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MAPUA INSTITUTE OF TECHNOLOGY

School of Architecture, Industrial Design and the Built Environment


Manila, Philippines

A Proposed Philippine Cultural Living Museum


Sustaining Green Spaces Whilst Designing Enclosed Structures

A Thesis presented to
The Faculty of School of Architecture

In partial fulfillment of the course requirements in


Architectural Design 11: Thesis Research Application 2
For the degree of
Bachelor of Science in Architecture

Submitted by
Katrina Vanessa T. Aterrado
2008123004

On
March 2012

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SCHOOL OF ARCHITECTURE, INDUSTRIAL DESIGN AND THE BUILT ENVIRONMENT
DEPARTMENT OF ARCHITECTURE
APPROVAL SHEET

This undergraduate thesis attached herewith entitled A Proposed Philippine Cultural Living Museum Sustaining Green Spaces Whilst Designing An
Enclosed Structure, prepared by Katrina Vanessa T. Aterrado, in partial fulfilment of the requirements for the degree of Bachelor of Science in Architecture is
hereby accepted.

Arch. Anna Christina Ealdama


Thesis Adviser

Arch. Felix Ressurreccion Arch. Marlon Carino Arch. Perry Sanga


Thesis Jury

Accepted:

Arch. Gloria B. Teodoro


March 2012

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ABSTRACT
A PROPOSED PHILIPPINE CULTURAL LIVING MUSEUM
SUSTAINING GREEN SPACES WHILST DESIGNING AN ENCLOSED STRUCTURE

BY
KATRINA VANESSA T. ATERRADO
MAPUA INSTITUTE OF TECHNOLOGY, 2011
INTRAMUROS, MANILA

ARCH’T. CHRISTINA EALDAMA, MS.ARCH


Thesis Adviser

The ways on how to house the Philippines’ intangible cultural properties was studied on this thesis book – this may also be stated as the relationship of
preserving & promotion Philippines’ intangible cultural properties to Architecture. The client of the project has goals about it – to give identity to their place
(Tagaytay City) and make it a tourist destination instead of just weekend destinations. The proponent had conducted a survey with regards to the Philippine
culture – on how well the Filipinos know and how they are interested about their culture and how do they want those to be housed/preserved; and about the
site – about the visitors’ feedback about the site. And most of them know about the basics about the culture and are not too interested about the culture, they
liked the site because of its location, the view and the climate and most likely, they would come back to the place, but most of the repondents have commented
about their disappointments on the site. The proponent, therefore, concluded that the proposal will be of big help to the client’s goals.

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About the Author

ATERRADO, KATRINA VANESSA T.


“God is the Greatest Architect”
(This is her motivation and God is her inspiration.)

The proponent is a daughter of Architect Precila Tibayan-Aterrado (obviously, her mother is her influence) and Arnaldo Aterrado
(a Contractor). She lives in Tagaytay City. She is a senior Architecture student from the Mapúa Institute of Technology. She
graduated her secondary school from Tagaytay City Science National High School. She is a member of the Student Council of the
School of AR-ID-BE since 2010 to the present and a member of the United Architects of the Philippines-Student Auxiliary Mapua
Chapter. Aside from being active in school organizations, she is a chapter leader of the Youth for Christ-Tagaytay Chapter and a
member of the dance troupe. She was once a member of two cultural dance troupes “TCSNHS Dance Troupe” and the “MIT-Sining
Kalinangan Dance Troupe”. She has experienced to work during her On-the-Job Training Program at the Medeliano T. Roldan Jr.,
and Associates.

About her thesis:


She came up to this, with the idea in her mind that the Philippine Culture is already fading and facts such as knowing that the generation of today is adapting
other cultures instead of our own. Being a lover of the Philippine’s folk dances, she came up of proposing a Living Museum to preserve and promote the
Philippines’ splendid culture.

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Acknowledgements

This thesis project would not have been possible without the support of many people.

The author wishes to express her gratitude to first and foremost, her adviser, Arch’t. Christina Ealdama, who was abundantly helpful and offered invaluable
assistance, support and guidance.
To the people who cooperated in her interviews and surveys without whose knowledge and assistance this study would not have been successful.
Special thanks also to all her friends, for their undying support and for sharing a lot of their time in helping her accomplish her studies and final outputs.
Not forgetting, to her bestfriends (Billy Joy Creus and Marvin John Angeles and the rest of ‘Baudesgartes’) who always been there (maybe not physically but
she knows they are there).
To her roommates, Lea Jane Tolentino and Beryllaine Barredo, for listening to her and giving their insights about the project, thank you so much.
To her MIT professors who taught her a lot and sharing their knowledge to her, thank you very much.
To her Youth for Christ family, thank you so much for all your prayers and moral support.
To her God’s gift, thank you for all your support, time, help and love. ♥
The author wishes to express her love and gratitude to her beloved families; not only for providing her financially but also for their understanding & endless
love, through the duration of her studies.
To her mom who has been her inspiration in pursuing this career.
To all who was not been mentioned, THANK YOU SO MUCH!
Lastly, to my God and savior, you’ve been so good to me. Let thy will be done and thy plans be pushed. Thank you so much, Papa God! :)

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TABLE OF CONTENTS
Title Page
Approval Sheet ii
Abstract iii
Author iv
Acknowledgement Sheet v
Table of Contents vi
List of Tables vii
List of Figures viii

1.0 The Problem


1.1 Background / Overview 2
1.2 Statement of the Problem 4
1.3 Project Goal, Objectives and Strategies 5
1.4 Significance of the Research 6
1.5 Review of Related Literature 7
1.6 Conceptual Framework 44
1.7 Research Methodology
1.7.1 Oral Investigation
1.7.1.1 Interviews 46
1.7.1.2 Questionnaire/ Survey 49
1.7.2 Archival Research 53
1.7.3 Case Studies 55
1.8 Scope and Limitations of the Study 66
1.9 Definition of Terms 66

2.0 Sustaining Green Spaces Whilst Designing an Enclosed Structure


2.1 Rationale 70
2.2 Discussion of principles and relevance to the project 70

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2.3 Recommendations for application 76

3.0 Architectural Programming Data


3.1 Site Selection Process
3.1.1 Setting the Criteria 78
3.1.2 Description of Site Options 79
3.1.3 Site Selection and Justification 83
3.1.4 Site Analysis 84
3.1.5 Laws and Ordinances Pertaining to the Site 121
3.1.6 Site Development Options 127
3.2 Space Programming Data
3.2.1 Space Programming Index 130
3.2.2 Users Analysis 130
4.0 Design Solutions
4.1 Concept Board 135
4.2 Site Development Plan 136
4.3 Site Perspectives 137
4.4 The Living Museum 138
4.5 Administration and Performers’ Building 143
4.6 Commercial Building 147
4.7 Exhibit Boards 149

Bibliography or References
Appendices

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List of Tables
Table 1.1 Tourist Arrivals in Tagaytay City 55
3.1 Land Area per Barangay 86
3.2 Population per Barangay 88
3.3 Land Allocation 97
3.4 General Land Use Shifts 98
3.5 Urban Land Use Shifts 99
Figure 1.1 Research Paradigm 44
1.2 Survey Question 1 50
1.3 Survey Question 2 50
1.4 Survey Question 3 50
1.5 Survey Question 4 50
1.6 Survey Question 5 51
1.7 Survey Question 6 51
1.8 Survey Question 7 52
1.9 Survey Question 8 52

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THE PHILIPPINE CULTURAL LIVING MUSEUM

CHAPTER 1:

INTRODUCTION
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Chapter 1 own people. Based on the www.philippinecountry.com, our colorful and

lively Philippine culture that makes us distinctly Filipino is the one thing that
INTRODUCTION
makes us different from the rest of the world.

1.1. Background of the Study Filipinos are starting to forget the very good culture we have due to the new

generation and the adapted culture from different countries. In fact, most
Culture has many meanings, depending on its nature of use. In this case, children nowadays don‟t really know the things behind every celebration and
anthropology is the study that is concerned for culture. One anthropologist, festivity that they are attending, like fiestas, festivals, processions, and the like.
Edward Tylor, said that culture is, “that complex whole which includes Maybe they know the basic facts about every tradition, but they usually do not
knowledge, belief, art, law, morals, custom, and any other capabilities and mind the reason behind these, where, when, and how those started. Based on
habits acquired by man as a member of society.” To support this, for some, it an article, entitled “Museum-Crazy in the City”, from the Philippine Daily
refers to an appreciation of good literature, music, art, and food. Inquirer (April 17, 2002) issue; Filipinos in general, are far from being culture

vultures. In fact, if not for school field trips and the patronage of tourists from
The Philippines is very well known for its colorful culture and tradition. In almost abroad, museums in this country can hardly thrive. Even the dances and songs
7, 107 islands of the archipelago, there are different cultures that must be well from the past that they watch and hear are not familiar to them. They do not
preserved because these cultures characterize Filipinos. The culture is the most know that, long time ago, these dances and songs make our parents,
important treasure of every nation that no one can take away except their grandparents, grand-grandparents, and so on, happy. These are their past
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times, at the same time, they develop their talents. These are only few of the Based on the Wikipedia Encyclopedia, western practices, as well as traditional

very splendid culture of the Philippines that is, sad to say, already fading ethnic beliefs greatly influenced the Filipino way of life. While the new era

because of the new adapted culture. But what is Philippines without the old brought in a modern lifestyle that was readily embraced by the people, a

culture? What identity can we hold to say that we are Filipinos without it? number of customs and traditions are still being practised as in the past. But

take note of the term, “a number”, which means only few of the many culture

The culture of the Philippines reflects the complexity of the history of the of the Philippines are being practised nowadays. As time passes by, new

Philippines through the blending of many diverse traditional Malay heritages generations are coming; new trends influence the Filipinos and eventually let

mixed with Spanish, American and other Asian cultures. Based on the Philippine them forget about our culture. Knowing the fact that this culture creates the

Cultural information, the existence of a number of different languages, dialects character of the Philippines, the original culture must be preserved and

and religious traditions has meant that the Filipinos developed no single promoted.

national culture. Most probably, the reason for this multi-culture of the

Philippines is the physical characteristic of the country. The Philippines is an Aside from these, the government of the city of Tagaytay (the client for the

archipelago with 7, 107 islands which creates differences among the cultures project) is aiming to give their city an identity because according to Ms. Lanie

of every group. But still, there are common practices among these cultures. Diesta, Tagaytay has no self-identity, nothing to call their own and that

Culture has two types of properties: tangible (those that can be touched/ Tagaytay is only a weekend destination not a tourist destination – and this

collected) and the intangible (untoucheable like oral traditions, dances, songs, results to aiming of the city to make Tagaytay a tourist destination instead of

etc).
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just a weekend destination (which the Tagaytay government gave different preserve the tangible like surrendering artifacts in museums or

meanings). galleries, but how about the intangible culture? Since it is more

important because it is the “living culture,”

With these, the proponent has thought of studying about the cultural tourism in How can the intangible culture be housed and preserved like that of the

the Philippines and how can Architecture be of help in preserving and tangible ones?

promoting the splendid culture of the Philippines. In this thesis book, the

relationship between architecture and the culture will be discussed. Moreover, 1.2.2. Sub-Problems

the things that Architecture may provide to promote and preserve the Filipino  What aspects of Philippine Culture needs to be highlighted

culture, more specifically the intangible culture, will be analyzed and how well which can promote the cultural tourism in the Philippines?

the proposed structure can keep the tangible cultural property and expose the  How can architecture define and characterize Philippine
intangible ones. Architecture?

 What are the new technologies and trends in Architecture that


1.2. Statement Of The Problem may be incorporated to promote and preserve the Philippine
1.2.1. Main Problem Culture?
Culture has two types of properties: tangible (those that can be
 What is intangible culture? How can the intangible cultures of
touched/ collected) and the intangible (untoucheable like oral
the Philippines be housed in a structure?
traditions, dances, songs, etc). There are ways to conserve and
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 What differences can be made to diverge the existing With this, the client also proposed that this structure can make the

structures for cultural tourism in the Philippines? tourism industry in the city and make it a „tourist‟ destination instead.

1.3. Project Goals, Objectives & Strategies 1.3.2. Objectives and Strategies

1.3.1. Goals The main objective of the project is to determine the coordination of

Goals (Proponent) Architecture to the promotion and preservation of the Philippine culture.

The main goal of the project is to prevent the loss of the Philippine  To develop a design of structure that incorporates the culture of the

culture in Filipinos mind through Architecture. With this, it is also a goal Philippines in a modern way.

of the project to promote and preserve the Philippine culture with the o Identify the different traditions and cultures in the Philippines

aid of Architecture by creating a strucuture that incorporates Philippine that may entertain and teach the users.

culture which would encourage tourist especially the local tourists to be o Find out the spaces that may be incorporated in the structure.

interested again in their own culture. o Differentiate this structure from the cultural museums existing in

Goals (Client-Tagaytay City Government) the Philippines such as the Cultural Center of the Philippines,

The main goal of the client for the project is to give the City of National Museum, Nayong Pilipino and the like.

Tagaytay an identity. The city is a well-known „weekend‟ destination. o Identify the best feature of known cultural tourists‟ spots in the

Philippines and incorporate them in the structure.

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 To define and characterize the Philippine Culture with the aid of will provide more information to the next generations especially to the

Architecture. target beneficiaries such as the succeeding batches of architecture

o Analyze and develop ways on how to preserve and promote students that would aim to propose or to students that are given the

the Philippine culture through Architecture. chance to study such topic. This will surely provide information from

o Search and gather more information about the Philippine reliable sources. Information that may be provided by the proponent

culture and Architecture. for future uses may be replicated provided that, the researcher would

o Know how well the local people of the Philippines knew about be acknowledged. Also, since there is only a short span of time for the

the Philippine culture. research process, future further researches may stimulate so as to either

support or may also correct the statements or information that will be

1.4. Significance Of The Study And Of The Project discussed on this study provided that it would be proved and tested.

1.4.1. Significance of the Study Moreover, the study is very much important for the collection and

The thesis book will provide information needed to better understand analysis of data to develop a better solution to the problem, which is

the relationship of architecture to the preservation and promotion of the loss of the Philippine culture.

the Philippine culture, of how Architecture may help in the prevention of

the loss of the culture. In the future, this would be of big help to the

Architecture students who will be studying related topics from this. This

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1.4.2. Significance of the Project TO THE LOCALS (SITE):

TO THE PHILIPPINES: The project will open job opportunities to the locals from the chosen

This project will revive the fading culture specifically the intangible site. At the same time, this is one chance of showcasing Filipino talents

properties. It will prevent the loss of the fading ones and promote the from unknown people which may give way to make them famous

authentic intangible cultures. As a result to these, the Philippines will performers.

then again revive its character and identity. Moreover, this will add to

the tourism industry in the Philippines, especially to the local tourism TO ARCHITECTURE:

industry of the chosen site. Aside from the fact that it will educate The project will be a new way of keeping and, at the same time,

locals, it will promote cultural tourism to the foreign tourists but more to exposing the Philippine‟s culture, specifically the intangible property. It

the local tourists which are the main target market of the project. will be a new structure different from other cultural centers where fun,

excitement, wonders of culture and creativity will be seen and

TO THE FILIPINOS: experienced.

We all know that most of the Filipinos today do not really know about

the intangible culture, when in fact, they are the ones who have to know 1.5. Review Of Related Literature

this. The project will help the Filipinos, especially the students, know 1.5.1. DEFINING CULTURE

about how each of the intangible culture started. This will let them feel Based on http://anthro.palomar.edu/culture/culture_1.htm,

the patriotism since they know how they started.


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for anthropologists and other behavioral scientists, culture is the full cultural patterns--they are things that were made and used through

range of learned human behavior patterns. The term was first used in cultural knowledge and skills.

this way by the pioneer English Anthropologist Edward B. Tylor in his

book, Primitive Culture, published in 1871. Tylor said that culture is If this is so, culture must be seen and experienced continuously even as

"that complex whole which includes knowledge, belief, art, law, morals, time passes by. This is to make the culture remain and be authentic.

custom, and any other capabilities and habits acquired by man as a What can the remains actually give to the learners to know about the

member of society." culture? How long can these artifacts remain? How about the living

culture – the intangible properties aside from the tangible properties

Based on http://anthro.palomar.edu/culture/culture_1.htm, culture is a of culture which are said to be the evidences of the intangible

powerful human tool for survival, but it is a fragile phenomenon. It is properties?

constantly changing and easily lost because it exists only in our minds.

Our written languages, governments, buildings, and other man-made 1.5.2. INTANGIBLE CULTURAL PROPERTY

things are merely the products of culture. They are not culture in Based on the answers from the questionnaires sent by the UNESCO to

themselves. For this reason, archaeologists can not dig up culture National Commissions, from Lao People‟s Democratic Republic,

directly in their excavations. The broken pots and other artifacts of intangible cultural heritage is the whole human spiritual values and

ancient people that they uncover are only material remains that reflect practices created and adopted during its long stages of historical

evolutions such as: wisdom, knowledge, know-how, arts, literature,


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morals, good use and social practices, etc. whose main function is to environment, their interaction with nature and their history, and

humanize and civilize oneself and the others in their life in groups or in provides them with a sense of identity and continuity, thus promoting

society. From Myanmar, tangible cultural is the material aspect and respect for cultural diversity and human creativity. For the purposes of

intangible culture is the spiritual aspect of life. Visual arts are tangible this Convention, consideration will be given solely to such intangible

culture. Performing arts are intangible. cultural heritage as is compatible with existing international human

rights instruments, as well as with the requirements of mutual respect

Based on the Wikipedia Encyclopedia of Knowledge, according to the among communities, groups and individuals, and of sustainable

2003 Convention for the Safeguarding of the Intangible Cultural development.

Heritage, the intangible cultural heritage (ICH) – or living heritage – is

the mainspring of humanity's cultural diversity and its maintenance a Several countries, as well as UNESCO, are making efforts to protect

guarantee for continuing creativity. It is defined as follows: Intangible intangible culture. Most notable are Japan (which instituted a law in

Cultural Heritage means the practices, representations, expressions, 1950 protecting intangible culture) and the South Korea (1962). In

knowledge, skills – as well as the instruments, objects, artefacts and 2003, UNESCO adopted the Convention for the Safeguarding of the

cultural spaces associated therewith – that communities, groups and, in Intangible Cultural Heritage. This went into effect on April 20, 2006.

some cases, individuals recognize as part of their cultural heritage. This UNESCO has also created other intangible culture programs, such as a

intangible cultural heritage, transmitted from generation to generation, list called Proclamation of Masterpieces of the Oral and Intangible

is constantly recreated by communities and groups in response to their Heritage of Humanity. This list began in 2001 with 19 items and a
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further 28 were listed in 2003 and another 43 in 2005. It was one of the priorities of international cooperation thanks to UNESCO's

superseded in 2008 by the UNESCO Intangible Cultural Heritage Lists. leading role in the adoption of the Convention for the Safeguarding

of the Intangible Cultural Heritage.

According to the UNESCO, cultural heritage is not limited to material

manifestations, such as monuments and objects that have been There are many definitions of the intangible cultural property/

preserved over time. This notion also encompasses living expressions materials. Which should be considered? If you browse into these

and the traditions that countless groups and communities worldwide meanings, you will be noticing that there would be commonality

have inherited from their ancestors and transmit to their descendants, among them. Since the United Nations Educational, Scientific and

in most cases orally. Many years of research undertaken by UNESCO Cultural Organization have had researches about this, their definition

on the functions and values of cultural expressions and practices have must be the one to consider.

opened the door to new approaches to the understanding, protection

and respect of the cultural heritage of humanity. This living heritage, 1.5.3. CULTURE IN THE PHILIPPINE CONTEXT

known as intangible, provides each bearer of such expressions a Based on the Wikipedia Encyclopedia, the culture of the

sense of identity and continuity, insofar as he or she takes ownership Philippines reflects the complexity of the history of the

of them and constantly recreates them. As a driving force of cultural Philippines through the blending of many diverse

diversity, living heritage is very fragile. In recent years, it has traditional Malay heritages mixed with Spanish, American and

received international recognition and its safeguarding has become other Asian cultures.
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According to the Department of Tourism, the major cultural agencies of Hispanic influences, the older Asian aspects of Filipino culture are seen

government are the Cultural Center of the Philippines, the National through the strength of filial piety, family and its influence, empahasis

Historical Institute, the National Museum, The National Library, the on the group before the individual, the concept of maintaining social

Records Management and Archives Office, and the Commission on the harmony, ancient cultural beliefs and mythology, the complexities of

Filipino Language. The Heads of these cultural agencies are all ex- local psychology (such as hiya or shame and the concept of

officio members of the NCCA Board and all except the Commission on saving face), and accepted social etiquette between other Filipinos.

the Filipino Language are together under the National Commission on Within Asia, this Western-Eastern juxtaposition is most seen in the

Culture and Arts. Philippines, and continues to fascinate many a guest to the country.

