OPERATING INSTRUCTIONS & SERVICE MANUAL 4-CHANNEL RECEIVER SANSUI! QR-1500 Ee SANSUI ELECTRIC CO., LTD.Congratulations on joining the thousands of proud, satisfied owners of quality stereo components from Sansui. The Sansui QR-1500 4-channel receiver incorporates Sansui’s unique QS Synthesizing/Decoding matrix (patents pending) that produces a multi-dimensional sound field so enthusiastically receiv- ed by many audio experts as purely ‘revolutionary’. An instrument that literally heralds the new age of 4-channel stereo sound repro- duction, the QR-1500 not only converts ordinary 2-channel stereo discs, tapes and FM broadcasts into immensely richer 4-channel stereo sound, but, working in the capacity of a decoder, restores any 2-channel material encoded from four channels to its original full-fledged 4-channel status. It also incorporates the four all-silicon amplifiers which enable you to use a 4-channel tape machine to reproduce discrete 4-channel stereo. To enjoy dynamic life-like 4-channel stereo sound at its best, you should be well acquainted not only with the operation of the various controls of the QR-1500, but with such matters as the proper positioning of speaker systems. Read carefully the instruc- tions contained in this booklet, and you will be better prepared to take full advantage of the advanced performance capabilities of this new instrument for years to come. CONTENTS SWITCHES AND CONTROLS. 3,4 CONNECTIONS /OPERATIONS «0.0.0.4 5,6 TAPE DECKS//PLACEMENT OF SPEAK! 7,8 SIMPLE MAINTENANCE HINTS SPECIFICATIONS. ” eee a SCHEMATIC DIAGRAM ... DISASSEMBLY PROCEDURE . GENERAL TROUBLESHOOTING CHART ... PRINTED CIRCUIT BOARDS AND PARTS LIST s+ 17, 18, 19, 20, 21, 22, 23, 24 OTHER PARTS AND THEIR POSITIONS ON CHASSIS ++ 25, 26SWITCHES AND CONTROLS Power Switch The receiver is turned on when the POWER switch is tuned to the ON or right position ‘Tuning Meter This meter aids in pinpointing a station. The station is perfectly tuned when the needle swings as far to the right as possible. FM Stereo Indicator This indicator glows when the dial pointer crosses a station making an FM stereo broadcast. It remains lit during the stereo reception. Headphones Jacks Plug headphones into these jacks for monitoring or private listening. And all speakers connected to the QR-1500 will be automatically cut off. ‘When the MODE switch is in the NORMAL position, you can hear the front sound from the right jack and the rear sound from the left jack. Loudness Switch When the LOUDNESS switch is depressed at low volumes, it provides the correct amount of bass and treble boost required 10 compensate for the tendency of the human ear to lose these frequencies at low listening levels, Tape Monitor Switch When this switeh is once depressed, the receiver is set to play the sound from the playback head of the 2-channel tape deck connected to the 2-CH TAPE jacks on the rear panel of the receiver. Tape monitoring is possible only with a tape deck having separate record and playback heads. Except for such playback or monitoring, this switch must be in the SOURCE position Treble Control The TREBLE control adjusts the intensity of the treble tones of the front speakers simultaneously Bass Control The BASS control adjusts the intensity of the bass tones of the front speakers simultaneously.Tuning Knob ——— Mode Switch 2CH—The 2CH position of the MODE switch connects the front sound to both or either of the front andjor rear speakers REAR—Connects the front sound to the rear speakers. FRONT—Connects the front sound to the front speakers. FRONT & REAR—Connects the front sound to both front and rear speakers. 