Professional Documents
Culture Documents
Karen Partridge
“Understanding is like knowing how to go on, and so it is like an ability: but ‘I understand’,
like ‘I can go on’ is an utterance, a signal.” Wittgenstein, 1980b,I, no.875.
Abstract
This paper describes the development of an idea called a Positioning Compass, constructed to help the
therapist or consultant to “go on” in a session by facilitating reflexivity and reflexive positioning; that is,
the ability to reflect on action and use those reflections to inform future action. By listening to semantically
rich words used by the client/s and/or participants in the session, “pointers” can be constructed with a “rich
word” at one pole and its opposite at the other. A number of pointers constructed during the session can be put
together to create a Positioning Compass, which illustrates the discourses that may be positioning participants
in the conversation. Constructing a Positioning Compass can help clients and systemic practitioners to shift to
“talk about talk” (second order positioning) or to create new direction in a session, (third order positioning).
The use of the Positioning Compass is illustrated with examples from therapy, teaching, supervision and
consultation.
Introduction
In Harry Potter and the Philosopher’s Stone (Rowling 1998 p. 108) Neville’s Gran sends him
a “rememberall.” A rememberall is a glass ball the size of a large marble filled with white smoke
that glows red when you have forgotten something. This paper describes the development of a
kind of rememberall, a “Positioning Compass” which I have found useful to facilitate reflexive
positioning. Applications of the Positioning Compass will be described using case examples
from therapy, supervision, training and consultation.
make choices and the duty to choose what will be most beneficial for the client means that every
action constitutes a moral choice, which will enable or prohibit the way in which we go on
together with our clients.
The aim of this paper is to illustrate the way in which a Positioning Compass can be used as
a tool to facilitate reflexivity and re-positioning, that is, the ability of the therapist to reflect on
action and use those reflections to inform future action.
These ideas have been informed by the rich and varied theoretical base of systemic therapy,
and in particular by the work of Peter Lang (Lang and McAdam 1997), as well as Cecchin’s
(1987) notion of curiosity (1987), Burnham’s (2000) relational reflexivity, Tomm’s (1992)
ethical postures in therapy and the Fifth Province approach (McCarthy and Byrne 1988). What
these ideas have in common is a strong commitment to the development of a reflexive aesthetic,
a moral stance to systemic work. The process of ethical decision making in practice has been
described by Oliver (1996) as systemic eloquence and by Lang, Little and Cronen (1990) as
aesthetic practice.
Finding Your Way in a Fog
Charon (2003) talks about having to peer through a fog in which we find ourselves, whilst
Foucault (1970) talks about the positive unconscious and Wittgenstein (1980) talks about the
background. Shotter (2004) sees this background as a ceaseless flow of expressive-responsive,
dialogically structured space. He states that as living, embodied beings, moment by moment we
can go out to meet the other and have an evaluative and anticipatory sense of “where” we are
with them, and of “where next” we might go with them. Being able to anticipate introduces the
moral element in terms of the choices to be made about how to orientate ourselves.
Wittgenstein (1980b) talks about “how to go on” in the multiplicity and complexity of many
voices and Shotter (2004) talks of the need for signposts in the fog for orientation. I will explore
this idea further in the development of a Positioning Compass. Since a signpost in the fog needs
to rely on senses other than sight, I am interested in how our embodied selves can help us sense
how to “go on,” through “sympathetic resonance.” This term, borrowed from acoustics, is a
harmonic phenomenon which describes the way in which a formerly passive vibratory body
responds to vibrations to which it has a harmonic likeness, (Lewcock 2006). It fits with the
Buddhist idea of “deep listening” (Nhat Hanh 1993).
Reflexive Positioning
According to Harre and Langenhove (1988), positioning is the discursive process in which
social acts and icons are reproduced and generated. The way in which we position ourselves
and each other in conversation will enable certain actions and prohibit others. Discourses make
available positions for subjects to take up in relation to one another. A “position” is a context for
meaning and is linked to the story line; it is also a conversational strategy to “place” the other.
Davies and Harre (1990), introduce the idea of different person positions in relation to a
discourse. First order positioning or the “I” position relates to the discourse set up by the first
person in making an utterance which invites the other to enter the discourse in the “you” or
second person position. Harre uses the term reflexive positioning or second order positioning
to describe what happens if the second person declines this opportunity and shifts the discourse
98 Human Systems Karen Partridge
to the story itself. This can be described as “talk about talk.” Third order positioning occurs if
the observer challenges the original discourse from a third discourse, or third person, “they”
position.
