throw-ing, - ‘atempo sa? E,, 8. GZ m7 cau - tion to the wind! Fools tush in cmnaig ce Ant where an gels fear fo wea And so Ts come to Ca a you, My love, ___. My heart a - bove my head, ‘8 Copyen 19t0by Bregman, Voeco and Coan icarporated, New York, USA Authored forsale the Unite Kingdom of Gre! Brinn & Nontern isan only ty prison of Boosey & Hautes Mase Publishers Limite, 'A Rig Reserve, ternational Cope Secured— Though mt Fools rush in. Ag? 1 Amt see don’t Ea Do where wise men bs eS dan ger Ant nev ~ a er £0, —— But wise men nev - er Av, fall in love, So we how are they to met 1 felt mt zn my life = + be - gin, So Em o- pen up your heart and let this foot rush27 From Here To Eternity Words by Robert Wells Music by Fred Karger Moderately ca You vowed your love. from here toe = ter om = ty A love so true, — Ie mev = er would = die, You cmt Fit FT nai? gave your ‘Tips, ___ Gave them so will - ing - ly, __ el Gy Gmij7 co / — How could 1 know________ your _ kiss meant good - Copyright 1953 Raton Mase Corporation, USA Desh Music Company Limited, 8/9 Pith Suet, London Wi Al Rights Reverved, Intemational Copenh SureCat ro Baim bye2___ Now rm a lone, —— With on = tye mem 0 = ty, My emp = ty anms_______ will nev - er know why. you are gone, ——— This love that you eft, = with me will can ge gs live from here toe ter - onh=ty28 Full Moon And Empty Arms Music by Sergei Rachmaninov Words & Arrangement by Buddy Kaye & Ted Mossman Moderately stow Be Ep?’ Full moon—___ and emp ty anns,—__________ The moon _— is, there for us to share but where are, you? A onight like G nals FT could weave a mem - 0 - —— And ow ty kiss could stat a Coppi 1046 Barton Muse Corporati, USA. ‘Raosty de Howes Music Publisher Lined, The Hye, Eagnare Road, London NWS ‘AU Rig Resreed,Intonational Coppi Seeareeee eee a cd B en dream for two. Full moon. Ents a 7 B —— and emp - y arns,. To ~ night Til Bue Bok? cis FT B mit a E an i i use the = =omag - ic moon to wish up - on, i Am? ats py Om nits — And next full moon, if my one FT Ep?’ ang'S pymg p77!" pie i a fi ae wish comes tue My emp - ty B cal EL a Bim » ef OE = a be filled with you,29 Goodbye Words & Music by Gordon Jenkins Very slowly co gatsto C6 qs 6 nev - er for- get_ you Til nev-er — for- get you Cm Cm9 sAmt’S ag ue \( TH nev- er for- get how we prom-ised one day, To AT Gy Cm Jove one an- oth = er for ev - er that way, — We said we'd ney - er say good - bye. (© Copyseht 1955 LaSalle asic PablinhersIncorported, USA. Peers (Ui) Lite, &-14 Veslam Stree, Lon WC ‘ALL Rigs Reserve, International Copia SearedBut that was long a — 3 Let's say fare - well with a ao a we'll go a 4 cm Abols on liv ing So you take the high AT kiss me time that we pat = ed, as you go, 20, Now you've for - got-ten, I use to bai? BS won - der Basa" why, pnts G7 sigh, —— I road and Its much bet - ter Let love die. But own way of liv- ing, Ags’ abo 7 asp TI take the low,— it's cn so, But Good - bye.30 Guys And Dolls Words & Music by Frank Loesser Moderately Dgim Pmt oi, ¢ reach When change see a vy. see a you ume. Dain for the stars in the sky, You can bet that he’s do - shape of her frame,. You can bet she's re - duc - Dm7 Bh ATaug gn Chany 4 iF in When When ot doll. find guy. you you for for - ing it - ing it some. some, wait - with ing her ae he's in = sane as on - ly a John sured that =the rock. has gone to re + stock gots gy When When you you meet © Copyright 1950 Prank Mose Corpormtion, USA. © Copsint renewed 1978 Fack Mute Cnportion, Publisted & administered by MPL Commenieattone Line. AI RightsReserved International Copyright Sere gent mousepay fury = ing y alt out kinds of of the rent. house, flat runs that twen could flat = ty blocks BI gaug ten for the Tay Ma - ci gars and Dm Dat hal, ye, fun clev gg ny, cr that that the the But it's Ab! But Dm irs Call it Call it bet - you lag on - ly y ter can sad, dumb, give Call Call it it than e+ ven mon + odds for - ev - Pmt Dm7 Gy for for some some. oss doll. On the oth = er hand, When you guy.31 Granada Music by Agustin Lara English Lyric by Dorothy Dodd Moderately NC. Gra = na = day — Tm fall - ing un = der your spell, And if you could speak what a fas- cin - at - ing tale you would tel, E FE E am NC ar — Of an age the world bas long for - got - ten, E as na- da to - day! ‘The © Copylsh 152 Peer Ilerrationsl Corporation, USA © Copyih 1950 Southern Musi Pushing Company (Asal) Py Limite, Aaa, ‘Lan-Amer(can Suse Pablslng Company Linteg 8-14 Verulam Ste, London WO ‘A Rigs Reser. Intaaionsl Copy Seeueddawn in the sky greets the day with «=a sigh. for Gra - when day is done and the sun starts’ «to set. sin Gra = De? Gy if na - day For na - da, I a Dm? GT if qt she can re = -mem-ber the splen- dour that once was Gra - en- vy the blush of the. snow-clad. = Si. er = ra Ne - 6 To Coda still can be found in the hills all a - round as 1 wan = der a~ Yong, En - By Bla BY mr ftranc’d by the beau - ty be - fote— me,— En - tranced by aBlue Ep. Chim DS. al Coda Ind full of ~—sun-shine and flow - ers and song.—___ And Coda — For soon it will wel - come the F Em Ems stars while a thou- sand. gui - tars play a soft hab - an - Em eo a ‘Then = lit Gra = na - da will Bam cots live a- gain the glo - ry of yesterday, Ro = man- tic and ¢ Em ¢ Fm Em ¢32 Here’s That Rainy Day Words & Music by Johnny Burke & Jimmy Van Heusen ‘Moderately stow G, Gra? Be Eps Bbonsi7 BS Bbms Btdim if May - be Amt 1 should have saved those left - ov Dr ET Gi er dreams, FH Bim Fun - ny, but here's. that rain - day. cnt F9 aoe Bis it ine a) ri / t laughed at the thought that it might tim out this way. 6.0m? etme Ein tin nT 4 a 7 t Where is that 7 al brought my lov GB pats = cold rain - y that 9 Gi any tha threw a 93. Coz 2° worn - out wish Gg side, c7, it love be-comes a goo - er near?. Fun-ny how A An py amt pat / fy that © Copyright 1955 Burke & Van Heusen Incorporates All sights assigned to Bourne Company & Dorsey Brothers Music Incorpratd Warner Chappell Masi Limited, 129 Pat Stet London Wi (50%) ‘campba Consely & Company Linited, 8/9 sith Set, London W1 (04. [ML Righte Reserved, lateratonel Copyright Secured day, Fun ay rin-y day is bere,33 Have Yourself A Merry Little Christmas Words & Music by Hugh Martin & Ralph Blane Moderately c gy 6 t ee pe When the stee - ple — bells sound their “A? FE Bn, Am? D7 gy ‘They don't play it in tune, But the = wel- kin will Phos By m, pg gz ring one day, And that day willbe Ant Dat Am? Have your - self mer-ry Tit te Christ-mas, Let your heart be Be? gp Aat Pmt gy light, Next year all our_-—trou- bles will be out of 7 Ag bg Gt ¢ Am Have your - self a Amt De? QT mer- ry it tle Christ- mas, Make the Yule = tide gay, (2 Copysght 1944 & 1958 hy EA Feet Conortin, USA. Work sighecontrlled by Wamme Bros, Publis Incorporated /IMP Limited AIL Rights Reserved. Inserationel Cope Secret.gold - en days will i? Ems as we'll in Ant to- geth - er, mt Chau be miles a ~ Cai? pt have Eyaiy have way. Ebdim jo old - en days, Pgt?5 pr? Brews Faith - ful friends Dot who were If the to mud - dle FE thro’ / / some - your - sif a FB ¢ now.34 Hey Jealous Lover Words & Music by Sammy Cahn, Kay Twomey & Bee Walker Moderate (solid beat) NC. (Instrumental) Hey! Jeal - ous lov- er, You're act - ing so strange, Hey! Jeal = ous lov - et Eaug Bis Bdim FT ‘What is mak- ing you change? Hey! Jeal_- ous Be BT BP youg BG Ht ft lov - ey How wrong can you be? Just be faith- ful to Tm yours, ev- er faith - ful, (© Copsigh 1999 Since FroduetionsAncorporaes, USA. © Copyright 1906 Hal Shaper Lied, London (6.66%)7 ‘Wormer Chaps Mase Linitee, 129 Pack tres, London #1 (55.35%), ‘Ali Rights Reterelternasonal Copyright Sere.2.Could have cheat - ed. stead - y as that clock on the =~ shelf, Tots of times, but just would - n't do, B May ~ be you're ac - cus - ing me of what you're do - in’ your - Twas Tmuch too tus - y, ba - by, be - ing faith - ful “to 1 Be Bap Hey! Jeal = ous lov et, ['m tell - ing you true, T know that you're jeal - ous,. ab 9 gy Sryise But there's no one — but you! no one forme, eal - ous lov ex, but you!35 High Hopes Words by Sammy Cahn Music by James Van Heusen Moderately E Fidin Next time you're found_ with your chin on the ground,_—There’s a (See lyrics 2 & 3) Gut (1 Foo Dm? Gm? c7, on lotto be learned, F Be Just what makes that Jit - tle ol’ ant think he'll move that F Him Gm? Gldim «Tepe rub - ber tee plant,— An - y-one knows— an ant can’t Gu 7, move a rub-ber tree plant, But he’s got high hopes, He's got F Pmt ¢ high hopes, He's got high ap- ple pie inthe sky hopes, So an - y time you're get = tin 1 copyrgn 1089 Marat MasieCorpontion, USA, ‘The nterctins] Mase Nebwore Lita, Independent Hove, 4 Larstall Rox, Chicgfod, London E46. ‘AU Rgis Reserved Intratonal Copyrpn SecuredBaim P Fldin "Stead of let - tin’ go, Just re-mem - ber that ant Oopst There goes an Gm7 C7, E Féin Gp? 7. E Pim oth-er rub - ber tree plant ops! There goes an - Oops! There goes an - oth - er rub ~ ber tree plant! c7, E oth er rub- ber tree plent. plop! Ker - plop! 2. When troubles call and your back's to the wall, ‘There's a lotto be learned, ‘That wall could fall. Once there was a silly ol? ram, ‘Thought he'd punch a hole in a dam, No one could make that ram scram, He kept buttin’ that dam. “Cause he had high hopes, He had high hopes, He had high apple pie in the sky hopes. So any time you're feelin’ bad, "Stead of feelin’ sad, Just remember that ram. ‘Oops! There goes a billion kilowatt dam! Oops! There goes a billion kilowatt dam! Oops! There goes a billion kilowatt dam! 3. When troubles call and your back’s to the wall, ‘There's a lotto be learned, ‘That wall could fall Once there was a silly of ram, ‘Thought he'd punch a hole in 2 dam, No one could make that ram scram, He kept buttin’ that dam. So keep your high hopes, Keep your high hopes, Keep those high apple pie in the sky hopes. A problem’s just a toy balloon, They'll be bursting soon, ‘They're just bound to go “Pop!” ‘Oops! There goes another problem, kerplop! Oops! There goes another problem, kerplop! Oops! There goes another problem, kerplop! Kerplop!36 I Hear A Rhapsody Words & Music by George Fragos, Jack Baker & Dick Gasparre Moderately By Em It's fun - ny, dear, but when you're near, ‘The Ab9 nits mur - m’ring of the breeze be - comes a shap-s0- dy.