The Animal By Steve Vai iad waves with Swing feel SD oe = dda Al it. idee nick p wis.) - o @ Birds pick op Tea Q Se paleo pM4 stzpizet2 BIZ ‘Hirmonizer sett produce an adtional tne, perce Sth bebw feted notes sce TAB). igh iat ° ® a meen _S sawn BBB BP smwn sreveemn tan, oe rs PM. am pyetany2 ® COU SS digin ee aTamj207R2P an sTamaute ma ‘ovesubbed guar (Celean” widely) Copyright © 1980 Sy W Music (ASCAP) Intemational Copyrght Secured All ghts ReservedSolo Ge. ride pickap wis) soy ag , 5 ee toe BaF a } opis = @, Beet Gis up and down 8 uring B snanne 2) (nT2) BLE, ost ~ ier 2380 foe ere 25 =) BTBLIBTI BLIPPH. xanamn eat att Ty BLT BL1 BT BLL sT2m26T2son cob - ig cae , as eS c oes on bar sty wt) aap PSALS ALS ALT Se n01210- yp aamenios TT By ig) clea fa. (oth) aT a Pa PEE BBP" Mewwn CSF z pu. Pye Me ’M. pT 2pi2ut2 plz P RAMANA bi, * boco a Og at mat © tee ea aly Alig? PH ann. po? \ (of o 8 ew ez 2282) “e180 1019 2 a ® tie ow 2 ze tnt ole en, 2 a o4 Pi ‘wha BT4 BLS ats Bla s wet2p42 ats fa ® . Pp B Ornate! wHEPH, PP ty ee ea x Pues Tei spp i WH PPA amet pp SHHHPPP HPSmy hy w PPS HHH pee whar weun PPn pH” Hy sePH PH pepe PSH pp Co @» ay 1— —— amie a Ha re . wu Fe SHH W PP PH WS pi PH sopeton2, PPP HHPP HP ike A 7 7 Fandanenial toe feedback wing * 100 parrots ORS B2pizeT2 Bio pH. BT3ayusts7 7 NOTE: Mate sings with fein hand ogo NOTE: Tune sting downto s @ ® @- 3 Geeage meee q aie soo ik pk stow snsineonnmconn oT) But eT yey wT aut p. (82 2BL2p Bree nsey aC. | D. NC. Hs Do foe HPHPH P@ H H PHPHP HF en BE vo (72) By? @e ®» Os Af on Mee, PR ws P® wa Pw se Sa K Onde HToapaT araTH RIOT py2@TowyuaT Hag TIBET HAL! @TARLATH RIT RL? Tay s. ope s SF serena es above) troup.bce 2 pa won ar wat als, : Oe BBB Be B allo one Fone anyaston2ava 61Tota nears frenzy with palts aed whammy bar exerica—@ A, 5 Tout newotic tenzy with pallets sed whammy ber etetonc i E] Outro-Chorus sTzpu2W 2n2? 2 (ais) Beper BT2B,28T2B,2 poo stoma 2n42 pM. sTom2eT2BL2 eee 8 even s nyo HTonyonts sThe Audience Is Listening BySteve Val — now don't. be ner- vous hon-ey, em>yorm e, @ ois 350 3 3 O75, and then you're gon-na come in a, Oo. ® = = with your gui - tar, and you're gom-na play that 34 =3— Or — 4, @ 56 as mi -sic you were tell- ing me a - bout, and while you're do - ing that, Copyright © 1990 Sy Vy Music (ASCAP) Intematonal Copyright Secured All Rghis Reserved 138@® We'll hive such a good - time, 90 Fr accel - ‘don’t you be nervous hon-ey. ‘whe cae wha —3— Byzet2ej2 BT2 Bye _BT2 mysRubato 2 @ _ HEADS UP! Now, you kids you, all of you, calm down, That's god, O.K.2_Everyene, in ® your seats. That's good. O.K., now, little Stevie Vai is going to play a composition