First order positioning does not require the actor to be aware of their positioning but second
and third order positioning requires awareness or reflexivity, in making the decision not to join,
or to challenge the current discourse. Choices are connected to moral orders, (Cronen and Pearce
Lang 1994), the patterns of rights and duties, affordances and constraints available to us at any
one time, which make our actions coherent. When my client challenged whether I was “human”
or “cardboard” I had hoped to position myself reflexively and talk about my dilemma, but my
slow response seemed to her an affront, from a second order position and she experienced me
as “cardboard”.
Diamonds in the Dust
The sense of being caught between positions reminded me of the Fifth Province Approach. This
approach was originally conceived as a way to map strongly opposing discourses in systems
where there had been child sexual abuse. Byrne and McCarthy used the Celtic legend of the Fifth
Province, an imaginary place where the four kings of the ancient provinces of Ireland met to
hold council, to represent a place where opposing discourses meet. Two discourses with opposite
poles are placed at right angles to each other, creating four quadrants or positions. A double line
connects the discourses that are allied more closely to each other. These positions illustrate the
dilemmas in which the system is caught. The Fifth Province is a fifth position at the centre from
which all positions can be observed without entering into the dilemmas.
A few years ago I had the opportunity to interview Nollaig Byrne about her work (1995)
and I recently attended a workshop by Imelda McCarthy (2002), in which we applied the
diamond representation of the Fifth Province approach (McCarthy, 2006) to work dilemmas. I
started wondering whether diamonds might be one way to add some sparkle in the dust of my
dilemmas.
Pointers to Reflexivity
Constructing diamonds led me to begin thinking about narratives as polarities. As soon as one
end of a context or narrative is evoked, the other comes into view, as one of the “shy stories” of the
session, or as the “unsaid” or “unknown,” (Pearce and Pearce, 1998). Awareness of the opposite
can enable a shift out of one discourse and into another (third order positioning). In the diamond
representation two opposing discourses create positions, which we as therapists and clients can
choose to enter or resist. The multiple discourses in a session provide opportunities to position
each other in many different ways. I began playing with polarities, which I called pointers,
discovering that the first five minutes of the session can create a compass, (see Figure II), which
can describe the positioning of the client and therapist throughout the session. A conversation
with Peter Lang helped me to develop the compass as a tool for reflexivity, a way to orientate
yourself and a guide to decide how to go on. In exploring this idea I have been informed by a
dialogical approach, (Bertrando 2007) and by deconstruction, (Larner 2005). However there are
echoes of earlier ideas from a more realist perspective, such as Kelly’s (1970) Personal Construct
Theory and the reciprocal roles in Cognitive Analytic Therapy (Ryle and Kerr 2002).
The Positioning Compass and Reflexive Positioning 99
to him, freeing him from fear and the self blame that he was victim of his own stupidity. He
PROBLEMS embraced the idea and decided (Pride)
to seek a formal assessment. Dyslexia offered an alternative
description of self and liberated him from some of the dilemmas he had been able to observe
DIAGNOSIS FACILITATE
himself getting trapped in.
(Hold together)
INADEQUATE
(Right)
generous. Together we created a diamond for “living a life” and “surviving a life” and added
Bairbre’s lists to the diamond. As a result Bairbre re-appraised her situation, she felt that she had
been hasty in her initial conclusion; she was indeed living a life and was able to embrace the
abilities she had developed in earlier struggles. She consequently felt that she had no need for
further therapy at that point.
Figure III: Supervision Compass for the Therapist Libby) the client (Jessica) and Me as Supervisor
IRRITABLE OUT OF
(Adequate) CONTROL
(Extraordinary)
(Powerful)
(Brackets) I
ndicates the opposite constructed
by the observer
(Heaven) HELL
I
ndicates a hypotesised dominant
narrative/discourse
PROBLEMS (Enemies) I
ndicates a hypothesised subjugated
narrative/discouse
ORDINARY POWERLESS
(In Control)
INADEQUATE
(Soothed)
102 Human Systems Karen Partridge
and by Libby and myself in our supervision are written in uppercase. For the purposes of creating
a compass I see all “talk” about the client as part of the relevant system of concern (Lang and
McAdam 1996), so I include all discourses on one compass. In this way, the compass illustrates
the potential “to and fro” of conversation and the ways in which the participants are positioned
and position each other. I like to add an observing eye at the centre of the compass to remind
me that this is my construction, at a given point in time. The discourses on the compass are
constructed and meaningful only within the context of the particular episode being discussed.