— The Bm Emgich cm Ey - "ry breath you ta owls pb gy im on Ham Gy take is mus - ic to my ears And when T a hear call _____ so soft- ly to me, spark - ling eyes—— are smil- ing at me, Fn Epis 9 asp — 1 don't hear a call at all, —___ 1 hear a “then soft thro’ the star - fit’ skies, —____ T hear a (© Copyta 1940 Breast Asie Ieorporatad USA, Campbell Coney & Comeany Limited, 8/9 Frith Set, Lonton WL ‘iL Rigs Reserve, Iterasonal Copyeiht Securethap = so-dy— And when your = (sir) thap - — so-dy. My days are so blue when you're away. \( My heart Iongs for you, so Flim won't you slay? My_— dar - ting, hold me tight, ____ Bang Edim — and whis-per to me, Then soft thro’ a star = ory night TM hear a thap37 I Only Have Eyes For You Words by Al Dubin Music by Harry Warren Moderately S Am? Bmnt g 6 Jove, My love must be aikido, ind T know the thrill, «of, ma - ture’'s, © won - ders, geo oc jm? mt G1 — I can't see an = y= one but —_you, _ 1 know they're lurk - ing ev - ‘ry - where, BS By Bm Em AD 8) mh ant ik a —_ And, dear, oT won - der if you fine — Tm sure, Pm mak - ing man = y blu Bp. br Gy bm ee love an op - ti - cal il ~ Ia - sion too? ders by pass - ing up those won = ders rare. Dyst’s G2 Gm a & 3 —— Are the stars out to-night don’t. know if it’s cloud-y or Gps GT maj .S. Cai? poe bright, “cause Ton - ly have eyes for you, © Copyright 194 Remick Musie Corporation, USA produced by permeson of B udaun & Company Linites, 127 Charing Cross Roa, London WC2 AIL Righs Reserve, feratlana! Cpyree Secure3 3 3 dear The moon may be high But [can't see «a thing Cm? S sky "Cause Ton - Ty ave eyes for in the Al. you. — 1 don't know if, we're in a gar - den, — Or on a crowd - ed = av - en - ue, Gm @ Pu ABT, by, Bat they all dis - ap - pear—__ from view, Al, Gaim Dnt pp gz Em ah ith 1 th —— And «Ton = ly have eyes ____ for you. le es a May-be — mil-lions of peo- ple go Er HE38 I Think Of You Words & Music by Jack Elliott & Don Marcotte Moderately ¢ Dt Here Jone In Bhdim 6 7, eve - ning, as shad - ows steal a ~ cross the Ghai Els om gain, hush of BT my — lone - ly Ber I think of you, of you. e7, E From far mus - ic of vi ‘London W, © Copyright 1941 Betsy Maske Corpor ‘Camptell Connely & Company Liste, 8/9 Fath Sr [A Righe Revered,ltenationel Copriht Secured dim © - fins comessoft - ly ag Lo & Em Bm through — the gloom, GL mf Bh an Em? Eat 1 can ‘on! I can see you Eo c whis - per And 1 Dat cod stand - ing there be - hear you Gave you a - — dore me. So when dusk is Gaim Dot fall - ing, 1 live Ents ph c.f Fe # you, 1 think of you.39 I Wanna Be Around Words & Music by Johnny Mercer & Sadie Vimmerstedt 1 wan-na be a-round to pick-up the piec «= «es, when. Pmt Ebdim Dm? iE some - bod - y breaks your heart, —— Some -bod- y twice as smart G9 Gras Cc. Clim = Dnt a Eps aro fit ot tm — as |_________ A some-bod- y who will Eps Aaug Dm ATaug swear to be tue like you used 10 © do with me, Dm Ffa'S Bo Ant pia Who'll leave you to learn that mis- ry loves com = - pan - y,— © Copyright 1938 Conumarder Pubcon, USA. Asigned to Warne Chappell (Masi Liniteg, 129 Pak Sues, London Wi fo he Brits Commorweakh (Excluding Camas ‘ako he Continent of Burope eed Repubics af land & South Alc, Alt Rights Reseed. International Coprgh Sacred i | 'Det Wait and see!, I wan-na be — a- round to Dat? 99 Bhsim ft qe see how he does. it when he breaks your heart to bits, Let's see ifthe puz - ze fits so fine, — And that’s when Til dis- cov - er that re - venge is sweet. As I sit there ap - plaud- ing from™—a — front = row seat ‘When mt claim pets G3 rae some-bod-y breaks your heart like you —_—dbroke mine..40 I Wish You Love Music & Original Lyrics by Charles Trenet Moderately English Lyrics by Albert A. Beach Emt5 Good - bye, ——____ no use lead-ing with our chins, By Bm pis Fmt’S Re i / ‘This is whereour sto- ry ends, Be Em eng Calm ot 7 7 ey « nev- er Jov-ers, ev- er friends. “t ——— Good - bye, ——_____ Jet our hearts call it a day, Ao : Bs Egat’ But be-fore you walk a - way, 1. sin-cere-Iy want to say: Bh Eaim Em? By rm BY if HEE I wish you — blue-bicis_—_ in the spring, To give. your Bb Bis Fa? as os heart a song to sing, And then a kiss, but more than BY 6 Edi this, Eo wish you Jove And in Ju © Copyright 1946, 1055, 1955 by Eetows Sabet, Pai. [MCA Musi Linited, 27 Falhan Palace Roa, London W6 fr Bris Commonwealth etlullog Canada and Souk Ac) | Rpts Reteree.fteraiona Copyright Secure,ey shade, I wish you health, and more than a Ht Am wealth, 1 wish you love. best, Tet you fee. Eno Ba My break- ing heart and Toa - gree that you and Bhs I wish you shel - ter from the Ebmai9 Be stom, A co- ay fire all, when snow - flakes dim - I wish you BT fall, Be fall, to_keep you warm, By Bia. 1__wish 1 Hie 3, wish you love. But_ most _of je41 I’ll Never Smile Again, Until I Smile At You Words & Music by Ruth Lowe Moderately Ent Be By eB i You loved me in the past but our ro- mance did- n't last, You Ems By B ra? Fis | ey cd Ta ti thrilled me with your kiss, dar - ling, Now—_______ I_pro - mise By oR Baim Pag aay 7 this: TM nev - er smile a - gain ua- til I smile at Bhim Br Eto dD ta —- What good would it Cr For Bag pis | Ahm Braue tears would fill my eyes, My heat’ would re - a - © Copygh 1959 Sun Musle Company Incorparated, USA ‘CampbnitConnely & Company Limited, /9 Pex Stet, Lonon Wh Al Rights Reser tnterntonsl Copsight Secared.mal? pb g. pr op Fidin smal e rr lize that our ro = mance is through ——___ Pl nev = er Jove a gain, prs dma ph Bs hin ae 7 Tm so in love with © you TM ev = er prs B thsi a gaint some - bod - yew, — With - in my heart 1 B Gat Ea know 1 will nev = er start to smile a- gain ‘Braug Bs B EP Foca un - til 1 smile at you.42 T’ll Remember April Words & Music by Don Raye, Gene de Paul & Patricia Johnson. Moderately Sg, Gmajt This love - ly day will Teng - then in = © Gm6 Gat ev- “ning, We'll sigh, good - bye to all we've ey- er bad. Gms Ag’ FD fat if — Pure ~ mem- ber A - pri and be glad____ cmt ia mai? iH — Tl be con - tent_____ you loved me once in Bs cnt FT Bing? A- pri, Your lips were warm, and love and spring were new. © Copyright 1942 MCA Mase (a division of MCA Incorporated, USA). MCA Maric Lind, 77 Fulham Ftace oad, London W8 forthe word {excising Nort, South and Cental Aeris, japan, Ausalasa andthe Pilippines) ‘AIL Righs Reser ntratinal Copyright Seer. 1 |—— But Pm not a - fraid of} Au-tumn and her * sor row, Fag Bo Eni? 26. —— For Pll sre ~ mem- ber___ A} pril, and you. Gmmaj7 — The fire will dwin- dle in - to glow - ing $B, Gut Gag Gut ash - es, For flames and love live such a —_lit- tle while. (DT —_— I won't for-get,_______ but T_ won't be Ione = Iy,__ pe pa? fe" and TL smile. smile.43 I’m Beginning To See The Light Words & Music by Harry James, Duke Ellington, Johnny Hodges & Don George Moderately cr BT Dy 6. T nev er cared much for moon - it, skies I nev = er went in for moon fight glow, Or Bopp BT 96. Ep 7 / 1 By / it nev- er knew love was such a _ priz But now that the stars are steal-ing a kiss by —mis- tle - toe, But now when you turn the 7, 4. An?.D7 G.I i I in your eyes, Ym be- gin-ning to see the light. lamp down Tow. Vim be - gin-ning to see the light BT if Used to ram-ble thro’ the park, All a-lone there in the dark, BT Ant ‘Then you came and caused a spark, And my heart is on fire— now. I G6. BH DT G6. P7 pr py 7 HA / | i ney-er made love by lan-tern shine, I nev-er saw rain-bows half so fine, But 66 DI BG ET, Ay. An? DTG. see the light. now that your fips are burm-ing mine, I'm be - gin-ning to 1 Copyright 1944 Grand Mie Corporation, USA, Campbell Connally & Company Linke, 8/9 Feith Stent, London W All ight Reserve Ineenatlonsl Copsright Seesred44 I’m Gettin’ Sentimental Over You Words by Ned Washington Music by Geo. Bassman ‘Moderately slow Eqaiy FE gE LET, Amy's 1/7 OB Nev - er thought Td fall, Things you say and do just Co cr, ee get- ting sen ti - men-tal ov - et you get- ting sen - ti - Cr Gam CT C7. Clg €7, HE Fg? am iH P/ men-tal ov-er = you. I thought I was hap-py, 1 could Base cag E7, Am, Fidim at live with - out love, Now I must ad - mit that love is cr, Foy _E E. ey, Anghs ci 4d Et, Anil all I'm think-ing of. Won't you please be kind, And just make up your pr ey cr cols pc. Ang brug yes iH with me? E mind, That you'll be sweet and gen- tle, Be gy cme (oI, PP gen - tle Be ph, — Be - causeT'm sen- ti - men-tal ov- er — you. ‘© copyright 1935 Lawrence Mase Publishers ncorporsg, USA, (© Copyighassiqnd 1934 Mills Mose Incorportad, USA. ‘ash Music Company Limited, 8/9 Frith Sst, London WI ‘All igs Reserve, International Copyright Secured45 I’m Gonna Live Till I Die Words & Music by Al Hoffman, Walter Kent & Mann Curtis Brightly BL, act Ne. say “What a guy! — I'm gon - na take the — town. and um it —— Ain't gon - na miss a thing. Pm gon - na Pl Fins B The blues - lay low,. ie. They're gon - na G6. — rit make ‘em stay low They'll nev - er trail ove “© Conyeht 1950 Baron Mule Corporation, Al Hotinan Songs incorporated & Walle: Kent Mase Company (53.35%), USA “The Internationa! Susie Network Liu, ndependont Hous, 5 Larksbll Rend, Chingfor, London Bs (55%) & Campbell Connelly & Compaty Lined, 8/9 Fath Stet, London W! G34), Allie Reserved, ternational Copia Sere.