4CH—To enjoy the 4-channel stereo sound, set the MODE switch to: NORMAL—For normal 4-channel stereo pro: grams. QUARTER TURN—This position is used to turn around sound by 90 degrees. ‘The front left and right sound will be heard from the front and rear right speakers, and the rear left and right sound from the front and rear left speakers. HALF TURN—To turn around sound by 180 degrees; so that the front sound will be heard from the rear speakers, and the rear sound from the front speakers. Digital Indicator The numeral ‘2’ or ‘4’ appears depending on whether the MODE switch is set to the 2CH or ACH postion. Synthesizer Indicator The SYNTHESIZER indicator is illuminated when the MODE switch is set to the 4CH posi- tion and the SYNTHESIZER/DECODER switch is set to the SYNTHESIZER position (JM). It is not lit while the SELECTOR switch is in the AUX (ACH) position Volume Controls ‘The FRONT VOLUME conttrol adjusts the total volume of sound from the two front speakers, the REAR VOLUME control the two rear speakers. ‘These controls are also used to adjust the balance of the front and rear speakers. Synthesizer/Decoder Switch —Use this position to convert any ordinary channel stereo source into d-channels. To have the live listening experience in a concert hall, the ‘Front 2-2 System’ of speaker position is more effective (see page 7). —With the switch in this position, the original 4-channel material which has been encoded into two channels at the recording or broadcast end is recovered for 4-channel playback. The “2-2 system’ of speaker position (see page 7) is more effective to re-create a hall-ambience around the listener It also works well with ordinary two-channel materials of pop, rock, mood musie, Moog sound, te Selector Switch PHONO-Selects turntable connected to the PHONO inputs on the rear panel of the receiver. FM AUTO-Selects FM programs. AM-—Selects AM programs. AUX (2CH)—Selects the output of a component connected to the 2CH AUX jacks on the rear of the receiver. AUX (4CH)—Selects the output of a component, such as a d-channel tape deck, etc., connected to the 4CH AUX jacks on the rear of the receiver.CONNECTIONS / OPERATIONS Connecting the Front and Rear Speakers The speaker connections should be made in ac- cordance with the diagram on the opposite page. To connect, depress the terminal button with one hand, push the stripped end of lead wire in the hole with the other hand, and release the button. Care should be taken not to mistake the front and rear channels, right and left channels, and plus and ‘minus polarities, The required impedance of the speakers is 4 to 16 ohms. If you want to connect two or more speakers to ‘one channel in parallel, their combined imped- ance must be more than 4 ohms. Connecting a Turntable A tumtable using a magnetic cartridge can be played through the QR-1500. Connect the left chan- ne] output of the turntable to the LEFT PHONO input of the receiver, and the right channel output of the turntable to the RIGHT PHONO input. EM Antennas Indoor Dipole Antenna The 300-ohm folded dipole antenna (supplied) is for indoor use in urban or strong-signal areas. Connect the two leads from the dipole to the ANTENNA terminals marked FM 3000 on the rear panel, open the dipole antenna to a full ‘T” and tack it up on a wall behind the component cabinet. It is neces- sary to position the antenna for the best signal pick- up before the antenna is permanently tacked. Outdoor Antenna ‘An outdoor antenna is recommended for optimum performance in all areas. Best results will be ob- tained with a rotator-driven antenna specifically de- signed for FM. Rotate the antenna until the best pickup is obtained. If the antenna is installed near a well-traveled street, it may pickup ignition noise. In this case, move it back from the street. Connect the 300-ohm lead-in to the ANTENNA terminals marked FM 300 on the rear panel. AM Antennas ‘The highly sensitive ferrite bar antenna, located on the rear panel of the QR-1500, is usually adequate for AM reception. Pull it toward you away from the back of the chassis. In weak-signal or fringe areas, a simple outdoor antenna may suffice. Con- rect one end of PVC wire (supplied) to the AN- TENNA terminal marked AM and hook another end outdoors as illustrated on page 6. Listening to Discs 1, Set the SELECTOR switch of the QR-1500 to the PHONO position. 