Heavy lines represent the discourses that seemed to me to be dominant or “boastful,” because
of their emotional resonance, or the frequency with which they are mentioned. Subjugated “shy”
stories are drawn in dashed lines. These are the impressions, feelings and thoughts that are sensed,
though not necessarily spoken, in the episode that is being explored. The focus on emotional
resonance (White 2000) keeps the compass grounded in the lived experience of the participants
and prevents the process becoming an intellectual exercise. For example, I became aware of the
power differential between us in the supervision session and guessed that Libby might be feeling
inadequate, as though she had nothing to offer her client, or me. I added powerful/powerless as
a dominant discourse and adequate/inadequate as a shy story to explore.
The opposite end of each pointer has been constructed by asking the question, “What could
be the opposite of that rich word?” This opposite, written in brackets, indicates other “shy” or
“unsaid” stories, which might be useful to explore. Like the head and tail of a coin “hell” exists
within the context of “heaven” and “problems” exist within the context of “solutions,” so I see
each end of the pointer as a context marker for a narrative.
The strong sense of irritation that I was aware of in our supervision led me to hypothesise that
irritation, power and control were dominant discourses. I used these to draw a diamond that we
shared (see Figure IV). It seemed to us that the client was positioned in the “over-responsible,
irritated” quadrant while her neighbours were placed in the “flooded and overwhelmed position.”
I had the idea that this positioning was being reproduced isomorphically in the clinical work
(White and Russell 1997) with Libby stepping into “over–responsible, irritated” and the client
taking the “flooded, overwhelmed” position.
Libby continued to talk with an air of irritation about the ordinariness of the client’s difficulties.
In the hope of broadening the discourse I shifted to second order positioning, “talk about talk”
and raised the question of what makes a person react to “ordinary” difficulties in this way. Rather
than having the effect I had hoped for, this led into a discussion about the client’s sense of
entitlement, i.e. that she might have a set of stories that suggest that she ought not to have to cope
with such problems. I noticed that the shift to an internalised discourse seemed to increase the
sense of irritation and a flavour of blame was entering the discussion.
This made me curious about what Libby and I were bringing to the discussion from our own
personal and professional scripts. I invited a self-reflexive shift in our discussion by asking
Libby and myself, about our own assumptions about “struggle”. I became aware of Libby’s
struggle to complete her thesis before the impending deadline. I also guessed that she might be
feeling flooded by demands in finishing her placement with me, completing the training course
and organising the major move required at the end of the course. I surmised that this personal/
professional story had been triggered by the client’s story.
Shifting my attention back to the client I asked Libby what she felt the client wanted from her
and what she thought the construction of relationship was between them. This question had the
effect of enabling Libby to speak of her irritation, which up until now had been sensed though
not spoken. She began to erupt about the way in which she had received the referral, right at the
end of her placement when another psychologist, who was now sick, had been due to see the
client.
I was getting curious about the way in which the organisational context of the placement was
impacting on the therapy and the way in which the story of frustration and irritation was growing.
I invited Libby to “talk about talk” with me, to review the way in which we felt the conversation
was going. We noticed that we had lost all curiosity about the richness and detail of the client’s
story and had become “blinded by irritation.” This made us wonder what other stories might be
“obscured by irritation.” This helped to provide a framework for Libby to explore exceptions to
the problem in the next therapy session.
I also wondered about isomorphism between therapy and supervision, and began to question
whether we were also acting into the positions in the diamond. We shifted the compass to place
our relationship in the centre. We realised that we were in danger of being “blinded by irritation,”
about the ordinary everyday referral issues in the department and all the end of placement
administration we had to complete. Consequently we had barely discussed the meaning of the
end of the placement for us and for our relationship. We were then able to arrange some leaving
rituals, both to formally end the placement and to celebrate what had been a rich experience for
us both.