— ill Ea, Tm an an gel, Buon = tl Hal - te - lw - jah! Gon - na Em Fm? ren’ Tm gon - na fill my cup, — fm gon - na live, live, live, ive, live. Ep Am Em.46 l’m Gonna Make It All The Way Words & Music by Floyd Huddleston Brightly with a beat F cm Ennai] % LI ctied the day you left’ me and I still’ don't know what (Lyrics 2, 3 & 4) F Amt Gm? cr, e kept me from jump-in’ off the high- est bridge T know, Gui C7, Gm 7, Gm 7 7 My poor ol” heart was break-in’, I felt’ low-er than a snake, An’ that is just a-bout as cr, F (£1, Cad FI Halt te I fi - nal - ly stopped drink-in’, Sat Fy Gm down and start- ed think-in’ that it don’t pay to re-live yes-ter - day. B Bho Am? To Coda 27 Gur (tied to hide my —sor-row, Start-ed —_liv-in’ for to - morrow, _I__ think I’m gon- na cr F E6 Fai Fe fs. + DS. al Coda make it all the — way. 2. You 4d © Copyright 1975 Caio Cilmate Muse Company, USA. Monsare Music Lined, 8/9 Frith Stee, Landon Wt ‘AI RightsReserved. Inernatonel Copyright Secured@ Coda br Gut F6 hell now, This. time Tm gon-na make it all the way. Oh yes! Pm gon-na make it all the way. 2. You hurt me and abused me, 3. My troubles came in bunches, ‘Took advantage of and used me, kept rollin’ with the punches, T swear it almost made a wreck of me. You'd shoot me down, I'd get back up again. When I needed your devotion, Itried to be your lover, ‘You were never in the notion, In no time I discovered ‘You were colder than an iceberg in the sea. Your lovin’ cup was not for me to win. Love to you had lost its splendor, Your kisses weren't the same My pride went out the window But [kept tryin’ to fan the flame, When you left me [kept beggin’ you to stay. “TL just couldn’t face another day. But now my heart is healin’, You can't blame me for tryin’, P've got a real good feelin’, Now that I've stopped cryin’, [think I’m gonna make it all the way. { think I'm gonna make it al the way. 4, Liried my best to fake it But a smilin’ face don’t make it, *Cause in my heart | knew there was no hope. Each place reminded me of The memories of your love, Td come right to the end of my rope. ‘That's when I met my new friend, ‘She’s just a passing-through friend, But she treats me like love is here to stay. It’s workin’ out real well now, And you can go to hell now, This time I'm gonna make it all the way. ‘Ob yes! I'm gonna make it all the way.47 T’m Gonna Sit Right Down And Write Myself A Letter Words by Joe Young Moderately Music by Fred E. Ablert B Dm? 7 ie tr a, if The mail - man pass - es by, And T just won - der — There's not a sin- gle line — from that dear old love of AnT pr Q is 0 Em, © 7 im mine, No, not a word since last heard “Fare - make be ~~ eve it came from you, ‘© copyigh 095, Copsint renewed, Revered and aigne to Pencil Mare Music Incorporate, Fred Alex Music Corporation, USA Memory Lane Marie Lite, Rosdor Muse (Londen) Limitea/Burtoa Way Musi Linitd nd Anglo Pi Musie Company Lind, Lonéon, ‘AU Rghe Reserved Inerotional Copyright Secure— Tm gon-na write words, oh, so. sweet, They're gon - na Ems Av, br a an knock me off my feet, A lot of kiss - ¢5 atthe a smile and say, “T hope you're feel - ing bet = ter? ‘cmaip coi? _— And close. “With love” the way you i Dm F Epa th do,—_____ Ym gon- na sit tight «down and write = my - self a fet = te, And r pr juss GT S make be - lieve it came from you.48 I’ve Got You Under My Skin Words & Music by Cole Porter Moderately (BL Em ats Bh — T've got you deep in the heart of me, So Foo ah Bing? Be Gm frre deep in my heart, ‘You're reail-ly a part of me,———___ Ive 00 ah Xba 36 ra / if / 7 —— not to give in, —_ 1 said to my~ self “This af - Fay ah De BS ie! fair nev- er will go so well"—___ But mt 39 @ why should 1 uy tre sist’ when, dar = ling, 1 © Copyigt 1956 Chappel! & Compeny Incorporate, USA ‘Chappel Muse Lined 129 Pack Stet, London ‘Al Bits Reserved, intoreationsl Copia Seared,ra of hay - ing you comes in on know, Eu? time Gras gin, m3 pa lit- tle fool, BY Bb near, oma? you nev-er 1 do, just the thought o. Emo Ho —— In spite of a can dim i the night and re - peats and re-peats in my Ab BIT B win. mit of you Ba "Cause T've got you. makes me un- der 5 — DE I sac - fi- fice an - y- thing, come what might, for —oT the ma warn - ing voice that BHT cI ear: “Don’t you my 1 it Ghaim Use your men- But each skin.49 If You Are But A Dream Words by Moe Jaffe & Jack Fulton Music by Nat Bonx ‘Moderately slow c Gai 1 you are but 4 dream, 1 Toomey - er wak - en, its more than DmQ Dm Dani? = Dnt Gg. @ 1 could bear to find that’ = P'm_=— for = sak = en. im pit 6 If you're a fn - a. y then Tm con - pldim TH tent to be in love with = Tove. ~~ ty you, © Copyright 1941 Jimmy Campbe Publishing Incororated & Baten Music Corporation, USA. ‘Camptell Contely & Company Limled, /9 Frith Sr, Londen Wi I RigtsResrved ntercationa! Copyrgh SecureAnd pray my but =o that you dream comes true, Jong to would not dare, - ish air. So dar - ling ET, a if on our wake up, 1 you___50 In The Blue Of Evening Words by Tom Adair ° As Moderately slow Music by D’Artega E Bins Night draws a vel- ve - ty cur - tain o- ver the cares of the Burs ET Am, Ant tt day. My heart is light, for it's. cer tain that Dm? cl Bene = Gait?S oT. Fim a fat = oO Tl be meet-ing you in _—_se- cret_ren~ dez-vous. Jn the blue of Bing e Adin Gm ‘Gps ang s a, a eve - ning, When you ap ~ pear close to me, dear one, E Ain Gat cn en DM Gat In the blue of eve - ning, While crick - ets call © Copyright 1942 Asocntnd Msc Fubishers incorporated USA, Cops asaned 1945 ta Shapiro Beeston & Compan Lie, USA. ‘Camptell Connely& Company Limliod, 9/9 Prt Sree, London Wr All Rights Reser, nternaanal Copyright SecuredGm Gets EB Abdion nf sky you'll come to me. pin? ab? Db Bbnas xt In ‘the shad - ows of. the night we'll stand, rit i Ents ob 15. F Me iF touch your hand = and then, Soft - ly as your love - ly eyes en - treat, Our lips will meet a gain, Night winds a F io There we will find ro - Gut cB cP Bdim whisp-‘ring, “I love you,” mance in the blue of eve - ning,51 It Was A Very Good Year Words & Music by Ervin Drake Moderately slow Dm Am EF 1. When E was sev - en = teen, It was a (See lyrics 2, 3 & 4) ver - y good year, It was a ver y good year — for small town girls and soft sum - mer nights, — We'd hide from the fights ___ onthe (© Copysiaht 961 & 1965, Renewed and agned to Linda Bet Mes Corporation, New York, USA, ‘ight forthe Work outside USA & Canada adninstered by Memory Lane Music Limite, London, England. ‘This srangenent # Copytght 1996 Linds Bet Nase Corporation. All Rights Reserve. Ineratonel Copyright Seceedvil - lage green, —___ When Twas sev - Ea Whistle Ist & last time 2.When Twas 3. When I was 4.But now the 2, When I was twenty-one, It was a very good year, It was a very good year for city girls Who lived up the star, With perfumed hair ‘That came undone, When T was twenty-one. |. When I was thirty-five, It was a very good year, It was a very good year for blue blooded girls Of independent means, We'd ride in limousines, ‘Their chauffeurs would drive, When I was thisty-five. 4, But now the days are short, T’m in the autumn of the year, ‘And now I think of my life as vintage wine From fine old kegs, From the brim to the dregs, It poured sweet and clear, Tewas a very good year.52 It’s Nice To Go Trav’ling Words by Sammy Cahn Moderately Music by James Van Heusen ols gg als cs cm? C6 Cai? i or € Pr / Ws ver - y nice go. trav ~ “ling (instr. 2nd time) ET 9 Eos iy E6 FT 9 Dm? / Par - is, Lon - don and Rome, Its oh 80 nice _____ to go GL Be? G6 gy wav- ‘ling, But it’s so much nic - er yes, it’s, so much nic - er to come 6 Dmiass gg ass co Cait C6 Cm? home. Its ver - y nice to just wan - der the RoE, Dri cam - el route to rag, Its oh nice to just wan - der, But it’s so much nic - er, yes, i's oh so nice to wan- der 6 Gg cr E E E. FE is / / mi back. ‘The mam ~ ’selles and frau - Iein— andthe (See lyrics 2) © Copyright 2958 Narolle Music Crporston & Cab Masie Company, USA, ‘he eterational Mose Necwork Lime, Independent House, 4 Larksal Road Chingor, London PA (30%) Warner Chappel Mise Limited 129 Park Stet, Losdon W (50%). AI Rights Reserved. Intemational Copyright Sezute.se - fio- ri - tas are sweet, But they can't com - c 1m, + aH aa BB +S | pete, ‘Cause they just don't = have the mod - els have—___ DI Gast es foot - loose with just «=a tooth - brush and comb, I's oh 80 Dar Gl bet 6 Ay i / nice —___ to be foot- loose, But your heart starts sing - ing when you're st a9 mn w Ents yae ag, home-ward wing - ing ‘cross the foam, And you know your fate is pidim ¢ where the Em - pire State is, All you con = tem - By 79 Eau (E7, Am, Pop plate is the view from Miss Lib - er = ty's dome.ws ver = y nice ____ to go wav - ‘ling, but it’s (Instrumental) Dnt GT co ah jer to come home, No. more cus- toms! Repeat to fade Bor g Dm G7 Burn the pass - port! No more pack - ing! ‘And un- pack - ing! Light the Sor are! Get my slip - pers! Start. a piz - zal 2. You will find the maedchen ‘And the gay muchachas are rare, But they can’t compare with the sexy line ‘That parades each day at Sunset and Vine. It's quite the life to play gypsy ‘And roam as gypsies will roam, It’s quite the life to play gypsy But your heart starts singing ‘When you're homeward singing ‘cross the foam, And the Hudson river ‘Makes you start to quiver Like the latest flivver That simply is dripping with chrome. It’s very nice to go trav'ling, Batiit’s oh so nice to come home!53 I Could Have Told You Words & Music by Carl Sigman & Arthur Williams Bh i ‘Moderately slow ACI. Bio NC Ey 1 could have told you she'd hurt you, She'd saved you some cry - ing, ‘Yes, Didim Cm? Jove you a while then de - sert you, If on = ly you asked, T could have told you she’s ly - ing, But you were “in love a. Bas i 1 could have told you so I could have know. i and did - n't want “to as toss and) turn and feng 7 uy B to | ———- 1 bear her now ——mak-ingpro- mis - es she'll nev - er keep | co ct, Bim Bago ie iH Hi + — —— And soon it's ov- er and done with, She'll find some-one new to have Didim Cm? Cunt'S ET Bb od fan with, Thro’ all of my tears I could have told you so. (© Copyrigh 1954 Cect Leann Limited, Exvouth Hout, 11 Pine Sze, Landon SC. All ight Reserved. Intcntional Copyright Seeved54 Lean Baby Words by Roy Alfred Medium bounce Music by Billy May a Bairg My ean ba - by, tatl____ and thin, Dm? ay'st9 Five - feet - sev = en of bones and. skin, But when she. tells me = may - be she loves me, I feel as, Bm7 Gm 7, mel - low as a fel - low can —— She's 0 skin - ny, she’s. F Dmt o7st9 so drawn, When she stands side - ways you. —think_— she’s gone,_=But when she to think she’s feel fine. calls me ba - by, 1 © Conyisht £085 Animare Music Corporation USA Campbell Connelly & Company Lined, 89 Frit Stee, London Wh -A Rights Reserve, International Copyright ese3 io 5 9 add. male trie fran - tic “lly ro- man - tic-'lly mine. Oni F9 a Baim “LE slen - der, chased her. Ca Ey liar im 1 caught her, ‘Then a Cléim Dm or makes my beat sur - ren - dia- mond ring FE —bought ¢ And ev - “ry night when The