Based on the “Tourism Development and Community: Four Philippine

Based on the Wikipedia Encyclopedia, The Philippines is a country that Case Studies in Boracay, Samal, Marinduque and Davao”, the

contains a myriad of different amalgated cultures and influences. The identification of culture change as „positive‟ or „negative‟, or the

superficial face of modern Filipino culture has many more influences recognition of a need to ameliorate change, or alter its direction and

from the Western world than other nearby Asian cultures. Most of these effects, can only be made by the people whose culture it is. But this is

influences are a product of previous colonization and derived mainly not as simple as it sounds because no community is homogeneous.

from the cultures of Spain and the United States, with a secondary People in different social, economic and political positions have

influence from Latin American cultures who were under Spain during the different perceptions and different priorities. Because of this, the

same period the Philippines was. Despite the visual Western and
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degree to which a culture, or even a particular tradition is „shared‟, is embraced by the people, a number of customs and traditions are still

relative, and so is the power to create change or to ensure continuity. being practised as in the past.

Based on an article, entitled Culture and Tradition, Western practices, But take note of the term, “a number”, which means only few of the

as well as traditional ethnic beliefs greatly influenced the Filipiono way many culture of the Philippines are being practised nowadays. As time

of life. While the new era brought in a modern lifesyle that passes by, new generations are coming; new trends influence the

was readily embraced by the people, a number of customs and Filipinos and eventually let them forget about our culture. Knowing the

traditions are still being practised as in the past. fact that this culture creates the character of the Philippines, the original

Based on an article, entitled Culture and Tradition, Western practices, culture must be preserved and promoted.

as well as traditional ethnic beliefs greatly influenced the Filipiono way

of life. While the new era brought in a modern lifesyle that These statements are proofs of the present cultural situation of the

was readily embraced by the people, a number of customs and Filipinos. Since the Philippines is an archipelago, the different groups

traditions are still being practised as in the past. vary in cultural customs/ heritage. Nowadays, Filipinos are grouped

based on social and economical states. Because of the new generation,

Based on the Wikipedia Encyclopedia, western practices, as well as Filipinos, especially those in the cities/ urbanized places do not see

traditional ethnic beliefs greatly influenced the Filipino way of life. culture as important as their businesses or jobs while those living in

While the new era brought in a modern lifestyle that was readily rural, the tribes, and people in the provinces see culture as one of the
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most important treasure that they have which they have to preserve Singapore. One of the fastest tourist market growths are those

through exposing it up to the coming generations. But as Filipinos, is it from China, and India. Based on an article from http://www.cebu-

not important to treasure the culture they have inherited from their philippines.net/philippine-culture.html, entitled Philippine Culture and

ancestors? Is it not the important thing that the Filipinos must share? Tourism, the hospitality of the Filipino culture is one of the reasons why

Doesn‟t it make any sense at all in the identity of the Filipinos? It is one tourism in the Philippines is steadily growing. Foreigners and tourists

of the very important things that Filipinos must be proud of because who have experienced the Philippine culture and being with Filipinos

most foreigners visit the Philippines because of the very splendid culture find them very hospitable. This is a common trait that Filipinos are

they have. known for to most foreigners who have traveled around the country.

1.5.4. TOURISM IN THE PHILIPPINES This is just one of the Philippines‟ special features that the Filipinos

Based on the Wikipedia Encyclopedia, tourism plays an important role really can be proud of and never be ashamed to be promoted for

in the Philippine economy. In the year 2000, net tourism income in the tourists. Filipinos are well known for being hospitable which only means

Philippines totaled to 2.1 billion U.S. dollars. Most of the foreign that they are very welcoming to visitors. This becomes one great factor

tourists came from the United States, Japan, South Korea, Hong for the Philippines to invite tourists from other countries because they

Kong, Australia, New Zealand, and The Netherlands. There were also know that they are welcoming, therefore, they can make visitors come

tourists coming from Taiwan, Great back – which is one important aspect in tourism, making tourists go and

Britain, Germany, Canada,Israel, Russia, Spain, Poland, France and come back in your place.
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1.5.5. CULTURAL TOURISM one culture in contact with another for the specific purpose of that

Based on an article from http://www.sccs.swarth- contact, in a touring situation.

more.edu/users/00/ckenned1/definition.html, Hughes (1996) argues

that cultural tourism “tends to be applied to trips whenever cultural Based on “Cultural Carribean Niche Markets-5”, Cultural, heritage and

resources are visited regardless of initial motivation. The term is limited, historical tourism describes all tourist trips that include cultural activities

too, by a failure to include „entertainment‟. He classifies those tourists (e.g. the visiting of monuments or sites), as well as experiences and

who want to “experience „culture‟ in the sense of a distinct way of life” interaction with local people.

as “ethnic tourism”. However, I do not find this distinction particularly

useful, at least for my limited purposes here. While, Stebbins (1996), Gail Dexter Lord had a keynote presentation at Wisconsin Heritage

he writes, “Cultural tourism is a genre of special interest tourism based Tourism Conference Lac du Flambeau, Wisconsin on September 17,

on the search for and participation in new and deep cultural 1999 entitled, “Power of Cultural Tourism”, she started by briefly

experiences, whether aesthetic, intellectual, emotional, or exploring continuing patterns and recent trends in cultural tourism.

psychological”. According to Caitlin Kennedy, he found that Stebbins‟ Specific trends, such as the increasing influence of the Internet and the

writings were useful, it incorporates a variety of cultural forms, impact of blockbusters and special events, present new opportunities to

including museums, galleries, festivals, architecture, historic sites, artistic communicate and reach potential cultural tourists. Others, such as the

performances, and heritage sites, as well as any experience that brings growth of younger and more diverse cultural tourists and the increasing

popularity of short “get-away” trips, have an impact on the types of


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packaging and partnering initiatives that can be presented to cultural To sum this up, cultural tourism may refer to the relationship of the past

tourists in order to strategically capture the market. I will also suggest and the future. Or should I say, bringing the past in the present and

that while significant opportunities for cultural tourism emerge from bringing back what has been gone. It is a term that may be used in

identified trends and patterns, opportunities must be considered in the visiting places that your main puropose for visiting is its cultural

context of expectations held by the cultural tourist; for example, a background or how the culture has been preserved. Cultural tourism

desire for – and expectation of - experiences rather than objects, may help in the preservation of intangible culture and keeping of

authenticity rather than fabrication, and the desire to contribute to a tangible cultures. Nowadays, cultural tourism may be represented by

sustainable environment. museums, cultural centers and the like. But it must not be closed for what

it is; cultural tourism may incorporate experience in it so as to make it

According to Secretary Gemma Cruz-Araneta in her article in Travel work even more.

Post on December 1998 issue, entitled, “Community Culture & History: A

New Thrust for Philippine Tourism”, that all great tourist destinations in 1.5.6. MUSEOLOGY

the world – such as Europe and Asia – are finally great because of the Based on the Wikipedia Encyclopedia of Knowledge, museology is

powerful pull of history and culture. Ancient civilizations and defined as the diachronic study of museums and how they have

magnificent structures dot their landscapes, and they hark back to times established and developed in their role as an educational mechanism

now gone. under social and political pressures.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

1.5.7. MUSEUM ARCHITECTURE effort was made to make the setting for the exhibits as neutral as

Based on the “Key Concepts of Museology” by André Desvallées and possible – even if this meant sacrificing all or part of the existing

François Mairesse, museum architecture is defined as the art of historical décor. The invention of electricity greatly facilitated these

designing and installing or building a space that will be used to house improvements and allowed the lighting systems to be completely

specific museum functions, more particularly the functions of exhibition revised. 24New functions that emerged in the second half of the 20th

and display, preventive and remedial active conservation, study, century led to major architectural changes: the increase in the number

management, and receiving visitors. Although the form of museum of temporary exhibitions led to a different distribution of collections

buildings was often focused on safeguarding collections, it evolved as between the permanent exhibition and storage spaces; the

new functions in museum work were developed. So it was that after development of visitor facilities, educational workshops and rest areas,

seeking solutions for better lighting of the exhibits (Souffl ot, Brébion, in particular the creation of large multi-purpose spaces; the

1778; J.-B. Le Brun, 1787), for distributing the collections better development of bookshops, restaurants and shops for selling items

throughout the museum building (Mechel, 1778-1784), and for relating to the exhibitions. But at the same time, the decentralisation by

structuring the exhibition space better (Leo von Klenze, 1816-1830), at regrouping and by subcontracting some museum operations required

the beginning of the 20th century museum people realised that the the building or installation of specialised autonomous buildings: firstly,

permanent exhibitions must be reduced. To this end they created restoration workshops and laboratories which could specialise while

storage areas, either by sacrificing exhibition rooms or by creating serving several museums, then storage areas located away from the

space in the basement, or by building new structures. In addition, every exhibition spaces.
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THE PHILIPPINE CULTURAL LIVING MUSEUM

Therefore, trends in museums/museology changes from time to time to dignified. To present anything but the most serious mien to the world

conform to the needs of the visitors and how it will be more cast doubt upon the Majesty of state (at whatever level) and would be

educational. Museums tend to have temporary exhibits than permanent as tasteless as giggling during the Bishop‟s blessing. Two, they are

so as to make visitors come back. almost sure to be at least one generation behind the times, stylistically.

This comes about quite naturally, since the officials and appointees who

1.5.8. MUSEUM serve as the “client” are usually elderly (often in outlook if not in actual

A museum is a non-profit, permanent institution in the service of society years) and deeply impressed by themselves, their titles, and their

and its development, open to the public, which acquires, conserves, duties. They do not take kindly to bursts of imagination or originality

researches, communicates and exhibits the tangible and intangible from their architect. As a matter of fact, there is very little danger of

heritage of humanity and its environment for the purposes of education, such an occurrence, since the architect is generally chosen by these very

study and enjoyment. (ICOM Statutes, adopted during the 21st same officials.(“Architecture and People” by Eugene Raskin, A.I.A., USA,

General Conference in Vienna, Austria, in 2007). 1974).

Houses of legislature, state and national capitols, post offices, museums, Museums continue to evolve and change. New technologies, emerging

and so forth vary as much as any other category of buildings, but two art forms and collections, and diverse audiences have given rise to new

generalizations can be made about them with a certain degree of museums and exhibition environments. The functional and operational

confidence: one, they are almost invariably impressive, monumental, requirements that are unique to this building type are the focus of this
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THE PHILIPPINE CULTURAL LIVING MUSEUM

section. Traditionally, the primary mission of a museum is to safeguard Strategic Plan

its collection. Two of the most important functional requirements are As a method of moving forward from a mission statement, museums

physical security and maintaining constant temperature and relative develop strategic plns. The strategic plan is the first step towards

humidity to unusually high standards. (Time Saver Standards for defining the programs and activities necessary to achieve the museum‟s

Building Types: Fourth Edition) stated purpose. It describes audiences, accessory services, special

community requirements, staffing, facilities, and financial resources.

Museum Mission Statement

Museums usually have clear statements of their reason for being. The Contrary to the idea of museum as an ellitist institution, most

traditional statement includes the mission “to preserve, protect, and contemporary museums aspire to become an integral part of their

exhibit.” However, there are significant variations between institutions community. This message should be clear and visible – from the initial

beyond this. Some are “collecting” institutions, some have a static encounter with the building all the way to the exhibition. Architecturally,

collection, and others do not collect as a core activity. Some museums the museum may aspire to integrate itself into its surrounding urban

have a strong emphasis on education, with art schools or classrooms fabric and respond to the community‟s circulation pattern, or it may

being an integral part of the facility. Others emphasize community stand in stark contrast to its context.

services and include accessory uses for social and community functions The museum is often seen as an important civic building and cultural

and special events. (Time Saver Standards for Building Types: Fourth landmark. However, the visitor‟s experience of the building should also

Edition) be welcoming and comfortable, human dimension to the building and


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THE PHILIPPINE CULTURAL LIVING MUSEUM

streetscape. Free forms can be used to command attention, such as 1.5.9. PHILIPPINE CULTURE

Frank gehry‟s design for the Guggenheim in Bilbao, Spain. The The culture of the Philippines reflects the complexity of the history of

choreography of arrival, the relationship of building form and massing, the Philippines through the blending of many diverse

materials and details, and landscaping all contribute to its civic traditional Malay heritage mixed with Spanish, American and

presence and human scale. other Asian cultures.

Some museums use entertainment to further change the public Pre-Hispanic and non-Christian Philippine cultures are derived from

perception of the museum and to extend visitation. Although many native traditions of the Austronesian people called Malayo-

entertainment can be a welcome alternative to exhibitions, most Polynesian or the Malay people. The prehistoric Philippine

museums neither are concerned that this should not be the dominant Mythology and Philippine indigenous culture was later influenced by

image nor diminish the primacy and dignity of the collections. the Malay cultures of Southeast Asia, accompanied by a mixture of

Museums have unique role in our society. The architectural design for a Western-Christianity, Eastern-Islamic, Hinduism and Buddhism tradition.

museum is often expressive of its role in our culture. It can reflect the

museum‟s mission. As a result, museums tend to be “design statements”. Spanish colonization in the Philippines lasted from 1565 to 1898. Most

(Time Saver Standards for Building Types: Fourth Edition) of that time, the islands were governed from Mexico and later directly

from Spain. As a result, there is a significant amount of Spanish and

Mexican influence in Philippine customs and


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THE PHILIPPINE CULTURAL LIVING MUSEUM

traditions. Hispanic influences are visible in traditional Philippine folk Muslim Filipinos also celebrate their own customs and traditions. These

music and dance, cuisine, festivities, religion, and language, though groups follow a Philippine Islamic culture, and other Muslim recreation

usually integrated with other influences. The most visible example of such as the Kali, Kulintangand Gamelan, are used by Islamic groups in

this is the Spanish names of Filipinos, which were given through a tax the southern islands of Mindanao and Sulu archipelago.

law, the thousands of Spanish loanwords in native languages such

as Tagalog and Cebuano, and the majority Catholic religion. A. TANGIBLE (Moveable)

Tangible property in law is, literally, anything which can be touched,

Later, the Philippines was a territory of the United States from 1898 and includes both real property and personal property (or moveable

until 1946. American influences are evident in the use of the English property), and stands in distinction to intangible property.

language, and in contemporary pop culture, such

as fastfood, music, film and basket-ball. Visual Arts

Paintings

Other Asian ethnic groups such as the Chinese and Japanese have been Painting is the practice of applying paint, pigment, color

settling in the Philippines since even before the colonial period and or other medium to a surface (support base). The application of the

their influence is also present in the popularity of gambling games medium is commonly applied to the base with a brush but other objects

such mahjong, jueteng, Kali and a variety of Asian cuisine. can be used. In art, the term painting describes both the act and the

result of the action. Paintings may have for their support such surfaces
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THE PHILIPPINE CULTURAL LIVING MUSEUM

as walls, paper, canvas, wood, glass, lacquer, clay, copper or concrete,

and may incorporate multiple other materials including sand, clay,

paper, gold leaf as well as objects.

Painting is a mode of expression and the forms are

numerous. Drawing, composition or abstraction and other aesthetics

may serve to manifest the expressive and conceptual intention of the

practitioner. Paintings can be naturalistic and representational (as in

a still life or landscape painting), photographic, abstract, be loaded (Spoliarium by Juan Luna)

with narrative content, symbolism, emotion or be political in nature. Displayed in the National Museum

A portion of the history of painting in both Eastern and Western art is Artifacts

dominated by spiritual motifs and ideas; examples of this kind of An artifact or artefact (from Latin phrase arte factum, from ars skill

painting range from artwork depicting mythological figures on pottery + facere to make) is "something made or given shape by man, such as

to Biblical scenes rendered on the interior walls and ceiling of The a tool or a work of art, esp an object of archaeological interest".

Sistine Chapel, to scenes from the life of Buddha or other scenes "Artifact" is the usual spelling in the US and Canada, "Artefact" in the

of eastern religious origin. UK, Europe and Australasia.


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THE PHILIPPINE CULTURAL LIVING MUSEUM

In archaeology, where the term is most commonly used, an artifact is an Sculptures

object recovered by some archaeological endeavor, which may have Sculpture is three-dimensional artwork created by shaping or

a cultural interest. combining hard materials - typically stone such as marble - or metal,

glass, or wood. Softer ("plastic") materials can also be used, such

Examples include stone tools such as projectile points, pottery vessels, as clay, textiles, plastics, polymers and softer metals. The term has

metal objects such as guns, and items of personal adornment such been extended to works including sound, text and light.

as buttons, jewellery and clothing. Other examples include bone that Found objects may be presented as sculptures. Materials may be

show signs of human modification, fire cracked rocks from a hearth or worked by removal such as carving; or they may be assembled such as

plant material used for food. by welding, hardened such as by firing, or molded or cast. Surface

decoration such as paint may be applied. Sculpture has been

described as one of the plastic arts because it can involve the use

of materials that can be moulded or modulated.

Sculpture is an important form of public art. A collection of sculpture in

a garden setting may be referred to as a sculpture garden.

(Manunggul Jar)

Displayed in the National Museum

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THE PHILIPPINE CULTURAL LIVING MUSEUM

"light", and γραφή (graphê), meaning "drawing, writing", together

meaning "drawing with light".

INTANGIBLE

Intangible property can be felt in terms of value but has no physical

existence like stocks, bonds, trademarks, patents, bank accounts. It can

be owned by anyone and ownership can also get trasferred to another

Photographs person or corporation.

