UNIVERSITY OF CALIFORNIA Los Angeles Charlie Parker: Techniques of Improvisation Volume II A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by Thomas Owens 1974TABLE OF CONTENTS Forward viti Motives Early Period I've Found a New Baby, 11/30/40 v Body and Soul, 11/30/40 aan Honeysuckle Rose, 12/2/40 14 Lady Be Good, 12/2/40 16 Moten Swing, 12/2/40 18 Swingmatism, 4/30/41 20 Hootie Blues, 4/30/41 21 Jump the Blues, 2/7/42 22 The Jumpin' Blues, 7/2/42 22 Sepian Bounce, 7/2/h2 23 Cherokee, ca. 1942-43 2h D Flat Twentieth-Century Blues, gol t5 28 Blues for Norman, 3/25/46 29 Groovin! High, 2/45 33 Groovin! High, 9/29/47 34 Relaxin! with Lee, take 2, 6/6/50 38 Relaxin! with Lee, take 3, 6/6/50 49 Body and Soul, 11/24/50B 4 A Flat Dizzy Boogie, take 1 12/29/45A 45 Dizzy Boogie, take 2, 12/29/45a 45 The Bluest Blues, ca. 1/53 46 Chi Chi, take 1, 8/4/53 48 Chi Chi, take 3, 8/4/53 50 Chi Chi, take 6, 8/4/53 52 Street Beat, 9/4/45 54 Street Beat (Riff Tide), 6/39/50 55 Dizzy Atmosphere, 2/45 61 Dizzy Atmosphere, 9/29/47 62 Donna Lee, take 1, 5/47 66 Donna Lee, take 2, 5/47 68 Donna Lee, take 3, 5/47 70 Donna Lee, take 4, 5/47 72 Donna Lee, 11/8/47 74 Indiana ~ Donna Lee, 6/16/52 77 Bird Gets the Worm, take 1, 4/24/48 83 Bird Gets the Worm, take 3, 4/24/48 86 Lover, Come Back to Me, ca. 5-7/50C 88 E Flat Dark Shadows, take 1, 2/19/47 93 Dark Shadows, take 2, 2/19/47 oh itDark Shadows, take 3, 2/19/47 Dark Shadows, take 4, 2/19/47 Carvin' the Bird, take 1, 2/26/47 Carvin! the Bird, take 2, 2/26/47 Bluebird, take 1, 4/24/48 Bluebird, take 3, 4/24/48 Home Cooking 111, 2/478 Groovin! High, 12/11/48 Groovin' High, 2/19/49 Groovin! High, 3/23/53 Meandering, 11/26/45 Quasimodo, take 1, 12/17/47 Quasimodo, take 2, 12/17/47 Dewey Square, take 1, 10/28/47 Dewey Square, take 2, 10/28/47 Dewey Square, take 3, 10/28/47 My Little Suede Shoes, 3/12/51 My Little Suede Shoes, 9/26/52 B-Flat Blues B-Flat I Tiny's Tempo, take 1, 9/15/4u Tiny's Tempo, take 2, 9/15/ll Tiny's Tempo, take 3, 9/15/hu Slam Slam Blues, take 1, 6/6/45 Slam Slam Blues, take 2, 6/6/45 The Hymn, take 1, 10/28/47 The Hymn, take 2, 10/28/47 Parker's Mood, take 1, 8/29/48? (full score) Parker's Mood, take 2, 8/29/48? Parker's Mood, take 3, 8/29/48? Big Foot, 12/11/48 The Opener, 9/18/49 The Closer, 9/18/49 Mohawk, take 3, 6/6/50 Mohawk, take 6, 6/6/50 Laird Baird, 12/30/52 Got Rhythm Red Cross, take 1, 9/15/44 Red Cross, take 2, 9/15/44 Thriving from a Riff, take 1 11/26/45 Thriving from a Riff, take 3 11/267 45 Dexterity, take 1, 10/28/47 Dexterity, take 2, 10/28/47 Anthropology, 3/31/51 Moose the Mooche, 9/26/52 Kim, take 2, 12/30/52 Kim, take 4) 12/30/52 ReNnwo Le BASSLSETS 8sMoose the Mooche, 5/9/53 Wee (Allen's Alley), 5/15/53 B-Flat Other Pieces F Blues Warming Up a Riff, 11/26/45 Koko, take 2, 11/26/45 (full score) Cherokee, 4-5/46 Koko, 12/24/49 Billie's Bounce, take 1, 11/26/45 Billie's Bounce, take 2, 11/26/45 Billie's Bounce, take 3, 11/26/45 Billie's Bounce, take 4, 11/26/45 Billie's Bounce, take 5, 11/26/45 Now's the Time, take 3: 11/26/45 Now's the Time, take 4, 11/26/45 Sippin' at Bells, take 1, 8/47 Sippin' at Bells, take 2, 8/47 Sippin' at Bells, take 4, 8/47 Barbados, 2/5/49 Barbados, 2/12/49 Au Privave, take 2, 1/17/51 (full score) Au Privave, take 3, 1/17/51 The Squirrel, 6/16/52 F I Got Rhythm Salt Peanuts, SANs (full score Salt Peanuts, 12/12/h Salt Peanuts, asrio Chasin! the Bird, take 1, 5/47 the Bird, take 2, 5/47 the Bird, take 3, 5/47 the Bird, 12/18/48 Chasin' the Bird, 3/12/49 F Other Pieces C Blues Scrapple from the Apple, 1/15/49 Scrapple from the Apple, 11/24/50A Scrapple from the Apple, 4/12/5 Embraceable You, take 1, 10/28/47 Embraceable You, take 2, 10/28/47 Embraceable You, 9/18/49 Embraceable You, 11/24/50 Little Willie Leaps, take 2, 8/47 Little Willie Leaps, take 3, 8/47 Little Willie Leaps, 12/25/48 Cool Blues, take 1, 2/19/47 Cooi Blues, take 2, 2/19/47 ivCool Blues, take 3, 2/19/47 Cool Blues, take 4, 2/19/47 Relaxin' at Camarillo, take 1, 2/26/47 Relaxin’ at Camarillo, take 3 2/26/47 Relaxin’ at Camarillo, take 4 2/26/47 Relaxin' at Camarillo, take 5, 2/26/47 Cheryl, take 2, 5/47 Perhaps, take Perhaps, take 3, 9/48 Perhaps, take 4, 9/48 Perhaps, take 5, 9/48 Perhaps, take 6, 9/48 Cool Blues, 1949 Cheryl, 12/24/49 Cool Biues, 11/24/50A Funky Blues, 6/52 ne = & € I Got Rhythm Constellation, take 1, 8/29/48? Constellation, take 2, 8/29/48? Constellation, take 