PAGE TURNERS VOL.

1
Written by Nick Morehead

HALLOWEEN MONSTERS

PAGE 1
PANEL 1
Larger top panel. A modern day home, made from brick and wood, sat next to a busy street full
of children wearing masks of ghouls and goblins. The moon was covered by dark gray clouds
and the wind was stil. No lights were on at this house, no decor or any bowl of candy left out for
the trick or treaters. There was also no car parked in the driveway; signs that no one is home.
But standing, looking at the house is this little boy, wearing a long white sheet with two eye
holes cut in it; the sheet dragged behind him. In his hand, he carries a small sack, barely filled
with candy; it also dragged behind him.

PANEL 2
Back shot. The little boy knocked on the door of the house.

1. SFX Knock knock knock

PANEL 3
Back shot. The little boy looks through the window next to the door.

PANEL 4
View from inside the house. The lights are off and it seems like no one is home. There’s some
blood smears on the ground in front of the couch that is set in front of the window.The window
the little boy is peeking in from is in the center of the panel.

PANEL 5
View from inside the house. Extreme close up. The door handle starts to wiggle.

1. SFX Wiggle wiggle

PAGE 2
PANEL 1
View from inside the house. Full shot. the front door opens.

PANEL 2
From inside the house, the little boy is standing in the doorway, looking in.

PAGE 3
 PAGE TURNERS VOL.1
Written by Nick Morehead
PANEL 1
The little boy walks throughout the house.

1. SFX SPLAT

PANEL 2
The little boy looks down to see that he stepped into a small poodle of blood.

PANEL 3
The small puddle of blood is smeared and is leading into the kitchen.

PANEL 4
The boy follows the blood trail into the kitchen to see a young woman - early 20s, brunette. She
is beaten, bruised, bloody, knife slashes across her chest and face.

PAGE 5
PANEL 1
She looks up to see the little boy.

PANEL 2
She starts to weep. She can barely mutter a word.

1. DYING GIRL H--HELP- *GULP* -ME--

2. SFX THUD!

PANEL 3
The girl and little boy look in the other room.

1. SFX WHISTLING

PANEL 4
The woman looks to the little boy in fear.

1. DYING GIRL ---HIDE---

PANEL 5
The little boy hides in a nearby closet.

PAGE 6
PANEL 1
Large top panel. Pov of little boy; He peeks out through a crack in the door.
 PAGE TURNERS VOL.1
Written by Nick Morehead

PANEL 2
Bottom bottom panel.Pov of Little boy; A man dressed all in black, walks to the woman
whistling.

1. KILLER WHISTLING

PAGE 7
PANEL 1
The man squats down and looks at her. He seems to be wearing a blue mask.

PANEL 2
The woman looks at him in terror.

1. DYING GIRL PLEASE PLEASE

2. KILLER ITS OKAY. YOU ARE--
3. DYING GIRL --PLEASE DON’T KILL ME!!!

PANEL 3
The killer gets face to face with the women. His mask is blue with the face of a devil on it. The
woman is weeping.

1. KILLER TONIGHT,
2. KILLER YOU ARE GIVEN TO THE GODS TO KEEP THE
3. KILLER MONSTERS LOCKED AWAY.

PANEL 4
The closet door cracked open with the little boy’s eye peeking from behind it, is the center of the
panel.

1. DYING GIRL PLEASE--NONONONON---

2. SFX SHHHHHHHHINK!

PANEL 5
Larger Bottom Panel. Pov of little boy. The killer tilts his head at the woman. The woman has a
deep slash across her throat.

PAGE 8
PANEL 1
The killer grabs her hand and cuts off one of her fingers.
 PAGE TURNERS VOL.1
Written by Nick Morehead
PANEL 2
He holds the finger up to his face

1. SFX He he

PANEL 3
The killer takes off his mask and begins to eat the finger.

PANEL 4
The little boy leans too far on the door and it creaks

PANEL 5
The killer quickly turns his head towards the closet

PAGE 9
PANEL 1
The killer opens the closet and sees the little boy.

1. KILLER WELL, WELL, WELL. LOOK AT YOU.

PANEL 2
The killer grabs the little boy and pulls him out.

1. KILLER A LITTLE GHOST.

PANEL 3
The killer begins to run his knife across the little boys chest.

1. KILLER DO YOU WANNA BE GHOST?

PANEL 4
The killer grabs a hold of the sheet. He has a sinister smile.