A photograph (often shortened to photo) is an image created

by light falling on a light-sensitive surface, usually photographic film or Performing Arts

an electronic imager such as a CCD or a CMOS chip. Most photographs Festivals

are created using a camera, which uses a lens to focus the scene's The fiesta is part and bundle of Filipino culture. Through good times

visible wavelengths of light into a reproduction of what the human eye and bad times, the fiesta must go on. Each city and barrio has at least

would see. The process and practice of creating photographs is one local festival of its own, usually on the feast of its patron saint, so

called photography. The word "photograph" was coined in 1839 that there is always a fiesta going on somewhere in the country. But the

by Sir John Herschel and is based on the Greek φῶς (phos), meaning major and most elaborate festival of all is Christmas, a season

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THE PHILIPPINE CULTURAL LIVING MUSEUM

celebrated with all the display and show the fun-loving Filipino can 4th week – Panagbenga (Baguio City)

handle. - Kalilangan (Gen. Santos City)

17th-26th – Sibug-Sibug Festival (Ipil, Zamboanga Sibugay)

List of festivals:

January March

9th – Feast of the Black Nazarene (Quiapo, Manila) 9th – Eid El Fitir (Region XII, Mindanao)

16th-22nd – Ati-Atihan (Kalibo, Aklan) Holy Week – Moriones Festival (Boac, Marinduque)

2nd Saturday – Pasungay (San Joaquin, Iloilo) 3rd-7th – Kaamulan (Malaybalay, Bukidnon)

3rd weekend – Sinulog (Cebu City, Cebu) 14th-16th – Pintados De Pasi (Passi City)

4th weekend – Dinagyang (Iloilo City, Iloilo) Month long – Sandugo (Tagbilaran Bohol)

3rd Sunday – Zambulawan (Pagadian City, Zamboanga del Sur)

April

February 1st – Via Crusis (Cebu City)

2nd – Feast of our Lady of Candles (Jaro, Iloilo City) Holy Week – Moriones Festival (Boac, Marinduque)

19th – Babaylan Festival (Bago City, Negros Occidental) Good Friday –Turumba (Pakil, Laguna)

11th – Tinagba (Bicol) 2nd week – Manaoag pilgrimage (Pangasinan)

17th – Tawo-Tawo (Bayawan City)


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THE PHILIPPINE CULTURAL LIVING MUSEUM

May July

15th – Pahiyas (Quezon) 1st-2nd – Sandugo Festival (Tagbilaran City)

17th-19th – Obando Fertility Rites (Obando, Bulacan) 25th – Kinabayo Festival (Dapitan City)

Month long – Antipolo Pilgrimage (Antipolo) 3rd-4th – Sagayan (Tubod, Lanao del Norte)

1st Sunday – Pagoda (Pasig River)

June 15th – Cordillera Day (Region CAR)

24th – Mudpack Festival (Murcia, Negros Occidental) 1st – Pinta Flores (San Carlos City, Negros Occidental)

- Parada ng Lechon (Balayan, Batangas)

15th-24th – Pinyahan sa Daet (Daet, Camarines Norte) August

29th – Pintados Festival (Tacloban City) 20th-24th – Kadayawan Festival (Davao City)

1st-6th – Buklog (Dipolog City) 4th-5th – Palo-palo (Northern Province, Batanes)

17th-23rd – Baragatan (Puerto Prinsesa City) 14th – Kalibongan (Kidapawan City)

20th-29th – Pili (Sorsogon) 15th – Lubi-lubi (Calubian, Leyte)

26th – Sublian sa Batangas (Batangas City) 19th – Buyogan (Abuyog, Leyte)

September

9th – Bonok-bonok (Surigao City)


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16th – Penafrancia Viva La Virgen (Naga City) 2nd week – Helubong (South Cotabato)

1st-8th – Sarakiki (Calbayog City, Samar) 11th-15th – Sanduguan (Calapan, Oriental Mindoro)

8th-10th – Panagdadapun (Cabarroquis, Quirino) 22nd – Guinakit (Rio Grande de Mindanao)

3rd week – T‟boli Tribe (South Cotabato)

-Siquijor Day (Siquijor) December

8th – Immaculate Concepcion (Puerto Prinsesa City)

October 3rd – Giant Lantern Festival (San Fernando, Pampanga)

1st-12th – Zamboanga Hermosa Festival (Zamboanga City) 30th – Olongapo Festival (Olongapo)

14th-21st – Masskara Festical (Bacolod City)

6th-12th – Ibalong (Legazpi City) Epics

Last week – Fiestang Kuliat (Angeles City, Pampanga) Bicol Epic Poetry: The Ibalon – An origin tale, the Ibalon tries to

16th-19th – Sagingan (Lanao del Norte) explain how man came to be. Much like the story of Adam and Eve; it

follows the tale of the first man and woman in the regions Aslon and

November Ibalon (now Camarines, Sorsogon, Catanduanes and Albay).

3rd-5th – Pinta Flores Festival (San Carlos City)

23rd – Higantes (Angono, Rizal) It also narrates the adventures of the heroes of Ibalon and how they

5th-13th – Kansilay fought against monsters before establishing their own village and
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THE PHILIPPINE CULTURAL LIVING MUSEUM

learning to farm. The Ibalon also has an account reminiscent of the Mindanao Epic Poetry – Epic stories from Mindanao were only very

flood story, where rains poured for days and almost destroyed the recently put into writing. Known locally as “Darangan”, these poems

whole land. are very much like Greek mythology. The Darangan tells the romantic

adventures of noble warriors from Mindanao. A lot of the stories focus

Visayan Epic Poetry: The Maragtas Chronicles of Panay – This epic on one warrior-prince, Bantugan, who owned magic shield and was

attempts to explain the origins of the Filipinos and tells the story of 10 protected by divine spirits.

Datus or chieftains from Borneo that sail across the oceans to escape

the cruel reign of the Sultan Makatunaw. Upon arrival on Panay A lot of the stories revolved around war and love, much like Homer‟s

islands, the datus meet a tribe of natives called the Aetas. The Aetas Trojan War. But what makes the Darangan extra special is that it is

eventually sell a piece of their land to the datus and they live side by sung, instead of just said, in twenty-five beautiful chapters.

side in harmony.

Igorot Epic Poetry: Aliguyon – The Aliguyon follows the life of the

Old rules of conduct are also sometimes told in epic poetry form. The hero after which the story is named, who is gifted with great powers

Haraya, also from the Visayas, is a collection of moral conduct stories (he can travel to far places without resting or eating and has never

told in the form of heroic tales. been beaten in a battle). He embarks on a series of fights with his

arch-rival, Pumbakhayon, the only warrior with skills that match his.

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The duel lasts 3 years without anyone winning. So, in order to end Dances

things, Aliguyon decides to marry Pumbakhayon‟s sister, thus unifying Most Philippine dances were originally patterned after European

their tribes. dances during the Spanish regime. Pandango Sa Ilaw, Cariñosa,

Rigodon and Balitao are examples of these dances Filipinos are known

Ilokano Epic Poetry: Lam-ang – This tale follows the unusual life of a for. Aside from these western-influenced dances, ethnic-created dances

boy who could talk and right after he was born. At nine months old, he such as Tinikling made its way to nationwide recognition. Despite its

embarked on a journey to avenge his father‟s death, accompanied by apparent adaptation to western dances, still Filipinos pay tribute to

his pets, a rooster and a dog. In one of his adventures, he is eaten by a their cultural roots. Every district in the islands has its own folk dance,

sea monster but comes back to life. interpreted attractively in festivals and local shows, which have added

to the country‟s reputed contribution to world‟s illustration of traditional

He then goes on a quest to win the heart of the famed beauty, Ines arts.

Kannoyan. When he arrives, Ines‟ house is filled with suitors. But with

the help of his pet rooster who knocks the whole house down and builds The following are examples of popular Philippine folk dances :

it up again with a flap of his wings, he eventually wins her heart.

Binasuan - Originated in Pangasinan Province “meaning with the use

of drinking glasses”, this vibrant dance basically shows off balancing

skill of the performers. Glasses filled with rice wine are placed on the
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head and on each hand carefully maneuvered with graceful

movements. This dance is common in weddings, fiestas and special

occasions.

Rigodon - Originated from Spain, this dance is commonly performed

at formal affairs like inaugural balls where prominent members of the

government participate and enjoy.


Pandango Sa Ilaw
Pandanggo sa Ilaw - The word pandanggo comes from the Spanish
Sublian - The term “subli” is from two tagalog words “subsub” meaning
dance “fandango”characterized with lively steps and clapping while
falling on head and “bali”, which means broken. Hence, the dancers
following a varying ¾ beat. Pandanggo requires excellent balancing
appear to be lame and crooked throughout the dance. This version is
skill to maintain the stability of three tinggoy, or oil lamps, placed on
originally a ritual dance of the natives of Bauan, Batangas, which is
head and at the back of each hand. This famous dance of grace and
shown during fiestas as a ceremonial worship dance to the town‟s icon,
balance originated from Lubang Island, Mindoro.
the holy cross.

Kuratsa - Commonly performed during festivals in Bohol and other

Visayan towns, this dance portrays a young playful couple‟s attempt to

get each other‟s attention. It is performed in a moderate waltz style.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

Itik-itik - According to history of this dance, a young woman named ground and struck together in time to music. Originated from Leyte

Kanang (short for Cayetana) happened to be the best performer in the Province, this dance is in fact a mimic movement of “tikling birds”

province of Surigao del Norte. At one baptismal reception, she was hopping over trees, grass stems or over bamboo traps set by farmers.

asked to dance the Sibay, and began improvising her steps in the Dancers perform this dance with remarkable grace and speed jumping

middle of her performance imitating the movements of an “itik”, a duck, between bamboo poles.

as it walks with choppy steps and splashes water on its back while Maglalatik - Originally performed in Binan, Laguna as a mock-war

attracting its mate. Because of its unusual steps and fascinating dance that demonstrates a fight between the Moros and the Christians

interpretation, the audience began imitating her. over the prized latik or coconut meat during the Spanish rule, this dance

is also shown to pay tribute to the town‟s patron saint, San Isidro

Labrador. It has a four-part performance such as the palipasan and

the baligtaran showing the intense battle, the paseo and the

escaramusa- the reconciliation. Moro dancers wear read trousers while

the Christian dancers show up in blue. All dancers are male; with

harnesses of coconut shells attached on their chests, backs, thighs and

Tinikling - Tinikling is considered the national folkdance with a pair of hips.

dancers hopping between two bamboo poles held just above the

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THE PHILIPPINE CULTURAL LIVING MUSEUM

Cariñosa - Cariñosa is a word that describes an affectionate, friendly

and lovable woman. This dance is performed in flirtatious manner with

fans and handkerchiefs to assist the dancers‟ hide-and-seek movements.

Maglalatik

Maria Clara - Maria Clara is the main female character in Jose Rizal‟s

Noli Me Tangere -a literary piece that features the colonial situation of

the Filipinos during the Spanish regime. She was characterized as a LaJota Manileño
Filipina woman of virtue and nobility. This dance is a mix of Spanish La Jota Manileña - It is a dance named after the capital city of the
gracefulness and customized native props, such as bamboo castanets Philippines, Manila, where an adaptation of Castilian Jota afloats with
and Asian fan. Female dancers wear Maria Clara dress that typifies the clacking of bamboo castanets played by the dancers themselves.
the European style, while men are in barong tagalog, a traditional The costume and the graceful movements of the performers noticeably
Filipino embroidered long-sleeve shirt made of pineapple fiber. inspired by Spanish Culture.

Sakuting - Originated in Abra, this dance interprets a mock fight

between Ilokano Christians and non- Christians with training sticks as


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THE PHILIPPINE CULTURAL LIVING MUSEUM

props. It is traditionally performed during Christmas at the town plaza respectively. The dance starts when each of them are given a piece of

or from house-to-house as a caroling show. As a return, the dancers cloth known as "ayob" or "allap".

receive presents or money locally known as “aguinaldo”. Palok - Kalinga, Cordillera - A tribal dance. The natives of Kalinga

Pantomina - Meaning "Dance of the Doves", this dance is the highlight perform this dance in most of their social events. Male dancers hold

of Sorsogon‟s Kasanggayahan Festival every third week of October. gangsa or gong- a percussion instrument made of copper, and beat it

Groups of participants, mainly elderly in colourful costumes, dance to with wooden stick.

the tune of Pantomina song. It is a courtship dance originated from Lumagen - Kalinga, Cordillera A tribal dance. This is a traditional

immitating the courtship and lovemaking of doves that then showed thanksgiving dance by the Kalinga tribe performed to celebrate good

during the dance where men attempt to please the women. harvest and events such as birth of first-born child, victory in battles

Other Philippine Ethnic Dances : and weddings.

Banog - Cordillera In this dance, performers portray hunters shielding Idudu- Abra, Cordillera A tribal dance. This dance stages a common

their chickens from the famishing hawk. The hawk ends up entrapped family life in the Itneg or Tinguian society. It illustrates the family as the

and dies in the hands of hunters. main foundation of the tribe‟s community. Several traits of an ordinary

Salisid - Kalinga, Cordillera This is a courtship dance that symbolizes a family are shown. It depicts a father plowing the field while the mother

rooster trying to attract the attention of a hen. This is performed and caring for the children. But as soon as the father finishes work, the

portrayed by both male and female dancers as the rooster and hen mother takes over on planting, sowing and all the remaining chores to

do in the field. At this time the father is left to take care of the kids.
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During the dance a Local singer breaks into an Idudu or lullaby to put Malakas at maganda - Leyte A Tribal dance. This dance depicts the

the baby to sleep. Idudu, a dance taken from Idudu lullaby, obviously birth of the first man and woman who came out of a bamboo tree. It

portrays the different roles in a Tinguian family has been said that the woman named “maganda” (beautiful) and the

Dinuyya - Cordillera Ifugao dance Famous in the Ifugao region, this first man “malakas” (strong) are the parents of the whole community in

dance is regularly staged during festivals in Lagawe. Three kinds of the island. The dance demonstrates how a bird discovered the noise

gong instruments such as, ordinary gongs, tobtob- a brass gong played coming from the inside of the bamboo and perched until it opened. A

by beating with open palms and, hibat, a kind of gong played by man and a woman came out of the big bamboo tree and, the birth of

beating the inner surface with a softwood are used in this dance. this legendary couple is amusingly interpreted in this dance.

Bendayan - Benguet This dance, which is more known as Bendian, is Burung-Talo - Sulu The dance is a unique fighting dance in a form of

performed to commemorate the arrival of headhunters in their district. martial arts by the Tausug tribe. Performers demonstrate a battle

Performers dance in a circle and show off their lively traditional steps. between hawk and a cat. With their acrobatic movements and tough

Binaylan - Agusan This is a ritual dance, which originated from the facial expressions, this dance is highlighted with the accompanying

Bagobo tribe living in the central uplands of Mindanao, imitating the energetic beat of drums and gongs.

movements of a hen, her banog or baby chicks, and a hawk. The hawk Kadal-Blelah- South Cotabato A tribal dance where in the dancers

is sacred and is believed that it has the power over the well being of perform simulation of movements of birds.

the tribe. The hawk tries to capture one of the baby chicks and is killed

by the hunters.
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THE PHILIPPINE CULTURAL LIVING MUSEUM

Kadal Tahaw - Tiboli dance- south cotabato a tribal dance performed lively strike their karatong instruments ; creating a scene of joy among

by Tiboli tribe, this dance that mimics the hopping and flying behavior reveling towns folk.

of Tahaw bird is performed to celebrate good harvest. Dugso - Bukidnon A thanksgiving dance from the talaindig tribe.

Sayaw sa Cuyo - Palawan Cuyo is a small island and capital of Gayong-gayong - Capiz -A Muslim dance. In rural gatherings, this

Palawan. There, the feast day of St. Augustin is traditionally dance offers much fun. Gayong is a pet name for Leodegario.

celebrated with parades, processions and small performances by According to the legend and to the words of the song, Gayong and

groups coming from all over Cuyo Island and the nearby islets. Island Masiong (pet name for Dalmacio) once attended a feast

dances, blended with strong Old Cuyo ethnicity and Spanish-influenced commemorating the death of a townsman. While eating, Masiong

steps, are all brought out when Cuyo celebrates its festivals. Today, choked on a piece of Adobo so he called, "Gayong ! Gayong !" to ask

pretty young girls daintily swirl hats to the waltz and other European for help to dislodge a bone from the Adobo meal from his throat. In this

steps designed to bring out the freshness and glow of the performers. dance, Masiong‟s liking for feasts and the consequence of his gluttony

Karatong - Palawan A Muslim dance. During the festival of San are held up to playful ridicule.

Agustine in the island of Cuyo, the celebration also includes the Kapa Malong-Malong - Cotabato A Muslim dance. This Maranao

blossoming of mango trees. The parade starts from the church patio dance is performed with women wearing malong and shawl, mantle or

and ends at the town plaza with ladies waving their colorful props head piece, whereas men wear sash or waist band, shorts or bahag

“Bunga mangga” that symbolize the flowers of mango tree, while men and head gear or turban traditionally worn in the fields.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

Pagapir - Lanao del Sur This dance is usually performed to commence While the oral and thus changeable aspect of folk literature is an

an important affair. Dancers of this dance are usually from the royal important defining characteristic, much of this oral tradition had been

court or high society group of Lanao Province. They use apir or fan to written into a print format.

coordinate with their small steps called kini-kini, which symbolizes their

good manners and prominent family background.

Pangalay- Zamboanga Del Sur A muslim dance. Originally performed

by wealthy families during a wedding celebration, this fingernail dance

is now a popular festival dance in Sulu.

Legends

Philippine legends and mythology are derived from Philippine folk

literature, which is the traditional oral literature of the Filipino people. To point out that folklore in a written form can still be considered

folklore, it should be pointed out that all the examples of folk literature

This refers to a wide range of material due to the ethnic mix of the cited in this article are taken from print, rather than oral sources.

Philippines. Each unique ethnic group has its own stories and myths to Philippine legends, mythology and folklore include a collection of tales

tell. and superstitions about magical creatures and entities. Some Filipinos,

35
THE PHILIPPINE CULTURAL LIVING MUSEUM

even though heavily westernized and Christianized, still believe in such Folk narratives can either be in prose: the myth, the alamat (legend),

entities. and the kuwentong bayan (folktale), or in verse, as in the case of the

folk epic.

The prevalence of belief in the figures of Philippine mythology is strong Folk speech includes the bugtong (riddle) and the salawikain

in the provinces. (proverbs).

Because the country has many islands and is inhabited by different Folk songs that can be sub-classified into those that tell a story (folk

ethnic groups, Philippine legends, mythology and superstitions are very ballads) are a relative rarity in Philippine folk literature. These form

diverse. However, certain similarities exist among these groups, such as the bulk of the Philippines' rich heritage of folk songs.

the belief in Heaven, Hell and the human soul.

The stories of ancient Philippine legends and mythology include deities,

University of the Philippines professor, Damiana Eugenio, classified creation stories, mythical creatures, and beliefs. Ancient Philippine

Philippine Folk Literature into three major groups: folk narratives, folk mythology varies among the many indigenous tribes of the Philippines.

speech, and folk songs. Some groups during the pre-Spanish conquest era believed in a single

Supreme Being who created the world and everything in it, while others

chose to worship a multitude of tree and forest deities (diwatas).

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THE PHILIPPINE CULTURAL LIVING MUSEUM

Filipinos also believed in mythological creatures. Below are some of the Foods

gods and goddesses of the various ancient Philippine tribes: The location of the Philippines astride the great sea routes to Asia has

The Aswang (monster) is one the most famous of these Philippine resulted in varied foreign influence in its history and culture. The

mythological creatures. The aswang is a ghoul or vampire, an eater of Filipinos are basically Malays . However, more than 300 years of

the dead, and a werewolf. Spanish colonization, half a century of American tutelage, the many

Filipinos also believed in the Dila (The Tongue), a spirit that passes years of visit from Chinese traders and Hindu merchants have left their

through the bamboo flooring of provincial houses, then licks certain mark on the island.

humans to death.

Filipino cooking reflects this cultural combination. The result is an exotic

Philippine legends and mythology also have fairies, dwarfs, Kapre (a blend that is characteristically unique though the variety of regional

tree-residing giant), Manananggal (a self-segmenter), witches, spirit- dishes is never ending source of gourmet surprises.

summoners, goblins (Nuno sa Punso), ghosts (Multo), fireballs (Santelmo),

mermaids (Sirena), mermen (Siyokoy), demon-horses (Tikbalang), Hantu Cooking styles and seasoning also vary from region to region although

Demon and demon-infants (Tiyanak). all the basic cooking methods such as boiling, roasting, frying, steaming

and sauteing are used. The use of heavy sauce is not a traditional

Filipino style of cooking but can be traced directly to Spanish influence.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

Some of these heavy thick sauces are however reserve for town fiesta, BACHOY/BATSOY

Christmas and other special occasion. A meat dish consisting of liver, kidneys, heart and tenderloin sautéed in

onions, garlic and ginger. Seasoned with salt or “patis” (fish sauce) and

Today, there are millions of Filipinos living all over the world, but simmered with additional stock. Garnished with fresh green onions .

despite their easy adaptable to their new environment they still have Famous La Paz Batchoy or Iloilo.

retained their tail for Filipino food. BULANGLANG

This hub is a descriptive guide to the different and popular dishes in the Broiled or smoked fish with assorted vegetables, seasoned with

Philippines. bagoong alamang and boiled with enough liquid for broth.

ADOBO

A meat dish prepared by marinating pieces of beef, chicken pork or a

mixture of meat in vinegar, crushed garlic, spices and soy sauce. The

mixture is simmered until meat is tender and finally allowed to brown in

its own fat.