4, 8/29/48? Fifty-Second Street Theme, 9/4/48 Fifty-Second Street Theme, 9/20/52 An Oscar for Treadwell, take 3, 6/6/50 An Oscar for Treadwell, take 4, 6/6/50 C Other Pieces G Blues Hot House, 5/11/45 Hot House, ca. 1948 Hot House, 5/15/53 What Is This Thing Called Love 1 ca. Autumn 1950 What Is This Thing Called Love 9/16/50 What Is This Thing Called Love 8/27/54 What Is This Thing Called Love 3/25/52 I Can't Get Started, 3/25/46 I Can't Get Started, Summer 1950 Don't Blame Me, 11/4/47 That's the Blues, 1/45 G.1.Blues, 1/45 4-F Blues, 1/45 Bll 345 384 389G Other Pieces Ornithology, take 3, 3/28/46 Ornithology, take 4) 3/28/46 Ornithology, 12/11/48 Ornithology, 12/24/49 Ornithology, 6/30/50 Ornithology, 9/20/52 Out of Nowhere, take 1 Out of Nowhere, take 2, Out of Nowhere, take 3, Out of Nowhere, 12/18/48 Out of Nowhere, 2/14/50 Okiedoke, 1/49 Lady Be Good, 3/25/46 E-Flat Minor "Round About Midnight, 6/30/50 B-Flat Minor F Minor € Minor D Minor A Minor Appendix Segment, 5/5/49 Diverse, 5/5/49 Mango Mangue, 12/20/48 Bebop, 1/15/49 The Bird, Autumn 1948¢ My Heart Belongs to Daddy ' Love Paris, take 2, 12/ I Love Paris, take 3, 12/ » 3/31/54 10/54 10/54 Bernie's Tune, ca. 1949-50C Night in Tunisia, take 1, 3/28/46 Night i a, take 4, 3/28/46 Night a, take 5, 3/28/46 Night i a, 9/29/47 Night in Tunisia, 11/14/52 Night in Tunisia, 5/15/53 Tico Tico, 3/12/51 - Chord Progressions for Improvisations Blues 1 Got Rhythm Indiana - Donna Lee Whispering - Groovin! High Dizzy Atmosphere Embraceable You viCherokee Honeysuckle Rose - Scrapple from the Apple Little Willie Leaps What Is This Thing Called Love - Hot House How High the Moon - Ornithology Out of Nowhere Night in Tunisia 475 476 476 477 477 478 478FORWARD With few exceptions, the music in this volume consists of excerpts from recordings, Charlie Parker's improvised melodies. Both the solos of other players and the accom- panimental parts to Parker's solos are generally excluded because the topic of research is limited to Parker's improvisation techniques, and because Parker's solos are essentially uninfluenced by the musicians with whom he played. The full-score exceptions to these limitations are mentioned in the course of Volume I, and are visually obvious in the following pages Withi ation exists. In most cases, while the pitch notation is as accurate as | can make it, the rhythmic notation is only approximate, and the details of phrasing and articulation are totaliy absent. The inclusion of such refinements would have added hundreds of hours to the transcribing time of these pieces, and would have contributed little additiona information. The handful of pieces that are more carefully transcribed provides a basic understanding of these para- meters of Parker's style. Again, they are visually obvious Some symbols that appear in the transcriptions require explanation. The sign +i. -# indicates a slight lagging behind the beat during a phrase or part of a phrase. Stems that lack heads ( b or fF] ) and question marks above or below notes indicate notes too faintly recorded to be heard clearly. Heads that lack stems ( ===== = ) indicate notes played in rhythms too complex to be notated accurately. Arrows above notes ( f or + ) indicate substantial these transcribed solos a further Ii deviation from equal temperament. Throughout this volume, i have used a system of number- ing measures that appears cumbersome, but is useful for purposes of analysis. In blues pieces, the first Arabic number is the chorus number, and the second number is the in the chorus. Thus, a blues piece is numbered measure wi vili1-1 through 1-12, 2-1 through 2-12, 3-1 through 3-12, etc. In pieces based on harmonic structures in aaba, abab', or some other form, the measure numbers include lower-case letters that indicate the form, Thus, a plece based on a 32-measure theme in aaba form is numbered as follows: laj-1 through 12)-8, lay-1 through 1a,-8, Ib-1 through 1b-8, Jag-1 through 123-8, 2a,-1 through 2a,-8, etc. When a piece was recorded more than once during a recording session and two or more of these takes are available, capital letters precede the measure numbers: A equals take 1, B equals take 2, C equals take 3, etc. Introductions, interludes, and codas are numbered separately in order to keep the chorus numbering system intact. ixMOTIVE S z Geiny (OS NEOad oe, = er — = oS = - Treiz ea. mth (4,MINTS = ot eeeT OUiexvaromt ie eS pS ees Oo Clipse Fo = 2a 9 SS SS SSS Viste te) M27 UO Tee ae = b, v Md, Qa. ipa Fae ee nes blIi ‘VE FOUND ANEW BABY 11/30/40 (Barn, L valli fiSie 129 py = = =e Se Se PEL eS 9 (200-8) ~ rE as =BOY AND SOUL v/so/aoe semute 120 ds elas “io at X. Rr flax-5) = =e ———— fie = = ¥ reas p. ‘ = = ee =(as) > v tA PS Gas-5)HONEYSUCKLE ROS 12/2/40, 90TLITE 120 : less) ks === = SSS = +e +g rarest Fe= 7 Se eet :Liy 8 04 12/2/40; SPOTLITE 120 56225. — sles 64-5) + a a ———— = = SS ae _- Ga.) ~ é == — itr? : SS pape Oe 20-5) —_— em SS S== o + = — (36-1) = Be set ——— = a) a = —— = ES = a = <= a a = = SSS woe Wess ger —— (3-1 een #0 He" ~~~ — - -- - 5he = iene) = ee > —= oo as Sas shez stg * - = 7MOTEN SWING t/t ho:roc 236 595, (24-8) ejn cin 5 CIC FF S35u33— 34 ese (aa.-s), wg 75 F Wo 2 aaah = a SE pl eee Seman ; F CSTE a Se a se ae > e 5 (ays) > wea > +e S= SE me + Fa z bee P 2 _— cherie tt Se et £ aa Sees = a STOTT, py 2s sO ekSWINGHATISA sofaseggn re 2st.170 OG?) i SS = = Seo eh (30-1) ee a SSeS Seem Fe bss = o. at (2h! rine, #5 zs Pap oO ous Tis ee a wine ey ay SSE See Dees <3 Stas 0, ahs) i ct cl — ch pa aS ae Oe es OY tee Q = SS = . Sa 20HOOTIE BLUES 4/20/s1:necca assa de ceieo 21JUMP THE BLUES 2 ryan: sporuire t20 Jeca, 170 pln he Qe = aS les —— £ == = == a pas a ae \(s-9) SSS $ = SS = THE IUNPIN" BLUES o/p Aaoeten aniasoe veasororuers gtr) (5-5) = SS (5-9)SEPIAN BOUNCE 7/o749 ine: 27 a.i60 i ; BP (aa.-5) fi f ef \ Y Hl (rept (se) = ——§$——— i> & nt ; tf cf 7 231922-83 CHEROKEE 400.250 ===) iv # = FRE = 24-9) . == + Were a3 Fie? 1) 0. P35 24(a.-9) oF ae (36) (RIFFS END)Cranes out) 27“20th CENTURY BLUES e/ajesuraua 20 ——== ——— J=ca, 90 28BLUES FOR NORMAN a/ps/ee: nce an a “OTHERS de 64.250 (251) OCF) 4 A, : - js = 5 > See ee z oth ae _— es a SS ea oP er rE a20—— = e 7 G5) nn Saupe a Ges ae Soeoreasccieeeerne ns 0. [weer a(35-1) : ; : 2isis GROOVIN HIGH 2/45: cu to, soy ne 1zozo.craes = —— Sa =r Fe (Qa!) 3 Fe Qai-9) 4 _ ar 7 Tg Piee SSS 33GROOV N HIGH “o/a9/s7: BLACK DEUCE nTuERs 42 C0175 + v 0, bat) os = SSS 3 ~~ 0 ‘ Fre, e — i a SS Se ee g x ———— = I= o Fre pe me — hy 7 : ot Sepa ates (aa-9), 2 A 4 — be are SS Kid(22-1) + mI Z=see eh = 2 Sas SS PF ngte 4 eT SS SS + = ee é an 203) (art) +, = SS Sar aaa i SSE Po = == SS = ie Ga,-9) Se Ta = Get == wt fair : estas SE = Say = (sax-1) a A a wiety oe Trae Si 35(a-l, y, oS Sry Wer 36(4a.-9) ~ r} + UNISON 37RELAXIN WITH LEE oLo/SO:XERVE NGV Ate, 2 CO.175 TAKE 2 (610,-1) oh CEOs Se aie - es (alas!) 4 Gia. 1-5) (ant) 3834RELAX HEE o/o/s0: veRVE wv 2009 EEE 200.180 C oe a IME * = SS eS a (ett-5)BODY AND SOUL i1/24/soa:soner si? a7, THERES: rrr ser (ias-5) SESS == == ae oe Se 41= tite oe (ab -. ee = tots = Sas = ee ee F Ga,-5) q ae £33 p oy 7 aes PS s a tae # @a.-!) - baa 7 a FITS Se PIT caaee oe ee Oo re + Fee (202-5) $5 = = ae oa ees 7 ae 42Fire & =e a SSS = = 9 2225), (sa.- 43(aa.-5) gS ee PS ) (30-0 ets = : = = = es Tae é - ager 7 Lad aa grea G5) (SS aoe =e aS 9 Ga) ee = pS a ae == Sa SS = +> (3as-5) +4ZZY BOOGIE :2/aa /asspo.vone ses 107 TAKE | 4s ¢a.120 (Ab-1) f = z 4 ed wr sir Os (Ab-5) i : =: 7 = = : ee ie (46-9) vigtine —S = mos Ex t petra * =e 4THE BLUEST BLUES co wass KORE se ONEON EDR 9O15C 42CQ.170 (7-1) = = 2 $e = Cpr 7F Faiihe ae aaa (9) i ia = = SSS x Fra ™_ ee dear 9 0) 5 a ria 2 et iz a SS a = (9-5) 3 2S — ou oS SFE a (9-9) 46(0-9) ; a = a iF 47CHI CH! e/e/ertvene unvans ETHERS TAKE | Feano (a3) C ARBITRARY NuMBEeINC) pa as ESS = ao SS = z =i [ape ek ¥ 9 43-9) SSS SS = gree? Rk irae + Fat ee a ze aa ———= 3 4844; CHI CHI : SERRE 3 4, 220 TAKE 3 (3-1) (CaRaiTRaRy NUMBERING) FT SF FF 9. ' ~. | UO Vere 1¢_* tee Teta (c3-9) 2 ee 4 == = = SSS Ia ~ = ; ee eggs (c4-9) — i = = SS Pot Sao a cc -) > == SSS ease == s-s) 3 4 (cs-9) 50(c6-1) . ~ “STAR OFEYE™ 0655). — = i Gao SS = 9 $C6P ee — mee SSS SS Corl) (7-5) =: . = ——— =. z ap OD > Te ig (67-9) 2 > 2h s ‘GT. aS eager re (cei) ete uo52(ce-1) _ "starOFeVE- -- ----------- 4 he a Be SP es 53THE EAT 200.220 Be 2 = Se == ose = SS © ad as = are yee a aa ot (20.1) c = = _ bin Gees aaa oa] Te we crs wo Gard ~> Beas = é ===> = (25-1) =e a — a SS Se (bs) 4THE STREET BEAT if 100.285 RIFF TIDE) - a,7) = C102, ¥ io (6a-s) (6a.-1) 3 (6@.