You are on page 1of 42
an se ZL felon a OUR a re Sas ia THE JOINT Terenas) MAKE A WISH yu (diets ad SAVE THE LAST DANCE Ayla RIP ey i dbat ela Plea ala ALN Ce EER Rome Sasa ec ease cd ee Ree aa cote i Bizgraphy Saxophonist/Singer/Songwriter Mindi Abair has not only set sonic trends, but has broken all the boundaries as she continues to define the less traditional future of jazz. Het own brand of pop- ‘meets-jazz adds a refreshingly unique voice to an exciting new generation of crossover artists who are, like her, powerful instrumentalists as well as thought-provoking singer/songwriters. This Florida-raised, Los Angeles-based performer’s unique hybrid sound—a mix of cool vulnerability and utter convietion—have brought her to the top of her game, She tours with her own band to sold out audiences worldwide, hosts a popular nationally syndicated radio show “Chill with Mindi bait”, and the list of artists she has toured or recorded with are a testament to her talent. They include the Backstreet Boys, Duran Duran, Mandy Moore, Josh Groban, Adam Sandler, Keb’ Mo’, Lalah Hathaway, Lee Ritenout, Teena Marie, Jobn Tesh, Bobby Lyle, Jeff Golub, Jonathan Butler, Peter White and Rick Braun. When asked about their childhoods and musical influences, many artists look back fondly on certain album or song they heard, orcertain moment of epiphany where their future came clear, “Not me,” says Abair, a St, Petersburg, Florida native who spent much of her early life on the road with her father’s band. “Between watching my father onstage and spending time with my grandmother, ‘who was an opera singer, music was always around me. My parents gave in to my constant banging ‘on the piano with lessons at age five, and when I was able to choose a band instrument in fourth grade, [ copied my father and went straight for the saxophone. Music was always my normal. never considered doing anything else. And by the time someone told me it was odd for a girl to play an instrament for a living, thankfully it was too late.” ‘ Her 2003 debut CD, 11 Just Happens That Way, debuted in the Top 5 on the Billboard Contemporary Jaz Chart and remained in the Top 10 for 19 consecutive weeks. Billboard magazine named It Just Happens That Way one of the top 10 Contemporary Jazz CDs of the year. Her hit single “Lucy's” was #1 on R&R for a record-breaking eight weeks and Abair was hailed for leading a ew movement in contemporary music. Her 2004 release Come As You Ave debuted at #5 on the Billboard Contemporary Jazz charts. Her 2006 release Life Less Ordinary debuted at #1 on the Billboard Contemporary Jazz Chart and remained in the Top 20 for 45 weeks. Her songs “True Blue” and “Bloom” hit #1 on R&R. Her 2008 release Stars broke the usual genre barriers, with her single “Stars” charting #29 Adult Contemporary R&R