Fleshy fish may be cooked into adobo. Vegetables can also be cooked

in this style such as Adobong sitao/sitaw or adobong kangkong.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

ASADO CAMARON

Meat dish simmered in soy sauce, bay leaves , onions, tomatoes and “Camaron Rebosado" is shrimp dipped in flour-egg batter, fried and

peppercorn. served with catsup/ tomato sauce or a sweet-sour sauce.

DININDING

Philippine dish of assorted vegetables seasoned with fish or shrimp

“bagoong" boiled with enough liquid (usually rice washing) for broth.

DINUGUAN

Prepared by sauteing internal organs (variety of meats) then simmered

in a vinegar mixture with seasonings, especially hot peppers.

Coagulated blood is added with stirring. Cooking is continued for

about few minutes. LAKSA

CALDERETA Filipino word meaning “ten thousand” refers to a dish containing a wide

Meat dish usually goat meat, sauteed in lard, garlic, onions, potatoes, assortment of vegetables, shrimps pork and sotanghon.

peas bell pepper and seasonings. Stock is reduced before liver paste is LECHON/LITSON

added as a thickener. Suckling / young pig roasted on long bamboo poles over live coals.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

LUMPIA /EGGROLLS EMBUTIDO

Meat fish or vegetables mixture rolled in thin wrappers made from A traditional Filipino style meatloaf, wrapped in an aluminum foil and

flour and water. Maybe fresh or fried nd served with sauce. steamed.

MECHADO GUINATAAN/ GINATAN

Meat dish usually beef, sliced about 1/ 4 inch thick with fat strips Dish cooked in coconut milk.

inserted lengthwise and rolled. Surface of the meat roll is browned by INABRAW

pan frying before simmering it in stock with vinegar and seasoning A typical recipe of the Ilocos region consisting of broiled pork boiled in

added. The stock is boiled down in a thick sauce. rice washing. It is seasoned with bagoong. Patani and string beans are

NILAGA also added and are cooked until done.

Boiled or stewed- Nilagang Baboy or Baka (Stewed Pork or Beef) is INIHAW - local term for roasting.

meat stew with vegetables added such as potatoes, plantain bananas KARI-KARI / KARE-KARE

(saging na saba), cabbage, Chinese cabbage and some peppercorns. Philippine meat-vegetables dish Shanks or oxtail are boiled until meat

ESTOFADO is tender, then sautéed in garlic with banana bud, stringbrings,

Deep fat-fried pieces of meat usually tongue, chicken or pork are eggplant, ground peanuts and toasted brown rice to thicken the sauce.

cooked in vinegar, salt, sugar, water and spices until tender. Garnished Served with sauted bagoong.

with fried potatoes.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

KILAWIN

Popular dish among the Ilocos region, consisting of internal organs such

as heart, tripe and sauteed in garlic and onion. It is seasoned with salt,

pepper and vinegar and cooked.

KINILAW

Fresh shrimps marinated in nipa palm vinegar,chili and onion slices. In

Samar or Leyte Philippines fleshy fish is used. PINAPAITAN

KINUKOT A meat dish usually goat, popular in the Ilocos region. Its bitter flavor is

A Bicol pork dish cooked with santol, bagoong hot pepper and coconut due to a few drops of bile or the half-digested contents of the first

milk. portion of the small intestines.

PESA

Meat or fish simmered with crushed fresh ginger The vegetables often

added are cabage, scallions, chinese cabbage and leeks.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

POCHERO PINANGAT

Filipino meat dish similar to the Spanish cocido. Made of beef, pork A method of cooking fish with salt and a little oil allowing it to dry over

chicken or a mixture,chorizo de bilbao and vegetables. Usually served low heat.

with squash or eggplant sauce spiced with minced garlic and vinegar.

PAELLA

Rice prepared with meat, shellfish, sausages and variety of seasonings,

the primary ones being garlic and saffron. It is cooked in deep pot and

the ingredients are added as cooking progresses.

PAKSIW- local term for pickling fish or meat.

PINAKBET Different Kinds of Pansit/Pancit

Means wrinkled in Ilocano dialect. The Ilocano way is cooking PANSIT/ PANCIT - NOODLE DISH

bittemelon and eggplant in just enough water to cooked by steam. Commonly used noodles in the Philippines are:

Tomatoes, bagoong-dilis with or without pork or fish are added.  Canton -noodles made from flour‟s ducks eggs salt, soda and

Ginger is optional. vegetable oil. Cooked by sauteing in small amount of lard or cooking

oil, minced garlic, sliced onions, slivers of meat and shrimps. The

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THE PHILIPPINE CULTURAL LIVING MUSEUM

noodles are added and when partially cooked vegetables are added.

(usually cabbage, sweet peas pods, green onions.) Maybe garnished

with slices of ham and chicken and served with lemon.

 Pansit Luglog– rice noodles are dipped in boiling water until cooked

(luglog means to dip or soak). The noodles are drained well placed on

a serving dished topped with Palabok.

 Palabok-local term for garnishing. In pancit palabok the starch

thickened sauce colored with achuete and the flaked tinapa, pork
TINOLA
crackling oysters, squid, pork cracklings, oysters, squid,hard cooked
Chicken or fish dish prepared by sautéing garlic, onion and ginger with
eggs, tokwa (tofu), green onions sliced shrimps are the garnishing.
meat and fish. Water is added and the mixture allowed to simmer with
Pancit luglog and pancit palabok are essentially same dish the only
the vegetables usually chili leaves green papaya, or chokos until done.
difference is the kind of noodles used.
UKOY
 Pancit Bihon - uses very thin rice noodles.
Philippine fritter made of flour batter and shrimps, grated vegetables
PANSIT or PANCIT
can be pumpkin, sweet potatoes and strips of onions served with

vinegar and minced garlic.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

SINIGANG

Philippine soupy meat or fish with vegetables added such

as taro, okra, water spicnach, eggplants, string beans. It is different

from nilaga and pesa due to its acid ingredients like tamarind, kamias,

tomato and green mangoes

SUAM/ SUWAM

Fish is sautéed in ginger, onion and garlic, then rice water is added

and cooking is continued; chili leaves are added last.

1.6. Conceptual Framework

The Philippine culture may be divided into two classifications: intangible Figure 1.1. Research Paradigm

(untoucheable; can‟t be kept) which can be characterized by dances, songs, centers, cultural centers (such as CCP and Folk Arts Theater), etc which may be

festivals/fiestas, oral traditions, epics, legends, chants, myths, and the like and; an attraction for cultural tourism that helps promote and preserve the

tangible (toucheable; can be kept) which are paintings, artifacts, sculptures, Philippine Culture through Architecture and Anthropology. How about the

architectural structures, photography, costumes, alibata, literature and the like. intangible properties? How can this be kept or is it better to say, how must it

Tangible may also be defined as the evidences of the intangible ones. These be exposed to be preserved to add attraction for Philippine‟s cultural tourism

cultural properties may be kept/ preserved through museums, exhibition to promote and preserve the Philippine culture? The proponent has thought of
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THE PHILIPPINE CULTURAL LIVING MUSEUM

ways, through Architecture, to do this. Applying the concept of the traditional RESEARCH DESIGN/STRATEGY

museum and giving life to it that will result to a living museum to promote and This research is dealing with the preservation and promotion of culture with

preserve Philippine‟s intangible property through Architecture. the aid of Architecture. With this, information, data and ideas that will be

used in the formulation of conclusion and recommendations will be

1.7. Research Methodology gathered through the descriptive method of research. Through this method,

SYSTEM OF INQUIRY current issues, nature of the study and present conditions will be defined

The Emancipatory system of inquiry will be used by the proponent for this and cleared.

research. The researcher assumes that through this type of system, needed

information that will support the objectives of this research would be TACTICS

gathered efficiently. It is because this system considers multiple realities With the method stated above, a survey/questionnaire method will be

about the study. It allows interaction among the subjects and the researcher conducted with visitors of the site will respond to this. Also, interviews will

and it is free from restrains. Therefore, making it a good system of inquiry be conducted with the people with enough knowledge about the project

that fits the research since the research meets no boundaries in exploring proposal and the research. Most likely, library researches will be done.

the background and the whole nature of the study.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

1.7.1 Oral Investigation

1.7.1.1. Interview  “The best way of reflecting culture is through the Art.”

NATIONAL COMMISSION FOR CULTURE & THE  There are new ways or approaches in planning museums
ARTS (NCCA) where the feelings of the visitors are being considered.
The NCCA Intangible Heritage Committee  There is really such thing as „living museum‟. A living museum
(NCCA/ICH) undertakes the inventory of Philippine is a good way to experience culture. There are living
forms of intangible heritage; and the safeguarding museums in the Philippines; one is the Tam-Awan Village in
of these. There are five categories: 1) oral traditions Baguio and the Kalimudan Cultural Village in Davao del
and expressions, 2) performing arts, 3) social Sur.
practices and festive events, 4) knowledge and practices concerning
 Intangible culture is defined in many ways depending on the
nature and the universe, and 5) traditional craftsmanship.
culture but looking at them and analyzing them, there are

common in every definition. You may use UNESCO‟s


On the 15th of August 2011, at 1:30 in the afternoon, the proponent
definition since they may have analyzed the definitions from
went to the NCCA, Office of the Cultural Heritage Department and
there. It may not always be said as: “Tangible materials are
meets up with Mr. Lawrence Salazar, the Project Development Officer
evidence of the intangible materials.”
for an interview. The proponent has learned of the following from Mr.

Salazar:
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THE PHILIPPINE CULTURAL LIVING MUSEUM

 NCCA are partners with the museums. They offer grants for  It is far from a living museum that uses performing arts. It is

the development or maintenance of the museums. built for performing arts, in partners with the National

“AUTHENTICITY” is not an issue for your project, it‟s just a Museum which caters the tangible materials with scientific

criterion for acquiring financial grants from us and awards basis/ explanations and the visual arts.

depending on objectives of the project. Your project has a  Folk Arts Theater is just part of the CCP Complex.

different objective from Tam-awan and Kalimudan Village-

where authenticity will be an issue. TAGAYTAY CITY TOURISM DEPARTMENT

 There are no agency/ oragnization that have guidelines On the 8th day of August, 2011, at 9:00 in the morning, the proponent

about museums especially for the living museums. had gone to the office of the Tourism Department of the Tagaytay City

Hall. The proponent conducted her interview with the tourism officer of

About the Cultural Center of the Philippines (CCP): Tagaytay City, Ms. Lanie Diesta. Of course,

 It is built to express society. to have a brief preview of the proposed

 It is built for performances (not necessarily cultural). project, the proponent explained about the

 Why Cultural Center? It has no issue; one way of expressing study.

culture is throught the performing arts.


The proponent then asked about the plans

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THE PHILIPPINE CULTURAL LIVING MUSEUM

of Tagaytay Government for the tourism industry, since it is the rising the park like as conference hall (but have not succeed because it is too

industry in the city. Ms. Diesta said that, Tagaytay is not actually a far from the main urban core) and as presidential museum (but the

tourist destination but more of a weekend destination. Tagaytay is only artifacts should be replaced from time to time because moisture are

visited for only an overnight trip or some for only a day trip since it is formed and the materials might be damaged); and the proposals for

very near the metro. Ms. Diesta also said that Tagaytay has really no the site such as orchidarium and aviary but are not conducive in the site

self identity since it is known for Taal Volcano and Lake‟s view, known because of the climate and some other considerations. She said yes it is

as the “Little Baguio”. Tagaytay have nothing to call their own and possible, but she thinks, it is too small for the project. Therefore, the

have no destination that people may go to for a field trip, to learn and proponent asked if she has proposals for a possible site for the project.

explore more, and have nothing to visit and go back to the same place And she proposed the bigger park which is the Picnic Grove. She said

for another experience. that the park has no other structure but the restaurants and souvenir

shops inside, but if another attraction would be added, more tourists

The proponent has asked Ms. Diesta if the People‟s Park in the Sky is a will be visiting the place. She suggested, you may also use the two

potential site for the project since the park is not developed anymore parks and connect them for the project.

and has nothing more to offer but the view and Ms. Diesta added to More conversations are not too necessary and haven‟t been mentioned.

this, but it is always foggy in the place that visitors might not see the The most needed are shared above which is summarized and briefed.

beautiful view, no activities to offer the visitors, Ms. Diesta agreed to

this and also she talks more about the activities and programs made in
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THE PHILIPPINE CULTURAL LIVING MUSEUM

DEPARTMENT OF TOURISM (DOT) - The Philippines has an approximate of 17, 176, 000 number of

National national travellers based from the statistics made in January-

On August 15, 2011, the proponent December of 2009 by the Department of Tourism.

conducted an interview with Mrs. Marie

Recarro, the head of the Product Research 1.7.1.2. Questionnaire/ Survey Method

and Development Office of the Department This method is applied in this thesis for the proponent to know how well

of Tourism of the Philippines. The proponent the public know about the Philippine Culture and how interested they

has asked only few questions about the tourism in the Philippines. The are especially the Filipino people this is to support the idea of the

following are the summarized statements made by Ma‟am Marie: proponent that in this generation, the Philippine culture is already

fading and is in need of revitalizing the splendid culture of the

A tourist destination must be near, at least 1-2 hr-ride from main Philippines, also, for the proponent to know about what the respondent

gateways (air and sea ports). think about the site. (See sample Questionnaire on Appendix A).

Cultural Tourism is one of the top priorities of the Department of

Tourism of the Philippines, together with Medical tourism, Eco-Tourism,

and Sports/Adventure Tourism.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

Results and Findings:

QUESTION 1 QUESTION 3
5
NO
QUESTION 1: DO 4
YOU KNOW ABOUT QUESTION 3: HOW
THE TANGIBLE AND 3 WELL DO YOU
INTANGIBLE 2 KNOW ABOUT IT?
YES PROPERTY OF (1-5, 1-LOWEST).
CULTURE? 1

0 20 40 60 80 0 20 40 60 80

Figure 1.2 Figure 1.4

QUESTION 2 QUESTION 4
5
LIVING MUSEUM
QUESTION 2: HOW
4
MUCH ARE YOU QUESTION 4: HOW
INTERESTED IN THE PERFORMING DO YOU WANT THE
3
PHILIPPINE ARTS CTR. INTANGIBLE
2 CULTURE? (RATE IT CULTURE TO BE
FROM 1-5, 1 BEING EXPO. CTR. PRESERVED?
1
THE LOWEST).
0 20 40 60 0 20 40 60 80

Figure 1.3 Figure 1.5


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THE PHILIPPINE CULTURAL LIVING MUSEUM

*For questions 1-4, most Filipinos nowadays are not too educated about the *Most of the respondents visited the place for fun and leisure. Therefore, the

culture but know the basic things about it but most of them, especially teen- proponent has concluded that visitors and tourists wanted to have fun, chill, and

respondents are interested in culture and they have different likes of how the relax. How could they, if the facilities they would be seeing are disappointing

tangible cultures must be preserved. and there is a lack of activities to be done in the place.

*The proponent have concluded that most of them, wants these tangible

properties of culture to be preserved through the performing arts center and


QUESTION 6
next is the living museum. This is maybe because, they have known much about

the performing arts center. NO

QUESTION 6: ARE
QUESTION 5 YES
YOU SATISFIED
WITH THE PLACE?

FAMILY
0.00 20.00 40.00 60.00 80.00
QUESTION 5:
EDUCATION (ABOUT PICNIC
GROVE) WHY HAVE Figure 1.7
YOU COME IN THIS
FUN PLACE? *Most of the reasons that the participants who answered yes is because of the

0 10 20 30 40 view and the climate of Tagaytay. This only means that they do not come to

the picnic grove just because of the facilities and activities they offer.
Figure 1.6

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THE PHILIPPINE CULTURAL LIVING MUSEUM

*Those who have answered no is because they have said that the facilities are
QUESTION 8
not maintained and cleaned.
ATTRACTIVENESS QUESTION 8:
MONEY/BUDGET BEFORE VISITING A
PLACE, WHAT
FAMILY'S… FACTORS DO YOU
QUESTION 7 CLEANLINESS CONSIDER FIRST?
(RATE THEM
TRANSPORTATION
FROM1-5, 1 BEING
NO THE LOWEST).
0 2 4 6
QUESTION 7: DO
YOU STILL WANT TO
YES GO BACK? Figure 1.9

*Based on the preferences of the participants, the first factor that they
0.00 50.00 100.00
consider before going/ visiting the places is the attractiveness, next is

Figure 1.8 cleanliness then, family‟s preference, money/budget and least is the

*Most of the respondents answered yes because of the view and climate, some transportation convenience.

of them said that they will look for changes when they go back.

For those who have answered no, their reasons are because they are

disappointed about the facilities and because of lack of activities in the place.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

1.7.2. Archival Investigation AMERICA

PHILIPPINE TOURISM a. NORTH AMERICA (Canada, Mexico, United States of America) –

Tourist Arrivals in the Philippines (Arranged by Country) 313, 375 (8.28% Growth Rate)

January-May 2011 b. SOUTH AMERICA (Argentina, Brazil, Columbia, Peru, Venezuela) –

ASIA 1, 635 (7.81% Growth Rate)

a. ASEAN (Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar,

Singapore, Thailand, Vietnam) – EUROPE

118,084 (12.16% Growth Rate) a. WESTERN EUROPE (Austria, Belgium, France, Germany,

b. EAST ASIA (China, Hong Kong, Japan, Korea, Taiwan) – Luxembourg, Netherlands, Switzerland) –

609, 211 (17.15% Growth Rate) 66,101 (3.03% Growth Rate)

c. SOUTH ASIA (Bangladesh, India, Iran, Nepal, Pakistan, Sri Lanka) – b. NORTHERN EUROPE (Denmark, Finland, Ireland, Norway, Sweden,

17, 851 (48.03% Growth Rate) United Kingdom) –

d. MIDDLE EAST (Bahrain, Egypt, Jordan, Kuwait, Qatar, Saudi, United 65, 429 (9.18% Growth Rate)

Arab Emirates) – c. SOUTHERN EUROPE (Greece, Italy, Portugal, Spain) –

17, 967 (15.31% Growth Rate) 13, 516 (0.96% Growth Rate)

d. EASTERN EUROPE (Commonwealth of Individual States, Russian

Federation, Poland) –
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THE PHILIPPINE CULTURAL LIVING MUSEUM

9, 935 (26.75% Growth Rate) Tourist Arrivals in Region IV (2009)

e. EASTERN MEDITTERRANEAN (Israel,Turkey) – Foreign – 221, 274

3, 508 (-6.07% Growth Rate) Overseas – 22, 474

Domestic – 2, 715, 659

AUSTRALASIA/ PACIFIC TOTAL – 2, 959, 407

(Australia, Guam, Nauru, New Zealand, Papua New Guinea) – Growth Rate: -26.38%

79, 181 (16.38% Growth Rate)

Tourist Arrival in Cavite

AFRICA Foreign – 771

(Nigeria, South Africa) - Overseas – (-)

1, 269 (24.74%) Domestic – 61, 080

TOTAL – 61, 851

OTHERS (Unspecified Residences) Growth Rate: -5.68%

23, 098 (-2.52% Growth Rate)

OVERSEAS – 96, 575 (-6.82% Growth Rate)

TOTAL: 1, 436, 735 (12.04% Growth Rate)


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THE PHILIPPINE CULTURAL LIVING MUSEUM

Table 1.1 1.7.3. Case Studies

Tourist Arrival in Tagaytay City 1.7.3.1. LOCAL CASE STUDIES

Place People’sPark Picnic Grove TAM-AWAN VILLAGE, BAGUIO

Month/Year 2010 2011 2010 2011

JANUARY 60, 104 71, 544 116, 800 140, 950 Tam-awan

FEBRUARY 47, 805 57, 374 86, 200 98, 800 Village in

MARCH 39, 077 42, 816 60, 600 72, 100 Pinsao

APRIL 59, 159 63, 578 148, 100 115, 200 Proper,

MAY 48, 780 46, 340 88, 600 79, 728 Baguio City

JUNE 30, 405 - 51, 600 43, 217 uniquely

JULY 26, 277 - 40, 800 - blends indigenous aesthetics and exquisite

AUGUST 35,577 - 61, 900 - Cordilleran craftsmanship with an artist‟s concept

SEPTEMBER 37, 830 - 61, 000 - for a village adapting to Baguio setting.