2, Make appropriate settings of controls on the turntable connected to the QR-1500. Start playing the dise, 3. Adjust the VOLUME controls of the QR-1500 for the desired total volume of sound from the four speakers, and then for the desired balance of the front and rear speakers, 4, Use the BASS and TREBLE controls according to your preference or the room acoustics. Listening to FM or AM Programs 1, Set the SELECTOR switch to FM AUTO or AM. 2. Turn the TUNING knob to reach the desired station, The station is perfectly tuned when the needle in the TUNING meter swings as far to the right as possible. The FM STEREO indicator glows when an FM stereo broadcast is received. It remains lit during the stereo reception. 3. Adjust the VOLUME controls for the desired total volume of sound from the speakers and for the desired balance of the front and rear speakers. 44, Use the BASS and TREBLE controls according to your preference or the room acoustics. Note: If you want to hear ordinary 2-channel stereo through the QR-1500, set the MODE switch to the 2CH position and the SYNTHESIZER) DECODER switch to the SYNTHESIZER position. ‘These procedures are also recommended for mono- phonic programs.FM INDOOR DIPOLE ANTENNA FM OUTDOOR ANTENNA ‘AM ANTENNA FRONT SPEAKERS.TAPE DECKS//PLACEMENT OF SPEAKERS Connecting Tape Decks 2-Channel Tape Deck ‘There are two types of receptacles for connection of fa 2-channel tape deck on the rear panel of the QR- 1500: one is for pin plugs and the other for the DIN plug. To connect your tape deck to the pin jacks: 1. Connect the left channel output of the tape deck to the left channel jack marked 2CH TAPE PLAYBACK, and the right channel output of the dec to the right channel jack marked 2CH TAPE PLAYBACK. 2. Connect the left channel input of the tape deck to the left channel jack marked 2CH TAPE SOUR- CE and the right channel input of the deck to the right channel jack marked 2CH TAPE SOURCE. If you want to use the DIN connecting cord, just insert the DIN plug into the receptacle marked 2CH ‘TAPE RECORDER on the rear panel of the QR 1500. 4-Channel Tape Deck ‘The OR-1500 is also provided with playback jacks fora d-channel tape deck (not provided with record: ing jacks). Connect the outputs of the tape deck to the jacks marked 4CH AUX on the rear of the QR- 1500, Be sure connect the right and left, front and rear channels correctly as shown on page 8 The ACH AUX input jacks, of course, can accept ‘other components than the 4-channel tape deck. Operating Tape Decks Recording with a 2-Channel Tape Deck 1, Set the SELECTOR switch to the program source (PHONO, FM AUTO, AUX (2CH) or AM) to be recorded. 2, Start the tape deck in the recording mode. 3. Make appropriate settings of controls on the tape deck. The recording is not affected by the controls of the QR-1500. 4, Set the TAPE MONITOR switch of the QR-1500 to PLAYBACK if you want to monitor the record: ing with the tape deck having separate heads for recording and playback. Listening to Tapes with a 2-Channel Tape Deck 1, Depress the TAPE MONITOR switch to the 7 PLAYBACK position. 2. Start the tape deck in the playback mode. 3, Adjust the VOLUME controls of the QR-1500 for the desired volume of sound from the speakers and for the desired balance of the front and rear speakers. 4, Use the BASS and TREBLE controls of the QR- 1500 according to your preference or the room acoustics. Listening to Tapes with a 4-Channel Tape Deck 1. Turn the SELECTOR switch to AUX (4CH). 2. Start the tape deck in the playback mode. 3. Adjust the VOLUME controls of the desired volume of sound from the speakers and for the desired balance of the front and rear speakers. 4, Use the BASS and TREBLE controls of the QR-1500 according to your preference or the room acoustics. Placement of Speakers Basically there are two ways to place two pairs of speaker systems in the d.channel stereo: 2.2 System (Fig. 1) ‘This is the speaker-in-each-corner placement that is being widely accepted as the standard speaker posi- tion for 4-channel stereo, This position permits the listener to enjoy music surrounded by the four speaker systems, Front 2-2 System (Fig. 2) ‘This system is designed to create a live sound field in the listening area, The sound field is equivalent to the stage of a concert hall and the listener will have the live listening experience in the hall. With the SYNTHESIZER/DECODER