simultaneously with her single “Smile” hitting Top 10 on the R&R Jazz Airplay charts. Mindi Abair has opened for Josh Groban, was a featured performer in the “Women in Jazz” feature at the Grammys, and has appeared up on Panasonic’s Jumbotron in Times Square, the “Drew Carey Show,” HGTV, “Emeril Live,” and onstage with Adam Sandler on his HBO Special and 2008's MTV Movie Awards, backing him up for his Lifetime Achievement Award, Her songs have been featured on everything from the Robin Williams/Mendy Moore movie License to Wed to Aaron Spelling’s hit “Summerland,” Mindi’s recording of her original Christmas song “I Can’t Wait for Christmas” was featured in 2005 on the Bath & Body Works and Pier One Christmas CDs, selling almost one million copies Critical raves have come from the press and artists alike. Josh Groban has commented: “I was fan the moment I saw a tape of one of her concerts. Her ability to connect with the crowd and appeal ‘to jazz fans as well as those who aren't as familiar with her makes her such an exciting artist, and | was thrilled to have her as a guest on my tour” JAZZIZ magazine said “Mindi Abair is #1 for her original sound, perfect melodies, grooves and overall sense of fun.” Blues giant Keb’ Mo” takes it deeper: “She speaks to all of our souls. Do yourself a favor and check out Mindi Abair’s music. You'll be happy you did.’ BLOOM ALTO SAX Comroseo sy INO Aani@ NO Martaew Hager Wweeo,| J 22 Gre d Keo E (N08) FA] Gore Parteen Jor Lian emera E (wee) ENO % Getove IN Bass eNtee ENO X O (ues) (ues) No eepear on 0.6, : 6/0} _ Wed A 6 «rR BS 08 UAVERSAL MUIE.CORP, HOT MORE saxOPHONE Wi PARP ENSNG VSI sos Ye See8S HUG corte Bek coe MUSE CoKmaNY [AUPigiS NST MORE SANCPTONE MUS Gartoled and At sterod by ONVEREAL MUS CORR ‘APAGME Resened Used ty Permssion Qe-INreo, — Guisie Parreen E (wet) 0.6. nL Coon (COOK Re-Inte0, Enos) Getove IN — 16 4 A Guitae Sou (w) (ue) [ag] SAX SOU ee, Pha oe) ° VAMP ~ AO LIB. ON Cue 3] (ues) 4 « Come As You Ace Auto Sax [Wee] 48 Guithe OnLy B BA e/a Bue sia -/OF Commoseo sx MINoI ABnie ANG MarrHew Hager S6t ¥ OBWNS, Lertone0 WW ~ 7 _—_+Be ON eaves (are cont.) La) 8 BYA eof Bye BBA BF 8 Bik e/Gt Be Aww €/a¢ Bus) (8) od fu é # Ch Of é # a cos FF FF a ‘4 A é 8 ‘Bore NOTE 16 LEAD ff A é dws) é/a¢ ‘oor Tine © 200 UNIVERSAL MUSIC CORP, NOT MORE SAXOPHONE MUSIC, aes igus aes nena Wee oer rors 8 o “oN A igor HOT HORE SAXOPYONE HUG Conca ad Arty UNIVERSAL MUS cone, [ATRIgha Rosorved Used by Poms 8 si/A ecw B, syk e/at BE e/a | Bia et BE 8 siya eat % S468 IN 8 s/h eat ave Ades) €/0# © Be) Che _ Of é # 0 | Siege Eas/A _ east/Od Cos/h, Eant/O# = st # ae SOLO PLAY 5 x's 8 BA e/OF Bue 8 8A €/GF 8 BA e/a BE Aw e/at 8 Ofu Oh Of é ff Every Time ‘SOPEANO SAX. (oeos mio Music BY MINOI Asaie ado MatTaen Hager ine. | d= 4 Sax Ao Lis fi OEM oo & Aw On esa y72 (6NOS Bv8) [a | Meese - Woon wy AM? Our eur AW Ow eu hoo Deus SHOOLO CALL T0-OY, ‘THERE'S 90 Much 1 WANT 10 Aur our éu7 Foust Groot SAX pleKuP ng FE Perr Y é Fou sax O Fh SHLD thy sxe € 0 é F #4 SEN GOWN To SAMPLE, GUITAE AND DRUMS ONLY S00 Pieuurs, SAX, ted pita soL0 Bur teu o : € ‘oAx PICKUP Toy] CHORUS. (8 eda Ove Feu co € Feu o¢€ 0 é THe JOINT Auto Sax Crmroseo sx MINot Asai2 NO Marriew Hager wren] SRE apes) Homa ane Je Gu ’ Au Ou cu Gu Au Gu Ou Au Gu Ou Au Gu ax 5 +8186 det b IN X - MeLooy ‘$20 X - SAX G0L0 tH % ~ PIANO SOL0 a] StH X - MeLooy Qu Awe Gu &u Awe Ou ’ + Keto. Gre eu. Gu Awe Gu Gu AWe Ou FU BASS CONT. i. 2000 UNVERSAL MAC CORP. NOT MORE SAXOPHONE MUSIC PaRRW Basan MUSIC uo 76 STEPS MUSIC Go THE BCTCLE MUSIC CA aa righ NOT ORE SNCOPLONE Mtste Conteded and Aanotere by UNVENEAL MUSIC CORP [ATRigits Reserved Used by Permission Gu Awe Ow Gx awe! gy 1) e-twree. 0 Gee Au Gu Gu Au Gu xe [0-44 geen) - + Gu Ne} Ae 6/8 Gu Sax sous. Soo G54) gag W/ G/B = saxsous. SOLO peKurS 4 aaa VAMP - B2eAL COWN AeAOUALLY To aust RHODES & Sax 5 Qu Gu Awe Gu Gu AWe Gu 8 Deoms oor Luey's ALTO Sax ComPosen ty Mino! Assi@ AMO Marriew Hager [res] dau Quire BuO és Bus 5 VERSE SiMiLe RHdDES AND Guttke fu Os & Bu Os és 6 A 84 ‘ory aos OLY | twee: not + opty OMOKGA —CHOKDA és bu 0 ‘Dr ptt: ee een eens on PESO utr, WIS cone no Noss Saver WS, Peres arp Mee ce Sra copsaiae Re-INt20. Bu Os és bu Os és cour yor ptt: o-tI: - ax Gone Mae ANS Bu Os bu 5 4 A fu ‘Sax 4 OeUHe OLY vo Dr pty + b p-tl +d PTT + Reread "FL Cue fu 0 = és 40 Drptry 0 p-tl + Ox due G A Bu 20 Mane A Wisk ALTO Sax Comroseo sx INO ABAIG ANO TYRONE STEVENS [iweee.| <= 50 Tier Os Ashe Os g; 0 Gs ) 3 Lt] 9 A Eurlyone) 4 0 A €7(4004) * wa(Q) Guo 0.0. ak Coon 6 Eutiaco4) ‘Copyright 2004 UNIVERSAL NUS{C CORP, NOT MORE SAXOPHONE MUSIC, WB MUSIC.COBP. and SOBBLE DEBOP hi Fights fo NOT MOAE GAKOPHONe MUSIC Centoted ana Admnsts‘od by UNVERSAL MUSIC CORR, ‘Al Fighter SOBSLE EBOP Admmltorog by We MUSIC COMP ‘Aifagnts Reserved. Used y Permission at Coon See'9 A E17 (4008) 4 8 €ur(4004) Gu Eu7(1004) q Eur(n004) Gu 44 a Voice as IN INTO. i erm TE cry Ds 6s ° 2 ewemsee ALTO SAX ComPoseo Y (wre. MiNo1 Asie aNO Matrnew Hagee de Gitte - CYMsAL FILLS, ‘SAX PICKUP Guirae atreagios - Orums sioesrien > YEH Siok g —efaust # 8/0t € fast 8/O# €& — Bfauss ff 8/0F & efaust Cha f Cha A(oos = A(ao0s) Hoe Buco) oot) Feisoss fo a Seons go ro snAce 8 chad A008) € 4009/64 + eucon tdoust * eueen found oF Cops 290 UMVEREAL MUSIC CORE, HoT MORE SAxOPHO IAI ight or NOT MORE SAKOAHONE MUSIC Conoted Highs SOBEL DEBSE sammie "A ights Reserved Uses by Pormision Wa MUSIC CORP and SOBBLE DEBOP rd by UNIVERSAL MUSIC CORP. 23 SAX LEAO IN 10 60L0 tu 7 Esust fi e smons g her Ao) Feo ef 8 ofa A(4oos) Fuss OPEN SAX AO Lis. Re-INF20. |@uitne - CLUMS PLAY