dia- monds shine, the | I hold her tight, — The feel - ing is nice my arms can ring isso. fine, But here is the twist, she wears it | Gui? 7, FE fiat t am go a round twice! My ean ba by she’ right on her. wrist! Bb Baim FE Dm? so slim, A broom - stick’s wid - er but. —— I know stove her 0, I'll nev = er ev - er iether go.55 Learnin’ The Blues Words & Music by Dolores Vicki Silvers Moderately Baim cat 1 if The ta-bles are emp - ty, The dance floor’s de - you one af - ter the Béim Cn set - ed, You play the same — love -—_ song, oth = en Won't help you for - get her, pb Bhan —— Ws the tenth time you've heard it. That's the be - —— And the way that “you love her. You're on - ly eb hn gin - —_ Just one ofthe «clues, bum = ing —__ a torch you can't. —_ lose, BY ten You've had your first les - son——___—__ in eam - i the But you're'on the right tack —> for team =~ the Be fr Baim P Bug / of blues. The cig - a - rettes When you're out blues. (© Copyright 155 Barton Masle Corporation, USA. ‘Te International Muse Network Liste, Independent House, Larishall Rood, Chingford, London B4 SPD. ‘A Righs Reserved. Interatonsl Copyright Securedin crowd the blues will uu you oon dant - ly, fm i By 0 When you're out in. a crowd the blues will haunt your mem=0 - FT Being mt y. The nights when you don’t sleep, FT Bein a it The whole night you're cry - in’, But you can't for - cmt r Bb get hes, Soon you e- ven sup uy ~ ‘You'll walk the = loop. and wear out your shoes, When you feel_your break, — You're eam == in’ the lus,56 Let’s Get Away From It All Music by Matt Dennis Words by Tom Adair Moderately msi? Foot Ebmaj7 Fe I'm so tired of this dull rou- tine, Up to town on the Epa? rps Gh elich Bot eight ff teen — Back at night, off to bed and then, Bae Get up and stat it— all ov = era - gain Let's take =a boat to Ber- m= Let's take a trip in «sa trail, - Let's take a kay - ak to Let's take a plane— to Saint Pa Let's tke a pow - der to No need to come back at all, ps 7, ‘CToug Eo Bay phy fier Quin-ey or Ny - ack, Let's get a- way from it all Bos-ton for chow - der 1 Copyies 1940, 1861 (Copreaht Renewed) Dorey Brother Music Incorporated USA. ‘Sob-Publited by ICA Muse Limite 7 Fulham Palace Road, London WS ‘AIL Rights Resrwed, internation! Copyright SecuredLet's get a- way from it all. We'll tra - vel ‘round from o, fa pss" ema Bo Ein oe FE town to town, We'll vis - it ev = ry state BHF gt om FQ a Bhim oth ie TH re - peat, Jove you, Sweet!” In all the for- ty eight— Bio — Le’s go a- gain ts Ni- a - ogra This time we'll look atthe = Fall, Em Bh 7, Let’s leave our hut, dear, Get_—out_ «of, our_rut,___— dear, ET LBS er jr57 Love And Marriage Words by Sammy Cahn Music by James Van Heusen Moderately Love and_——mar riage, love and mar ~ riage, 1.Go to- geth - er Tike 2 horse and car - riage, 2's an “in. - sti- tute you can’t == dis. =~ par - age, and 2 Ask the lo = cal gen can't have one with - out the oth they will say its edo - e- men - try. Try, try, uy to sep - ar-ate them, © Copuigh 1885 Barton Musle Corporation fe Cahn Muse Compary, USA. ‘he Interctionl Musi Notwork Linited Independent Hour, 54 Larshall Road, Chinglorg, London 4 (09%) ‘Ware Chappell Msc Limite, 129 Park Stet, Londo WI 0%. ‘A Sights Reserve. Itenatonl Copnght SecuredBhat BT Is anit =) sion, Ty, ty, try and you will on - ly come to this con-clu - sion: Love and mar-riage, love and mar-riage, Go to-geth - er like a j horse and —_car- riage, Dad was told by moth - er, You Cai ¢ Cara can’t have one, you. can’t’ have mone, You can't have one with-out the58 Love’s Been Good To Me Words & Music by Rod McKuen Moderately B I have been a rov- er, I have walked a - lone, Hiked a hun - dred high- ways, Nev-er found a home. Still, in all, T'm hap - py, The rea-son is, you see, Once in a while, a - long the way, Love's been good to me, {There was a girl in Den - ver There = was a girl in Port - land, ‘© Copyelgh 1965 by In Music Company, USA. All rights forth UK ond Hie cooled by Ambesador Marc Line, 2 Desmark Suet, London WC2, All igh Reserve. International Copyright Secured,Be- fore the sum mer storm, ‘Oh her arms were Be- fore the win - ter chill, We used to go a - Em9 a BT ten - der! Oh her arms were warm! © And she could court - ing a-long Oct- 0 - ber — Hill, ‘And she could smile a- way the — thun - der, Kiss a- way the Jaugh a- way the dark clouds, cy a-way the rain, ‘And ev - en tho’ she’s gone. =a - way, snow, I seems like on = ly yes > ter - day DC. al Fine You won't hear me com - plain, 20. as down the road 159 Luck Be A Lady Words & Music by Frank Loesser Moderately ‘GTang +S: Ging They call you Lad- y Lack but there is room for doubt, AL ef Fim oc 69 / : times you have a ver- y un-lad- y- like way of nun- ning out— You're Grmg 2S Gray Key on a date with me, ‘The pick - ings have been lush, And F9 By, im / i yet be - fore this eve- over you might give me the brush. You E. cB E, ab might for - get your man - ners, ‘You might re - fuse 0 stay, And Daly ¢ bi, so the best that 1 can do is pray! Se Dr bh Luck be a fad - y to - night, ‘© Copyright 1950 Frank Musie Coporston, USA. © Copyright renewod 1978 Frank Muse Corporation, Published & xéminitered by MPL Coemmunlctons Linked ‘All Right Reserve, Inveratonal Copyright SecuredInd - y to - night pr ev-er ben a lad - y I know the way you've treat - ed D> pt - gin with, Luck bea x ay De oth - er guys you've been with, DI y with me. ap gto lad - y does- n't leave heres- cor tis mit fai, tis tice, eR Am —_ A lad-y does-n’t wan - der all ov - er the room and BY 9 pe? Gz ft 7 blow on some oth- er guy's dice!______ So le’s keep the pi, ¢ py Stick with me bab - y, ['m the — fel- low you came pi, , c oi ic in with, Luck be a lad~ y, Luck be a lad = y = Luck be a Jad - y to ~ night?60 Lover Music by Richard Rodgers Words by Lorenz Hart Moderately fast D be Ex Ay i" Ea it Wher you held»—your hand to. my — heart, dear, You did some - thing grand to my heart, And we played the scene to per - i E9 A Bm 9 Al, Ba. oe fsa tae Be fec - tion, Though wey did - n't have time tore ~ hearse, faim — Since you took con - tol of my life, oh Hf You have be - come the whole of my fife, When you ae a - Ext , Pn Bm 2B way its aw ful, And when you are with «me it’s (© Copmight 1952 Famoss Music Corporation, USA,worse! ___ lo - en when 'm near you, — breathe a flame. Soft = yo in my ear you. — (Instrumental) “Loy = en when_ we're Ly - et, its im- Hiss ctr, Cas¢ C7. Bisuss im a danc - ing keep on glance. = ing. my eyes, mor = abut why quar - rel with our bliss, Bs By ATs AT, fe mus - ic want to — Tull s own en ~ tranc —_ When two lips. of_— cor dies, —___ mntal All of my sy (Instrumental) gy owfu - ture is dev - il is CPrsust ch eae m in in you, Your you,—— And splan I de - - sist you sign, io Lov = ej, please be ten ~ Brews you'll al - ways con you did - n't ct der, By Brees tin - tin - CTaust when you're ten - der — BY61 Moon River ‘Music by Henry Mancini Words by Johnny Mercer Moderately slow © Ax, ¢ Old dream mak - er, you heart - Eq Ay De G9 Bee E/ style some Bio's break - er, Where - ev - er you're go- Ym go-in’___your_ way. Am, iE wt ay Wait-in’ ‘round the bend, @ GR oF my huck-le- ber-ry Bt c ag friend, Moon Riv - er and me. (© Copprigh 1961 Famous Mase Corporsion, USA A Rights Reserved International Copyright ecard62 Moonlight On The Ganges Words by Chester Wallace Music by Sherman Myers Moderately AS Cnstrumental) 1.Dew- drops glis-ten-ing, no-one “tis ten-ing, By the Gan - ges Qin a car-a-van far from = Hin-du-stan slow - ly jogs. a Am, Bma Am, GA Am, GA Am an Ent ae oa on. GA Am some - one —whis-per-ing to a love ly maid, wea = ry cam-el_man “neath the har vest moon. mie “Tho’ to. --mor- row, dear, you will’ year, Don't you sor-row, dear, Fields of cot - ton he ised to stray, Not for = gotten but E. DE mf Th re - tum to fara - way, He'll be my pet = ty maid” ___ near = ing soon. © opright 1826 Cell Lennox Linked Copyright assignee 1942 to Campbell Connelly & Company Linitd. 8/9 Frith Suet, Lonton WI AID Rights Reserve, lteroatonsl Copyright Seouredpnt ¢ Ena Edim qe ‘re al + Pa Mel-o- dy bells of Jove ring out neath the — mel - low Won-der- fol tales. he'll ~—shave. to tell of the quaint ba . GB Am tats Em moon, Mel-o- dy bells. that = uy to tell, you I'm re - tum- ing zaars. Glis-ten- ing eyes. will ~—wel- come him “be - neath the des - ert FH f pot} (Instrumental) Inthe mel - low stars. Moon - light onthe = Gan - ges, And all stars in view, ———______ When 1 whis - — per'd—___ love's sweet mel - 0 - dy,—___— All ourdreams and our schemes came tue, Some - day onthe = Gan = ges ru | meet you——____ once more, And Tl kiss you. and car - ess you Where the wa-ters kiss the si - lent shore, (Instrumental) Dnt iB a9 Em a ‘t DS. for Verse 2 wa - ters kiss the si - lent shore.63 Moonlight Becomes You Music by Jimmy Van Heusen Moderately Words by Johnny Burke E Dnt Bat! Gm? Stand there just. a — mo- ment, —dar-ling, Let. «ome catch my gh gin C7 breath, Ive mev- er seen a pic - ture quite so FP ETeuss ET. Fhat love - ly, How did you ev = oer earn to | look so Jove : ly? Moon - light be - comes you, It goes with your Moon - light be - comes you, I'm thrilled at ‘the ont cr!) amt me pt 7 / “3 hair, You cer - tain - ly know the right thing to sight, And 1 could get so ro - —sman = ‘tie to - © Copyright 1942 Famous Marie Corporation, USA AMRighs Reserved. Intenalonl Copia SereE Gm? 7. — You're all dressed up to go. dream ing, Now don't tell me Tm wrong, And what a night to go. dream - ing, Mind if 1 ag a= long? If | F Fh Gm? cr, F Baim 1 say T lowe you, 1 want you to moon - light, Bm OF gE though moon light be - comes you $0.64 More Than You Know Words & Music by William Rose & Edward Eliscu Moderately Music by Vincent Youmans cm Ems Brag, om + Whe - ther you are here or -yon-der, Whe - ther you are false or ‘When my heart is fill'd with — ‘sad-ness, And the drea - ry hours won't Dats G7 Cm po Ami? Dag’ “sof Whe - ther you re - main or wan - der, Pm grow - ing Just a word would being me glad - ness, ‘Ale tho’ it’s Hain 7 con m6 fond - er of you. Ev - en tho’ your friends for - sake you, mad - ness, I know. You are all ‘the world me, dear, cm m6 