-5) Gord 5 3 fee 7 3 (bass) ee, es = (7a) 3 ba T 3 ss(74-3) 3 ? (at) eS ee pee 5 aera ears = Sree rey oe ae aS -(82-5) 5 ult * (a) $e za “as FF Ee ae i (56-5) 3 er 3 a (eas) , a == == = == = TS Gard be : a4 ; ; po etn 2 we 7 Se F 94,-5) Heist (845-5) 3. es : = = Sar arena ee = = Ome (sax-1) Li-er es 57(sb-) 3 ; ¥ Ft yee eae 7 ai 7 se (9b-5) i oe ere aa eS SS os So ae == +45qF (ari) a a = és “ > ~ On, poh 3 = , Te > SF > (14,5) nt bos 9 fae) = = eee ace =m (oa,-5) E ct = SSSple) 343 oS (106-5) 4 v a — ae t Se (10031) , —= Bode he ot ed r preg ee + (1045-5) £ —s ie, at a 2 twee —~ oe (uot) > > > a? > == oS > SS He (ia,-5) 3 4 4 ened ok yd ¢ =a SSS mee c= a= en ee pe (was-) 1 (1a,-5) (ub-1), a 3 = fae Se =r ree rare oe 2 Seo == a 34(as-1) & TS st Nas-5) asa PS 7 =F See 60DIZZY ATNOSPHERE 5 ae; SER APT ARR 200.260 7 (eis ss ples +d S a ae ze Soe fe RF ri (20-5) . 4 2 i ie: — —— z — # ae es, Fapee = get tack dy ra erm mt ghee a = = Gar;s) 4 See = oS ait FURR RE Se (@o-) 2 3 ae = Soe ae ~ ree ad > > ts grit ey = oP > e 5-5) 3 hk 2 SS Sat ee to peg Sa cy ee 3 bas!) 3 a4 — ay _ # Aap es es ip? Pe a 4 £ élDIZZY ATNOSPHE RE eee ewe HERS J 0.375 (2a.i) 4 past = = phe SS +r ger ee (2a,-5) 62(4a.-5) Qe) s = SS SS ee g ae ene p Pe (46-5) 3 Le h a = - 7 oS > SSS (Ane -1) (SAUER) oe mee — st er 66(Aza, -!) (Asa,-5) ea Se SSS Fe tye" oe ee (Asb-1) z == =S == = Piss ae Sa (sts). SS 2 (acael = : eS Se Te = pltreetlag i: SS Escaciaee = == = = SH Asc!) = suatiteies = ae == (Ase-s) a = Ses Som SS Sp Sa 67DONNA LEE er . TAKE 264DONNA LEE 5 /en:savm ws snone, oruens TAKE 3 ds 60,220 (eral) He (e245) = = - = See ere eer > (c2b-i) > = = = 2 Vireeser = ee ee Hee (cab-5) SSS = as = eae " cect _ ~ Saeco == =e" Sa (Cza,-5) Fs Heri ses ret) apa a geo SSS ee a = ree (Cxers) _. so — = = = = “ae = = = (re 4 a ms ——— ee = Ea Soot a era(C2005) 2 SSeS Ee SS v i ae (csb-!) = — = == = ———SS ao eS Saas Savetx z esas!) ~ == == —=— = = =F SS = (Csas-5) x Qe Freee z = Se a 2 es 7 ; A Ce) = = SSS = g # = == POSTE TE TFFz (cse3) SQUEAK) ——— eS = SS 5 59 Beas j= 7NNA LE TAKE 4 (010.-1) 4300.230 (Daas), Q-!) 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(ter) —EE = = Sa SS aa gece (42,-5) (4b-i) ao = = SasINDIANA DONNA LEE cs ype 400.295 Gerd) ; Te ae (205) ' 2 = ae SS = “ae tes ee ere ee = = b+) eS at eet = = es => des SSF =e = =- i - = g Treg igs as’ (ars)deep) (4a.-5) = x Soe i + Se Gb) = s or SS Par ¥ = a 78ae(Fa.-5) = Ss (se) ———- = = SS Tie = = (5-5) (ba4-1) = geet ist or (04-5) = (ei) = = SS = a > ar we as b-s) = & = =z + = = 7 are 9 Gee) 7S SS SSS (bar) = ors =e s ———SS = oe be) = 2 * aaa ==== U + whee Tritt = Ee a ee 9 Card)Qa)” . > 2 = pee oO = ee SS (2ta,-5) SS —s = See + Sar — = a repr See (21 bel ~~) pets ere = SSE 82BIRD GETS THE WOW spun TAKE 1 J# 06-3604), i) : U sie oe 7 a == =m tg 4 ae tte = Fie sale Q (ata.-9) ESS SSS = ee stale lces I =< — = = - re yee ( (hias-i) De Sor ee er nm ie te SSS ee Se = = 5 rier se oF (Alas-9) es 7 4 = = Sees ae SSS Saas S = SS ae eh =e (Alb-1) = : = aes === = ze = = a3U +r _ == = a F535 wF as & = = =e == = Sa aa ) a re % gas = per Whe yar = =a Stipe Ee ee Si - 3 (Arar!) 3 Se SSS == seers =e 3 U tah sie (hear) 3 it ae a 8sBIRD CETS THE WORM seni swovesn. Staite 45 00.370 TAKE 3 (Cla!) _ i SSS es — 2 f == 7 a al ges eT Te* (ia.-9) - ~ ¢ _. SS SS Cer SS(c1p-9) ere z. ===eas eS —<- _ ae SS = id Sao (Clas!) eS : _ oe = = Spa {o. laa-9) ——— ot SS rat +07" => 87LOVER CONE BICK TOME cn elenes nase 45 (0.200 ‘| DREAM OF JEANNIE — ———— BeantSs = SSS Gari) oe A Genel SS ae SS oe Weep ETT + So scaom cue Frere Gas-9) hr TNE Gi, =e = Sa ee 0 oo aonb 2s <= SS Wee IF zee Gp-1) bees “a = 90Gat) = ss ¥o 7 7 a0. $5 v los) —+ = SSS 2 as 92DARK SEAOWS 5 Aa/ersni 1p ana, SERS ere HUE ea) Grow!) em — SS = cs = = SSDARK SHADOWS 2/19/47ipiaL Lp ani, See TAKE Z 4200.90, 4) zee = SSS === 2 = 2 =— — Saaaee Se ae 44DARK SHADOWS 2 As/zinu ro14 See TAKE 3 4200.90 Cra!) = awa = SSS ee -3- + = 2S SS SSS asDARK SHADOWS 2 /ro/ers spore ire i92.108 4800, 100 eras (d20,-5) vie 7 => == ——— = # Ss ae FS ee Oza-5), —_ SS — FTE 7 a Sa = COTE Ora) =—=< So 6CARVIN’ THE 3I2) 2 Ae /ersmiat ip aa SEHERS- 420.210 TAKE L (af) 2 = Se ae @x-5) — 5 = Se = St = (Parl) “C00L BLUES’ - —-~-— 4 a is =~ Sas = ix = Se = na.: 3 ORHAN EL . = 3 9. fa.-9) so. SS o> aS aig + 142 140m mye Ga!) = a BOn 4 Pan = : a ¥ === aS 7 2 Gx), ‘ sean eS OS i Ly eyo Dn Se pede oe = Ss usGROOVIN’ HIGH 25C0.255°265 4 = = 5 = Sa <= (2al) es Se SSS aS vege + re ae) a= (2 axl) ES = aes aS Se ere ae = =. fe = = =aie—a mee ae SS = (ea.