ROUND ON CYMBALS (009) 24 Save THe Last Oance SOPeANO SAX Conrose a4 INOr ABAI@ AND TYRONE STEVENS Inreo, dao4 vitae (souNos bys) ow owed RE FPP Y oF BF EP Verse wee Osuet Eset A Guirae smmice 5 ‘O0UMS IN A Arey Osvet Cause re Verse yA wed Osust E 6004 A uw (We 8458) wee Osust Eset Guirne Aereaaios By M00 Bass & ue mH wed Oeust sued é ‘cexyreft € 2000 UNIVERSAL MUSIC CORP. NOT MORE SAXOPHONE MUSIO, WB MUSIC CORP and SOBaLE DEBOF fright NOT WQAE SANOPLONE Musto Cao a Adnan by ONNERGAL MOD COMP Fig for SOR Deo Adrentred by Wa Ul "Aivighs Resewed Used by Pe ‘Sei0ge ful anys Auoo ait Gs fut 01s) sof €(4o0 aver Sax tread $1 Rereat Ao Lis. aNo Face Oe ae Ase ORE 26 GAIN ALTO Sax. Composeo $Y Mino Aanie ano Martuew Hager Wee0. d= 180 gomneowe Buy Guirie statue [A] Sor x Na Deuws, ONO x Geneve Bh tho baer ab/ob b paar Ab/ab ob © 2008 JMIVERSAL MUSIC CORE. NOT MORE SAYOPHONE MS. m PiRY BAHIA Mus ons s6 stESS HUME oe Tae sieve CIE st ighor OT MORE SAXOPHONE MUSK Canola and Admob UNNEPSAL HORS CORP ‘ATAghs Revered Usea by Permian aoe shu/hh, — Ghar o ° ons _Bhavh es Qbwur a shies _ Bhat Ohur o thu fr 4% Gre. AG IN INTRO Bug & <7 ONO X SAX S0L0 [a] Bho /W Bhs 7a w ths fa ahs ia bua i: Ve Ghar ‘ y/gp gb the “ab she es ra) eb she 7a Bh sb # ebudt % ai CHoeus shu _ tht g hur ob s 8a _ Bh /the~, Ghar a oho _Bhuvtb = Gbun ob eh 1 Gre. As IN Neo 8hus /ab Bhs Ab 29 SMILE ALTO Sax i = 0 BY INTe0.| ‘MINOI ABkie ANO Marruew Haaee oe 0 OE = Guanes) Gre eS ee eet © Couns enree oe GMa) rn Veese §) $7 C.(0009) 0 bur Coos) A Po CHORUS [t] 9 ~ Ot og =™~ ‘Copyrigh © 2008 UNIVERSAL MUSIC CORP, NOT MORE SAXOPHONE MUSIC and PENAY FABTHING MUSIC of 76 STEPS MUSIC 2o THE BICYCLE MUSIC COMPAN Ar nights NOT MORE SAXOPHONE MUSIG Octo and Aemtnsttd by UNNERGAL MUSIC CORP. igs Reserved Used by Permission | 9 x Oe og ove 0/6 ova TZ Seige 2) 0 Cio) 0/6 ore ort 0/6 A 31 a. UL 5] CHoeus. ae Olt 0/6 0 wo Ot eK) oe 0/4 ovA oureo Staes ‘SoPeANO SAX ‘Woes AN Music By Wwree, IND} ASALe AN Mantas Hager on Esust 8/0# Bust 8 Verse suse 8/0 Benes ee Ws oor oF Pate __ ‘This HEARE_OF_ ING AL-WWAYS HITS_ ME "ROUNO_THIS. TIME_ 8/04 8 Esost = THROUGH WIN - OW - PANES ___ ANO MOON - Lif Siies_ Oe (1008) s c? I = - 3 = Wis GETS HAC = GR EV - ety Nig AND YOu SAIO__ 8 FA/AF WAY - te-ave_ D0 YOU HAVE TO Lenve_ to - hae CAN'T WE MAKE A LONG Go00 - s¥¢7_ Gio Gao) ft Eo) essssie ANO Yeu SAO My = ewe MY HEART 16 61K AND fe 8 Fant Ghar — N 2D OF MAKING LOVE__ A= C8066 THE 2208 UNIVERSAL MUSIC CORP, NOT MORE SAXOPHONE MUSIC sant Nor wore SAXOPMONE MUSIC Contd ned by UNNEREAL MUS COPE hs Reserved Used by Pe 33 Chu Eevee a __* ao Wisk AMWAY THE MORN - INQ LIQHT__ “CAUSE THE otAeS ACE OUT tO NIQHT__ & FAR E4008) & FYAF Eos) o era —S ALA LALA LA ‘THe STAtARE CUT TO- NIGHT LA LA LALA LA AL | Veese eset 8/0 Bevst wee wa a THis $6@ - € - MADE