pets gz cm Bo lige on Would- n't 1 be glad to Hap - py in your arms T'll Cheim Q oe foe take you, Give you the break you need. be, deat, So you can see, i's true, | More than you 6 Gra ca CT, E HD 50, Late-ly 1 find you're on my — mind, © More than you © copyghe 929 vincent Younans Incorporated, USA. ‘cangbelt Coney Company Listed, 8/9 Pith St, London 1 0% ‘Wait Chappell Mai Limite, 129 Par Sect, London W1 0% Al iis Reserve. Iterations] Conyiht Scudc cs5 g9 oT Gtaag cis er, Ho ny know. ‘Whe- ther you're right, Whe- ther you're wrong, Girl o” my F w He ins cf a i fe at TH come a - long, You need me $0, more than you'll D7 @ By if i i | | | vo. oe know, —_____ Lov - ing you the i way that / 1 do, There's noth- img 1 can do a - bout i, —————~ Ent pr Ags? / Lov-ing may be all you can give but —hon-ey I can't live with - chim g. Ts GIs ath 17 i e show, More than you'd ev - er know.65 Mrs Robinson Words & Music by Paul Simon Moderately Bb NC. % Je - sus Joves you more than you_—will-—_—know, Wo wo wo. God bless_—_-you, | please, — Rob - in - son,— Heav-en holds a_—place— —— for those who pray, —_________ Hey hey — hey, Hey — hey hey. 1. We'd © Copa 1968 Pat Sinan, All ighs Reteve. tneratona! Copyight Secured.like to know a lit - de bit a- bout you — for our files, 7 We'd like fo help you team to help your - self, Look a-round you, all——— you see— are. sym ~ pa-thet - ic eyes. Stroll a - round —— thegrounds_ un - til, you feel at home. And here’s to you 2.Hide it in a hid - ing place where no one, ev: er goes,Put it in your pan - try with your cupcakes, ___ ET ah — Its a lit- te se ~~ cre, just the Rob - - in son’s—— af - E bol — = ye ES SS Eee ° <= Most of all____— you've got it from the kids.— Je - sus loves you. more than you will know, #7 God bless you, please, Mrs. Rob = in = som— Heav- en holds a_place——— for those who pray, Hey hey hey,— 3. Sitting on a sofa on a Sunday afternoon, Going to the candidate's debate. Laugh about it, shout about it, ‘When you've got t0 choose, Every way you look at it, you lose. ‘Where have you gone, Joe Dimaggio? A nation turns its lonely eyes to you, ‘Woo woo woo. Wha'’s that you say, Mrs. Robinson? “Toltin’ Joe” has let and gone away, Hey hey hey, Hey hey hey.66 My Kind Of Girl Words & Music by Leslie Bricusse Moderate swing & She walks, like an an = gel walks, wise like an an - gel’s wise, cr. She talks like an an - gel talks, With eyes Uke an an- gel’s eyes, And ber hair has a kind of curl, And a smile like a kind of pearl, Gut C1, Gmt . E To my mind she’s my kindof itl. T my mind she’s my kind of girl. — She’s Pretty lit- tle face, ‘That face just B, BS 7s Er knocks me off my feet. Pret-ty lit- tle feet, She's real - ly {© Copyright 1961 Onward Mone Lined, 1A arm Place, Lonon All Rights Reseve, Ite ational Copyright SecuredAnt Abdim 7, ce A sweet ¢~nough to eat! She looks like an an - gel looks, Shee - ven cooks like an an - gel | cr, Gm ED | = | cooks, And my — mind’s in a kind of Gm ce o. whirl, Be- cause to my mind she’s my kind of DS; isl She git And my Gut Gk F Fin Gai xo iH fe f heart’s kind - a full of joy, Be - cause she’s ong Bio F " i told me. Pm her kindof boy.67 My Kind Of Town (Chicago Is) Words by Sammy Cahn Fast Music by Jimmy Van Heusen Don't ev - er ev er ask = me what *Chi - A — Un = less you've got an hour or two or three, BR Alms, — "Cos T need time to tell you what Chi - ca- go is, Baim Bing as gy — All the things Chi - ca- go is to me. Geel It’s ‘Moderately a gy 1 Fo B79 FT x My kind of town = Chi- ca = go is *Any city name of three syllables can replace Chicago, i.e., Manhattan, Las Vegas, ete. © Coppigh 1964 Gorse Music ncorparsted, Van Hesten Musi: Corporation & Sergeant Music Company, USA. ‘Warner Caappel Mie Lied, 129 Paek Stet, London Wh All Righs Reserved. loratons! Copyright SecuredPeo - ple who smile at you, and And it has that there jazz, and Cal = ing me home. Tug - ging my sleeve. } One town that won't let you down, Bho Ba? be — It’s my—_____ kind of town! This isCoda Dis A Abdi ‘The Wig - key Build - ing, chi - a ca- 9 is, ‘The Wind - y cit - Chi - ca- go is, The Un - ion Stock- yards, Chi - Ab cos D6 GT Dim a Abdim ca- go is, Com = isk - ey Ball park, Chi - a Ay ca- go is One town that = won't Tet you down, — Its my —_______ kind Bg 86. Abe. of town!68 New York, New York Words by Fred Ebb Music by John Kander Moderately F Gut (Instrumental) E Gwi? = Start spread-in’ the news, Tm leaving to - day, Gm? (C1, Gm? C7, Fs Gm? T wan- na be a pan of it, New York, New York. 7, FE Gm? C7, 7 o o These vag - a- bond shoes are long- ing to stray, FT nay And step a - round the heart_ of it, ‘New York, New — York. Ino lyric on DS.) — BhosiT Bins I wan-na wake up in the cit - y_ that does - n't sleep, '© Copyight 1977 EMI Catslogue Partnership & EMI Unart Catalog tncosponted, USA ‘Worldwide sets contol by Weer Bros. Publications Incoported/IMP Lined ‘All Rights Reser. Internaenal Copyright Sere,Sea iy / ma To find Tm king of the hill, Top ofthe _ heap, ohn Ba = My lit - de town blues are melt- ing a - way, Fo Té make it an = y- where, I's upto. you, New York, New York. (Instrumental) Amt pr Ba Coda a it me 7 Ty king of the hill, Head of the list, Cream of the crop at thetop of the heap! My = iit- tle town blues Atm? DY? ed ae melt ing a - way, rll make a brand new stat of it in old New York, on ens Bas 1 1 can make it’ there'd make it’ = an = —-y- where, Abn? Bh? amt cb oe . © ger pi BT ot / —— Come on, come through New York, New York. (Instrumental)69 Oh Look At Me Now Words by John DeVries Music by Joe Bushkin Moderate easy swing Fo Abo Fo Baim Ba 1 nev - er fell for sim - ple things like love, June, and old lace, My face. was ter rib- ly blank to. things con - FT BY cem-ing Lamour, — T'm real-ly read-y now for sure, For Ym not the guy. who cared a - bout love, And. T nev - er knew — the tech- nique of kiss in’, Ab Ym not the guy who cated a - bout for - tunes and such, — T nev - er knew the thrill, © could get from your touch, — © Copyright 1941 by Ebony Music Corporation, USA Dorsey Brothers Mosc Listed, 8/9 Pith Sweet London Wi |All Rights Reserve. Ineratonal Copyright Secured.— Nev - er cared much, But look at me now. —_ Nev - er knew much— 2c rhs gb DI Gm 7 —— Oh! Look at me — now,—_______ Tm a new man, bet - ter than Cas a- mov- a at his best,___ With a new heart, brand new start, I'm so proud I'm bust-in” my vest! — 1 Bae Gm Bhar sha ph [fie al — So [am the guy who mumed out =a lov - er, Aim So Fm the guy who laughed at those blue dia- mond rings, — Fo BIS Alm BH Be — One of those things, Oh! Look at me —_now..70 On The Sunny Side Of The Street Words by Dorothy Fields Modera Music by Jimmy McHugh ¢ Gisin ED co aC 1 Walked with mo - one and talked with no - one, And gg’ pI bo Dm 1 had noth- ing but shad - ows, Then one — morn ing you ¢ Em, Bhar! B Dm? G7 ms passed, And I bright - ened at last. Gl Be Dbdim ie T greet the day and com plete the day with Big wt heart, All omy wor - ry blew a - way when you taught me how to say: Grab your coat and = get_—_-your hear a pit - ter Haig Gain bails gh gy hat, Leave your wor - ry on the ~— door ~~ — step, pat? ‘And that hap - py tune is your step, ‘2 Copycan 1950 by ShaptoBerscn nd Company Incomporete, New York, USA Lawrance Wight Mile Company Lind, London WC2 for Gres Beta, Iend and Colonies ering Ce ‘ot nlng the continent of utope exetlg Latin Conran Swizrene ‘AIL Rights Reserved Intretional Copia Secured and Austalesa)Am Ap?’S DB of of the the sun - sun = ny side ay side street. ov - rich as. feet, On street. i used (walk in the — shade— blues the But nev - er havea Tn be Gold dust at my street. sun - ny side of_— the71 One For My Baby (And One More For The Road) Words by Johnny Mercer Music by Harold Arlen Slow blues tempo ‘ina? Bhat Ema? Emit Bes Tes quart- er to three There's no- one inthe place ma? Bin hai? Bho bua Bha cept you and me, So set. “em up, Joe, Tve Ebmal? a Bit / you, ought - a know, sot i 5 ah Dia iT pe? my friend, — to the end Gui? —_ We're drink - ing, Ens? Emit En bm? Graig / 7 brief ep - i sode, Make it one for my ba- by and Em? Gm? Ar6, Be Agd'S pr Guy Dt % got the rou- tine, so. that’s how it goes, and. Det nai? Dm drop an- oth - er nick - el in the mach- in Joe, I know you're get - ting anx- ious 10 clos {© Copyigt 1048 Evin H, Moss & Company Incorporated, USA, (Chappell Mores Muse Lined, 129 Park Stet, Lordon AILRigts Reserved. lmenaonal Copyaht Secured. $Fi ——t — feel - in’ so bad, — 1 wish you'd make the mus - ic dream~y and sad, —___ thanks for the cheer, I hope you did- n't mind my — bend- ing your ear, GI maT Bho? Cmaj7 FB a a 1/887 iH | — Could tell you a lot, But you've got___ to_—ibe. — This torch that I've found— must be drowned. or it Ba? Am] Gmaj7 Brag true to your code, Make it one for my ba- by and soon might ex ~ plod, Make it one for my ba- by and An] Bro co ips 66 Dnt o pe 8 one more for the road, You'd one more the cosust coed ~ er know it, but bud-dy 'm a kind of po - et and I've AT, pg gs gt coset o ifs got-ta lot - ta things to say, And when ['m gloom-y you gust co : te sim-ply got-ta is - fen to me un - til i's talked a - way. Well wae 37 B79 a7 Dis Coda road, That long, long road.72 September Song Words by Maxwell Anderson Music by Kurt Weill Moderately Gi Ghai ‘Wher. I When = you meet with Fit young men An? cout - ing the girls, T played = me await ing car - ly in spring, ‘They court = you. in. song. and At at % Glaim gre: If a maid re - fused me with yme, ‘They. ‘woo you — with — words anda Bay's Gag Ant Adin toss - ing curls, 1 let the old earth = take a clo - ver ring, f you ex - am - ine the few of And as time = came a ~ round she songs they i And oa plen - fi = ful waste of Am - f came = my way, As time came a - round she time of day, A plen - ti - ful waste of © Cupyrigh 1958 (anewed 1966) Hacnchie House Publishing Corporation and ‘Cranll& Company Incorporated, New York USA ‘Chappel Musi Limited, London WL | Rights Revered, International Cope Sore,came, time, But its a From May to cem ~ ber, — ce flame, cingi7 pre - Plain cious vem - ber, few, c / of These gold - en And the days And the au- tumn Comair And I have- n't En ci, got