OCTOBER 41, 799 - 70, 400 -


Chanum Foundation, Inc., founded in 1998, began to
NOVEMBER 43, 956 - 74, 700 -
reconstruct Ifugao houses in Baguio with the view of making a
DECEMBER 60, 411 - 125, 200 -
model village accessible to people who have not had the
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THE PHILIPPINE CULTURAL LIVING MUSEUM

chance to travel to the Cordillera interior. On a land near an

abundant spring, the foundation started out with three The Kalinga house is more spacious and is made with the

knocked-down huts transported from same hand-hewn pinewood. The binayon is the traditional

Bangaan, Ifugao. Tam-awan village now octagonal house of Southern Kalinga Province and Tam-

has seven Ifugao huts and two Kalinga awan Village is proud to present one the three remaining

houses. Using the original materials and such houses in the country today.

adding only new cogon roofs, traditional

artisans reconstructed the houses and laid them out The huts in Tam-awan Village are named after the areas

resembling the design of a traditional Cordillera Village. where they come from. From Ifugao, we have the Bangaan

Hut, Anaba Hut, Batad Hut, Dukligan Hut, Kinakin Hut, and

An Ifugao house is compact and though deceptively simple, Nagor Hut. Our Kalinga huts are from Luccong and Bugnay.

its architecture is quite sophisticated. Built by clever mortise Except for Bugnay Hut, which serves as one of the village‟s

makers without nails or hardware, it exemplifies the galleries, lodgers are accepted in these huts.

exactness of Ifugao construction. With the heavy hand-hewn

timber elevated to about shoulder height by four posts In keeping with the spirit in which the village was originally

usually made of hard wood, the house, with periodic re- conceived, Tam-awan Village has become a venue for art

roofing, can last several generations. exhibits and workshops envisioned to foster a deeper
56
THE PHILIPPINE CULTURAL LIVING MUSEUM

understanding, respect and pride in the cultural heritage of do practice the

the Cordillera people. culture everyday

Tam-awan Village is an and the

experience in itself. By living in foundation can‟t

the huts, guests get an answer it

opportunity to immerse in an because it was really not since they just brought the houses

atmosphere that allows them to into a place to create a village.

get a glimpse of village life.

On a clear day, a magnificent KALIMUDAN CULTURAL VILLAGE, DAVAO DEL SUR

China Sea sunset can be viewed from Tam-awan Village,

being true to its name as Tam-awan, that is, vantage point. The Kalimudan Cultural Village

Even though Tam-awan village is a good example of a living at Barangay Tibolo, Sta. Cruz,

museum, it hasn‟t been granted by the National Commission Davao del Sur, best represents

for Culture and the Arts (NCCA) with awards for its the genuine desire of the

development because of the authenticity of the village. Bagobo tribe in unifying their

During the interview of Chanum Foundation with the NCCA, people and preserving their

the NCCA asked the foundation if the community living there culture.
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THE PHILIPPINE CULTURAL LIVING MUSEUM

This desire has become so moving that it has built a growing Visitors flock to this village because of the welcoming tribal

tribal village with landscapes and “lifescapes” of the ancestral people who share with them their authentic traditions and

homeland of the indigenous peoples. practices.

Eight simple indigenous structures are built to accommodate A common food served to guests is “lyurot” or “lotlot,” native

visitors who wish to immerse in the community. For just P50 per food cooked in bamboo. Guests crave for more of the tasty

day per person, one can spend the day with the Bagobo chicken tenderized in its own juices and steamed inside a

people and safely sleep in a house similar to theirs. bamboo.

A long house, built for special activities of the “lumads” like Bagobos show craftsmanship with the way they make tribal

assemblies, weddings, meetings, has become a favorite accessories and clothing. One could easily think of discipline

convention area for and patience with the intricacy of their designs. Vibrant colors

corporate activities chosen and used in their products reveal a passionate and fun-

like seminars and loving Bagobo.

workshops.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

Aside from farming, this tribe has also appreciated the value of Village. Known as Volun-Tourism for cultural survival, this

economics as they create other jobs from every opportunity that package promotes learning experiences for both the traveling

come their way. tourists and the local communities. It ensures that both parties

are mutually benefited from such cultural exchange.

With the establishment of the tribal village, Bagobos offer to

cook ethnic food for the visitors for a reasonable fee. From this One option offered is the 3-day immersion known as the Native

experience, visitors get to taste native delicacies and at the Tribe Cultural Journey. This package facilitates a quick cultural

same time help the tribe earn from this particular skill. orientation to volunteer-tourists on the landscapes of upland

dwellers. Other options include a Cultural Exchange intended

As visitors leave the village, they bring with them a complete for six days and a Cultural Exposure for 12 days. These

experience from deep appreciation on traditional architecture, packages are open all-year round for small and large group

to authentic Bagobo food, to language learning, and tours.

acceptance of the distinct and unique culture of the Bagobo

tribe. This cultural village is also considered as an authentic living

musuem and is granted with funds from NCCA to develop and

To support this cultural village, the Department of Tourism (DOT) maintain the village to preserve their culture in Davao. The

has offered tourists immersion packages in the Tibolo Cultural


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THE PHILIPPINE CULTURAL LIVING MUSEUM

village is a group of dwellings from the members of the tribe The CCP is attached to

which their culture is still preserved and practiced everyday. the Office of the

President and is under the

THE CULTURAL CENTER OF THE PHILIPPINES umbrella of the National

Commission for Culture

and the Arts for policy

and program coordination.

Performing companies representing dance, music and theater

reside within the CCP. It has four resident dance companies:

Ballet Philippines, Philippine Ballet Theatre, the Ramon Obusan

Folkloric Group, and the Bayanihan Philippine National Folk

Dance Company.

Tanghalang Pilipino

is the CCP's resident

theater company

while music is

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THE PHILIPPINE CULTURAL LIVING MUSEUM

represented by the Philippine Philharmonic Orchestra, the UST Alliance and the International Theater Institute. Through

Symphony Orchestra, the Philippine Madrigal Singers and the exchange programs with these organizations and with other

National Music Competitions for Young Artists Foundation institutions, Filipinos have been able to glimpse the beauty of

(NAMCYA). different cultures from various countries, withnessing many a

triumphant performance from highly-acclaimed artists all over

The CCP also covers the mass media as well as the literary and the world.

visual arts, encouraging the growth of aspiring artists in these

fields through numerous workshops, seminars, anthologies, The CCP continues to nurture and promote artistic excellence,

exhibits, symposia as well as competitions and awards. Filipino aesthetics and identity, and cultural values towards a

humanistic global society. With the CCP Business and Master

Through its Cultural Exchange Program, the CCP supports the Development Plan now being implemented, the CCP complex is

growth and development of arts councils all over the country poised to truly becoming a mecca for arts and culture in Asia.

through relevant workshops and seminars. In addition, the CCP

has also established ties with various international organizations The Cultural Center of the Philippines nurtures and promotes

such as the Association of Asia Pacific Performing Arts Center, artistic excellence, Filipino aesthetics and identity, and positive

the Conseil International des Organisations de Festivals de cultural values towards a humanistic global society.

Folklore et d'Arts Traditionnels (CIOFF), the World Dance


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THE PHILIPPINE CULTURAL LIVING MUSEUM

CCP offers services like Art Collection, Building Tour, Costume The National Museum has a three-dimensional goal covering diverse of

Rental, Library, Theater Operations and, Theater Operations fields of knowledge through various educational, scientific and cultural

Consultancy. activities. As an educational institution, the National Museum

disseminates scientific and technical knowledge in more understandable

NATIONAL MUSEUM and practical forms through lectures, exhibitions, interviews and

publications for students and the general public.

As a scientific institution, the National Museum conducts basic research

programs combining integrated laboratory and field work in

anthropology and archaeology, botany, geology, and zoology. It

maintains reference collections on these disciplines and promotes

scientific development in the Philippines.

As a cultural center, the National Museum takes the lead in the study
Philippine National Museum‟s Mandate and Objectives
and preservation of the nation's rich artistic, historical and cultural
Educational, scientific, and cultural activities in diverse fields of study
heritage in the reconstruction and rebuilding of our nation's past and

veneration of the great pioneers who helped in building our nation.


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THE PHILIPPINE CULTURAL LIVING MUSEUM

Philippine National Museum‟s Vision and Mission natural history specimens of the Philippine, from the historic times to the

Protecting, preserving and disseminating the legacy of the Filipino people present, albeit the diversity of their cultural origins.

The existence of the National Museum is anchored on the basic Museums & Branches

philosophy that the Filipino nation is kept unified by a deep sense of National Art Gallery; Museum of the Filipino People;

pride in its own identity, cultural heritage and nature patrimony. The The building was originally designed as the public library by Ralph

national identity of the Filipino must be developed and enhanced, while Harrington Doane, the American consulting architect of the Bureau of

imbibing the spirit of nationalism and strong commitment in the Public Works, and his assistant Antonio Toledo. Construction began in

protection and dissemination of its legacy. 1918 but was suspended several times because of lack of funds. When

it was decided that the building should be used by the Legislature, the

The National Museum is envisioned as the premier institution and revisions of the plans was entrusted to Juan Arellano, then supervising

repository of our heritage, and as an exciting, informative, and architect of the Bureau. The building was inaugurated on 16 July 1926,

enjoyable place to visit – a place that inspires people to learn from our and by then had cost four million pesos.

traditions so as to help shape a better future.

The building was part of Daniel Burnham's plan for the development of

The National Museum is also dedicated to the mission of collecting, Manila. Upon its completion, the second, third, and fourth floors were

preserving, studying, interpreting and exhibiting the cultural and occupied by the Senate and House of Representatives while the ground

floor was occupied by the National Library.


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THE PHILIPPINE CULTURAL LIVING MUSEUM

The 1934 Constitutional Convention was held in this building. On its The project was presented to the former First Lady Mrs. Imelda R.

front steps Manuel L. Quezon was sworn in as President of the Marcos, then the Chairman of the National Parks and Development

Commonwealth. The Legislative Building was a casualty during the Committee (NPDC). As one of her priority projects, Mrs. Marcos

bombing and shelling of Manila in 1945. It was reconstructed in 1946 requested the Department of Public Works and Highways to prepare

following the original plans but with some revisions, such as the the Planetarium in one month time and allocate the funds for the

replacement of flat pilasters of the stately rounded engaged columns. construction.

In mid-1996, the Senate of the Philippines moved out of the building. In

2003, renovation started to transform it into National Art Gallery of Construction of the building started in 1974 and took nine months to

the national Museum. finish it. It was formally inaugurated on October 8, 1975. The

Planetarium is located between the Reading Center and Chinese

Planetarium Garden at the Luneta Park.

The idea of putting up a modern Planetarium in Manila was conceived

in 1970‟s by the former National Museum Director Godofredo Alcasid Affirming its establishment was Presidential Decree No. 804-A that was

Sr. with the assistance of Mr. Maximo P. Sacro, Jr. of the Philippine issued on September 30, 1975. The Planetarium‟s primary function is to

Weather bureau (now PAGASA) and one of the founders of the disseminate astronomical information through planetarium shows,

Philippine Astronomical Society (PAS). lectures, demonstrations, exhibits and actual celestial observations. The

unique feature of the Planetarium is the true-to-life showing of


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THE PHILIPPINE CULTURAL LIVING MUSEUM

astronomical bodies that captures the interest and tickles the and Edwardian life is told by their costumed staff and

imagination of viewers. The Planetarium main apparatus, the GM-15 volunteers in a unique living and working museum. Most of th

Goto Planetarium Projector was acquired through the Japanese ehouses, shops and other buildings have been dismantled,

Reparation Program in the Philippines. brought to Beamish and rebuilt in the place.

The staff work with real collections and demonstrate what life

Through the years, improvements have been made in the Planetarium was like in the past. This allows you to experience what life

building through the efforts of its former Director Gabriel Casal and would have been like first hand.

presently Director Corazon S. Alvina. Beamish has been recreating the past for four decades and has

preserved the region‟s heritage by collecting and reconstructing

1.7.3.2. FOREIGN CASE STUDIES buildings.

BEAMISH: THE LIVING MUSEUM IN THE NORTH Beamish collects stories from the people in the North East

Beamish is a world famous England and their photographs, recordings and

open air museum telling the objects, and uses such collections to create the

story of the people of things that they see on the site, as well as

North East England. The allowing them to look back and share their past

story of Georgian, Victorian with the visitors and the region.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

1.8. Scope & Limitations Of The Study And Project building, the commercial building, the recreational park and the accessories

THE STUDY such as parking spaces and walkways only.

This thesis book will focus on the promotion and preservation of the Philippine‟s

Intangible Property. Researches will be conducted on the chosen site and on 1.9. Definition of Terms

related structures. Respondents for interviews, surveys and questionnaires will  CULTURE – n

be chosen randomly including organizations and groups concerning cultural the total of the inherited ideas, beliefs, values, and

tourism and Philippine Culture conservation (such as NCCA and DOT), students, knowledge, which constitute the shared bases of social action

tourists (foreign/local) and ordinary people. The research will be conducted on the artistic and social pursuits, expression, and tastes valued

a limited span of time; therefore, the information that will be gathered must be by a society or class, as in the arts, manners, dress, etc

more precise and specific for the better understanding and analysis of the - Traditions; way of life; customs
topic. o TANGIBLE PROPERTY – touchable;

 The material aspect in culture


THE PROJECT o INTANGIBLE PROPERTY – untouchable;
The project will include designs from site development plan of the structure to  may cover distinctive forms and phenomena of
architectural plans of buildings proposed up to the designs of facades of intellectual creativity being transmitted by tradition or in
structures. This includes the main building (center of activities), administration any other way, and particularly

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THE PHILIPPINE CULTURAL LIVING MUSEUM

- Language, dialects, tongues, toponymics, and  MUSEUM - an institutional establishment where a collection of valuable

traditional literature of all kinds objects and artifacts on history and culture, arts and sciences are put on

- Folk creativity in the fields of music, dance, tradition, exhibition for the general public

games, rituals, customs, as well as other traditional folk  LIVING MUSEUM – a type of museum, in which historical events showing
values, the life in ancient times are performed, especially in ethnographic
- Traditional skills and crafts or historical views, or processes for producing a commercial product in

 PHILIPPINE CULTURE - reflects the complexity of the history of the terms of technical and technological developments are shown,

Philippines through the blending of many diverse especially the craft. It is a type of museum that recreates to the fullest

traditional Malay heritage mixed with Spanish, American and extent conditions of a culture, natural environment or historical period.

other Asian cultures. Sometimes, a drama performing group of historical reenactment of

 TOURISM (PHILIPPINES) – the coming of visitors from other countries in historical scenes in historical buildings is considered as a living museum.

the Philippines and also the visiting of Filipinos from one domestic place  AUTHENTICITY – being real or reliable; also, this is a criteria from

to another. NCCA in acquiring their finanacial grants/ awards.

 CULTURAL TOURISM - describes all tourist trips that include cultural  UNESCO – org. ; United Nations Educational, Scientific and Cultural

activities (e.g. the visiting of monuments or sites), as well as experiences Organization; an organization that works to create the conditions for

and interaction with local people.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

dialogue among civilizations, cultures and peoples, based upon respect (NEFCA) -- fund exclusively for the implementation of culture and arts

for commonly shared values programs in line with the Medium Term Philippine Development Plan for

 NCCA – gov. ; Natinal Commission for Culture and the Arts; is the Culture and the Arts.

overall policy making body, coordinating, and grants giving agency  DOT – gov. ; Department of Tourism; shall be the primary government

for the preservation, development and promotion of Philippine arts and agency charged with the responsibility to encourage, promote, and

culture; an executing agency for the policies it formulates; and task to develop tourism as a major socio-economic activity to generate foreign

administering the National Endowment Fund for Culture and the Arts currency and employment and to spread the benefits of tourism to both

the private and public sector.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

CHAPTER 2:

RESEARCH FOCUS
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THE PHILIPPINE CULTURAL LIVING MUSEUM
Chapter 2 the city – its climate and its green space. Therefore, in designing, the

authorities may also use green space in their designs, either vertical or
Research Focus
horizontal green spaces – both are beneficial to the city’s preservation of

its major attractions.


TOPIC TITLE:

“Sustaining Green Spaces whilst Designing an Enclosed Structure” 2.2. Discussion of Principles

IMPACT OF GREEN SPACES ON AIR POLLUTION


2.1. Rationale (“Climate Considerations in Building and Urban Design” by Baruch Givoni”,

1998, USA)
Tagaytay City is currently developing their status in Tourism aiming to be

the top tourist city in the Philippines. To attain this goal, the city is investing The urban air contains a vast number of microscopic particles which serve
in more developments/ infrastructures to be built in the city. That is why, if as nuclei to which the gaseous discharge from automobiles and incomplete
you can observe, there is a numerous construction projects regulating within combustion adhere.
the city. Before, it is not permitted, but because of the city’s goal, the

government has decided to invest in such. Urban green spaces have both a direct and an indirect influence on air

pollution. The direct influence is through the filtration of part of the


But in designing such strcutures, enclosed, space-consuming structures, the pollutants in the air by the vegetation (i.e., dust, gases, soot). The indirect
designers and the government must consider two of the major attractions of influence results from the effect of open spaces, regardless of whether they

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THE PHILIPPINE CULTURAL LIVING MUSEUM
contain vegetation or not, on the ventilation conditions within the city area.  The quantity of dust content usually decreases from the weather

The urban ventilation, in turn, affects the dispersal of pollutants, mainly side to the lee side of the plantation and sometimes the minimum is

those resulting from motor vehicles which are generated along streets near to be found immediately on the lee side, outside of the green area.

the ground. The dust content then rises rapidly, without attaining the maximum

of the weather side.

The filtration capacity of the vegetation increases with an increase in the

leaf coverage per unit area of land. In this respect, the order of efficiency Particles falling on surfaces with no vegetation, under windless conditions,

is as follows: trees, shrubs, grass. In an urban grove of trees, the principal are soon swept away, while in green areas the grass retains the dust. The

filtration is carried out by the first rows of trees upwind. Therefore, for a grass blades jutting out into the air decelerate the flow of air close to the

given total number of trees, it is more efficient to plant them as narrow and lawn, causing particles to drop down. This is so-called “lattice-effect” can

elongated strips of trees over the open area, leaving distances between be increased substantially by large trees with rich foliage, because a

them, rather than to plant them as a single large grove. larger volume of air will be caused to drop its dust.

Hader, in 1970, summarizes the following conclusions of different studies Dense vegetation forming a “wall” perpendicular to the wind leads to an

on the distribution of dust in and out of urban green areas. upward deflection of the air, which is swept over the green obstacle,

 Inside the green area, as well as on wooded land, a diminution of carrying along fine dust and smaller particles, while the larger particles

dust is noticeable. are trapped by the vegetationupon impact. The fine dust sinks down after

the air overcomes the obstacle. This reduces the efficiency of green belts as

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THE PHILIPPINE CULTURAL LIVING MUSEUM
filters, at least in the case of fine dust and particles. Regarding larger dust areas, and they even reduce erosion of soil into our waterways. These are

particles, measurement showed that even the fringes of woods have a just a few of the environmental benefits that green spaces provide.

notable filtering effect.

Urban advantages. More green space within a city’s boundaries can

The effect of trees on the concentration of vehicular air pollution in urban improve the urban environment. Among the green space advantages listed

streets, however, may sometimes be a mixed blessing. The dispersion of the in EcoPlanIT Madison: Green Space Goal (UW-Madison Department of

pollutants depends on the wind speed at the street level and the vertical Urban and Regional Planning) are: helping regulate air quality and

mixing of the polluted air with less-polluted air at higher levels. Dense climate…reducing energy consumption by countering the warming effects

canopies of trees along streets with a high concentration of vehicular air of paved surfaces….recharging groundwater supplies and protecting lakes

pollution. and streams from polluted runoff.