This example illustrates the way in which the compass was used to trigger reflexivity. First by
using the words and sensations generated in a conversation focused around a particular episode in
therapy to generate “pointers” for the exploration of dominant and subjugated discourses (Steps
1 and 2 in Figure V). Next, to take an observer position to those narratives by shifting to second
104 Human Systems Karen Partridge
in terms of relationships, autonomy and responsibility. As a result Mr and Mrs Baig decided that
their protectiveness might exacerbate the fear that the world is unsafe, and that this might in
turn feed the anxiety which leads Ahmed to excessive hand washing. They resolved to gradually
back off to enable him to begin to travel by himself. They were able to recall a recent “unique
outcome” (White 1992), where Ahmed had surprised them by collecting his younger siblings
from school and taking them out to eat at MacDonald’s.
Debbie and Claire used theoretical ideas to “set” their compass, as you might if you were
setting it to true north, in order to determine your position and direction. Viewing the compass
through the lens of the chosen theoretical idea enabled them to increase their curiosity, generate
systemic questions and explore possibilities for future directions in the work with the family.
told us how important it had been for her that she had had the session with us to come to after she
was discharged from hospital. She talked about the whole experience as, “leaving her stronger,
but in a different way, not in the way that left her weak.” She said she had been able to begin to
trust and she no longer felt afraid of asking for help. She said that she felt, “she had something
to offer this planet,” she felt “worth something, worth living.”
In the reflecting team discussion, (Andersen, 1987), one team member spoke for us all when
she said that she felt she had witnessed something beautiful in the room. We went on to talk
about Hannah’s idea, “of getting so strong she became weak” and explored what sort of strength
Hannah wanted to continue to develop for herself to enable her to do what she hoped for. Would
it be like a sapling that bends in the wind or like the strength of a spider’s web? What would this
look like and what would Hannah call it? We also wondered how the session would have been
different if Hannah had had her eyes open and spoke of the dilemma of having to open your eyes
eventually, not least to get home safely.
Having listened to our discussion, Hannah slowly sat up and opened her eyes. She said they
felt better, but still sore. She liked what we had said in the reflecting team. She talked about the
support she was going to receive from the CMHT; she thought that a month felt about the right
time for her next appointment. We had moved out of a position where we were trying to rescue
Hannah, and she was taking charge of the help she felt she needed.
Reflecting on the session afterwards, we felt that the pre-session discussion, in which we had
named the oppositional discourses we had been caught in, had been important. Becoming reflexive
to our positions and engaging in “talk about talk” (second order positioning), had enabled us to
begin to construct an alternative discourse (third order positioning) about balance. This helped
us re-position ourselves as a team to support Sarah and Hannah in the elegant work that they
had been doing. We had been able to step outside a discourse of strength versus weakness to
begin to construct with Hannah, an alternative discourse about trust and hope and the giving and
receiving of help.
Figure VI: Teamwork Compass for the Client (Hannah), the Team and Me as Supervisor
Client accepts
diagnosis
Assessment
Multidisciplinary
Team Psychology
Therapy
Holding it lightly
I have described the way in which I have applied the metaphor of a compass with pointers, to
trigger reflexivity in my work in different ways. First, to invite reflexivity to the discourses of
the session (second order positioning), and to change direction by reflexive repositioning (third
order positioning). Second, to invite self and relational reflexivity, by making connections to
personal and professional stories and the construction of relationship. Third, to invite reflexivity
to theory and to the organisational context. I have used the compass as a way to find myself and
to generate ideas to know how to “go on”, with my clients.
The Positioning Compass can be a useful “rememberall”, although of course it is neither
possible nor desirable to really remember all. It is an invitation to play with polarities, to trigger
reflexivity and to explore alternative ideas and their implications for practice. Like a “rememberall”
a positioning compass exists in a magical domain. It is an ethereal idea, a punctuation in time,
which can be useful if you are lost or need directions. Like a map, the compass is not the territory,
(Bateson 1988). In keeping with a systemic position it is something to be held lightly to enable
space for the creation of future possibilities.
Please address correspondence about this article to:: Karen Partridge, The KCC Foundation,
2 Wyvil Court, Trenchold Street, London, SW8 2TG
karenpartridge@blueyonder.co.uk
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