For the And these few days rd days grow emo wea - DT short ther — A Dgt!s Seircd When you reach Sep - tums the leaves to Fu Gi / fl time ______ for the wait - ing dwindle down—____ Fm Fmé pre - cious days or with Em Ya ¢ spend with Big you, ¢ you.73 Somethin’ Stupid Words & Music by C. Carson Parks Moderately E % 3 ie eS ® SS T know I stand in line. un - til you prac - tice ew - Ty day to find. some = 5 a = have the time to spend an with me, lines to say to make = the come through,—____ Gm? Gmnt = And if we go. some place to dance, T — But then = 1 think TH wait) sun - til the know that there's a chance eve - nin’ gets date you. won't and I'm a - Emai7 6 a = Then af - ter wards we drop in to a — The ime is right, your per - fume fills. my 1 Copyrigl 1967 by Greenwood Music Compeey, USA, Manele Mase Company Limite, 8/9 Fe Sweet, London Wi ‘A Rights Reered. International Copia SoearedBis qui - et lit - tle place and head, the stars get red, and Bhg? hs 1 HR iit And then Tave a oh, 1 go the drink ni and ight is spoil ove — two, so blue, it FE # by say - in’ some - thin’ stu = pid, like cmt you: FT pise the same old lines you a it in heard the your eyes a night Dm? ‘that you BG be - fore, des - And though it's just line to you, for me it's true and nev - er seemed so right be - fore,74 Stella By Starlight Music by Victor Young Words by Ned Washington Moderately F Eni? Gminaj? Git ao / —3—— Have you Stel - la by star = ight, stand - ing a - lone, moon in her hair? iain Ant po ph The mur - mur of a {© Copyright 2944 Famous Masie Corporation, USA. AID Righe Reserved, Interetionl Copyright Searedrip - ples by a nok where two / | / Jov = ets hide, —___ A reat — sym - phon - ic theme, That's Stel - la by — She's all —____________ of these and Bar's 7, Anit'S She's evo: Ty = thing.75 Stormy Weather Words by ‘Ted Koehler Music by Harold Arlen Moderately stow Ghai Am Don't know why_____—~there’s no sun up in the sky, Storm-y i] bo weath- er, Since Amy pists i ye Keeps rain-in’ all the time, ___ Life is g. Gtiim Am? ie bare,___________ Gloom and mis - ‘ry ev - ‘ty - where, Storm - Ant Gg if att weath - er, Just can't get my poor self to- gel Am? c Ht I'm wear-y all __ the time, the time, 1 Copyright 1935 by Mile Muse Incerported, USA. Lawrence Weight Musi Company Limited, Lonéon WC2 fr UK, Beth Commonweath (esciating Canad end Austalatie ire & Continental arape (aslading Latin Countries ne Switueten, AID Rights Revere lnteoatonal Copyright Sexepase ‘fo So wear-y all the time. When shewent a-way-— the blues walked in and met me, If she stays. a- way old rock - i’ G, chair will get me, All. T do is pray the Lord a- bove will let_ me claim evs ag, pT to / fof | HE Nc. i walk in the sun once more, Can't go on, Every time, Keeps rain-in’ all the time.76 Strangers In The Night Words by Charles Singleton & Eddie Snyder Moderate beguine Music by Bert Kaempfert E Stran-gers in the night ________ex - chang - ing lan - ces, Wond- ‘ring inthe night ________ what were the chan - ces Abdim Ai we'd be shar - ing love__________be ~ fore the night was Gm faite through, —_______ Some - thing in -your_—_ eyes. was, 50 in = vit - ing, Something in your smile Gm? was 80 ex = cit - ing, Some- thing in my heart —— told me 1s mast. have you. (© Copycghe 1965 Champion Music Corporation and Soreen Gams Columbis Masi Incorporated SA ‘MCA Music Limited, 17 Fulham Falace Roaé, London WS forthe Betish Commonwealth (oxcding Cnid, Aura ad Brith terres in South Americ), Sosth Aro, Ete axe Continent af Esrope ‘Al Rights Reserved. International Coprght SecureSwran- gers in the night, ‘Two lone - ly peo - ple, we were siren - gers inthe Ga iH said our first le hel - Io, Bet night, Up tothe mo- ment when we Lit- tle did we Gut 7, glance a- way, A that warm em- brac- ing dance a - way, And night, We've been to - geth - er, te tumed out 80 first Gmt sight In foc - ev - ef, Gat right________ for stran - gers in the Enna] Et Epa77 Nice ’N’ Easy Words by Marilyn & Alan Bergman Moderately Music by Lew Spence ¢ Let's take it nice ness = sy, Its gon - na Hey ba - by what's your hur__- ry? Re - lax and Dm? it be so cas = y, For us to fall_— don't_you wor - fy, We're gon- na fall ‘yr bm Pot Bais E72 Am i — in love. We're on the road (0 70 - mance, BTS Ay, Agaun fr ah That's safe to say, But let's make all the stops a-long—__the way. pm gi co = The prob-lem now of course. is, To sim- ply ia ET, Am Amt — “Cause nice “n’ cas = y does it ev - ‘ty time! © Copy 2960 de Shaw Masi, USA, © Copyrigh 1986 Hal Shaper Lite, Londoa (50%) Memory Lane Mooi Lined, administer Meuogade Masie Limited, London WCz (30%) Al Rights Renee, Ineratonel Copyright Secured78 Thanks For The Memory Words & Music by Leo Robin & Ralph Rainger Moderately $ Yes, we've trav-ell'd far and wide to - geth - er: Did we BE Bo c7, Fm C87 A= tra = vel wo fast? Now 1 rem-in- isce and won- der past ‘Thanks for the mem - or-y of ‘Thanks for the mem - or-y of Fidin F rainy af ter~ noons,— Swing -_y Har-lem tunes, — And sen - t- men-tal verse, No - thing in my purse, — ‘And heim Fheicn mo - tor trips and bum - ing tips and bum - ing toast and prunes, How chuck - les when the preach- er said “For bet - ter or for worse, (© Copyright 1957 Panous Muse Corportion, USA. AIL Rights Reserva, tneratonsl Copii SeecredGm Gor apts cr. co love - ly it wast Thanks for the love - ly it was! ‘Thanks for the mem - or-y of can - dle ~ light and wine,—_ mem - or-y of jin - ge - ne with lace, 1 F faim c7, fim rH Cas - fles on the Rhine, ‘Your co - sy chair and par - ties where we Pils - ‘ner by the case, And how I jumped the day you trumped my Fidim Gm? Fidim Gm Gu / “Sweet Ad - e- line," one = ands on - Ty ace, Gpit’s cr, BH a te Aa How love - it was! Man - y's the time that we was! We std good = bye = with a Bo a Abmaj7 oe man - y's the time that we high - bali, Then T got as “high” as a ‘Agim ¢ fm, ah é Ht fast - ed, on well, it was swell — while it stee - ple, But we were = in - tel - ti - gentDm bets gig Gat Gps last. - ed, We did have fun, and peo - No tears, 0 fuss, Hur Caug Didim c13 no harm done, And thanks for the ray for us, So thanks the E mem - or- y of sun = bums at the shore, — mem - or- y and strict = yen - tre nous F Ditim or Nights in Sing-a- pore, ‘You might have been a head - ache but you Dar - ling, how are you? And how are all the lit - tle dreams that i; gio Gm Fim = Gm Gut ck HE nev - er were a bore, So thank you so much, z lEtainn E ad ney - ef did come tne? Awe - ‘ly glad met you, Cheri - ph Gm on FE © and too-dle-oo, And. = thank-you so much,79 Tangerine Music by Victor Schertzinger Words by Johnny Mercer Moderately Dd te South A- mer - i can stor - ies tell ofa girl who's Ea a quite a dream, — ‘The beau-ty of her | sO ‘Though you doubt all the stor - ies, And think the tales are Bad 7, | pt Bie ee jut ait ex - treme Wait ill -you see her Ent Gm Gm 3 facet____ Tan - ger = ing, She is all they claim, With her eyes of night and lips as bright as © Copyright 1942 Famous Musi Corporation, USA. All ios Reserved nteeational Copysgh Secures| 1 | | | | flame, —___ Jan < ger © ime, When she ET, Ghai dane - es by, Sen- or - i - tas stare and ca - bal-ler - os a pt ue Gas Gator iar 2 sigh —____ And Tve seen —___ toasts to ct, tine, Yes she has them all on the run, But her Da gt Gn7 Be, ry heat be - longs to jst one, ler heart be - fongs to80 Teach Me Tonight Music by Gene De Paul Lyrics by Sammy Cahn Moderately lols Ent — Well don't think T'm try - ing not, to._—dearn, Gps Start - ing with Cnt C7, Ser c of ih Right down to the =X Y Ent ht Z of it, Help me solve the = mys = ter - En id By BEG Rad y oof it Teach me to-night, © Coppi 185,954 Hb Ms Company, Hallowen, USA. [MGA Muse Lins, 77 Pao Fle Ros London WS forthe Bish Commons (esi Can nd Ai), Raps of Ireland an oath A. ‘Al lps Reseed, crates Copyright Seedby. ri use that star to wtite ot love Em? a By thou - sand times a - cross the piols & ‘One thing, - Gnas Em? Teach Should me the - mt ver - y clear, my ove, teach - er stand so near, my _Tove, = tion's al - most here, my _—_love, B to-night.81 The Christmas Waltz Words by Sammy Cahn Music by Jule Styne Moderately Coe Can - dies Frost - ed win. - dow panes, Gm? gleam - ing in - side, Paint - ed can = dy canes. — onthe tree; San - t's on his way, He's filled his sleigh with things, ——______ ‘Things for you and for me. ies that time of year, When the © copyright 1954 Sande Muse Corporation, USA. (© copyigh 3086 The Internationa Music Nework Limited independent House, 54 Larkhall Road, Chinglord, London 84 62D. Al ighs Reser arnaonal Copysgh SereGur . FE world falls in love, = EV = ty song you hear — seems to say, —_________ “Mer - ory 6, Gait Christ = mas,—_______ May your. = New Year 9 Aga! dreams come true,”______________ And this gs on song of mine, in three = quar == ter time, ___ —— Wish - es you and yours the same thing82 The Coffee Song Words & Music by Bob Hilliard & Dick Miles Moderately / claim / 1. Way down a - mong Bra - ail - ians cof - fee (2) date a irl and find ats a beans grow by the bil - lions, So they've got to find those she smells like a per - co- lat - on Het per - fume — was ao, m6 Elim Ap! DI3 Bhai ae ex = ta cups to fill, They've got an made right = on the grill ‘Why, ey could . Etgim Pm? D9 c. Cag C6 Ca C, Cag C6 GI oF tag A josie | aw ~ ful tot per - co - late i] o-cean in Bra Dm? And can’t get. cher - ry sod - a “cause they've Re to sell their when their ham = and eggs need = sav - Our, = fee ketch - up bys ag G2 Am Dg C_ Am6 aim Ang’ pis quo - ta and the way things are guess they nev - er will, gives them flav - our, Cof - fee pick - way out - sell the dill,. edi c Be Dm? plo = Wy" iy a zil ~ lion tons of, cof - put cof - fee inthe cof - © Copyright 1946 by Valiant Muse Company Incorporied, USA fee fee Latin Ameo Mule Publishing Compaay Llaled 1 Verula Stet, London WX ‘Al Rights Reserve, International Copyright Secured in in Bra - BraNo No Zi, ail maj? Chdim Dm? You'll You'll see. see Dm? Bhdim Fm Am6 Fim tea, tea, me po no po ars or to - ma-to juice, or to - ma-to juice, AL + ta- 10 juice, "Cause the + ta- to juice, "Cause the br DB a plant - ers down in plant - ers down in c pol - i. Gi ~ cians you'll add to the gy wa - ter and was with a crul ler, pT Fm San - tos San - tos lo fined Dunk - ing does - all all daugh - ter cal @ say say was col Am, great No! No! No! A No! No! No! So mt ac - cused of drink - ing - ou serv - ing cof - fee Det Amé Etim Amat if big fif - ty dol - lar nt take = ado OF bill They've got an a- ful lot of cof- fee in Bra - ski, They've got an aw = ful lot of = cof - fee in Bra - c ry Se ail. 2. You if ail.83 The Lady Is A Tramp Words by Lorenz Hart Music by Richard Rodgers Ogaust a i She's wined and dined on —-mul-li- gan stew and nev - er wished for Br’, b Bm GAs D ‘Ame Sl oe =I ger tur-key, As she hitched and hiked and grift- ed too from Maine to Al - bu - 2 ons? am omy . m quer- que, A - las she missed the Beaux-Arts Ball and what is twice as G1 Gag ¢ Am E Grges ¢ Gaus tty am if ig i sad, She was nev- er at a par - ty where they hon-oured No - el gpt'S at! pr Det Em, a Em, Qm (DT 7 Ca-'ad, But so-cial cir-cles spin too fast for her, Bb Gigist G6, jar ff iH Ho - bo - hem - ia is the place for her! cmt pr She gets too un - gry —for.