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    121 views50 pages

    Alfred Blatter & Paul Zonn - Contemporary Trumpet Etudes (Hickman) PDF

    Uploaded by

    Diletta

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
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    | ee ee woneempumpet Annotated and Edited by V : Hickman Al Blatter, who holds the Doctorate from the University of Illinois currently serves as a faculty member in the Theory and Composition Department. An accomplished homist, he served on the committee for the new brass notation at Ghent, Belgium and is the director of the Media Press. Paul Zonn is a virtuoso clarinetist specializing in contemporary literature. Mr. Zonn is a former faculty member at Grinnell College and the University of Iowa. He is the recipient of Rockefeller and Ford grants and is currently on the faculty at the University of Illinois. ——————— David Hickman is one of America’s foremost trumpeters. Mr. Hickman is currently professor of trumpet at the University of Illinois. He has recorded and published extensively and is heard frequently in recital and as soloist with major orchestras. Notational act NOTATION GUIDE MICROTONES A, Quarter Tones (a) B, Unspecified Microtones ay os n a)e sixth—tone sharp p)* sharp, flat 0)* inflections third-tone flat 4) quick slile into note GLISSANDO a) b) gliss direction = f e)t. smosth (halt-valve) 2, trip? (arpeggiato) (overtones) or; VIBRATO RL ee nnn = = == nv. S} variation of width b)variation of speed c)width specification a) no vibrato ‘endorsed by International Conference on New Musical Notation, held in Ghent, Belgium, Oct. 22:25, 1974. ‘copright © 1976 TROMBA PUBLICATIONS DENVER , COLORADO 2 INDETERMINATE PITCH a)t.on a five line staft fee eee iy 2 _ ot eI = bt bd). on a register grid or, 2 HIGHEST AND LOWEST A 4 A a) Highest note possible Lowest note possible (in symbolic duration) (in proportionate notation ) anwe~ = ‘c) Highest range 4) | Cowest range (not lowest single note) (not highest single note ) v RHYTHMIC DURATION = — 474 1 aye ——— ‘e)* accel accel for two counts ritard ritard for two counts PROPORTIONATE DURATION e ‘e)*no space “sudden continue a)lengths prop. to spacing b) gras duet sound between motes stop UNORDERED ELEMENTS be a)1, improvise on given pitches (any order) 7 “Improvise on given pitches ( in order) SV aproise WFiEin Tate range(any rytha, order) ¢) ee HUMMING WHILE PLAYING pt om (um: beep voice TIMBRAL TRILL (Tremolo) 33 HALF-VALVE SOUND a) ») MOUTHPIECE POP (mouthpiece inserted) Tr aus ‘ b x or: bm b)1, unspecified pitch. or 2. a)t.tapecitic pitch 9, Hngered Ronally VALVE CLICK (and other non-pitch sounds) _~) ) ") ») a (as duet) valve click played notes and fingernail click AIR SOUND (embouchure not vibrating) TT a)1* approx, piteh or: 2. b)L.* unspecified piteh or: 2. ‘SMACKING SOUND* CRACKED TONE (add “K" to dynamic) ‘Played in a variety of ways: slapping tongue against mpee. cup, accented ''D'! syllable spoken thru instrument before Playing written note; etc, sfsk— p——fffe (ada k to dynanic) PLUNGER OR HARMON HAND POSITION + = closed *, @ = halt open * 0 = open * O—>+ gradual close * +20 gradual open * = close/open Ww =F = slap plunger against bell cae a hand position (plunger) between open and closed,* o- de o- oe +0 awe open valve half-valve closed valve Examples: = gradually closed valve = gradually opened valve valve to be trilled a) b) FINGERINGS a a : or es DECRESCENDO Tr tente + decrease to aitence —- 0 = decrease to silence METERICAL GROUPING 34242 FLUTTER TONGUE a) v) oY - oy : : $9 Ss Fluttertongne without piteh. ( Air through instrament, eabouchure not vibrating ) Pluttertongue away from instrument. ee ee ( play mouthpiece only) f) L = mouthpiece inside of mouth; flutter - no pitch ( mouthpiece inserted ) MISCELLANEOUS SYMBOLS a). = play mouthpiece only = play instrument without mouthpiece ») = '"flap'! Lips together avay from instrument (no mouthpiece or instrument) °) = reverse mouthpiece, hold slightly avay to produce '' vhoosh '' sound a = ¥ t a) YYY = tonguing without producing pitch a = suck in through instrument instead of blowing out. e) TIME LINES a) seconds 10" b)events accel on notes in order s+ for ten seconds, improvise staccato notes for fifteen seconds. Metri Studies 1 AB. iP P sempre Wf crese « Fast J~160 oF =a m AB. Fast dai P senpre staccato {Trompe pubctions, 1259 York strst, Gener, Colorado 60206 9 vivod = 1804 simile va F staccato. 6 ber ——= detga, “rime vi Pz. very fast Co ho ae —=_a Wwf cross = = 2 ¥ er vit PL. rit 12 vu PZ. ‘MONODUO 3421243 = open 3434242 13 8426248 — D.C, al tine Rythmic Studies MODERATO » Fl — pepe ip t mp aaa a a : 2 _—— aa fos = ee = 1 AB. a3 nk a Pip —— soot os po ps> fp SPE nd [Ss =a a4 we th F "pte _— ri tato ee = ? eee . poco ral 53 lo —— Pam = @ tempo Pp RP ~—