-9) he ts = Se = Ss The ae ae Fe 3 > = Se Sa i 14Ga!) = : — —~ oe SS SSS S—- i= = = S43 = + FF ws F eT at oe SS aE ie ote as par Sot est HF (a > Sp eecre steepest THe + Ga.-9) _~ fiat SS = BS == Se vw = Gag) ixcn2e0 . Sis Ss Bess ee Fees fe SS (KLUGER) Sa-9 > = aa = > > a (KLUGER ) 4 == == UF— : ay SSS aa oo ee F(auses) 5 = eS a9) ee ts Pray gee re ee —= F bart) ? SS ae (KLUGER) ba.-9) 3 3 (KLUGER ) : SSS Ss 7 axl), o _ eae == SSS =e Pieter (kLUGER ) i u7¥ (KLU GER ) ngHEANDERING ys sn sous ae Ss 2200.60 (PD) (asl) SSS ae = r U3 "RF e- re 35. = ee aaa oe or , BPM ST 4634 . = cae a at Sa == = (le-!) + == —F Fo eee 6 == ——— oe grape se Se eer 120QUASIMODO 12/7/47; DIAL 1? 203, 0THERS TAKE L 4200140GUASIINODO —seyir/e7; piau 1015, oTHERS TAK ds Chuls Fa Gar!) A ee 7 sa area 2 0 @20,-5) x # 8 VaPering a == = ig ae ieee (. @eb-5) — = = z. = = = ? “ai ens aa * SN # =S ——— . = = Wiggs le ioc 3 122,DEWEY SQUARE oe uns: SERS 35 0.185 eee Ab-l) e SSS o we 0. ===, == oe = 2 = SS i? Seiey (as-5) a — 25 = ae z = + aad 2 —— SS = == = = SS = Tee y Uc, al It pfexd ae Se == Se ae 7S == (Mra) Ss a = == 3 oe Fae (rab-t) SS = ——— 3 = weer + WiFizb-5) 3 oe =a Aza,-I) a is SS . = SSS annie ayer le (hzas 5) + — fst -!) 4 Pais boot = eee ee ee =: aee Sa PSs PEt ere pfecdl, tts Paaeee Oqe S SS ae AS (Asa!) = cy i +z wo ro prrer oa (Aza.-5) —> = feet BS a + $ 0 (A2b-l) ~ : gees ; eae == oS = pee Lm (Arb-5) = ° a = (Ase,-/) s Sr eee == a == 7 is hye gees OE ag 124(asa,-5) ie ees 12sDEWEY SQUARE , B/AT: DIAL LP 203, PToERS 1 C0. 180585 TAKE 2 @n-) dem = SS a FP Pee ie a7 + F (B2a-l) SS s —Se reer Pee 7 a (8241-5) aati Te j ee 5 ies @2a.-/) — < . SS : EEE EGET Te (820,-5) a + 3 Sat (26+) oo a pay SS ae See ? 126os 24. = é area Spree eee ee he — 7 (622,-) = aS = Te = pS eee r 7 eer" Frees 127DEWEY SQUARE so/za/47: oiaL_1018 STaEEE TAKE 3 ish an z Uo are E> > = SS (cib-5) a] de ge EE ree =m: CRRA ay ee cp Lae (C20.-I) TeRT re Tee F (C24-5), : # 4 6 am ! SSS = pyGesed_ -l) SS == ae THF (C2a,.-5) a # ae oo = 3 7 (Cab-) 3 == 2s Et tre a SS eS (Cab-s) 7 = SS = oe ee = Cras!) ES ae = oF es Thee 3 Pies zeeH 5 ee a Sa eee SS ‘Cias-5) A= Tt ” a te 7 129IY LITTLE SUEDE SHOES aj see ERE ETE = OTHERS d= (0.185160 2: 2 a-le-- - - ~~ - See fe SSE Za ‘ = oe = SoS wo 1302 @as-5) Ht fh === ae oS 131MY LITTLE SUEDE SHOES a/oa/ens ds C0150 9 Rau!) — a Se tree Saye FP i dees tae ie 2s (2ax1) z Wwe oe =pilas-2 SS =e rir g rae % eS Ea @ = Sa ie Ties $ Ga. a © pues) i 4 $ ae TSS = == _ a Geax!) * = = (Sa.-5) Teer “ zs fae See ae == ieee er : Ge) e 133,(56-5) See tte Sapo Tens REAEMBER * (Fat) f-n- 4 -- =< =s Saas Sr = FI 7 (5ay°5) ‘ p 2 = i SS Se ae ; 7 tae 14Tivy’s_Temeo = Take ois jas oe a, £00 CD) 13s+ ete Fe 136“Tiyy’s Tempo ~ Tase 3 ofits 44 137“Tue Hymn Tote 1 1olzs}4 354.310 it 134140= Tse + * os z we + ep me se 141Psakea's Mooo - Tate | af2s}ts? Hieiaor tere 3200.45 CAinivo- : a 142,1434445146147148144150151182,(A4-5) 153(A4-4) 3 is¢PARERS NOM) group 2 ELDERS EOS OTHERS aeCa.ss TAKE 2 Ss @e:s) ro res Pe 2s 4 Bs me 185156PARKERS MOOD avessee? eee — TAKE 3 OTHERS 4200.80 (From sippons 1965) re 34 TF. ée) a a == = aS SSS Sa ———> ——— 157158BiG FOOT sues EE OTHERS = SSS = ets Fo gE Fert es = (3-5) doe poy == seis 18 fey prt Vssgr5 = 4 = sia — 5 yar we eeege N SS 7 = S22 o 2 =| &) n = = = 7 Ce Siege See Wrras a (a) ee ae. =o Poe Spe £9 4 = ae 15416)ere re EDhrttgoond cis yin’) BS 4 162168THE CLOSER aneaas SReoR ee T= C0.260 CODA OTHERS «s oe eS = = = tt al 3 re = = = ms 9 SS re eee LS iF (2-3) a 2 ¥ = SSS joseph eS pee Teas = eee eee SN 7ae ss He ee =rn mrss Go eae SACKGROUND BUFFS BEGIN L, Se aS Pa se aS FE== ie v= AGT oar ae = a =a eaeee — 3 = eA St +¥sheF ay aaa tt SE: as y =a SaaS FFlerM . lOMAWK = Tee 3 Lfsfso Je ea, WO164170Lap Baran si sss + a5e Age Y im26 : 173Reo Caoss- Take 2 opsfes. deca. dis 174Tuewaie Faon & Ree = Take 1 ulaelas Jee 230 — Fars: na « a), Aab-2 >176Tuawins Foon A RIFF = Tate 3 Tea, 490 177178DEXTERITY wrascers Sra T3CU-220 (ha!) SS ees = ae TAKE L U Fe se + oS goed i 2 om Sa : a it tan Fe taet, Se a.) ede bed = SSS = eas Se ae ie gfe = : oe Fre $ 0 S —z ie wage ary a a (a2b-/) Gg = ae Uv =F o ssa ol meer Ss + (ar 5) pete fect — Se - (od aed a ae 73 = Sa 23) te SSS SS = od ea) eh Siege (as) . 4 so SS eee = = “Sieteee sree it (20.55)4 ‘ Gax. = “TENDERLY® _ = = : Se ries =—i— 182183MOOSE THE HOOCHE e/ne/sa: 42C0,250 “hymoresque’- ------- wr tececeeeney Qa!) t-~ -~----a55------------ é (a5) @a.-!) 