~— din. - ner’ at cight, She's not for crap games with bar - ons and earls, © copyihc 997 Chappell & Company Incorporated, USA Warner Chappel Msi Hine, 129 Pak Suet, London W1 ‘A Rigs Reserved, ateratonsl Coprigh Securedi ! | | | t the thea - tre Won't go to Har~ lem in er - mine and co FE ty a She nev - et both - ers with peo - ple she hates. Won't dish the dirt with =the rest" of the gis, c 6 gy ‘That's why ‘That's why the lad = y is J NC wind in her pT She's broke, — Is oke!_— Dm ET, Life with-out care, Hates Cal - i - for- nia, Is cold, and it's damp, DS, for repeats ‘e a Aming7 Aw? That's why the Ind - y is, a tramp, lad - y is a camp.84 The Nearness Of You Music by Hoagy Carmichael ‘Words by Ned Washington Moderately E Bb EF Ena} am a * ] Why do [just wither and for - get all Bins CT. Bho My heart's in a ith - er, dear, when you're at a _—_diis- tance, But Gm Be 7. FE | / ie He NC. pale moon that ex - cites me, That — thrills and de - lights me, Oh pr Flim 7 rma ES it no's just the near = ness of you. Gui 7, BE cr. Fo Cm? Faug ath It is - mt your sweet con ver - sa - tion that {© copyigh 1957, 1510 renewed 1964, 1957 Famous Music Corporation, USA. All Rigs Reserve. International Copiht Securet's just the near-ness of — you.—_____ When you're in my Edim ET ams, And 1 feel you = s0._—close to me, All omy wild = est dreams come tue. — 1 need no soft fights. to en ~ chant me, If Bm F D7 you'll om. ly grant me the right stain = to hold you ev - er so tigh\_________ And to feel in the Gat cr, Gm? F F a a) night the near - ness of you.85 The Night We Called It A Day Words by Tom Adair Music by Matt Dennis “Moderately Ant bo yg Bim (inseramental) Au-thors and po- ets, in prose and in rhyme, pals Gay? ap Ferme Balin and 3 Ts Seem to a-gree that night is the time of lov - ens’ meet ~ ings, | / / | | | ' ' An? By pr Hag Bain And pt Ro-man-tic greet- ings, To. my mis-for-tune I found this a lie, Emi? Fo Emaj7 riybio Bo 4 Hs ms, For it was night when you — whis-pered “Good-bye,” A night of mad- ness Bim6 p19 Gma9 Dgim 96, ree itt NC. that turned to sad - ness much fo0 soon. There was @ ans pte ong? Amd pi 7 st ar pt; ris moon out in spacey, «== But a cloud drift- ed ov - er it’s song of the spheres, = Like a@ min - or la - ment’ in my © Conyoh 1941 by Embassy Maric Cnportion, USA, Dorsey Brothers Muse Lnied 8/9 Pith Stee, London Wl {AIS Rights Reserve, lteroatonal Coppi Securedface, ears, night night Soft sky, You kissed me and went on your Thad - n't the heart eft “10 ay called it a called it a we we Dm on heard the day. I through the dark, Sad tho’ his way, pray, z day. Be hoot of song, an owl the No blu- er was he than I The moon went down, gr og Brae 2 bg _ —3— ——3I—— Stars were ‘gone, Bot the st ae was- n't a thing left to un did - n't ise with the Ag. Ags Bm BHT { Bo oe say, ‘The night we dawn, called it Amy Abs — 6 ‘There a day.86 The Song Is You Music by Jerome Kern Words by Oscar Hammerstein IT Moderately ¢ Bhim Dm? I hear mu- sic when I look at you,——____ A beau - ti - ful Chain bn? a if theme of ev- ‘ty dream I ey - er knewj—-_ Down deep in my when I touch your hand, A beau- ti ful mel - 0 - dy from Chain poxr 99 oy or it qg some en - chant - ed Jand,——_________ Down deep in my _ heatt,. ye 4789 98 pra / — 1 hear it say is this, the day?, © copylght 19327, B Harms & Company Incorpraed, USA. PoiyOram Mune Pablslng Limiee, 6 Beh Groe, London WA All ight Reserved Tnlrnatianal Copyright Scare,i have heard this Jove - ly strain, ___ BT pb Fm BHT 1 a~ Jone_ Aon have heard this Abn? glad re frain, pie Must it be. os side Bis of me, Why can’t 1 let it go, Why can't I Exim Tet you know, sing, ‘That beau - Emo Why can’t ful I Jet you know the sap Se -s0- dy of Cmg7 C6 song my heart would co Jove and youth and Mou AT, Dnt spring, song is you.87 (Love Is) The Tender Trap Words by Sammy Cahn Music by James Van Heusen Moderately Fedim ajo You see @ pair of laugh- ing eyes, And hand = in hand be-mneath the trees, ‘And sud - den - ly you're sigh - ing sighs, ——______ You're soon there’s. mus - "ic inthe breeze, You're FB Bima a think - ing noth - ing's wrong, you string a- long, boy, then act - ing kind of smart’ un - your heart just goes. 4g DI Aw? Dm .p7 G9 me ae em fe of the ten- der trap! You're of the ten - der trap! — Bo E Faim — Epa’5 u Pe i — Some star - ry night when her kiss - es make you ‘© Copyright 1956 Barton Music Corpomtion, USA, ‘The ntenalone Music Network mies Independent Howe, 5 Larthall Road, Chingord, Landon B46PD. All RightsReserved. Itenaona Copyiht Stewedtin - gle, Gar Egi’s or it be - ing sin - Pigim gle And all at once — ‘The folks are throw - ing shoes and tice, pe Cut FB i hur - ry to PD) An? Dm (D7 G9 we & Bing? a sug spot that’s just__ a dot om the map! Gui? det how it all____ came —— late now,— there's no get - ting out, You fell Gai ch ot FE € o Emalg —— isthe tender trap! __ it in She'll hold you tight and you'll hate your - self for seems so nice, ‘You cr, a-bout, It's too Gmina? Jove and_love- che Et a88 The Things We Did Last Summer Words & Music by Sammy Cahn & Jule Styne Moderately slow c 7 C96 Fain Pain ‘The weeks go quick-ly by | when hearts are gay, They seem to g. chars #7 fly a- way, Too soon they're gone. ‘Through-out the lone- ly nights, how Bm Gm6 D A. bo p7 =m id 1H ce ted hard you try to lose the —mem-o- ries that Tin- ger on. The car rides we would take, The moon - light on the lake, fair - ground and the fun, © The ~— chi. - nia dolls we wor G Bas ET, a way we danced and hummed our fay - “rite song, The bells Trang to prove that I was strong, ‘The Am® Di D7 7 Amt tT, ‘G6. Glaim D9 ear all win - ter long. The long. ‘The all win - ter {© Copyright 1946 Can Mai Company & Producers ust Publishing ComranyIncorporaze, USA (30%) ‘Warner Chapel Mei Lined, 129 Park Sve, London W1 (30% A igh Reseed neattonal Cop BurdDer Dm? car - ly mom - ing hike, The bor - rowed tan - dem bike, The ¢ Goug I nev - er could —ex- plain that sud - den sum - mer rain, ‘The I in po pi py “ Fe — & = a. : = — = + - Bey } looks we got when we got Es bt a leaves be gan to fade like prom - is- cs we made, How g. Bats E mem — all win - ter long.89 The Very Thought Of You Words & Music by Ray Noble Moderately a Pn Bo BA 1 don’t need your pho-to- graph to keep by my 7 a Bdim Bint Bis A By bed, Your pic - ture is al-ways in my _ head. a Em Bro BB 1 don’t need your por- trait, dear, _______ to call you to. Fm Fat Engh BS. Bat 2 Bey os mind. For sleep - ing or wak-ing, dear, [find ___ Bho ‘The ver - y thought of you, And 1 for- a BiuT get do the it er dina oy Bdim an things that ev - ‘ty - one ought to do,__________ I'm liv - ing © Copjigh 1984 Campo Conely & Coxpany Linited, 89 Fath Stet, London Wi AILRights Reserves. Intentions! Copy Securedof day = dream, Cm Bei BIS. BT that's ev = ‘ry thing — 6, finger me. ‘The mere i - dea of you, ———_ Thre long - ing here for you,____________ You'll nev - er a Bar Baim Abn ——I— know how slow the mo - ments go ‘til ~—'m near to you, Bu? BMT Fsust Fm Jd I see your face in ey - "ty flow - ef ‘Your Em? Daim BT Adim eyes im stars a - bove,___—T’s just the thought of you, Bhat phe a ge ab The ver - y Optional D.C. thought of you, my love90 That Old Black Magic Music by Harold Arlen Words by Johnny Mercer Moderately B That old blacks mag - ie shas:_ sme in it's_— spell, — Ege — ‘That old black mag - = icthat you: weave so well, — — Those i - cy fin - gers up and down my spine, — ‘The same old witch — craft when your eyes meet mine. — ‘The same old— in - gle that I feel in - — side,— (© Coppiat 1942 Famous muse Comporntion, USA, AE Rights Reserv, tneoetonalCopyisht Seared— And then that el =e - va= tor starts. its ride, — — And down and downs go,, Round and ‘round —— 1 go, Like =a Teaf_____ that’s caught inthe tide. a —_ 1 should stay a- way but’ what can I do? — 1 hear your mame, And 'm a ~ flame, 1, Em —_— A flame wits a bum-ing de - site L Bho I —— that on- ly your kiss can put out the fire.