switch in its SYNTHESIZER position, this system is more effective. ‘Compatible Placement (Fig. 3) Place the rear speaker systems as shown in Fig. 3, p. 8, and the listener will be able to enjoy both systems in the limited space available. To enjoy the ‘2-2 system’, he should situate himself near point A, and to enjoy the ‘front-2-2 system’, near point B,CONNECTING TAPE DECI as rere) Ce ee i RecoROING— 2.04 PUAYBACK= Se a CH. TAPE DECI PLACEMENT OF SPEAKERS eee TO TURNTABLE LEFT-FRONT TAPE DECK, ETC. RIGHT.FRONT. LEFTREAR RIGHT-REAR {4-CH, TAPE DECK’ J | Shee > ‘SPEAKERS Rear SPEAKERS, Fig. 1 2-2 SYSTEM & | |Get) FRONT r SPEAKERS ® | ee | oe ey ot i B wy l Fig.2 FRONT 2.2SYSTEM Fig. 3 COMPATIBLE PLACEMENTSIMPLE MAINTENANCE HINTS How to Eliminate Radio Noise On AM Programs AM reception noise can often be eliminated by slightly changing the position of the receiver. Some noises are peculiar to a certain broadcasting fre- quency or a certain time of day. Such noises result from the nature of AM signals. In fringe or weak- signal areas, connect the AM antenna (supplied) to the AM ANTENNA terminal as shown on page 6. On FM Programs Noise on FM programs may be attributed to either insufficient antenna input or interference from othe electrical appliances. In fringe or weak-signal areas, install an outdoor multi-element antenna with a rotator and position it for best signal pickup. If it is installed near a well-traveled street, it may pickup ignition noise. In this case, move it back from the street. If still noiey, use coaxial cable (un balanced 75-ohm) in place of the 300-ohm lead-in. Attach a matching transformer (3000752) to the antenna and then connect the center conductor to the FM-A; terminal, and the shield to the GND terminal on the rear panel of the QR-1500. TRTERWALPWANTENNAUSIN) | 750 UNBALANCED COAXIAL CABLE Sia Connection of Components Use the shielded cables to connect the audio com- ponents such as a tape deck, turntable, etc. to the QR-1500. These cables not only keep the distri buted capacity to a minimum but are very stable against environmental changes. The use of ordinary Jamp cord usually results in picking up hum, Gen. erally, the longer the connecting cable, the more the treble notes tend to be attenuated. It is therefore wise to keep their length below 7 feet or so. ‘The shielded cable is made up for use as illustrated below: Grounding Connect a PVC or enameled wire from the GND terminal to a grounded metal conductor such as a cold-water pipe, copper plate or carbon rod. Never connect it to a gas pipe. The grounding elimi- nates the possibility of hum and may reduce noise on radio programs. AC Outlet ‘The AC outlet on the rear panel is live at all times and independent of the power switch. Its maximum rating is 150VA. It is dangerous to connect a com- ponent with a bigger power requirement. The voltage supplied by the AC outlet is the same as the power supply voltage used.. Power and Quick-Acting Fuses If there is no sound from all speakers and the pilot light is off when the power switch is turned on, check the power fuse on the rear panel. Should the power fuse blow, remove the AC line cord and replace the blown fuse with a new glass-tubed fuse of the same capacity (2-ampere fuse required for 100-117 volt operation; 1.5-ampere unit for 220-240 volt operation). Please purchase the new fuse from ‘your nearest electric goods store. If the pilot light is on but there is no sound from both or either of the front and/or rear speaker systems, check the quick-acting fuses. If the right- front fuse, for example, should blow, the right-front speaker system becomes dead. To reach the fuses, remove the AC line cord from its outlet, remove two crews from the metal cover to which the name plate has been attached, and remove the metal cover. After eliminating the cause of the blowout, replace the blown fuse with a new 1.5-ampere fuse (supplied). The trouble may be attributed to the shorted output circuit or excessively large input. If the new fuse blows when the power switch is tumed on, contact your nearest Sansui dealer or Authorized Service Station. Caution: Never use a piece of wire or a fuse of different capacity, even as a stop-gap measure, or serious danger could result. POWER FUSES (100~117V 28) (220~240V 1.54) (QUICK ACTING FUSES (1.5Ax4) Phasing of Speakers If the polarities (plus and minus) of the front left and right speaker systems are not identical, sound from them lack a sense of natural sound, and also be weak in the bass range. The same applies to the polarities of the rear left and right speaker systems. Make sure the plus terminals of each speaker system have been connected to the cor- responding red terminals of the QR-1500, and the minus terminals of each speaker system to the cor- responding black terminals. If the sound is still un- natural, the rear speakers should be changed in position and direction until natural 4-channel stereo effect is obtained. Voltage Adjustment To reach the voltage selector, remove two screws from the metal cover to which the name plate has been attached, and remove the metal cover. The voltage selector makes it possible to operate the QR-1500 at the correct volt in any area. The volt has been pre-adjusted at our factory, but can be easily re- adjusted as follows 1. Set the arrow on the voltage selector plug to the required volt: 100, 117, 220 or 240. 2. The power fuse should be changed, if required. For 100-117 volt operation, a 2-ampere fuse is re- quired. For 220-240 volt operation, a 1.5-ampere fuse is required.SPECIFICATIONS AUDIO SECTION POWER OUTPUT MUSIC POWER (IHF): 100W (ot 4 ohms lood) BOW (at 8 ohm load) CONTINUOUS POWER: 200 x4 (at 4 ohms lod) 15W x4 (@1 8 ohms lood) TOTAL HARMONIC DISTORTION: less than 0.89% ot rated eurput INTERMODULATION DISTORTION (60H2:7,000Hz {1 SMPTE method): less than 0.8% ot cated cutput POWER BANDWIDTH (IHF): 20 te 30,000H: ot 8 ohms load FREQUENCY RESPONSE (at normal listening level) ‘AUX 2-CHANNEL OVERALL: 30 to 30,000H2 +248 CHANNEL SEPARATION: berter thon S0d8 ot 1,000Hs roted output HUM AND NOISE (IHF) PHONO: les than —60d8 AUX 2.CHANNEL: lass than —70d8 INPUT SENSITIVITY (at rated output, 1,000H2) PHONO (2-CH): 3mv (50k ohms) AUX 2-CHANNEL: — 180mV (50k ohms) TAPE MON (pin) (2-CH): 18Omv (50k ohms) TAPE RECORDER (DIN) (2-CH): 180mV (50k ohms) AUX 4-CHANNEL: 300m (50k ohms) RECORDING OUTPUT (2-CH\at rated input, 1,000Hz) TAPE REC (pin): 180nv TAPE RECORDER (DIN): 30m LOAD IMPEDANCE: 4 10.16 ohms DAMPING FACTOR: ‘more than 20 at 8 chms load EQUALIZER PHONO: RIAA NF Type TONE CONTROLS (Front channel only) BASS: + 10d8 —10d8 ot SoH TREBLE: +848 —10d8 at 10,000H2 LOUDNESS (Volume control at — 3048): +848 ot SOHs, +348 ot 10,000H2 TUNER SECTION TUNING RANGE: 88 to loBMHe SENSITIVITY 20d8 QUIETING: 2.32 IHF: 3nv TOTAL HARMONIC DISTORTION: less than 196 . SIGNAL TO NOISE RATIO: better than 5548, SELECTIVITY: botter thon 4568 CAPTURE RATIO (IHF): 3d IMAGE FREQUENCY REJECTION: . better then $048 IF REJECTION: better than 9048 ‘SPURIOUS RESPONSE REJECTION: better then 40d STEREO SEPARATION: better then 35dB ot 00H: SPURIOUS RADIATION: less then 2448 ANTENNA IMPEDANCE: 200 chms belanced, 75 ohms unbolanced TUNING RANGE: 535 to 1,408hHe SENSITIVITY: 2001:V/m at 1,000KH (bor antenna) IMAGE FREQUENCY REJECTION: better than 50d better thon 70d8 ot 1,000kH2 better than 3048 IF REJECTION: SELECTIVITY: SYNTHESIZER SECTION ‘SYNTHESIZER/DECODER GENERAL ‘SEMICONDUCTORS: Transistors: $7 FET:1 IC:1 Diodes:24 POWER REQUIREMENTS POWER VOLTAGE: 100, 117, 220, 240V 50/40Hs 2 POWER CONSUMPTION: 72W (rated) DIMENSIONS: -480rvn (1856") W_ 182mm (5)4*) H_ 810mm (124%) D WEIGHT: 9.049(19.9 lbs)| CHARACTERISTICS ACCESSORIES Powen eaNoWioTH rw setecrivity a \ an 3 “opal IT et e INPUT =aCH AUX ui z - i Supe isw ates Is é DISTORTION=6.5% Const. i i : Le FREQUENCY (Hs) k WEAN a | POWER OUTPUT HARMONIC DISTORTION | oT 3 fea T I aN INPUT=4GH AUXTER) ourPuT=aa | 7 7 FREQUENCY DIFFERENCE (KHz) DISTORTION (24) ‘CONTINUOUS POWER (W} FM SENSITIVITY & IMAGE REJECTION m TWAGE REJECTION 1, OPERATING INSTRUCTIONS AND SERVICE MANUAL. (2. OPERATING SHEET 3. FM ANTENNA .. 4, AM ANTENNA ' SENSITIMTY ci 5. PINPLUGS . 