2 — ee SS SS Se OFg tgs 7 * (201-5) he FTO TGS FTE 33 (20-) 3 a # Hoe a Sits U a Pose > (2-9) _ ae _ (2a5-/ SY Gas 8) a = ee: == —= 7 == 7 FIs y tte al) : eo ftps Ponyae ———— test 185186? ie ees Ga,-1) ee) — fi ae Z Sea JU = oo (5a,-5) =, ~ = =F E 7S ea = FF te + = 187Kimi = Take 2. 8, 320 oo re Naa-P + 0) Gah Of 6 188B3a1-8 184190Gqveats) FFDias-s 192we 193Ge ai Ge alt Ge alr 1944sMoose Te Mooewe le lea = Teta. 20 Bas-5 196"Lets Fallin Love” = — B 2 2 nl F 147Wigs tage 484JF CO.3L0 Con) seca s cea cee eee aera ars) SHAS (a) abe, 4 ites == = —S Gerd in geese oe = 3 Cae lags tha p(2eds Po _— °C SS (26-5), —_ a SaaS SSS gre Garden mm oo = = == SSS a (ose) Pasi ee == Gor) 200(30.5) SS= == as grt We ane Gort) pee LL ana + a Se =e F ae rs ee SSS = Qo 1) Peat = = = aS ee See ES +z hie = Ge-s) : = + Sas = Soeetaiete = = SS gre U Gay) Te (2a; -5) +¥eler FPP da) "yr 3? (4a.-5) nos x = = = = = = a He (tant) tt 4 a +H > 201SS isaac s phe ae ¢ *RAINON THE ROOF"-- ~~ ------ = = SS =e eee t3*g? 7 Gard) y . eae ee == : = 5 5 = = = na TSE a 202Wanye te A Rice Lfaef4s. 203Opi aee : 3 204La = 7 +T--------.3 205ag Stactchails For Two" — =~ HO 1 me =) 3 ? ? 206s apt Ko-Ko Tne 2 (J? ca. 300-30 2072081 nes 13) te = B 2 F\ intron) Te 204nto 21) % 210flnteo.- 29) ail(ias-5) Tye. t Ale 22(ha 13) 23ait2s2162i7aie2g2202al222223224225226 '2272282249230Clodarat Tf. 23iCuesoxee +5 /46 meee Tea 890 dase 232be las- 233db-13, 234aye @) ) 3 Q Gas) 2353 Ga-13) ¥ Gas) (saves pay ene) 236Koxa. tte iits He 108 OH Olea GE Ou ai @ Se ee 237las- 248Gil ays GH} Ohl GH 2342402¢1Bie’ Bouts Take Wjtelse 242248Take 3 diffs 32 4,10 244J 5ea, U0 55 24sdeca. wo 246act ck ot att a 247Fao as aera 23 Boot ae GD 2-t C2-4 > 8) roe ws v & & &Siepin' aT Beiis- Take 1 8/47. J ca.208 250Sree? pt Betis ~ Tate 4 5/41 Sn aa Fe ea, 200 2stOF ct 245 252253 .BARBADOS 9/12 ea:suoy na izira a2 CO.225 ao (3) Q = eS =a Ee z corer ey (6-5) eS 2 254_ (&-aurrans am anus’ ~ ~ - = - = - ~ ~~ (saugan) - ---- : a SS z g Tae te — . a4 @9— TIT TTT 1 7 Co 6» 2ssyrs. Au Paivave axe a J ta. 200 (Bin) Permission to reproduce theme denied by Criterion Music Corporation. F 286257258254260261262263264 -265266Gs) 5 267(Bs-4). (Engineer increases rhytiim sechon velone) 3, a 268(Bio-1) _ Atle 264270(Bus) Tt Alto B A (Gu-2) % Alto 271Ay Pavave =‘ lake 3 Herlst 272273THE SQUIRREL user APE — SSS (a) ? = = & = ae nae v a a ce a (45-9)(4-1) Ss —— testis . 7 ee a : (4-5) ? ——— SS = =a (463) = SSS — d Bates se thee =a aerrig (47-1) ad) be tt ’ = x ; a (47-9) (40-1) BUNNY HOP - = —- : > 2 be eS uv Ga = tie HS = == Gs) : — Sa 5 t = rere = Se (483) ; oY) = = = 27sUae = 7 (49-9) a eS es (so-1) = 8 = SSeS ra = + Be Sas =r Srewesaaee = a —= = = SS 3 *35q5e"" ee = EG ae =e pare 276277276deen. 245 Cintre-1) 274Gntro- 13) 28!262283Te 8 F (ias-1) % Atte 28+285Ainter. 8) 286287298284(neers 2-1) 1} Ale 290% 8. FR (tert), % Ao aqUnter. 2-18) > o>243(1) 2at245246Gas- 5) 247(4p)(inter. 3-1) PA 2 244(inter, 8-5) Te Ate 8. ZS (Inter, 3-4) Th to. 300301302$0330h305Sat Teoravts Sat Searnst 306SALT PEANUTS avis EEE a= 00.360 1) OTHERS (4a,-5) fo tf fe so at) (aes) (4-1) @-5) a ; (4as1) > an =— —— = fase mt : = SS pers 3) = Se SS oe dapper = 307a (Sa-5) Se — = s SS SS es Gas-1) Gas) Gb-1) == it = e 908Aas-3) Ise Fer asa = ee -) 5 i Ee = as Sa Boo FF oF ae te oie Te 304310Vea. ns ae ~ 311oF ea. 11 a2aigCHASIN' THE BIRD. Ag aarraoe 35 00.235 +. 4. (2,-)) ——- Ae SS ag (on) pees) eon = aoe - =a Bh ae Sa (2ax-8) 34Paes Seta — ea : =a goed) — ae a a get oF SSS Sa asi) serenade’ —— —-—-~--—- > “ & = ————— & v a 7 aisCs” THE Big __ajia/sa Trea Oat Jee, 0 last a3-S) + i. > ae in Ne a eg 316Gi GAT GUL GEL GUE 3ITSCRAPPLE FROM THE APPLE Lae de C0235 AZZ COOL TC 3, OTHERS ) — = Sh Sa as CaS) aia = 5 oa == = SS eS =e TF WE wage a8+ertrsee eS eS Ss Saate (36-5) “aus, Fat aia(b-5) Cas-S 920eee PP sa2-f Baa-5) = oF + Sb-! P*Shuve be Haired” “dom BOR) six bits G35 Gant 32)FRI OE * 3 ts E ve 322Sesarrne Fron te Aprne 412/51 OF ea, 10-200 ee oes z = = =| == es $23cS S24(6-3 12b-s) 325926927a 4 PO Fhe (ea,-} 0 bas-$ ? 328iadeetimhenee 324330ey Fe Wee = 33)332Gs A 333334335=== Wes ase ee 336337ORO HW) HO ES He 338Jumme Wie Leas = Takes 3/47 Je ea. 230 abi- C2as-1 934a) 8 aye re ¥ 9 0 340Bau-S) K 341* = wereDistt tomers 32 ca. 420 343Coo, Bives = Take 3 2/14}! Te ea. 108Poo Je ea. 190 Ds-8 345Revaxin’ ar Cawarnto- Take 1 Af2e)s7_ 4 4 4] 4 ) ali) b 7 H i q 4 4 Are) 7) Hi 3a ote + Res aun? sr Cananise = Tare 5 2jacla. 