ENVIRONMENTAL BENEFITS OF GREEN SPACES Improved air quality. Trees, shrubs and turf remove smoke, dust and other

(http://www.projectevergreen.com/why-green-matters/environmental- pollutants from the air. One tree can remove 26 pounds of carbon dioxide

benefits/) from the atmosphere annually, equaling 11,000 miles of car emissions. One

study showed that one acre of trees has the ability to remove 13 tons of

Green spaces are a great benefit to our environment. They filter pollutants particles and gases annually. 2,500 square feet of turf absorbs carbon

and dust from the air, they provide shade and lower temperatures in urban dioxide from the atmosphere and releases enough oxygen for a family of

four to breathe.

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THE PHILIPPINE CULTURAL LIVING MUSEUM
Green roofs cool urban hot spots. Led by cities such as Chicago and system these polluting particles do not enter the water system through

Toronto, as well as a number of universities, evidence is mounting that surface run off leading to improvement in water quality. Although

green roofs (i.e. roofs totally or partially covered with vegetation) can green roofs are recognised as playing a positive role in improving air

play an important role in saving energy, reducing the urban heat island quality, this is linked to the positive effect they have on the urban heat

effect and adding more green space to a built environment. island effect. Individual roofs in themselves will not have a great

effect. However a large area of green roofs in specific areas of large

Enviromental Advantages cities or in Air Quality Management Zones would have a noticeable

(by livingroofs.org) effect. Livingroofs.org understands that in the UK, the Greater London

Air Quality Authority's Climate Change Adaptability Team are modeling the urban

Extensive planting within cities is now widely recognised as a means of heat island effect in London to establish areas where action will be

improving air quality. Therefore, green roofs contribute to the required in the future to adapt to climate change. Green roofs will

reduction of a number of polluting air particles and compounds not certainly be a pragmatic and in some cases the only means of

only through the plants themselves, but also by deposition in the adapting the urban fabric in London, especially central London, to

growing medium itself. climate change. As 28 times the size of Richmond Park has the

Plants reduce carbon dioxide in the atmosphere and produce oxygen potential to be retro fitted with green roofs in London, such an area of

Green roofs reduce the heat island effect, which is the main cause of green roofs would have a significant positive impact on the urban heat

ozone production Plant roofs remove heavy metals, airborne particles island effect and resulting in improved air quality.

and volatile organic compounds Being absorbed into the green roof

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THE PHILIPPINE CULTURAL LIVING MUSEUM
Green space There is a need for increased densities in urban residential

The value of green spaces to people living and working in towns and development (30 dwellings per hectare), which could result in

cities has increasingly been recognised by Government. The work of terrestrial green space being reduced or lost. In the urban core the

the Urban Green Spaces Taskforce (Green Spaces, Better Places, provision of green space is usually already severely limited, partly

2002) demonstrated the various benefits that green space provide, through historical circumstances, and more recently very high land

such as ecological function, visually softening the built environment, values; this makes the creation of new green space both important and

supporting biodiversity, aiding people's mental and physical health, difficult. Given the nature and pressures of urban regeneration, the

and providing a communal focus and sense of place. Government has creation of new spaces has to meet a number of interests; these

subsequently launched a raft of new policies, initiatives and funding to generally result in highly formal spaces with little ecological benefit.

promote the good design and management of green spaces. Creating low-maintenance, terrestrial, naturalistic green spaces in the

urban core are not popular; green roofs may provide one solution.

English Nature has published research that suggests that an accessible Green roofs can provide both visually accessible and physically

natural green space should be no more than 300 metres from where accessible green space. Roofs are largely visually 'dead' and

anyone lives in order to meet people's needs for contact with nature. unappealing and their appearance to those overlooking them can be

Evidence suggests that regular direct contact with natural green space softened by vegetation. There are instances where the sole justification

(and elements of the natural world such as birdsong and seasonal of a green roof installation is for visual aesthetics. Areas of green

colour change) is good for people's health. roofs can also provide accessible space for people to enjoy, and some

can be landscaped to extend existing green space, for example at

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THE PHILIPPINE CULTURAL LIVING MUSEUM
Canary Wharf station on the Isle of Dogs, London. Roof gardens and few), and management. The existences of green roofs that provide this

terraces are options for smaller buildings and have some historical function suggest that these issues can usually be easily addressed.

ancestry. The Berlin roof gardens of the 19th century, have been

adopted on similar housing blocks in Britain (for example, Peabody DIFFERENT APPLICATION OF GREEN SPACES

Trust's Balderton Flats in Mayfair) and were one of the inspirations for 1. Green Roof

the first modern green roof in the UK, at Derry & Toms, Kensington, 2. Living Wall

1938, which still serves as a garden, albeit with limited public access. 3. Water Islands

Roof gardens are increasingly being proposed for new office and 4. Vertical Spine of Planting

housing developments. Large areas of accessible green roof space can

be created if the building is large enough, for example above Cannon 2.3. Recommendations for Application

Street Station in the City of London [intensive], and at Chicago City Green building can contribute immensely in mitigating and adapting

Hall [extensive]. More 'extreme' examples include a golf course on a climate change in the Philippines. Green building has been going on

roof in the USA. The key issues that need to be considered in providing around the world, particularly in the US, Europe and Asian countries like

accessible open space are health & safety (the need for a external Singapore but it seems new to Filipinos.

rail or fence), over-looking neighbouring properties (a material

planning consideration), access to and from the roof-space, load- There is a good effect of green spaces in the prevention of air pollution.

bearing (if the proposed numbers of people are to be more than a Since the site is located in Tagaytay City where the climate is very good, it

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THE PHILIPPINE CULTURAL LIVING MUSEUM
must be preserved and this principle is of big help if applied to structure to

be built in the place.

Green roofs are recognised as playing a positive role in improving air

quality, this is linked to the positive effect they have on the urban heat

island effect. These green roofs may be applied in the building not only for

its function which is to improve the air quality in the place but at the same

time, can provide both visually accessible and physically accessible green

spaces.

Extensive planting within cities is now widely recognised as a means of

improving air quality. But since the city of Tagaytay still has a lot of

greeneries (plants, trees, ets), planting is not too necessary. With the new

development that the city offers, green spaces are lessen, therefore, in this

project, the green roofing, to add functional spaces above every structure,

green spaces may be added to improve the quality of air and in the case

of Tagaytay, preserve its good quality.

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THE PHILIPPINE CULTURAL LIVING MUSEUM

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THE PHILIPPINE CULTURAL LIVING MUSEUM

CHAPTER 3:

ARCHITECTURAL
PROGRAMMING
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THE PHILIPPINE CULTURAL LIVING MUSEUM
Chapter 3 a. Scenic views that give the site an environmental character –

this may give the tourists a relaxed and peaceful feeling


ARCHITECTURAL PROGRAMMING DATA
like how the Philippines started.

III. A City that needs this type of Structure:

3.1. Site Selection Process a. A tourist destination

3.1.1. Setting the Criteria b. Income Generating structure

GENERAL CRITERIA: c. A landmark for the city or may be in the country

I. Proximity to major gateways (sea and air ports) and highways SUB-CRITERIA:

(DOT Guidelines) 1. The locality and environs including approaches shall be

a. Distance of site from the major highway should be 20-30 pleasant with proper ingress and egress. (DOT Guidelines)

minutes 2. At least 10 Hectares of Land (As needed)

b. Distance of site from the major gateways should be at least a. To contain the facilities needed in the structure

2-3 hours of travel 3. Proximity to existing tourist attractions (within 20-25 km

c. Availability of transportation within and around the area radius) (DOT Guidelines)

d. Proximity to amenities (Maximum 30 minutes) 4. Peace and Order (DOT Guidelines)

II. Environmental quality of the Area (DOT Guidelines) a. Site must be safe for both domestic and foreign tourists

b. Low crime rate

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THE PHILIPPINE CULTURAL LIVING MUSEUM
Archdioces of Lipa, one of the most powerful centres of the Roman

The criteria have been set by considering the type of Catholic Church in the Philippines. According to historians and

structure to be proposed and the possible facilities that may be musicologists, Batangas is also the home of the Kumintang, an

present in the structure. ancient Filipino war song, later evolved to be the Kundiman, the

paramount of Filipino Art Songs. Aside from the Kundiman, the

3.1.2. Description of Site Options province is also the origin of the lively Balitao or Balitaw (though the

GEN. OPTION 1: BATANGAS PROVINCE province of Cebu may argue) and the worship dance Subli. As music

The Province of Batangas is most famous for their production and forms an integral part of Batangas history, Batangueños are

market of the 'Balisong' or Filipino Butterfly knife. Batangas is the frequently heard singing the Huluna (a Tagalog lullabby, so taxing

'Heart of the Tagalog Language' as the dialect of Tagalog spoken because of its lengthy mellismas), the Duplo and Karagatan (a

here closely resembles the Tagalog spoken before the arrival of the debate made by singing), the Pasyon (a narrative of the passion

Spanish. Linguistically Batangueños are also known for their unique and death of Jesus Christ) and many other song forms.

affectation of often placing the particles e or ga (equivalent of

particle ba Filipino), usually as a marker of stress on the sentence, at GEN. OPTION 2: LAGUNA PROVINCE

the end of their spoken sentences or speech; for example: "Ay, oo, Laguna is now “a land of opportunity and enterprise.” It has

e!" ("Aye, yes, indeed!"). Some even prolong the particle 'e' into 'ala eighteen industrial parks, yielding various products that range from

e', though it really has no meaning in itself. Religion also plays an foodstuffs, handicrafts, semi-conductors, home appliances, and

important part in the daily lives of Batangueños, as it is home to the automobiles. Indeed, it is a place for business ventures and
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THE PHILIPPINE CULTURAL LIVING MUSEUM
investment, endowed with abundant natural wealth and diverse “Laguna de Bay,” where the province got its name “La Provincia de

human talent. la Laguna De Bay” until March 5, 1856 when Regent Queen Maria

Cristina of Spain issued a royal decree that created and classified

Although Laguna has maintained its agricultural lands that generate 19 civil provinces in the Philippines.

ample fruits, grains and vegetables, and awesome sceneries that

draw local and foreign tourists, it is far fetch in contrast to the At the time of Salcedo’s sojourn in the villages by the lake, Laguna

Laguna, Captain Juan de Salcedo discovered when he explored the de Bay and Pasig River was the natives’ expressway to Maynilad

largest freshwater lake in the Philippines and second in Asia, in (Manila). This body of water was also the trading route of Chinese,

August 19, 1571 Laguna de Bay. Thai, and Vietnamese merchants bartering their potteries and other

goods with local products in the 14th and 15th Century.

Salcedo, grandson of Miguel Lopez de Legazpi, the Philippines’

first Spanish designated governor sailed on the lake through the The natives must have spent several hours or so paddling on the

Pasig River to discover populated communities on its shores. The lake and river water to reach Manila, and the Chinese junks to sail

lake might be nameless then. Tagalogs (literally “Taga-ilog” or from from Manila Bay through the Pasig to reach the villages around the

the riverside) residing on the lakeshore must have referred to the lake. Today, we only need 30 minutes of comfortable travel via the

lake “Lawa,” “Looc” or “Baybay.” The Spaniards called it Laguna, South Luzon Expressway to reach the province once called “La

Spanish for lagoon or lake. Since Salcedo chose to land in Bay, Provincia de la Laguna de Bay.”

(could have been “Baybay” meaning lakeside) he named the lake


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THE PHILIPPINE CULTURAL LIVING MUSEUM
GENERAL OPTION 3: CAVITE PROVINCE story. Some of these sites are sacred and some are commemorating

Long known to battlefields. More importantly, all of these places have contributed

be a a sense of time, identity, and place to our understanding of Cavite

picturesque as a whole.

province,

Cavite is a land Tourism Nodal Points

blessed with a As a premiere tourist destination where variety of attractions and

galore of natural wonders, making it gleaming and a perfect place entertainment facilities are available, Cavite’s four (4) cities

for a memorable eco-holiday. The province boasts some of its most and nineteen (19) municipalities are clustered into three tourism

superb mountains, cave and falls which can truly fascinate its nodal points for the particular interests of visitors belonging to

numerous visitors. Natural wonders in Cavite are mostly found in the different market segments:

upland areas such as Tagaytay Ridge, Cabag Cave in 1. Tagaytay – Upland Area is famous for natural tourist

Maragondon, Balite Falls in Amadeo, Malibiclibic Falls in General attractions and is conducive for meditating, sight-seeing, picnicking,

Aguinaldo-Magallanes border and Mts. Palay-Palay and Mataas and other countryside activities

na Gulod National Park in Ternate and Maragondon. Meanwhile, a 2. Ternate-Corregidor- Naic- Maragondon Area is popularly

number of historical and religious sites are also located in province, attractive because of the presence of world-class beach resorts

which have defined significant events and have illustrated human complementing the area’s historical attractions

creativity and cultural traditions. Each site tells its own distinctive
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THE PHILIPPINE CULTURAL LIVING MUSEUM
3. Kawit-Cavite City Area, Cavite’s focal point for the pieces land area of 13, 455 square meters. It stands on a 4,516

of rich historical legacies the great Caviteño forefathers gave for sq, meters solid ground and overlooks four bodies of water

the birth of Philippine Independence. – Taal Lake, Balayan Bay, Laguna de Bay and Manila Bay.

The site is located on the special conservation area of

OPTION 1: PEOPLE’S PARK IN THE SKY Tagaytay City.

An artful blending of OPTION 2: PICNIC GROVE

natural and man-made attractions, Tagaytay's playground is the

poised on the highest point of popular Picnic Grove. It

Tagaytay City. It is located at features huts line along the

Dapdap West and Dapdap East, gentle slopes of the Tagaytay

Tagaytay City in the Province of Ridge. It is a prime location,

Cavite Southern Tagalog Region/ providing the finest view of the

Region 4-A. It is approximately 6 volcano far below. It is in Barangay Sungay East. It is

to 7 km away from Silang Crossing.It is located at operated by the City Government. It offers facilities for

northeastern part of Tagaytay. It is located on a special picnicking, horseback riding, and skating, swimming,

conservation area based on the land use map/ zoning sightseeing, overnight stay and the now famous zipline and

ordinance of Tagaytay City. The site has an approximate cable car.


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THE PHILIPPINE CULTURAL LIVING MUSEUM
3.1.3. Site Selection and Justification in Batangas. The province of Cavite, as stated above is one of the premiere

PROVINCE tourist destinations in the Philippines because of its natural beauty.

Cavite is one of the most industrialized and one of the fastest growing

provinces in the country due to its close proximity to Metro Manila. There CITY

are first class hotels, inns and lodging houses to accommodate both foreign The proponent chosen the city of Tagaytay to be the site for the project

and local tourists. Conference facilities can be found in several convention because the city has no visible culture to offer visitors and the project will

centers, hotels and resorts in the province. Restaurants and specialty dining give them another attraction for tourist aside from the Taal Volcano which

places offer mushroom dishes, native delicacies and exotic cuisines. isn’t theirs and the good climate, that if continued to destroy will be gone.

Seafoods, fruits, coffee, organic vegetables, tinapa, handicrafts, Then why not showcase the rest of the Philippine’s culture and promote what

ornamental plants also abound in the province. the Philippines have?

There are twenty-two (22) accredited tourism establishments and three (3) Tagaytay has a lot of tourist attractions but it is more of a weekend

accredited tour guides. There are also tour packages being arranged with destination instead of a tourist destination because of its proximity to Metro

the Department of Tourism. Centuries old traditions and the very rich culture Manila, tourists may choose to visit Tagaytay for an overnight or a daytime

of Cavite have been the source of great pride to Caviteños. relaxation and go home because they know that Tagaytay is just an hour or

two hour-drive from the homes of Manileños. Its accessibility may be the

The province of Cavite is adjacent to Metro Manila and Batangas Province reason why tourists won’t want to stay. Also, because there are no other

where the major gateways are located – airports in Manila and Sea ports special in Tagaytay than its clean and fresh air, the majestic view of Taal
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THE PHILIPPINE CULTURAL LIVING MUSEUM
Volcano, relaxation spa and wellness centers, the lack-of-attention People’s and is located along a National Road. And if you’re looking for a good

Park in the Sky and the simple park of Picnic Grove. What more can view, the site does not offer just a good view but a majestic panoramic

Tagaytay offer if tourists run out of reasons to go there? view of Taal Volcano, Lake and Island and parts of Tagaytay and

THE SITE (PICNIC GROVE, SUNGAY EAST, TAGAYTAY CITY) Batangas.

The city government of Tagaytay City recommended the site of Picnic

Grove for this project. They wanted to add facilities that the visitors may

be satisfied and also a structure that will give identity to Tagaytay just like 3.1.4. Site Analysis

how culture of a community gives identity to that community. TAGAYTAY CITY

The City of Tagaytay (Filipino: Lungsod ng Tagaytay) is a second class city

The site is located at a place where tourists usually visit but do not normally in the province of Cavite, Philippines. It is one of the country's most popular

stay for a long time. A one night or two is enough for them. That is why; the tourist destinations. Tagaytay City provides a good view of the Taal

proponent has thought that making the tourists’ visits worthwhile even if it is Volcano. The city is a popular summer tourist destination because of its cool

short is better than making them stay for long so that they will come back. climate due to its high altitude.

When they go back, there will be new things that Tagaytay may offer not

only beautiful places but also spectacular experiences. Legend has it that the word Tagaytay came from "taga" meaning to cut

and "itay" which means father. A father and son were said to be on a wild

The site is two-hours away from Manila and Batangas where major boar hunt when the animal they were chasing turned and attacked them. As

gateways are. The site is 5-10 minute drive from Emilio Aguinaldo Highway the boar charged towards the old man, the son cried "taga itay!". The boy's
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THE PHILIPPINE CULTURAL LIVING MUSEUM
repeated shout reverberated in the alleys of the ridge. Heard by the 1. Geographical Location

residents, hunters and wood gatherers, the cries became subject of Tagaytay City is located in the Province of Cavite, island of Luzon.

conversation for several days in the countryside. In time, the place where It is approximately 56 kilometers south of Manila, with a total land

the shouts came from became known as TAGAYTAY. area of 6,500 hectares, which represents about 5.14% of the total

land area of Cavite. It lies within 120 o 56’ latitude and 14o 16’

Tagaytay City played a unique historical role during the Revolution of longitude and overlooks Manila Bay on the north, Taal Volcano and

1896. It became the place of refuge and quick hide-away for Filipino Taal Lake on the south and Laguna de Bay on the east.

revolutionaries from Batangas, Laguna and other neighboring towns. The

ridges and forests of Tagaytay became the sanctuary for revolutionaries The city is linked by the national highway to the Metropolitan

including those from nearby provinces. The passage to and from towns via Manila Area and to the Province of Batangas. It is also connected

Tagaytay added the word "mananagaytay" to the native's vocabulary. It by roads to the adjoining municipalities of Amadeo, Mendez,

means "to traverse ridges." Indang, Silang and Alfonso in Cavite towards the northwest, to the

municipalities of Calamba and Sta. Rosa in Laguna in the northeast

Today, the City of Tagaytay is identified as one of the priority areas for and to the town of Talisay in Batangas in the south.

tourism development of the Department of Tourism. Likewise, the city has

been identified in the CALABARZON as a tourist center.

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THE PHILIPPINE CULTURAL LIVING MUSEUM
2. Political Subdivision Iruhin East 297.29

Thirty-four barangays comprise the city, of which twelve are urban Iruhin West 240.71

and the rest are rural. Table 1 indicates the names of barangays Kaybagal Central 214.00

and their respective land area: Kaybagal North 120.33

Kaybagal South 404.16

Table 3.1. Land Area per Barangay Mag-asawang Ilat 73.11

NAME OF BARANGAY LAND AREA Maharlika East 73.82

(in hectares) Maharlika West 194.55

Asisan 133.43 Maitim II Central 96.90

Bagong Tubig 173.75 Maitim II East 141.31

Calabuso 446.38 Maitim II West 76.29

Dapdap East 75.09 Mendez Crossing East 55.40

Dapdap West 148.10 Mendez Crossing West 58.37

Francisco 358.00 Neogan 165.43

Guinhawa North 78.93 Patutong Malaki North 258.02

Guinhawa South 94.11 Patutong Malaki South 237.08

Iruhin Central 253.14 Sambong 301.24

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THE PHILIPPINE CULTURAL LIVING MUSEUM
San Jose 418.90 with very gently sloping surface. The built-up areas including the

Silang Crossing East 197.23 urban center are situated in these relatively level portions of the

Silang Crossing West 248.91 city.