    Pf ALLEGRO VIVO 180+ 7 v AB. oso J -60 su — asst050 — — 2 * pe ae =35 A 35 wt P crese = . . = Se 4 > ah poco crese - — mf = feed i et PP perese ou = > 2 5 fain Pree Seo teas OAc SR ag — sa =f P—S _———?, 3P = A : 3Q 374 Nose : = of PR in - P IH P of —— 11:8 aed Pts A sug no aia DPI PR fF ae a to f vI SIMPLE CANON molto crese AB. 19 vil AB. CRAB CANON 4-90 => ne 7 a ro 35 ___ Sp ran 2 ai SS = Se PR ran cts var Pz. NEW 1946 MUSIC scherzando 21 vl PZ. SHAKE IT UP i su —= >-Pp Sf eee Intervalic tudies J-10-60 eo eee ee ae mee ae 4 m1 AB, P As fast as possible pa 25 26 Bravure S37 Zo K PZ. RHYTHM STUDY ARTER CHARLIE (WUORINEN) Sohne Sesp dim — 2 vu PZ. (pedal tones) mf mg a —ta 35 28 var Pz. 4-100 29 ne PZ. STUDY ON DAVE HICKMAN Sen, —— 2 Study on =D Av EB HiCkmAn 30 J-s0,116,192 2g z Soa 8 ate mo a pag a mamas 3a Tan 2 repeat 2x! ‘aijust wetronome to ae oa = a next speed tc man P3434 oo 3s 7 ft le Fag. <_- ‘Mast be played with @ motronome _... 31 Twentieth-Centur Studies y Dranatically 4-60 An RP FP me fp t= Pe : A TEMPO a om pe — ed a tf ae SF SS pe Rall af = — texto dase — a P—— pope RP Molto expressive aaa Pat pp wma tt Sf PD RP pS > Se PP PP PP nf —— pp mp —— IP Of —Yy . 8 PP pp <> Mf Pf fet e AB. SLOW SWING revise, wate —= * P given pitenos = —. = = ke —. ,, + J 20, udoy p crose (quarter tones) e a f eres = = = = = amoltocrese - - * lide truspet my be used. 34 vopenatod -116 (Gansi Jazz Style) staccato fp 2 p= PP seupre stac. Tempo un poco piu mosgo 4-120 "7? ————_mp staccato yn poce mene acase — Jab4 —— SSS ope ee —— col 7 . pS pr <= =>» poco a poco em, - atemo Jing erese ~~ - - - > = Fm Staccato Staccato poe - = ~~

    (Mezzo) ‘Ciezz0) to piccolo AB. Quasi Cadenza Haynon See a ul siny maa me ree, we Fe ee Straight =< = antes bet eA wLeing a 2? ees cis tr he © open suo P—— ————_ fF mf poco a poco dim eg a Harmon ape se See SS LS Rafe <> os-=>0 2 PR 39 xi PZ. TONE COLORS (1) ce fee USM, le 3 + gradually — = Hamaon was aise) 7p possible — Me chotoho te Stem = ae — wpe a PZ. xi ‘A SOUND EFFECT MAKES A SOUND AFFECT Preely (sing thra mpce., gradually — Wy Ly inna) replace instrument) aes, = 4 Aleatoric les Each Line = ca 15" CFR AT Fee a —__—* 4 straight mute = ¢ secret be

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