THIG WORk_OF_ AUT_ THESE RROM-I6-e6__ | ENO BY HEAeT_ 8 Esust £/0# a Bor — woeDs__ CAN FHOE__ Foom THe ver - % € Some-niMes | FL $0 AR A AN YOO (1009) 8 F4/At Fee ty Py Nae ee Why - dt-avd__ DOYOUMAVE TO Leave 0 - NIGHT? CAN'TWE MAKE A LONG @000 - BYE? Qiu E4008) ¢# i Elo) ; ae Amo yous MY = eee ave_ MY HEN Hp SlCKAND I 8 FY/AE Gh [¢ lai : 4 = eo tre t_ 2D OF MAING LOVE A-Cete6 tHe MILES Wisk Away He MORN — ING LIQ 6/0¢ Esust Fisust 44 3 oa 3 od i — Keer ris ots-1aNee cur oF sigut_ "RMUSE THE STARS ARE OUT fO-NIQHT_ ene a a FH/At (4008) FS we WOWy = Gente DO YOU HAVE TO LeAvE_f0 - NIGHT? CAN'TIDE WAKE A LONG @000 - BYE?_ fr (0 a Hie — 3 Aa =e z. SS a 8 sarsZ * ae Avo wt sO Me tet Me WeHer 16 SICKANO TI 8 Fat Ghar 4“ Sa tO MAING Lek eg _ re E Chu E suse @ a Bait = a LETS Wish A-WHY THE HORN = NQ LIQHT__ “CAUSE THE GIRS ARE COT f0- Nig 8 euAt € os) == THE STAt6 ARE CUT fO - NIQHT_ LALA LA kA ka. 8 Fay/At (4009) Set x Only “ S ant = — LA LA LALA ka. THe thts Ake CUT - NiQHT__ Esust Froed HoLo 35 Tove BLve Auto Sax Couroseo sy [iwreo. | MINOI Asaie ANG MarrHew Hager VoeaL edu Fbsost Chu Ftsuse 3M. =. 7 tu Fheost FHeost ety ‘INO X £00 BASS. ety Fevst é 8 [8] an at Aua7 8 2) oak Gtisvs/' ot Ama? 88 a Ch Gfrs/OF AMT 83 cu Qfrsus/0F Awa 83 % Awa Ofravs —_ SRE RS ss UNVERSAL MUSIC-CORP, NOT MORE SAXOPHONE MUS (aTANG Hs WpSTESS MUSIC oo THe BICYCLE MUSIC COMPAR annagtsto not MORE Sao His Nido Canales an Aamptreab UNVERSA MUSIC CORP, Recheres, Guitae Paereon, CHa ouovs tier Faust Ody Fest al Guirae Parteen Fie, Che Faust Ch Foust Chu Fost é 6 Puay Bx's RE-INTRO. Quire Parteen a rn) Phos 37 ‘Sax SOL0 Cha Faust Cy Fhevst 9 ‘ist ¥ Bass out Che Foust é 8 Seons our FAL Puay x's, oS) hy Gtisw/OF | aur OPEN Quirke ParTEN thu Foust Cha Faust ‘Ler sax Puy cur, 38 16 Hemenway Auto Sax. Comeeseo sy INO! ABKIG ANG RUSSELL FeeeANtE IWte0,| = 182 Oovce-rine tat Fee. SAX ONLY AD LIS. Oust oud) ve ays oust) owt) ree os af Oya fea) 4s Owls) owes) re au 18 Oudy oul) 1 au a aa | 1 Ghs Gs Fes ts é7 G/A 0 a 4 obs Gs Fs €7 GAA G8 at +) gus 8/0 Ott Go odes 8d Bhrsuss opm e 2004 UNVERSAL MUSIC CORP. HOT MORE SAXOPHONE MUSG ana TEETH MUSIC ‘AU Regs br NOT MORE SAXOPHONE 1k Contoles ara Adrunsteres by UNWESSAL MUSIC CORP Aunts Resened Used by Pormsson 670845) todo = "7 [a] owt) owt rt Os Sou out ret Gu a ava | To Coon 4 fis oe fle = fe A OF Q) | Seu0s, o rea rt ters. Pha i T6064 67 oO ie q Fha Co] @ An © — os.arree tno sore soa! Bee wanes eo bl) = gael ot) sul) sont > > i" > Sean FLL 4 AW tv's SAX SOL0,, THEN OPEN WHILE: [4 \c00n puso? Six rece 8s 07 nt 67 07 ne Oneve Qual Oys9) ne Gs Lows) owes) ret ays af a” | obs Gi Fbs 5 é fA 0 ROO COME AS YOU ARE aa eS FLIRT THE JOINT SIGNS MAKE A WISH AlN Lael Alea SAVE THE LAST DANCE SMILE STARS aie) ame] A6) 26 HEMENWAY ait — Chast ee

You might also like