PANEL 5
He pulls the sheet off the little boy.

PANEL 6
Close up of the killer's face in shock.

1. KILLER WHAT THE FUCK!

PANEL 7
 PAGE TURNERS VOL.1
Written by Nick Morehead
Back shot of the killer holding the sheet in his hand and in the other the knife. Tentacles spread
out from him. The little boy is blocked from view from the killer.

PAGE 10 - 11
DOUBLE SPLASH PAGE
Establishing shot of the house. No lights on, no more kids out in the road. The clouds are gone.
In bold red letters starting from the top right of the panel to the bottom left of the panel.

AAAAAAAAAHHHHHHHHH--CRUNCH!

PAGE 12
PANEL 1
Larger top panel. Top view down.the killer laying half in the shadows, in a pool of blood. The
only light comes from a passing car, shining from the living room window, only showing his face
and shoulders.

PANEL 2
Larger bottom Panel. The car passes further, shining more into the room. The light shows the
killer full. The only thing left of the killer is his top half - his head and shoulders.

PAGE 13
PANEL 1
Medium shot. The little boy walks out of the house with blood dampered onto his sheet.

PANEL 2
He walks out of the house with his halloween sack. Close up on the halloween sack. Sticking
out of the sack is the killer's arm.

The End.

A car drives down a first road in the middle of a forest. In the car, there is ANNA - a early
twenties med student - and next to her is her boyfriend, CRAIG - early twenties, art student.
Anna is driving and Craig is asleep in the passenger seat next to her.
 PAGE TURNERS VOL.1
Written by Nick Morehead

There are bangs(GUNSHOTS) out in the forest.

ANNA - WHAT THE…

Anna shifts her gaze out into the forest. Her eyes are searching the forest line.

Anna quickly looks forward and sees a girl trying to wave down their car from the middle of the
road.

The car brakes, the tires squeaking as it stops.

The car doesn’t brake intime. The girl gets ran over by the car.

ANNA - FUCK.

Craig jumps awake. He looks scared.

CRAIG - WHAT THE HELL HAPPENED?

ANNA - THERE WHERE GUNSHOTS OUT IN THE WOODS. I..I DIDN'T SEE HER.

Craig looks at Anna, concerned Anna grips the steering wheel. She is in shock, frozen in fear,

CRAIG - WHAT?

Anna sheds a tear.

Craig gets out of the car and walks in front.

His eyes fill with terror.

CRAIG - HOLY SHIT

The girl is lying in the street all bloody and broken: lying there in a large pool of blood. There’s a
slash on her left arm.

CRAIG looks towards the call.

CRAIG - CALL THE COPS!!!

Craig looks down and examines the body.

 PAGE TURNERS VOL.1
Written by Nick Morehead
Upon further inspection, he sees that there are more slashes, and a few bite marks on her body.

He looks to her side and sees a gun just a few feet away from her body,

ANNA - I CAN’T GET ANY RECEPTION!

CRAIG - FUCK, FUCK...FUCK!

Craig walks back to the car in a hurry. He gets back into the car.

CRAIG - GO

Anna looks to Craig.

ANNA - WHAT? NO

Craig looks at Anna in terror but in seriousness.

CRAIG - WE HAVE TO GO. WE CAN'T GET CAUGHT.

ANNA - WE CAN’T JUST LEAVE---

CRAIG - WE CAN’T GO TO JAIL, ANNA. WE CAN’T.

They drive off.

A figure stands above the girl on the road. The wounds start to heal.

The girl wakes up.

From her pov. She sees a dark figure with yellow eyes towering above her.

She turns over and starts to crawl away.

She reaches out her hand to pull her forward. Her hand is all bloody and broken, but starts to
heal itself.

She stops and looks at her hand in shock.

The figure walks up to her and places its foot on top of her, forcing her to the ground.

The figure pulls out a match and throws it on her. She catches on fire.
 PAGE TURNERS VOL.1
Written by Nick Morehead
AAAAAAAAHHHHHHHH!

Long shot. Dark road with the tall pine trees surrounding the street. The girl lays there burning to
death. The dark figure is gone.

SPLASH PAGE - medium shot. A regular house door. Our view is from the inside looking at the
door. Nothing out of the ordinary. Regular white walls.

SPLASH PAGE - full shot. The door. Reddish type lights shine from the seams and cracks of
the door.

SPLASH PAGE - full shot. The door cracks open, letting more light in.