on the guitar. He wrote it all ~—sby_—himself. OK, Stevie, bring your three friends up, ® they can play with you. That'~=—= Stevie Vai: «= what’ «ance _— itl boy! q @ | wrote this song for all my friends. When 1 grow up Tm gonna be @ 4 — famous Rock'n’ Roll guttar player, Love it, eh, he, he, go. ahead, ¢ ‘tempo d=133 id= nin kw ome ee And Drum jit ® ® 3 4 3. Z Don’t you think that’s abit loud? Boys! ® anette ttt ttt ay as aya E3 E] SF ctr even gis wp wile sinking ber ‘widen vibe dept pace epoca) Ath tt 140Its geting (OC Tov! ® ES ee eee ee eee a Fast Swing d = 133 rad TE EGR YO omting on of contol, tre Steve, wren ta csi) NC. -D NC.GSIB) NC. AMGNC. FAING AS. CME)NC. DNC. @ ; £@ @, ss a e327 as, s (ey sig, indcates A Dean) an en Sak Wd se A es Ve mle el GNB) NC. AS N.C.CS NC. AS N.C. AS CSKE) NC. D . GS(B) N.C. ASIG N.C. FA7 NC. seep il OF ®, Hei want me 10 num it down? You mean down ke this? AS CSE) NC. D NC. @ win RE —= yieet °F ita ven release ber GSB) NC. AS NC. C5 NCAS He 141142 ese ne = wah noiseeven gliss 5 5 Ry cas s ss cionan BS P peed nud rend pthrs 2 ee SS Ss ge HP H PP PPPHH HP PPHUP PPS peBnuSPrnk pHEPS mm BS Weed wg Maee me pare nate u HPPH PP PH HHP P PHHPHP PS ‘That sounds like noise Mister Vai and 1 want it stopped! You Sao seses, Choe ES ® 143,all got detention! ut ban ee B 2. 3. @ sae acs z Eaen a de ‘wf STi mgt, ty my ath at P 2 (20 Ascem melaly sen wih ES G3 DVAGS E5(G)DS/A(G)ES___(G) DS/A (G) DSA (G) DS/A (G) ES rh BL (G) DS/A(G) E5(G) DSIA(G) ESN. ES G)DSIA (G) AS (G) E7#9 ES 144DS ES (D) BS (D)_ ES GS ES (D)ES (D) BS GSB) (D) ES (D)ES Uh oh, here comes trouble. YY, Vai, are NC. AS CKE)NC. D NC. GSAS GS DS GS ES DSES you outta your mind?! You guys, ya don’t back off, ya must be crazy! GMB) NC. ASKG) NC.F 7 NC AS CSME)N.C DNC G5MB)NC, AS NC.C5 NC. AS ®, ® < @ 23% wa ese ra 146Tm gonna flip out, tellin’ you, If this is my final ‘ip ~out, you guysare gonna go NC AS C5ME)NC. DNC. GS(B) N.C. ASAG) N.C.FA7 NC AS CSE)NC. DNC s with me, Ah, shut up. GSAB)NC. — ASNC.C5 NC. 2S Etat g> @O7 war waka ats os ats ms Ts Se ‘wher sts ms ats ms 147will you two sop dancin’ = ke. that Frankie, leave that A @. >is NC SEES w Bo a Se aS EB @ @ © & © BG, (@DSIANC. ©) 148,Come here to me! a8 4 oN wae. “e s ES (D) ES G) AS (G)E ATsust (G) (G)_ES (G) A7sust AS (GNC. ES at ar E6 ES B6 ES ES N.C.Val:dont you he me? ‘ om ie @ Se G_ Tno3rd) ©) BO) & ME GES 150ty By (@ AS(G) DSIA ES DS ES wHtamonizes| be th) mut ES (D) ES (G) ES wait ill I get my hands... don’t you @) AS @ DSGS ESD) & @ NG. e® ees hold bend «ont Wwitameonizer ot at ety 82 ay ayy ay, ay, ay, AS (G)DSIA (GES (D) ES (@ AS (G) ASG) ES_NC. 151Vait knock it off! Get