346aE ee > FOF 94734847. wihaes Fea, 185 == eee == “#3 2. es 44gPERHAPS /es: cavoy na sonsoruers 420.200 TAKE £ plde-s) a __ : > —— = eS 7 é qe Se ar HT (a2-1) 3 to = = === == 5 Weis eet (43-1) = = eS == SS cai Fete 8, 4 — a tat 5 a # i tPERHAPS (eB SAVOY NG 12002, OTHERS 42 C0.190 TAKE 3 (cei) (a8) (C2-4) 33 = = ce Ds —_— TSS = SSS = er (63-5) = BASS a == or uLiT Tie Westy ae p (cs) = = ES = a Rta? a ¥ ers ged _ - SSS (4-5) aaa 4 (c#-4) eee eS == es Paro Se astPERHAPS —¢/uns : 7 TF CIS TAKES (02-1) $e +e (bz) a= fas Se # aa PSE ee 7 352PERHAPS (48 SADY MG 12.000. aTHERS 7 COTS TREES) 4 (2) >. — = ee es SE (2-1) = = 5 = = Sao SSS (E29) > > 3 ~ z= wt a erate > gree +e > Er? urn 4 = Sasa =: = SSS aw Se (3-8) ¥ = aa Sa (63-1) SS = Ss = Wt ee Wipe (€4-1) : 2 rete es Spe SE a ae +5) fend = >: eS > +7 (é4-9PERHAPS aves: si SCO TSS . (Fart) - eS SS ae ie qe lage * ets sn (fies) TAKE @ 3 (ey : a (Fs) > See = = ———- SSS ae is pe espe g (F-8) e ae t = = Sabese == Be ee 7 ToaG EF 7 (Feo. = — =. Ss See = Aes Fes) (Fe-4) fa = erp a sg o Se oe 2 = {= = = == = = aaa Seamer éCOOL BLUES yee =a J7CO..200-210 pa) os aan ES pe) = a SS an oi pt storie = + $F =rs4 = + SS Se ee + “THERE'S A SMALL HOTEL” (3-0) = = — = eet F Se ae sat oo Ai a é = = Sate = 2 f oS fee = ene. OD 4 = = == = = “Way ge pare oF gle es seeped ; = ce a ae Te SS Pomme Ges (4-2) 3 (4-4) 2 355=A A = ae +E aye ge 356357p = 1 eS = = + = oe oe ireCHERYL 12/n4/ea sor cu anwvos.orsees J C0180 (3-1) a 354(7-4) FEATHERS ANNOUNCEMENT ~ —— —— ~~ ~~ T= 2 - a SSS Ss 360= y (4-5) 36)COOL BLUES ye /sru e 450.185 pg ey) — Se tig pet cs +o tay a ea SS SS (a4) AN 362(5) fon: Sy SS (68) — = = a eee Wotge es eg ag te aoe (#4) =; = a3 = a pe ged ae == ee aa =e = = = + — a anceFra oF 70 @ +----) | 364? (pee Se ee eee Paine a Rigas lash pe 365366367Tae is Cousrenation, Take 2 a/a2 faa? Jz ca 335 s2a3- (Bsa,.} 368364nes oe SSE AS, Jee 335 aes 0 4 4 a t | ¢ 4 © ip 0 0 370O3as-) a7EIFTY-SECOND STREET THEME o/s: swnr eine SERS = 00.235 (oat 8 MEASURES sit) (ari) ON TAPE ONLY (2.4-1) (24-5) — = save a SS = = ea v= eh ge (be) $ (2b-5) a8 2 = = “oO es (24y-1) (245-6) ea sy ¢ 372(34782 SS = 7 sR pate a> pene = 4 (34-1) (S45) = = S58 SSS 0 = Fy - z pO ea ar (3b-)) ~* We Nd pee p Gs 4) = = 0 are SSS “SP eae eae (345-1) oa? SSF (Says) West ay epee (4421) 3 Mae (44,5) SSE ¥ (4412 Se v 7 373(44-5) - - == SS +i ing ee SSS SS ee (45-1) (45-5) 4ayes) COOL BLUESS> @--- -= ------ 34—FIFTY-SECOND STREET THEME 9/29/59 MsB« PECOEDS We102, SEIN EOS aE if 15 00.300 (2001) Tr (recs) + Se —S= == 1 ye is 4 Gey . i: — SS Susie eel (2ay-s) = = Sess 5A Ue eee “SheE> ae =i (2b-) — os= Ses = (36-8) aa - patie aap =e Ses ae Be) on os _ 2S re = = > +e nd see es (324-5) ¥ es eas ae "UETS HIVE MOTHER CUP” (44-2) 3 Ss> we =H —— = — - => taste Fe (40,1) _ : = 2S eee = as =z eae me treachery 376Sa ee gst Se Fe gee oD) _ =e : 3 r = = == — ee << A “Sa os 5 So o ae 7(60-5) - Wwe +h se 9 (ea) 3 3 Es SS ==. = = uw. = = oe 7 (643-5) Mey & — = 5 ‘TM INTHE M00) FOR LOVE” z = Ue re bee a Fo — oS (6b) 34 i z ns ane ae = (6b-5) * . (bay) 3 78374N TPEADWE! | 646/508 42 CO.220 TAI KE Case) : = (C2e,-8) 3 Se aS ee aa “S (Can * los Dee a 7 = = = SSS ears e as oe ae OS se 5 Ses aoe = Sea ies (G1) , : (Cab-s) = = = ae ae = ——F = = ae (Caay-1) 3ST "E*ar? SP a atte a= Se == (C2048) a = : aA , 5 = a ats C31) aS SS Ase Poet ae = ==s ae ef = a 380(Csa-s) Sher F (Cae) a pt ee a : SE * 7 Se plcsetl SS = SSS ve vs the ae Be te 381AN OSCAR FOR TREADWELL vaso: alls 400.220 TAKE & OTHERS fr wage ——e (Daayes) & = —— aS = ro ee OES hee Be (034-1) ~ 382(034.5) yey = (03a!) “DON'T BETHAT Way — ———4 (034-8) Fit pee ao fas = ser aa Saat SS See (0ab-5) a A aaa (034) =, e eS a Se rest _ sate == Z= ve Wye SEs ES 3835{ujas. Hor House. F708. 110 Qe GH Gis oft Gk @ Oe 384HOT 40! E C0.1948 3 See RS de CO.190 — (eee yo eras ete ns See SES = (24-5) r i] ar a1 = s I Ee eae FZ = oars (41) (241-5) ~ . Ss (3a-)) at ne 3 aS —— as ’ aie “SG gialgivtaa sgl he* 385386(445) nl = m = : Se vr ag eee (4-1) “NOOSE THE AYOCHE’- — y —- = ----- S ; a ee = mat oie Soe aera se nae (4b-6) — ae 2 2 —— a= | = ee ee *ae7 (4450) 4. m3 ‘ & = eet e SSS ES + (4%? overuse To'wium TEL’ - —— y- - --- --------- is : ——- SSS ot _— fem — Sa = sas ind mt aie ri tae ? gee a i— > == SSS Fareiger re ee (54,01) == 7 —— St (S415) ees “PUT YOUR LITLE aa = ae = 4 SSS aa Foor (sb) - 5 7 = i =e Sa U a 7 = + — 387(58-8) [aed =. oH = SES s Se SS (4421) oh SSS as SS (54-5) _ A St SS _ == Ss == e eee a Qs Ur.HOT HOUSE. snsrsas Ee EC STEERS. 