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  • Choro no 16 Pinheirada Sheet Music

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    Lourenço Assumpção
    18 views2 pages
    This document contains a musical score written in notation. It consists of multiple lines with symbols representing notes to be played on guitar. The lines are divided into measures containing a time signature in the beginning. The score likely represents a classical guitar piece titled "Choro no 16 (Pinheirada)".

    Original Description:

    armando neves

    Original Title

    Choro 16

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    This document contains a musical score written in notation. It consists of multiple lines with symbols representing notes to be played on guitar. The lines are divided into measures containing a time signature in the beginning. The score likely represents a classical guitar piece titled "Choro no 16 (Pinheirada)".

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    18 views2 pages

    Choro no 16 Pinheirada Sheet Music

    Uploaded by

    Lourenço Assumpção
    This document contains a musical score written in notation. It consists of multiple lines with symbols representing notes to be played on guitar. The lines are divided into measures containing a time signature in the beginning. The score likely represents a classical guitar piece titled "Choro no 16 (Pinheirada)".

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Choro nº 16 (Pinheirada)

    q = 90
       $         
    
            
             
     
    Violão
      
     

         
    5
               
       
            
      
       

     
                          
    9

     
             
       

           Ø
     
    1.
      
        
    13
               
         
        
     

      
            
                
    2.

            


    17

           
        


    21
                    
           
     
       

     
       

             
       
                   
    25

          
        

          
              
    29

        

            

      

    2
    1.
         
    2.

         
     
      D.S. @al ø
           
          
       

           
     
    36

                   
         
           



         
              
    40

                   
     
           

     
                
    44
     
         
          
        
      

        

                     

    48 1.

            
         

      
              
    2.
     
    51

      
    D.S. @al ø Fine
          
            


             
    55
     
        
           
            

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