off = my desk! @ nee epee we em mp wn@ynre gees en beer er agree rer PPHK WP HH HPWH 152iss on G sing with "shaman bar fretzy eH oP « ede dh Bis tiaeda edn P37 Is do this HP Hp yor ES oD Lydia ah Gare @ pam Biadd? ps Badd? Das ACH AICE AICHE AICE DS A/CEDS ES AICE Ve 153Ach DS ACH DS AIH DAIS sent PMP) nl a war ei eT3 my mt ati Bt gue BTL MLL DS A/C Badd? A/CE DS AICE Badl9 ACE DS A/CE DS (B) DS ES KV AICE DS _AICE DS A/CE DS s : s 154of control, eee a po Ta) RD p you know, that awful noise a8 oe just_makes ——— 2 @T2) wr DS 5 (CDYou gots tm that muse @ down, Stevie, pee. Pm G3 ¢ — = BL? dive fearless in my hear. y will always see a y hear. They will abw Qt © 156that in my eyes, 1 am the passion, @ 157Always 1 will never stop. ri © 7) consiant, NC. 158you'll never a~ (D) ES (D) (D4) ES (D) ES (D) ES Vai. You'll see, you'll be a bum inthe streets. A bum, atiz op aT yr Tay GS_AS.G3D3_G5 ES (D) ESa bum. [thought you were such a nice litte boy. Ya know —what?_Ya Paty BL (D) ES (D) ES @) ES(D)ES 5 AS GS DSGS ES(D) ES AS. G5_D5G5 E5 (DES Vicious streak. Why don’t ya just quit schoo!” Move to California with all those other bums. Go, that's ® @s a ae ee pro 2) m2 160where you belong, with all those crazies out in Californis. Maybe you'll become famous. Haha that's the funniest Rubato BOB Pose 52 @ ee eet 2s Ormvacter , tet Ts SS rig tend sty Be ca por ror P82 ty Be heard, You famous? With that noise!? Ha! ee ya in jail; Give me a break, ® Sevia, op i. You'll se, my otal ©, 5 @ ——— 161Ballerina 12/24 By Steve Val {Intro} Freel EAS Harmony | a O,2™ Lively(d =134) oS ie Copyright © 1900 Sy Vy Muse (ASCAP) Intemational Copyright Secured Al Fights Resorved 122zy 17PRE, wba BASS) «PAE GHP FRE EASES) ; ® @ sa @ sro mio aT sms EAD S)FHVEGE/FE FIEND BE 13m i nee © gy HPP HP Hp 2 metste p x Pr s@ up Pa PPA» HPP oH PPS 10, = Sie! ake P HPP HPP HP PS 178“Pre end bar (Distance of end measured on Issing)eco @bkwes. rs) Dost “Diseacs of bead coat Sling a tz aLBras bag Gi) TD bitten i Jae pep opppsuerpn ba. 3 Br eteme) wie s =e s ‘what (leas) 7 ay. ewer, RAIS 1 sages) men A er Mik pekap = wow (ese) selector svi as z aul 182aay att? _whar grad widen vit ene we “Hammer ns wut pion (Arsclne whra-al=+ = tte ponon 0= bass positon) — fAT) @- ok. Hee Be Oa ee = Lee Ss eat s PATRI) p ieee ass! ss FATGID_ : >. 