—— For you're the. tov, - = er_—sTshave wait - ed for,_— BbentiB) Bro — The = mate that fate had me cre - at ~ for, — — And ev - time. your lips meet mine, Bimajo —— -Dar- ling down and down 1 go, "Round and "round Fog Seb iF — Un-der that old black mag - ~—ic called ~—lovel____91 These Foolish Things Words by Eric Maschwitz Music by Jack Strachey ‘Moderately slow BS Dis Oh! Will you nev - er et’ sme, be? j cm FL piss aby : ‘Oh! Will you nev-er set me — free? ‘The ties that bound us 1 Bhs oS gp oe qT if / are still a- round us, ‘There's noes - cape thet I can | ee eh Anjo it see. And still those lit - de things “re - main, Cm? FTgusé 9 BIS Bue BY Blau ‘That bring me hap - pi - ness of pain: a cnt Emo A cig - a~ rette that beas a - stick’s ua - ces, (See iyries 2 & 3) B Cm Fo BIT ‘i if An air - line tick - et to ro- man - tic pla - ces, © Copyright 1956 Boosey &e Company Ltd Reproduced by permision of Boosey & Hawkes Muse Publiers Lied. AL RightsReserved. Inerational Copycat SecuredAnd. still my heart Ent has BIT wings, re-mind me By of you. As A tink - ‘These ling pia - cmt next Fo ~ part-ment, Be ‘Those stumb - ling words fool - that told no in ish what my heart meant, A. fair - ground’s paint - ed Fo By Bp Gm oe cH fh These foo! you saw, ‘The winds ish things you of March that make re-mind me of you. swings, — ‘You came, con-quer’d me, When you did heart my a dane - er,B nt rg oa A tel - ¢- phone that rings but who's to an - swer? so Nm) C7 etgiat al iB. —s Oh, how the ghost of you _cclings! These fool - ish Bo BT dim Em7Bhyaug |) fan ee ih Hs things re- mind me = of,——you. you. 2. First daffodils and long excited cables, ‘And candle lights on little comer tables, ‘And still my heart has wings, ‘These foolish things remind me of you. ‘The park at evening when the bell has sounded, The “Ile de France” with all the gulls around it, ‘The beauty that is Spring's, ‘These foolish things remind me of you. How strange, how sweet, to find you still, “These things are dear to me, ‘They seem to bring you near to me “The sigh of midnight trains in empty stations, Silk stockings thrown aside, dance invitations, Oh, how the ghost of you clings! ‘These foolish things remind me of you. 3. Gardenia perfume lingering on a pillow, ‘Wild strawberries only seven francs « kilo, And still my heart has wings, ‘These foolish things remind me of you. ‘The smile of Garbo and the scent of roses, ‘The waiters whistling as the last bar closes, ‘The songs that Crosby sings, ‘These foolish things remind me of you. How strange, how sweet, to find you still, ‘These things are dear to me, ‘They seem to bring you near to me. ‘The scent of smouldering leaves, the wail of steamers, ‘Two lovers on the street who walk like dreamers, Oh, how the ghost of you clings! ‘These foolish things remind me of you.92 Watch What Happens Words by Norman Gimbel Music by Michel Legrand Sagi 98, Moderately slow Gag? Gg from a tong lone - ly night. BG cmt some-one—__slart_ be - liev - ing in you, Exo Em? + Let him hold out his hand, Let him touch you and Fbmaj7 Epi? Emai? Bmgj7 Ema? EG watch what hap = pens. ‘One some = one Fo Ny EX 3 3. —— who can look in your eyes, And see in - to your (© Copyigh 184 by Productions Al Leprand, Parl, France and Proctor: Francis Lamargut, La Vata (Se), rane ight esegned 1964 to Jonware Misc Corporation, Calorie, USA. Right for ist Commonweal of Natlons eaclung Canada and the Republi of South Ales atsigned 196410 Mert Music Company Tinted, Landon WS signed 1968 Northern Somes A igh Reserves nterntinnal Copyright Secure,hap - pens, Cold, No I won't be - lieve your Gm co Gm co Fe F aa a FQ Cm Let some - one¢—___. with a deep love to give, Fg rm BO Eg9 ao 3 Give that deep love to you, And what mag - ic you" B B6 (ES, BBs one who cares ike.93 We'll Be Together Again Words by Frankie Laine Music by Carl Fischer Moderately stow ‘Smaig Re - Here in. ours mo- ment ~—of,_— dark - ness, EL eos mem - ber the sun has shone, Laugh andthe world will _lavgh pot te with you, Cry, and you ay a - lone, No tears, no fears, Re = mem ber there's. al - ways to Kiss, your smile, Are. -mem- ‘ries T's treas - ure = for ~ Bo a ee ‘mor - row, So what if we have to Bt art, evs et So ty think - ing with your © Copsigh 145 Marrar Muse Incorporated, USA. “The Sparta Forge Musle Group Linited 89 Fri Stet, London W3, {A Rights Reserved lneratonal Copylet SecuredGauss 7 Gia, 3 We'll be to- geth - er m6 gain, Times when I know you'll be —_lone- some,. G7 ‘Times when I know you'll be sad, Don't let temp - ta- tion sur - ore aD pr ap a pil ft Don’t let the blues = make you bad. Some - a GT Am, Ant ra i aa day, some way, We both have a_—iife - time be - DT Bing Bis aa fore us, For pat - ing is snot_—— good. a Fm C13 bye, We'll be to geth - er a gain,94 Witchcraft Words by Carolyn Leigh Moderately Music by Cy Coleman E au fps? FT a be od Shades of old Lu - cre- tia Bor - gia! There’s a dev- il in Emnaiy 7 Gm Geng Gm you to-night, — w my heart a- dores— ya, ‘Ang Dm? mn? tgaiee My bead says— it ain't right. — Right to let you Gbmaj7 DT So anal = make ad-wan - ces, Oh $$ Un - der nor - mal ord Dm? = Gm? cP EE Ema? E fi ier cir-cum-stan - ces Td go, Butoh! Those fin-gers in my hait,— Ain Gut cr, be That sly come-hith-er stare, That strips my —con- science bare. It's Fmajy Et Be Bho i7 ot Ta witch - craft, And T've got mo de-fence.. for it, © Conyight 1957 (renewed 1995) Moley Mast Company, USA. ‘campbell Connelly & Company Linitd, 8/9 Fh Seat, Loxdon WIV STZ (SOh}/ -ENL Song Limited, 127 Charing Cros Roa, London WC? (50%), All Rights Reserved International Copyright Securetoo maj? mT . com- mon sense. for it do? F cu ie in - tense for it, What good would c. "cause witeh - craft! Fmsig its 7, Wick - ed witch craft,— Ke Bal'5 Hg boo, Am6 it's strictly ta Ja “Pro ~ ceed with what you're lead Et Epa? Be And— al - tho” ET, When you oa - - in to!” Abdi me Is such an an-cient pitch, "Cause there's no hic - er witeh— But one 1 wouldn't switch,— than you!95 Without A Song Words by William Rose & Edward Eliscu Music by Vincent Youmans Moderately 87 Bae Eng? With - out a song the day would com would ney - er nev - er end, ‘With - out a song. the road would see a plough, ‘That field of com would be a A php ee got a friend, With - out a song. good no - how with - out a Feo Es je a i trou - bles and woe but sure. as. 1 know the = Jor - dan willl roll, {© Copyigh 1929 Vincent Youmans Incorporate, USA ‘campbell Connelly & Company Limited, 8/9 Pit Sze, London W2 (S055) ‘Warr Ctappel Mase Lined, 129 Park Suet, London W (50%. ‘AU Rigs Reserved. itzratioal Copyright Securedpyr! gmyr = cig LB strong = in = my sou______ Pl onev - er know what _makes the in to fall, TH nev - er know. what makes the grass so tall, 1 on - ly Eb Dal par know there ain't. no love at’ all with - out a song. (Instrumental) love at al with - out a song,96 Wives And Lovers Words by Hal David Music by Burt Bacharach Moderate jazz waltz Ent Eno Fmd / if / / Hey, Jit - tle girl, comb your hair, fix your make-up, Eng Emo Soon he will o = pen the door, Don’t think be - cause there's a ring on your fin - ger, Gm Gmo oc if cmt ri" Agg’S wives should al = ways be oy - ers t00, (© conycght 1965 Famous susie Corporation, USA, gts Reserve. terion Copyright SecuredPipwt Run 0 his the mo CTsass ment he. + comes home to En? aay ing you. there are girls at the of - Day, Fn? Em? fice, and men will Gm9 al - ways be men, Gmt Don't m9 Gm? still with your hair in curl Gm9 cor} fryer © For be lov = ers 00, ~ ers, Run © You may not cmt wives should al - ways arms the mo - mentDigi? Cas Dysusd becomes home to you, He's al - most here. Fmt Em Hey, lit - te girl bet - ter wear some - thing Emo Emi Bis BG pret - ty, Some - . thing you'd wear to Edim Em? Eno Emy city, And dim all the lights, pour the wine, start the Pao Fat i / 87 iF mus - ic, Time to get read = y for love, Fat alo Eat Fi time to get read - for love, read - y,97 Yesterdays Music by Jerome Kern Words by Otto Harbach Moderately stow co Ens Co Ene Co se ih EHH Yes - ter - days, Yes ter - days, Days I knew as Be Ang’s Pu Gta, gos hap - py sweet se - ques - ted days, ond roe? pos phigh ah ie i Em6 Cm en days, Ems G7 youth was mine, Truth = was mine, ENG Apis DI Crag Joy - ous, free and qo days, (© Copyright 19557 B, Hams & Company meorpeate, USA, ‘PolyGram Muse Publishing Limit, 47 British Greve, London We A RightsReserved. Intemational Comrie Secured98 Yes Indeed (A Jive Spiritual) Words & Music by Sy Oliver ‘Moderate jive spiritual Fin cm a cu a (Unstrumental) Gm E deed, ——_________ Yes in - deed, — Te got that feel- inn in —same, Yes in E deed —_____ You will shout when it ‘out if it's ‘© Copyright 1961 Emtassy Masi Corpration, USA. ‘campbell Canney & Company Limited, 8/9 Fite Set, London WH All Rights Reserve, Ineratonal Copy Secu,Gat cu cB ey L hits you, Yes in = deed, ——_______ Yes_—_-you'll in you, Yes in - deed, Makes “you I i D Binal? Gm shout when it hits you, Yes. = in.- deed, shout “Tack it sends you!” Yes. in. - deed, When the spir - it moves you, You'll shout, “Hal - le - When that jive starts. jump’ - in’, You'll shout, “Let me Guz Bhs Dal we - — When it hits you, You'll in oo When it hits you, — You'll hol - la “Yes in - deed It comes hol - lj—— “Yes in. = deed!™99 Yesterday Words & Music by John Lennon & Paul McCartney Moderately E ify, Yes - ter = day,— All my —tou-bles seemed so Dm Dac Bh C7. ah iT far as way, Now it looks as though they're BE F OE, Dat @ here to stay, On, 1 be - lieve. in yes - ter = day. Tm not half the man I used to be, There’s a shad = ow — hang- ing = ov ~ me, Oh, Dm? Bb yes - ter - day came sud = den ~ ty, (© Copyrigh 1965 Norns Sore. ‘A Rights Reserve. International Copyright SecuredWhy she 7, Daa had w wrong, Dawa Gm 0 gin 1 don't Al. cr, Now Jong Love was such an eas = Yes - ter - day, Dm game yes - ter - Dmc to play,100 You’re Nobody ’Til Somebody Loves You Words & Music by Russ Morgan, Larry Stock & James Cavanaugh Moderately stow G. Some fook for glo - ry its the same old sto = 1% oF love ver - sus glo - ry, and when all is said and done: Youre m0 bod yt some - bod - y loves you, You're n, bis 66, ang no = bod = ys till some - bod - y cares, — You may be king. -you.—-may pos - sess__ the 1 copyright 2844 by Sontharn Me Paishng Company Incorporated, USA. Poermusic {UK) Lite, 6-14 Verla Seve, London WC2, ‘A Rips Reserved Iateratonal Copia SecureAmo Bp 2, world and its gold, But gold won't bring. you ais gl Ao An? br Ant He hap - pi - ness— when you're grow- ing old. world stil is the same, you'll nev - er change it, — As sure asthe stars, shine a - dove, some - bod - y loves. you, So find your - self some - bod - y to love.101 You, My Love Words & Music by Mack Gordon & Jimmy Van Heusen Moderately ¢. cn Aw, alo | or er we My Tove is vo er my love, hn’ Al Bry Now and for- ev - er you, = my _—_ love, ‘You walked in BT, chas's Ar "a to my — fone - ly world, What peace of mind your smile un = furled, ____ Yes and be = cause of Am, : tits Am? you, my _ love, My — wish - ful dreams — came. true, my I pr Bar's ET. ee cer - tain of how much love you, my love. (© Copyright 1888 Baron Music Corporation, USA, Dass Muse Limited, 8/9 Feith See, London WI All ighs Reser, Intratonal Copyright ecard,