Sungay East 280.08

Sungay West 202.43 4. Climate

Tolentino East 91.49 Tagaytay City’s climate is characterized by relatively low

Tolentino West 164.13 temperature, low humidity and abundant rainfall. The city is

Zambal 127.89 endowed with a cool and invigorating climate with an average

TOTAL 6,500 temperature of 22.7o C. Situated approximately 600 meters

above sea level, the city is misty and is relatively cooler during the

3. Topography months of December, January and February. Like most areas in the

Tagaytay City is characterized by mixed topography. The southern Province of Cavite, the City has two pronounced seasons: dry from

and eastern portions are covered by hills and mountains which are November through April and wet during the rest of the year.

generally forests and open grasslands. There are ridge areas with

slopes ranging from 10.1 to over 25 percent. On the other hand, 1. Rainfall

the portions adjoining the municipalities of Mendez, Indang, Maximum rainfall usually occurs from July to September.

Amadeo and Silang are level to nearby level areas interspersed The city’s annual rainfall is 2,321.5 mm with a peak of

573.5 mm in August and low of 5.1 mm in February.


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THE PHILIPPINE CULTURAL LIVING MUSEUM
2. Relative Humidity DEMOGRAPHIC PROFILE

Relative humidity is a measure of the moisture content of the Population

atmosphere. The average relative humidity of Tagaytay is As per 2007 NSO report, the city’s total population is 61,623. Its

78 percent. This makes the city cooler than the Metropolitan night time population is the same with its daytime population since

Manila area where the average relative humidity exceeds the city does not have any university or industrial park that

81 percent. encourages a different situation. Since Tagaytay is a major tourist

destination, population doubles on weekends and holidays due to

3. Wind Direction influx of tourists and visitors. Household population is 13,150. The

North-eastern winds prevail in the city during the months of city’s total labor force is 36,974 covering an age bracket of 15 –

October, November, December, January, February, March 65 years old.

and April. Winds came from the southwest during May,

June, July, August and September. The average speed of Table 3.2. Population per Barangay

the wind is 6 knots per hour. NAME OF BARANGAY POPULATION

1. Asisan 1723

4. Typhoons 2. Bagong Tubig 852

Thirty one to forty percent of the typhoons visiting the 3. Calabuso 870

Philippines affect Tagaytay City. The probable months of 4. Dapdap East 701

typhoon season are from June to December.


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THE PHILIPPINE CULTURAL LIVING MUSEUM
5. Dapdap West 1004 22. Mendez Crossing West 1774

6. Francisco 2746 23. Neogan 2321

7. Guinhawa North 516 24. Patutong Malaki North 1413

8. Guinhawa South 1266 25. Patutong Malaki South 1799

9. Iruhin Central 996 26. Sambong 892

10. Iruhin East 893 27. San Jose 3003

11. Iruhin West 2573 28. Silang Crossing East 1354

12. Kaybagal Central 4407 29. Silang Crossing West 1321

13. Kaybagal North 2273 30. Sungay East 3830

14. Kaybagal South 6345 31. Sungay West 3018

15. Mag-asawang Ilat 1133 32. Tolentino East 1948

16. Maharlika East 1054 33. Tolentino West 1143

17. Maharlika West 1420 34. Zambal 737

18. Maitim II Central 1011 TOTAL 61,623

19. Maitim II East 1898

20. Maitim II West 759

21. Mendez Crossing East 2630

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THE PHILIPPINE CULTURAL LIVING MUSEUM
Education STI College. CCT and Olivarez College are open to all enrollees

for tertiary education while SVD offers post graduate studies to the

seminarians aspiring for priesthood and brotherhood.

For the out-of-school youth residents who have given the

opportunity to formal education, the City Government in

coordination with the Department of Education provides an

alternative pathway by which out of school youth could earn/obtain

educational qualification comparable to the formal education

through the Alternative Learning System (ALS). The ALS coordinators

conduct Continuing Education Program (CEP); massive information


At present, there are seven (7) high school in the city, four (4) of
campaign and Literacy Classes in Elementary and Secondary School
which are private and three (3) are public. 16 Public Elementary
Leavers; Basic Computer Literacy Program and Livelihood Programs.
Schools; 12 Private Elementary Schools; located at different
The service provider also reviews and prepares the examinees for
barangays. Out of the 34 barangays, 31 have their own day care
the Accreditation and Equivalence Test. Five (5) Elementary A&E
center with playgrounds. Some barangays have also established
Test Passers were promoted to Secondary Level while 15
their own Community Learning Center. There are three (3) colleges
Secondary A&E Test Passers were promoted to college. At present,
in the city –City College of Tagaytay (CCT), Olivarez College and
the City has one (1) Mobile Teacher and two (2) ALS Coordinators.
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THE PHILIPPINE CULTURAL LIVING MUSEUM
The City’s participation rate for elementary school is 97.39% and Barangay Silang Crossing East near Rotunda, also caters the needs

92.37% for secondary school, respectively. Cohort Survival Rate is not only of local residents but also the adjoining towns as well

88.71% for elementary and 94.8% for secondary. tourists who visited the city.

Health and Nutrition For minor cases, the City Health Office is open from Monday to

The delivery of basic health care services to the general public is Friday providing medical and dental services to the city residents.

basically one of the primary concerns of the city. Thus, the City The 34 barangay have also their respective barangay health

established its own Primary Hospital (Ospital ng Tagaytay) in 1997 centers under the direct supervision of City Health Office personnel

to render health services for the city residents especially to assisted by Barangay Health Workers (BHWs) and Purok Social

underprivileged patients. In order to improve its services and Workers (PSWs). Non-government Organizations (NGOs) such as

accommodate the increasing number of in-patient, the City Project Health, Augustinian Sisters and private institutions also

Government constructed additional building (expansion) for provide medical services to the residents.

additional hospital beds and to comply with the minimum

requirement of the Department of Health for hospital upgrading At present the city has one (1) City Health Center, 34 barangay

from primary to secondary. health centers, two (2) hospitals, nine (9) dental clinics, nine (9)

medical clinics and ten (10) drugstores to meet the health and

In addition, the construction of a state-of- the-art private tertiary medical needs of the people.

hospital (Tagaytay Hospital and Medical Center) located at


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THE PHILIPPINE CULTURAL LIVING MUSEUM
The city has 39 licensed physicians; eleven (11) dentists; seventy six Among the services offered by the CSWDO are family life

(76) nurses and Barangay Health Workers. education and counselling, family planning assistance, day care

services, supplemental feeding, relief and rehabilitation. In terms of

The City Nutrition Office’s records show that from 1998 to 2009, facilities, it has set up one family clinic in every day care center.

the malnutrition rate in the city is below 1%. As a concrete

manifestation of the efficiency of the city’s nutrition program, the Some government offices and private organizations operating

city has received several Nutrition Awards from the regional even within the locality provide invaluable support to CSWDO in

up to national level. extending social welfare assistance to those who are needy. The

government agencies that also assist the CSWDO are the

Social Welfare Department of Agriculture and the Department of Health. The civic

Tagaytay City, like most towns and cities in the country, is beset with and religious organizations on the other hand, include the Ladies of

its own social problems, which include unemployment, malnutrition, Charity, Tagaytay City Credit Association, Society of St. Vincent de

inadequate housing provisions and drug addiction. To help Paul, Marian Center, Women’s club, Poveda and Verbum Dei.

solve these problems, social welfare assistance in the city is

therefore extended by the City Social Welfare and Development To monitor and concentrate on the social problems that arise in the

Office (CSWDO). city, the following Programs and Services are provided by the

CSWDO: (1) Self-Employment Assistance, (2) Family and Community

Welfare (3) Child and Youth Welfare (4) Emergency Assistance


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THE PHILIPPINE CULTURAL LIVING MUSEUM
Program (5) Program for Disabled Persons and the Elderly (6) Public Safety (TOPS), Traffic Aides and private security personnel

Rolling Stores (7) Lingap sa Barangay, and (8) Day Care Services. manned by different Security Agencies.

Protective Services Tourism

Tagaytay City’s peace and order situation is safeguarded by the Tagaytay City is one of the vital tourist sites, which play a very

Philippine National Police Force, which is under the Department of significant role in the country’s tourism industry. From the National

Interior and Local Government. The total police force is composed and Regional points of view, Tagaytay City ranks very high in

of 3 officers, 92 non-officers and 1 non-uniformed personnel. There tourism potentials due to its scenic attraction and available

are seven (7) police headquarters strategically located in the accommodation facilities that meet international standards. Because

busiest parts of the city such as the Centrum in Barangay Kaybagal it is very accessible and strategically near Metro Manila, which is

South, Mendez Crossing West, Silang Crossing East, Mahogany the main entry and exit point of the country’s local and international

Market, City Market in Tolentino East, Barangay Sungay West and travellers, Tagaytay remains one of the leading tourist areas in the

Barangay Maitim II East. Sustained maximum security for the citizens country.

is ensured through the 24-hour service.

The main tourist attraction of Tagaytay is the captivating panoramic

The police force are supported by Barangay Tanods (average of view of the natural beauty of the Taal Volcano, which is the smallest

10 per barangay); Bantay-Lungsod under the Tagaytay Office of volcano in the world and where two delectable rare species of fish,

the “maliputo” and “tawilis” are found. In spite of its nearness to


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THE PHILIPPINE CULTURAL LIVING MUSEUM
Metro Manila, Tagaytay has a unique rustic atmosphere and measures are provided for the city’s terrestrial, natural scenic

invigorating cool climate. This is the reason why people do not only environment, water resource and urban and rural environments. The

want to visit the place but prefer to hold seminars / conferences the protection and management of all these is the key towards

city. Complementing the natural endowment are several tourist sustaining the city’s growth and development.

establishments, which are attractions themselves.

Increasing population is putting a lot of stress on the environment,

particularly on the volume of waste generated by the residents and

the commercial establishments in the city. Garbage collection in the

city is being managed by the local government unit through the

Parks and Plaza Division under the City Engineer’s Office. The

volume of solid waste is around 252 metric tons a week or an

average of 36 metric tons a day. Of the entire population, 73

percent of the households have access to solid waste collection,

which is done on a daily basis. Individual households particularly

those in barangays that are hardly reached by garbage trucks


Environmental Management
dispose their garbage by dumping in an open area, while the
It is the city’s inherent environmental characteristics, which has
limited number engage in backyard composting. Toxic and
fuelled its present state of growth. Environmental management

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THE PHILIPPINE CULTURAL LIVING MUSEUM
hazardous wastes from hospitals are collected and disposed of in a 9003 or the Solid Waste Management Act, and is in line with the

separate dumpsite. city’s action towards proper protection of the environment.

In addition, the City Government constructed a Materials Recovery Tagaytay also suffers from the absence of a central sewerage

Facility covering an area of 4,000 square meters with equipment to system/waste water treatment systems. Since these facilities require

process mixed waste per day. It is designed to receive, sort, massive resources, the city resorts to using natural drainage and a

tree-chamber (sealed) septic vault.

Natural Resources

Land

LAND AREA

Tagaytay City has a total land area of 6,500 hectares, which is

roughly 5.19% of the total land area of the Province of Cavite. The

City is politically subdivided into thirty-four (34) barangays from

the original twenty (20). Nine barangays remained in their original

status while the rest were further divided into two or three smaller
process and store compostable and recyclable materials efficiently
ones.
and in an environmentally-sound manner in compliance with RA

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THE PHILIPPINE CULTURAL LIVING MUSEUM
LAND USE TYPES Restaurants, entertainment, recreational and similar establishments

of the urban-tourism type shall be the developments herein. This

area is also classified into two: (1) Northern Tourism Strip, which is

located at the north of Tagaytay-Nasugbu-Calamba Road, and (2)

Southern Tourism Strip, situated at the southern side of the said

road. Rules on building heights and densities shall be heavily

regulated in order to protect the general view of the Lake area.

The Southern Tourism Strip structures are still classified into: (1)

Obstructive (those that block the lake view) and (2) Non-obstructive

Tourism Strip (those that do not block the lake view).

The tourism strip is comprised of a 60-meter northward distance

from the center of the Tagaytay-Nasugbu-Calamba Road and all Primary Urban Core

areas within 18% downward slope on the southern side of the said The block enclosed by J.P. Rizal Avenue and the Tagaytay-Nasugbu

road. It shall serve as one of the key venues for the “sustainable Road is the Primary Urban Core. What make the sight an ideal

ecological tourism base” and shall be in line with the realization of urban core are its central location, sufficient size for unitary

the city’s vision. planning and the location of major urban facilities. All property

owners shall confirm to a pre-agreed Master Plan since this shall be

a Planned Unit Development (PUD) Area.


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THE PHILIPPINE CULTURAL LIVING MUSEUM
Developments shall focus on the provision of urban facilities and Table 3.3. Land Allocation

amenities such as hotels, convention halls, parks and similar LAND USE TYPE AREA (in hectares)

institutions. This area shall revolve around the existing Tagaytay 1. Tourism Strip 344.49 5.31

Centrum or the government center. 2. Primary Urban Core Area 361.07 5.55

3. Secondary Urban Core Area 127.94 1.97

Land Allocation 4. General Development Area 1,338.66 20.59

The type of land use to which majority of land (26.73%) in 5. Agricultural Development Area 1,356.10 20.86

Tagaytay are devoted is the Ecological Development Area. Second 6. Ecological Development Area 1,737.66 26.73

is the Agricultural Development Area (20.86%) followed by 7. High Density Housing Area 19.64 0.30

General Development Area (20.59%). 8. Ecological Tourism Area 670.85 10.32

9. Special Conservation Area 350.19 5.39

10. Special Institutional Area 135.62 2.09

11. Greenbelt Zone 57.78 0.89

TOTAL 6, 500.00

Note: Area computation was done manually

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THE PHILIPPINE CULTURAL LIVING MUSEUM
Land Use per Barangay Urban sprawl posted a 27.70% annual growth rate from 1995 to

The barangays which host the Primary Urban Core include Mendez 1997. This is due to the accelerated expansion of residential

Crossing East, Kaybagal South, Maharlika West, Tolentino East, subdivisions.

Silang Crossing East and West, Sungay East and San Jose. Almost

all barangays comprise the General Development Areas except Table 3.4. General Land Use Shifts

Zambal, Bagong Tubig and Sambong (Ecological Development Year Built-up Agriculture Woodland Grasslan

Area), Dapdap West, Dapdap East and Calabuso North (Ecological d

Tourism Area). See Table 10 for the Percentage of Land Use 1946 Area 72 3,780 2,329 434

Distribution per barangay. Share 1.09 % 57.14 % 35.21% 6.56%

1980 Area 292 3,984 1,508 831

General Land Use Shifts Share 4.41 % 60.23% 22.80% 12.56

Built-up Areas %

The built-up areas, which were initially confined along the major 1989 Area 431 4,250 1,480 454

arteries of the City, have grown considerably. The expansion has Share 6.52 % 64.24% 22.37% 6.86%

exhibited an accelerated pace within the last decade. The core Growth 4.42 % 0.72% -0.21% -6.60%

built-up area exhibited a substantial sprawl plus the opening up of Rate

new urban developments in the interior areas contributed to the 1995 Area 1,097 3,870 1,395 253
significant annual growth rate from 1989 to 1995 which is 16.84%.
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THE PHILIPPINE CULTURAL LIVING MUSEUM
Share 16.58 % 58.50% 21.09% 3.83% Urban Land Use Shifts

Growth 16.84 % 1.57% -0.98% -9.24% When Baguio City was devastated by the 1990 Luzon earthquake,

Rate realtors have looked toward Tagaytay as its alternative. As such,

1997 Area 1,789 1,808 Unverified Unverif there was a 200% increase in construction projects, both from

Share 27.04 % 27.33% Unverified ied residential and commercial developers. Over 25 housing

Growth 27.7 % -31.65% Unverified Unverifi developers sell vacation homes with the cool climate and panoramic

Rate ed view of Taal Volcano as their selling advantage.

Unverifi

ed In 1997, Tagaytay’s urban land is primarily used for residential

purposes (60.98%). It took the place of institutions that dominated

Note: 1997 data on Woodland and Grassland were not reflected since they the urban lands from 1980 to 1989. Also in 1997, 18.72% of the

may not be accurate due to the limitations of the field survey. Obtained city’s urban land is devoted to commercial and tourism related uses.

figures were 2,418 hectares and 600 hectares for woodland and grassland, Table 3.5. Urban Land Use Shifts

respectively. Year Com Parks & Agro-

Resid merc Inst’l Open Indust Total

ential ial Spaces rial

and

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THE PHILIPPINE CULTURAL LIVING MUSEUM
Touri * Share 1 18.7 6.99 0.78% 2.96 9

sm Growth 60.9 2% % 52.75 %

1980 Area 160 24 65 15 28 292 Rate 8% 5.49 14.1 % 142.

Share 54.7 8.22 22.6 5.14% 9.59 26.2 % 1% 67%

9% % % % 0%

1989 Area 250 36 100 15 40 431 Source: Tax Map / Validation Survey

Share 58.0 6.04 23.2 3.48% 9.28 * 1997 total includes actual idle lands and utilities, which are not

Growth 0% % 0% 0.00% % quantified in the above table

Rate 5.08 0.89 4.90 4.04 Land Ownership

% % % % Only minimal areas are left in the possession of the government

1995 Area 658 301 96 6 9 1,09 since most lands, including those at the steep slopes, are titled to

Share 62.4 27.4 8.75 0.55% 0.82 7 individual owners. Other owners are religious institutions, residential

Growth 4% 4% % - % subdivision developers and commercial / tourism realtors.

Rate 18.2 50.4 - 14.16 -

9% 1% 0.68 % 22.0

% 1%

1997 Area 1,09 335 125 14 53 1,78

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THE PHILIPPINE CULTURAL LIVING MUSEUM
Slope

One important factor considered in determining the suitability of Areas with Type D slopes (10.1 to 18.0 percent) cover 520.0

lands for urban development as well as the capability of an area hectares of land in portions of Barangays Calabuso, Dapdap, Iruhin,

for cultivation is slope Sungay, Sambong, Kaybagal, San Jose and Silang Crossing. Due

to the good soil characteristics in the city, these moderately or

Levels to moderately sloping areas endowed with good soil rolling areas are planted to diversified crops although there are still

characteristics are favorable for cultivation and urban utilization. vast tracks of open grasslands in Barangays Dapdap and

Strongly sloping to mountainous condition renders the land highly Calabuso.

prone to soil erosion and unfavorable for agricultural production

and urban development. Type C slopes (5.1 to 10.0 percent) are most prevalent in

Barangays Francisco, Iruhin, Sungay, Tolentino and San Jose. These

Approximately 2,665.0 hectares of land, which represent gently undulating slopes are mostly devoted to different crops due

41.0% of the city’s total land area, have slopes of above 18.0%. to their suitability for cultivation.

These strongly rolling and mountainous portions are situated along

the ridge and on the eastern end of the city. Due to the unsuitability Except for the eastern end of the city, the lands situated at the north

of these mountainous and strongly sloping portions for cultivation of the National Highway leading to Batangas have slopes ranging

and urban use, most of these areas are currently utilized as forests from 0.0 to 5.0 percent. Slopes in these 34.0% four percent or

or abandoned as open grasslands. 2,210 hectares of land are classified as Type A.


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Erosion Potential

Soil erosion is the process by which soil particles are detached and 2. Moderate Erosion – This type of erosion is characterized by

transported by run-off water. The degree and occurrence of the loss of 25 to 75 percent of the surface soil and is evident during

erosion are affected by such factors as slope, amount / intensity of the starting stages of gully formation. This kind of erosion is most

rainfall, vegetative cover, land use and type of soil. likely to take place in 14.59% or 948.35 hectares of land in

Tagaytay City.