9. Copyright @ 1900. Sy Vy Music (ASCAP) International Copyiht Secured Al Fights Reserved 127rangi) at) pe @, Py. Je le E-(add9), FA 7G 11) Ex(add9) A(add9) (Gece sitcom. sit) slowly wae bald ®@r pe @ 8 eo 128ve Fa 7811) hold ead Bie ig Bt)? PHP Fa Tisu2) wnat Os Vsvy, ° Se eee Z re wher wae Vs VsE : Dsus2 oe ‘ae Slowly py PM c Fa Nasa) BO 8 ka a ees o,## A itso) w2 3B 38 ss Hess cristae (Ge. 2 tet) E Deus? Ds mm gz O | fr. @ 2. as gee plu on bar = tiling fets00" Tg Pun PSsS z us 190(Eta tee str mp te si) A(add9) ane we “Br@baw > Hoe ee Pea hs == ata B2 BT2B2 ar FAL pa E-(add9) s 7s or 8 Grr oftdue yes > rat at) 25 HPS PHP S A oe = E{add9) m0 @W har slowly Es r Ops LE FA7@ID Beats Uo? stsals "THO seer (2) ste wtsys E (ado) aS ‘te ‘dive Fa 711) pa A RA (B) bod ond. On. sO See 2E Eien 131Fa7@11) E-(ada9) Aciadd9) Becta © Een te sii i Bese car FATE) @ VAI VY Epon BER ear Taner ap DT Fa 7611) Eads) Pees eee 132‘A4add9) ar ar ee ao 6 BR WE aos: ca7 Fa 711) a HP aT2m2 AP 133F711) E-(add9) Bx(add9) G cee. star repens fig BI sini FA7(sus2) 3 B® the 228 8 fan 3 ona Canes 10 epi te <3 Beg D Fa 7isus2) os sh uP By = FA 1(sus2) snore 2B Rge BP, @ 134Fa 7411) ps BT2 B12 BL2 BL? FA 711) ‘be. ne oad a zh Ops, vabwah on s sTonp nt2nts n He 135,ova FOTOND 0. Badd) es P @® i zn fee tom = (Gir 2 (Ele sitar weed af 136Walking thine line between pagan and Chrstsn : : @ _@, taco ve i Las zoo W Mae SCAN, err Ba Sane Nia Pee 7lowe or ocean) 9 2 aS ® oz. ta aan Sree ass 2aan TAL TingsDiy Ra iis Sern ss “Tamer 1Day te ca Vigine Die Riven Gaines a Gar Vins Et Caton um ea Sot“Trampse oars.nrsit paps lima py & 2 3 Salt Pa wep ns : @ . Gr mtitire yy Fy purse eurs . ——vd— ~yr, o 38, es et Cin — ered mm vy purser? Sarge rare ssw res LMP sureH 8 pene (sitar ita: cant — “TrotThe Riddle By Steve Vai A] mysteriously (d=78) NC. iydan) mac a (8a) Copyriant © 1990 Sy Wy Music (ASCAP) Intemational Copyright Secured All Rights Reserved 102Pi wes opp, eo. wTaToneiaT ons p BTSBLS sp Tat sBS pall upon bar6 raat) Nc. ong) 2 * Bea te ® 2, a acess Gr a2 me B2 BS nH Pat aug «a (aye BL. 4 Tit 8 z sn OHM mys " aos (2) PH PH PH A. 5 22) 02) 12) 2) Pitches DB, Px, Pe 'NOTE: Partial harmonic ae allan Setive shove damn tone FRE GRE Fae ee a ee pe te Hy © yn ann WP HP OH PHP an a = AW ERM PP yp pe HHPp pa on Pe Groen ee 108FAI FRE GRE PS PHPPH PPHPPHPEP Hy pe Ete Eee eee Hupprwernenrr the sy g or —— ita? Puree pee ete a PSPuER MEP Wee HEE yerenn ne pu pr HP App np pS ™ On PESE GHE ye PUP oy P FRE GRE FASE, 7 Wee te ON mere a Pw s Py Pan ~ fH HP PRS He tena yalhawe wenn re HS pw —e. eae. PHM PHEE HPP S HPWH PP NC. We pn we ER ay Pe ah a Hu pene WePHEWHH PP S yo 105® Psbs. ee gp 106Fisus2/E, Esus2 E EA7D87 6 Spoken: Breath in my ear. AS es ®, o FA70) 3 3 2 5 + ae ‘Geleavelpe file) en 108(onison teed) 8 5 ye s gots fz ; NC. DE (E Mxolydian) (tcoygsiony Oy Pa RS wieavslope faker RuseT's 109E Pati ma) re ie ee = = Oger cd ‘Gympathei sings contaue raging! 