72 CO. 190 (2a-1) 3 == : = a ae TF ee i : (2a,-9) = Per Sa oa CD) 384; Va Bre ogy d phe sabes * ——= = Mead oe : = Pri =a meee Pea 33 xt =. GSS z za A eg aa == — SS SS pir ee Bie pee ba a Fy ee eg ee Se 3404341Faas »y Gk Gil oi QaP Oat @ * + 342343Coast ose. as QoS 344Gai-1 “as Terres Bogie 4a27! pre Fe e e) XS e K J 345Wat Is Thus Tine Carer Love _8/27/4 Fam * ovtra's Donce” (Grieg) 346a5 Gaz: Ga2-5) das- mm a, a 397WHAT IS THIS THING CALLED LOVE siasrsas SRR 250.288 ones (2a,-1) 7 aa had a Pat boars) = zm ae ——— é i Sa a Se 398| Car Get Sragrep alas/4e rae STE Gas-$ Q 400+01402DONT BLAME ME Was 47s Saas 1800.68 403404Twar’s THe Biyes jas ro ),@ & 23 °R & aga Hy 2 2 oem 5 eee Farts =a Se Gl. Bes 4s __> SaTIO 405; = Trg ie 406ORNITHOLOGY 3/28/4635 400.200 eee) 9 TAKE 3 SESES 9 a = St = SSS (c14-4) —— O FSF Fete eve — Fe < a SS m + ¢ Cay — p= fut 3 4 a 2 = Sa 407ORNITHOLOGY svasrées SASS SESE de C0, 225 TAKE 4 (26-9) 3 stemesTs Coes wesks Gree aa a a> es se Sie ——— aS = raga 408ORNITHOLOGY a yuriss OTHERS 420.230 (24-1) = == —= SS = 5 Se Sgyere ee as aie = pt fm Sse SSS a1) er 3a Dn = PGE SS pe A moe Om WM ies i +s =: = a ot ae =i ari). ~Sunver cELEBRE” - -—— N (ee eee ae eee os SS a i) 3 rm A SE ee a abe Se == Seager Sea Rag “ ieee a4) 4 ‘COOL BLUES 4 i= 409da . aul ~~ 41. ee f = Se vt é W+tse as tee st (4-1) Ie oe ee te 7 re See : “rw THe woop FoR THE LOVE’ - == 74 ae ae ES — 7 “TUL REMEMBER APRIL” — — — - — al au so: Hw == #1 “ffs “Hie i “TUL REUEEER APRIL = —— — —, + 4104ilORNITHOLOGY tarasceai Ea 700.280 OTHERS pa = zz ~ —————— se so = e+ ee ie E = = Dagger Fe ae ete + 4 a 64, apni T= aS = eth ge ho (4-9) = = = e Se a aay zee Te ore Te 7 ee) ie 3 2 wd 4 eS > = ae eee apes Qa) ee = z ——— =| S aa eae Eg yy 412(34,1 ¢ <) (34-4) 7 # ie 7 == Sis # pe ee (34,-) == S 2 ee ages oy SSS de oe L pip eS eee a + Bele ee oS A ee a ta < SS 413ORNITHOLOGY ea0rso: SS J C0.220 OTHERS SSS es Cee Tage? # (oo) oS 4 Birra 7 ie ? + (24-9) t L > Ss : = a r (3a:-)) ¥ cs aa = = ov +z veces page He a ~ SS See SS i aS aS ee @ (Ba: 4) ee: Se a SSS === SSS F Sa = arte é Set = =a Te = t ay ste Soe nae 419(9) 34 ea [Ss st trie = s ae etl a ape at No aes = : 7 ; 3 z eee * a eas ar Wave +e = = a es SP thi se SS— 421QUT OF NOWHERE Hees ore a= 0.70 TAKE L (Alert) ' : 422(Ale-5) 7- -=5 e-cq------- a mae SS ae = (le) (BS TT TTT TT Ace = _ = = = z fet 7 : ——s— 423OUT OF NOWHERE wesers SEEPS 1260.60 TAKE 2 OTHERS (8:21) pe eee J Fererer fees SS {aib,-5) 4243 ie ru TaigT! TS ae Fis 7 425OUT OF NOWHERE wearer: Soe ee 4360.70 TAKE 3 (Cis), eae z aa ee SS er ROSS S 4262 (Clays) ° : 2 ‘ 3 sassy “=> ~~~ - ; z r aa S = Fr — 3" ere 427reales a Ss Os eee = a bi-S) 6) ( © i) 428+242jts}so Cur ge Nowneae Fea TSO 430Git alt cl alll all al eae 43!e aa) Q ¢ © we) 432433Gas-$ 3 ereeg gee re zd : a? 2 : 434@ used) . (oi? 435436‘Roun Aroyr Moment 4{30/s0__ forrest 3f--— 437V— a = 438Srement RIEAEED deez. 350 ara gee eee ee = ¥ Fgre vise wae ¥ Fone 4 he He Ho He He fie (le fle Fae = ? 494440Te ea. 350 © dle aj ai a 4] + q + al fl + wy Fi 4 4 wy q q | ) D OHO HO HO dO 44)q +i Eee * ¥ Fie * ‘ay © Hl ne d = aE cea Q 9 10 [ie How Ger es ee cI +e aE 442Manco Maneue. ajzoMs. See 130 a @ (bax) 443= + Bond Trdertude’) Pag wis Sa5e* We Wises FF (Bend Tntertude) “arr 444445Be_Bor Lus/49 Faso FO FF eZ HHO) “i 4 | 4 4 4 q OO HO HO gO we 446447whens Kitt toll oll oltear oft Olt alr 448444a & & : ef + ® 7 + we + ett aT Se © HO m9 He) 450@ | @* ) @ 7 olllo 451Se-5) AS 452* the Hesar Berones 10 Diao” files Sire He ae area. bes i > aa eae Page 453454“T_ Love Phas" tiia2 ajiolss Jia ae TRS 455456Bernie's Tave. 2. 149-508. ge 457a tr FAS FFAS 458Ss: * TF POR 4549Fes, 110 inter Nica in Towisi ~ Take 4 ala 460zat Daas 46)462Nieuw Tunisia 929/40 463464Nicxt wn “Tunisia npig}sa. Tice tea $700,178 (eter - 13 465te le fe lise a, Of ae 8 468Nuc in Tunisia sfis)ss FF a, 185 Bet . ee saa : , 467468469relies ahalst Serge ee da cas 180 0 0 i = F z= = a 4 4 Fae Ta yee +e = + + rage? eget 0 0 470Appenoix ‘CHORD PRoGReSsioNs FoR IMPROVISATIONS Bives 471Donna LEE Gale mene CD) 472473Cuesonee (Bay Hobe, co. 1438) Gas Gvs9-5) naa-0 4751. HoneysuexLe Rose (Fete Waller, ea. 19349)and nae GD EEE by2-5 476Gyas-3 ED tow Hien THE Hoow (Her Lewis ea. 1440) and 4Our oF NowneRe (otn Green, ca. M31) 478