6. POLISHING CLOTH.. + +++ 7. QUICK-ACTING FUSES (1.5A) .... CARRIER FREQUENCY (MHz) 8. BUTTERFLY BOLTS re 9. WASHERS... ANTENNA INPUT (@8) RRR Ree je csSCHEMATIC DIAGRAMDISASSEMBLY PROCEDURE REMOVING THE FRONT PANEL, WOOD CASE AND BOTTOM BOARD DIAL MECHANISMGENERAL TROUBLESHOOTING CHART If the receiver is otherwise operating satisfactorily, the ‘more common causes of trouble may generally be at tributed to the following: 1. Incocrect connections or loose terminal contacts. Check the speakers, turntable, tape deck, antenna and power cord. 2, Improper operation. Before operating any audio com- ponent, be sure to read its manufacturer's instructions. 3, Improper location of audio components. The proper positioning of components, such as speakers and turntable is essential to the maximum stereo enjoyment. 4, Defective audio components. The following are more other common causes of male- function and what to do about them. PROGRAM syMPToM PROBABLE CAUSE WHAT To DO AM, FM or | A. Constant or intermit- | * Discharge or oscillation | * Attach noise limiter to electrical ap- MPK reception |" feat noise” heard at | ” enused By elected apokr | plianee protecing noise, of attach tines "or" in" arta | Shoeh euch a9 focresen: | tothe reciver's power source baat Jame, D.C. motor, or recti- | 4 Reverse power cord plug/receptacle | er connections | * Insufficient antenna input * Keep receive t prope distance from | feta ferosmperte wall ot |” other elesrcal apolances * Toga antenna for maximum sntena tlicenty. "See. CONNECTIONS" fn operating insertions FM, or ‘A, Nosy * Poor noige limiter effect or | install dipole antenna (eoplied) foe FMMPX pla EN ae deelois | "matinee aipedl suena reception Note: FM reception is affected considerably by trans. | mission conditions of station, such as power and ‘antenna efficiency. “AS a result, you may receive fone station quite well while receiving another sta- ton poorly * If this does not prove effective, use exclusive FM outdoor antenna Excessively long antenna may cause | B.A series of pops | = Immition noise caused by | * Install antenna and its lead-in wire | starting of nearby auto: | at proper distance from street or in- mobile engine grease antenna input as desribed ©. Channel separation | * Excess heat deteriorates during reception Circulation of room air is important to receiver, Be sure that receiver is, well ventilated Record playing | A. Hum or howling or tape playback speaker * Wire other than shielded cable used * Loose terminal contact Turntable placed directly on | * Place cushion between turntable and speaker cabinet or place them away from each other Consesting shielded cable should be se short a posible B. Surface noise * Worn or old record * Wor phono stylus * Phono stylus is dusty Recondition playback head of te deck or stylus of tumtable * Turn TREBLE control counterclock- * Improper stylus pressure “4Channel ‘A. Position of musical in- | * Incorrect phasing of speak- | * Check phasing of speakers and input stereo playback struments and voice | ers or input connections connections. not clear The rear speakers should be changed in position and directionPRINTED CIRCUIT BOARDS AND PARTS LIST Ws Parts No, X: Parts Name Vs Stock No. 2: Position of Parts TUNER BLOCK $i5.Ne; rg wid x ¥ z wy x Y Zz m= | a biota | 2a tee Sata) "70" C8 | Sues Rots 4700 oroia71 1A, = 1k (0) AER | to in sotee ate ee ae = ae biden d Coon 1.5ee TOV TC | gs7i1gs | 24 Rae | 220K orane24 | 14 = ote} 10% 60 v Cc. | eee — aon sare | 15 Coar 1100p} as6o101 2A me on ‘ing! 4 Se | et som ov ce, | ite 24 Si504% ae w | x ae w x v [2 Ror | 180 5% TW CR | otosisr 1c Rese 100k" | ororio4 1A Roos sea} av11183 1A Reo | 47k 10% 010147328 Rca 300 0101333 | 24, Ree 220, 101222 28 Bs | ogee ee | “te YE | it tk - ‘39010. | aiorses | 2a Coos. | 220 yt 50 -V EC. 0sisza1 1c R10 Ban 0101822 | 1A e ti eee ae Rew 1o8kn 0101103 | 1A a iat 0518109 | 24, rn | 220 o1oiz 18 = Ve aes ae ¢ es licae fs | ann sietmz| a3 cm | St) evan sev ne. | outloe| 24 fs | 220 101224 | 26 i sano | ae fe | Na orolis |8 sre | save, | Bn fee | ano voia72 18 Ge |) tow sevice | pea | 2c ‘one - Sov EC. 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