110NC. DE (iran pit cosime iE] siie) be © pTingi BT rauiaT ip wim LAI str stinut BTFI Nc 0 © Spoken: So, let's make love © (E Lydian) > £4 @® wy, ee w/Marnonizer* 7 Rots ran repeat forwards and backwards in sevco (Heaven! sting) 2Spoken: Let’s make love again, Beko gu 23 wi) EE 113a7 a @ what wig (5m) loco 4(hotdbend) 82) (B2)BL2P r2 15NC. DS ES Ds Es NC. z > fap ata o~ = yen ,, 4 Bm (oldtend) (3) above) 116Ne Bs NG Ws a os 1s ain esas oy 7B loco ES | Spoken: I pledge allegiance oa pane epee speloh mtg Sg t auitt and 5 18to the fa of the United States of America, and to the republic sere tone os a re eee ita prods aio one octave above Feta motes for which it stands. One nation, under God, indivisible, with liberty and justice for all. Let ‘em go! Esus2 Bsust @s 2 8 O, 5s 84 sss@ Ry aed {© 51) loa wiecho I pledge allegiance to the flag of the United States of America and to the republic for which it eo” @® Posusts Eadd9 3 119‘One nation, under God, indivisible, with @s Ve @s i 38s O87 amonizer PS above, eee Cnty warner Y pabove) ah gtars played dough Harmonize Sette proce a adsonal tone» prfct ith bove feted ces shown in TAB liberty and justice for all. with Tibery and justice Ds s cts ic} Re ® ® S Fae dive ae pal up See a ey war -2 Sarena diveand pall Bia ets ay 120for all, With Uberty and justice for all, With Uberty and justice for all. With libeny and justice for Cod =, BS_BbS — Bbsus? Bb AS Gfadd) = Gt ee Ae Ose au. for al. ‘With liberty and justice forall s E s . 335 _s® @ pack 121‘Now Lat chod ing throughout ou as Poe HOO. Copyright© 1980 Sy Vy Muse ASCAP) water Copyright Sacred Al ight ReservedGsus2 Ba FA 7(sus2) loco we oye Bs Gada D A ‘nod... tap hase, att et CAP ea ces, Bmaeeeeesecicen glo (GD _ OG BbA 7(sus2) Bb F A Gsus2 © = 8 o7 5 > ft Foul) A. Gsus2 G BAL FGmaj7(sus2) cag) ‘tra simiy @ IT 2” ® a9Gsus2 5, Dsas2 By Bu Ne Ra Bar G) B © 25 =F a G(AI3) wher Gsust Dsus2 B. e she @ Lt ora. Gn Gus? Dsued BL B-tsusd F A cs Gous2 bf B-Tatd F Faus2 Gaus? F A aa 6 ee ra F761) A Gus2 of Fous2 AT a ®,I Would Love To By Stove Vai spoken: No, V'm BEE D AD very, very shy. Weegee meta (A) (intro) a sete Fast Rock d= 150 4s (Lead tee) o,f 269 Rates ‘oin.23 “33° wae 00. Csusz FS Fe FAT Gs BT AB BT AB BSB-7 AB BT BS Copyright © 1990 Sy Vy Music |ASCAP) Imematonal Copyright Secured Al Fights Reserved 162BS BE E BE ES DS AD CoB Csus2 FS letring— - = - 4 164heen ii) log @ AS HIGH AS Lara Os aa? Ba bad ray eT: M2a MSES BE _E BE EF D AD 5 Cous2 Fs 6 AT (Rnyinm repeat ig. simile) one 6 core 166© slow bend o. ae = Ont” es oS > BTimit PM == 4 anDadd ovr ava i's when they look you inthe eyes ‘Spoken: You know,ES BE # tm pen [sine en 3 Oe C5 Csus? FS F6 FAT Gs Bem 170C3 Cu2 FS FO FAT GS. 171