Depending on the amount of topsoil and subsoil removed and the

presence of gullies, the degree of erosion may vary from slight to 3. None to Slight Erosion – This kind of erosion is defined as

very severe. the removal of less than one-fourth of the original surface soil. This

occurs in Types A, B and C slopes, where erosion takes place inspite

The various degrees of erosion characterizing Tagaytay City are of favorable relief conditions due to faulty farm management

the following: practice. Areas falling under this category consist of 3,055 hectares

1. Severe / Very Severe Erosion – Erosion is severe / very of land in the relatively level portions of the city, covering 47.0% of

severe when all of the surface soil and part of the subsoil are the city’s total land area.

eroded with some gully formation. Subject to this kind of erosion

are 2,517.45 hectares or 38.37% of the total land area of the city. Soils

These are the mountainous and strongly sloping areas along the Knowledge of the soil types and soil characteristics provides some

ridge and on the eastern part of the city. guiding principles in selecting and recommending various uses of
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THE PHILIPPINE CULTURAL LIVING MUSEUM
land. The basic types of soils found in Tagaytay City belong to dry. This type of soil is easy to work on. Among the crops that

Tagaytay series. These are the Tagaytay sandy loam and the grow best in this type of soil are upland rice, corn, sugarcane,

Tagaytay loam. coconuts, citrus, coffee, pineapple, avocado and various vegetables.

The central and western portions of the city are covered by the Land Capability Classification

Tagaytay sandy loam. The surface soil of the Tagaytay is sandy Land capability classification is a scheme for grouping soil units

loam which is 12 to 50 centimeters deep, dark brown to nearly together according to the best use of lands in order to optimise

black, friable and granular sandy loam with a considerable amount production, preserve land and prevent soil damage through

of volcanic sand. The subsoil is dark brown to very dark brown and improper use. The classification indicated the relative suitability of

varies in texture from clay loam to clay. It is underlain by reddish- land for agriculture and the corresponding land management

brown to yellowish brown adobe clay. This adobe clay varies in requirements. This serves as one of the important bases in

depth depending on the topography of the place. recommending the use land, especially for areas to be returned for

agriculture. The four major factors considered in land capability

On the other hand, the eastern portion of the city is covered by classification are: (1) soil properties (2) degree of erosion and (3)

Tagaytay loam, which has a surface soil consisting of a 15 to 35- drainage and flooding hazard.

centimeter thick layer of brown to dark brown loam containing more

or less fine sandy material. The soil is moderately friable when Land capability classes are grouped into four general uses from the

moist. In the disturbed condition, it becomes hard and cakes when standpoint of agricultural as well as economic capabilities. This can
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THE PHILIPPINE CULTURAL LIVING MUSEUM
be any or a combination of the four general purposes, namely: (1) are as follows:

Lands suitable for cultivation (2) Lands limited to pasture (3) Lands

limited to forests and (4) Lands limited to wildlife and recreation. 1. Land Capability Class “A”

This class includes very good lands, which can be cultivated safely

In Tagaytay City, the lands suited for agriculture consists of four and require only simple but good farm management practices.

land capability classes. These arable lands which cover 3,836.95 2. Land Capability Class “Be”

hectares or 59.03% of the total land area and are currently This class includes good lands that are nearly level to gently sloping,

cultivated and planted to diversified crops such as coffee, slightly to moderately eroded and can be cultivated safely if

pineapple, corn, banana, sweet potatoes, coconuts, palay and carefully planned erosion control management practices and

vegetables. The land capability classes to which those lands belong intensive soil conservation practices are observed.

3. Land Capability Class “Ce”

This class consists of moderately good lands that are moderately

sloping, moderately to severely eroded, and can be cultivated

safely if carefully planned erosion control management practices

and intensive soil conservation practices are observed.

4. Land Capability Class “De”

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This class includes fairly good lands that are slightly sloping, This includes very steep lands, which are excessively eroded,

moderately to severely eroded due to excessive run-off and can be shallow, rough or dry for cultivation but can be used for grazing

cultivated occasionally if handled with care. These lands require with careful management and definite restriction. These lands are

very careful management and complex conservation practices and best suited to forest with careful management.

are most suitable to pasture or tree farms.

On the other hand the non-arable lands in the city cover 2494.05 Roads

hectares or 38.37% of the total land area. These lands are For purposes of prioritizing the development maintenance of the

unsuitable for agriculture and consist of land capability classes “M” roads within Tagaytay, the city’s circulation system is thus,

and “N” which are mostly situated along the ridge area and the categorized into three (3) functional hierarchical classifications:

eastern portion of the city. These non-arable lands are national highways, arterial collector and service road classification.

characterized by the following: Based on these classifications, roads characterized as arterial are

5. Land Capability Class “M” given top priority as to development/maintenance while the service

Lands included here are those which are very steep to mountainous, roads are comparatively given low priority.

excessively eroded or shallow for cultivation. Stones and rock

outcrops are occasionally present. These lands are good for The major arterial road of the city is the national Highway

grazing or for forest and need careful farm management. horizontally traversing the city. Aside from being the city’s primary

6. Land Capability Class “N” road, which links most of the city’s barangays, it also serves as a

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national thoroughfare connecting Tagaytay to the province of Meanwhile, collector and service roads are those which branch out

Laguna and to the province of Batangas. from these arterial roads. These include all the city and Barangay

roads in the area. Aside from serving as the main access of the

Running almost perpendicular to the arterial roads are eight other population in the inner portion of Tagaytay, these roads

arterial roads, seven of which are maintained by the national particularly, the service roads are also used as farm-to-market

government. At present, all of these are vital road linkages in as roads by the farmers of the city.

much as they provide access to the towns and cities of the four

regions/provinces, namely: Metro Manila, Laguna, Batangas and As of year 2009, Tagaytay City has a total length of 139.250

Cavite. These arterial roads are enumerated as follows: kilometers. Out of this total road length, about 39.70 kms are

1. Tagaytay – Manila via Silang Road (National Road) classified as National Roads, 29.829 kms are City Roads and

2. Tagaytay – Ulat Sto. Domingo – Sta. Rosa Road (National 69.721 kms are Barangay Roads.

Road)

3. Tagaytay – Cavite vi Mendez Road (National Road)

4. Tagaytay – General Trias via Amadeo Road (City Road)

5. Tagaytay – Talisay Road (2) (National Road)

6. Tagaytay – Laguna via Calamba Road (National Road)

7. Tagaytay – Taal Lake Road (National Road)

8. Tagaytay – Batangas via Tuy Road (National Road)


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THE PHILIPPINE CULTURAL LIVING MUSEUM
Sports and Recreation Corporation (PAGCOR). Development Academy of the Philippines

The City of Tagaytay provides for its residents, visitors and tourists (DAP), which is situated at Barangay Sungay East is among the

a number of facilities for both sports and recreational activities. favorite venues for conventions, seminars and conferences. Various

Available sports facilities include: Two (2) state of the art Sports facilities that can be availed of at the DAP include pelota court,

Centers, one (1) gymnasium, one (1) 18-hole golf course, one (1) ping pong room, game room for chess and mah-jong, children’s

track and field oval, eighteen (18) basketball courts, four (4) playground, covered tennis court, covered squash beating lagoon,

playgrounds, one (1) baseball and softball field, four (4) swimming skating rink, swimming pool and one goal basketball court. The

pools, one (1) bowling center, ten (10) billiard halls, one (1) fitness Philippine Judicial Academy located at Barangay Silang Crossing

center, one (1) bridle path, one (1) bicycle/jogging trails, two (2) East offers facilities such as tennis court, 400.2 golf area, pool

squash courts, two (2) parks and one (1) mini zoo. tables, ping-pong tables, billiard tables, swimming pools, and

basketball and volleyball courts. Another is the Residence Inn/Mini

Alternatively, establishments for passive leisure interest are also Zoo, situated at the western part of the city, along Tagaytay-

available in Tagaytay. One of which is Tagaytay Picnic Grove, Nasugbu Road. The famous Tagaytay Highlands and International

which is operated by the City Government. It is located at Golf Club at Barangay Calabuso is an exclusive golf club being

Barangay Sungay East. It offers facilities for picnicking, horseback managed / operated by a private firm. Facilities/amenities that

riding, and skating, swimming, sightseeing, overnight stay and the can be availed at Tagaytay Highlands include: 18-hole golf course,

now famous zipline and cable car. Another is the Casino-Filipino, billiard halls, ping pong tables, tennis courts, squash courts, fitness

being managed by the Philippine Amusement and Gaming gym, swimming pool, wading pool, bridle path, bicycle and jogging
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THE PHILIPPINE CULTURAL LIVING MUSEUM
trails, and gardens where one can relax and feel the refreshing Financial Profile

breeze of Tagaytay. Shuttles and cable cars are available within INCOME

the premises. For the year 2009, the City Government collected a total income of

FIVE HUNDRED SEVENTY TWO MILLION SIX HUNDRED SIXTEEN

Japanese Garden, one of the public parks in Tagaytay, has a well- THOUSAND FIFTY NINE PESOS and 08/100

maintained garden and landscaping, a lagoon and a gazebo. It is (Php572,616,059.08) with an increase of 7% from the city’s income

located along Tagaytay-Calamba Road at Barangay Sungay East, of 2008. With the beginning balance amounted to TWENTY FIVE

just across DAP - beside Picnic Grove. MILLION SEVEN HUNDRED NINETY ONE THOUSAND EIGHTY

PESOS and 99/100 (Php25,791,080.99) contributing 4.5% of the

With regard to sports development, all schools in the city, whether city’s total income.

public or private, conduct physical and sports development

programs for their students. These programs are being supported Out of the city’s income in 2009, General Fund has the biggest

by the City Government through the designated Sangguniang share having a total collection of FOUR HUNDRED EIGHTY SEVEN

Kabataan Coordinator and City Sports Coordinator. Inter-Barangay MILLION SIX HUNDRED SIXTY ONE THOUSAND SIX HUNDRED

basketball tournament for the youth is also being held during TWELVE PESOS and 60/100 (Php487,661,612.60) which

summer. contributes 85% of the city’s total income. It has an increase of

11% from the 2008 income of FOUR HUNDRED THIRTY THREE

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THE PHILIPPINE CULTURAL LIVING MUSEUM
MILLION SIX HUNDRED NINETY SEVEN THOUSAND SIX HUNDRED EIGHTY SIX PESOS and 95/100 (Php121,778,186.95)

HUNDRED TWENTY PESOS and 08/100 (Php433,697,620.08). contributing 24.97%. Service Income collected a total amount of

ONE HUNDRED TWENTY SEVEN MILLION FIVE HUNDRED EIGHTY

Special Education Fund has a total collection of EIGHTY FOUR THREE THOUSAND FIVE HUNDRED ELEVEN PESOS and 04/100

MILLION NINE HUNDRED FIFTY FOUR THOUSAND FOUR (Php127,583,511.04) contributing 26.16%. Local Income collected

HUNDRED FORTY SIX PESOS and 48/100 (Php84,954,446.48) the amount of THIRTY TWO MILLION THREE HUNDRED THIRTY

contributing 15% of the city’s total income in 2009. It has an SIX THOUSAND SIX HUNDRED EIGHTY FIVE PESOS and 45/100

increase of 3% from 2008 collection of EIGHTY TWO MILLION SIX (Php32,336,685.45) contributing 6.63%. Permits and Licenses

HUNDRED NINETY THOUSAND TWO HUNDRED EIGHT PESOS collected a total amount of SIXTEEN MILLION SIXTEEN

and 61/100 (Php82,690,208.61). THOUSAND THREE HUNDRED FOUR PESOS and 59/100

(Php16,016,304.59) contributing 3.28% of the total General Fund

The bulk of the city’s General Fund income came from Other Income income.

which has a total collection of ONE HUNDRED EIGHTY NINE

MILLION NINE HUNDRED FOURTY SIX THOUSAND NINE EXPENDITURES

HUNDRED TWENTY FOUR PESOS and 57/100 For the year 2009, the City Government of Tagaytay had a total

(Php189,946,924.57) contributing 38.95%. Real Property Tax expenditure of FIVE HUNDRED FORTY ONE MILLION TWO

collected a total amount of ONE HUNDRED TWENTY ONE HUNDRED FIFTY SEVEN THOUSAND SIX HUNDRED EIGHT PESOS

MILLION SEVEN HUNDRED SEVENTY EIGHT THOUSAND ONE


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THE PHILIPPINE CULTURAL LIVING MUSEUM
and 86/100 (Php541,257,608.86) which shows an increase of 6% Special Education Fund (SEF) expended a total amount of SIXTY

from the city’s expenditure in 2008. EIGHT MILLION THREE HUNDRED SIX THOUSAND THREE

HUNDRED ONE PESOS and 33/100 (Php68,306,301.33) or 13%

Out of the total expenditures in 2009, FOUR HUNDRED FIFTY of the city’s total expenditures. This showed a decrease of 14%

THREE MILLION THIRTEEN THOUSAND FORTY SIX PESOS and from SEF expenditures for 2008 of NINE MILLION FOUR

84/100 (Php453,013,046.84) or 87% came from the General HUNDRED THIRTY FOUR THOUSAND SIX HUNDRED SEVENTY

Fund. This showed an increase of 4% from 2008 General Fund PESOS and 04/100 (Php9,434,670.04).

expenses of TWENTY MILLION FIFTY THREE THOUSAND TWO

HUNDRED FIFTY NINE PESOS and 48/100 (Php20,053,259.48).

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THE SITE

The site is located at Barangay Sungay East, Tagaytay City. The site is located along the Tagaytay-Calamba Road. It is located on the Southeastern

part of the city. The site is in front of the Development Academy of the Philippines (DAP) and beside Nature’s Park (Vacant Lot beside Tierra de Maria).

The site is a 5-7 minute-drive from the Tagaytay Rotonda and from the site, another 5-10 minute-drive to People’s Park in the Sky. The lot has a total

land area of approximately 121, 321 square meters or 12.13 heactares of land.

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THE PHILIPPINE CULTURAL LIVING MUSEUM
ESTABLISHMENTS NEAR THE SITE

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ROADS & LANDMARKS NEAR THE SITE

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THE SITE

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SITE PICTURES

PARKING AREA UNUSED PICNIC AREAS UNSAFE BRIDGE

DIRTY COTTAGES AND SPACES UNUSED PICNIC AREA DILAPIDATED INNS

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CONTOUR ANALYSIS

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SUN PATH & WIND ANALYSIS

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TRAFFIC & NOISE ANALYSIS

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VIEW ANALYSIS

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3.1.5. Laws and Ordinances Pertaining to the Site

CITY ORDINANCE NO. 97-98

Series of 1997

Article V

Section 11. Use Regulations in Primary Urban Core (PUC). The PUC e. Flower shop

shall be a Planned Unit Development but subject to the following general

regulations: 1.5 Food markets and shops like:

1. Allowable Uses a. bakery, bakeshop and wine store

1.1 Commercial housing b. grocery and supermarket

a. hotel, motel, apartel 1.6 Personal Service shops like:

b. clubhouse a. beauty parlor and barber shops

1.2 Commercial condominium (with residential units in the upper floors) b. sauna bath and massage clinic

1.3 Office building/condominium c. dressmaking and tailoring shop

1.4 General retail/store and shops like: 1.7 Recreational centers/establishments like:

a. Department store/shopping center, bookstore and office supply shop a. movie house/theater

b. Car shop b. play court e.g. tennis court, swimming pool, bowling alleys, billiard

c. Home appliance store halls.

d. Photo shop c. day and night clubs


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d. stadium, coliseum, gymnasium 1.9 Short-term educational facilities like:

e. other sports and recreational establishments a. dancing and driving schools

1.8 Restaurants and other eateries

b. school for self defense 1.19 Government centers to house national, regional or local offices in the

c. speech clinic area

1.10 Storeroom and warehouse but only as may be necessary for the 1.20 Colleges, universities, professional business schools, vocational and

efficient conduct of business. trade schools, technical schools and other institutions of higher learning

1.11 Embassy/Consulate 1.21 General hospitals, medical centers, multipurpose clinics

1.12 Library, museum, scientific, cultural and academic centers and 1.22 Convention centers and related facilities

research facilitie except nuclear, radioactive, chemical and biological 1.23 Other uses similar, related or directly incidental to the above uses.

warfare facilities 2. Bulk and Density

1.13 Filling/Service Stations The Floor Area Ratio (FAR) shall be 5.0 and the BHL shall be fifteen (15)

1.14 Clinic storeys but not more than sixty (60) meters above the Reference Elevation

1.15 Bank and other financial institutions (as defined in Section 10). The PLO shall be 60%.

1.16 Radio and Television stations 3. Impervious Surface

1.17 Building garage, transportation terminal/garage Impervious surface area shall not be more than 5% of the resultant PLO.

1.18 Repair of optical instruments and equipment’s and cameras, clocks 4. Fencing

and watches
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Fencing along Tagaytay-Nasugbu Road and J.P. Rizal Ave. shall be unlandscaped parking lots are not allowed; should open parking be

seethrough and have a maximum height of 1.80 meters from the finished provided, these shall be so landscaped to have a park-like character.

grade line and shall be of good quality such as wrought iron; cyclon wire 7. Setbacks

fences are also allowed.; fence base made of concrete, hollow blocks, rock Minimum building setback shall be per the requirements of the National

or any material shall have a height of no greater than 0.40 meters from Building Code and the provisions of Sec. 26 – Road Setback Regulations. In

the finished grade line. cases of discrepancy, the wider requirement shall be deemed applicable.

5. Landscaping 8. Building Color

A landscaping plan shall be prepared for approval by the office of the All buildings shall be of earth tone or nature color.

Zoning Administrator.

6. Parking CITY ORDINANCE NO. 97-93

Parking area requirements shall be the per minimum requirements of the Series of 1997

National Building Code. AN ORDINANCE REVISING THE ZONING REGULATIONS FOR THE CITY

No on-street parking nor parking without buffer strip shall be allowed; OF TAGAYTAY, PROVIDING FOR THE ADMINISTRATION,

instead, parking spaces shall be buffered from the street shoulder by ENFORCEMENT AND AMENDMENT THEREOF AND FOR THE REPEAL

planting strip with district entry and exit phone. Basement and upper level OF ALL ORDINANCES IN CONFLICT THEREWITH.

parking are encouraged; parking buildings may also be built provided

that these are designed to appear as regular buildings. Open and Section 7. Zone/Area Boundaries. The locations and boundaries of the

zones
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THE PHILIPPINE CULTURAL LIVING MUSEUM
or areas into which the city has been divided are hereby identified and Bounded on the West by the junction of Mahogany Ave. and Tagaytay-

specified Nasugbu Road.

as follows:

City Ordinance No. 2009-054

1) Tourism Strip - Northern Tourism Strip An ordinance ammending section 7. ZONE/AREA boundaries of City

Bounded on the North by a 60 meter distance from the road right-of-way Ordinance No. 97-93 known as “The City land Use Plan and Zoning

line of Tagaytay-Nasugbu and Tagaytay-Calamba Roads; Bounded on Ordinance”

the South by the Tagaytay-Nasugbu and Tagaytay-Calamba Roads;

Bounded on the West by Tagaytay City’s boundary with the Municipality Explanatory Note:

of Alfonso; Bounded on the East by the Special Conservation Area (SCA). When the existing Land use Plan and Zoning Ordinance were

formulated in the early part of the year 1997, among the primary

2) Primary Urban Core - Southern Tourism Strip considerations were the economic condition and rapid pace of

Bounded on the North by the Tagaytay-Nasugbu and Tagaytay-Calamba development in the realm of real estate and toursim development trends

Roads; Bounded on the South by slopes having a downward gradient of both in the level of regional and national perspectives. For more than a

more than 18% from the road right-of-way line of the Tagaytay-Nasugbu decade of its implementation, the zoning classifications as delineated in the

and Tagaytay-Calamba Roads; Bounded on the North by Mahogany Ave.; Land Use Map which are intended for commercial use has become smaller

Bounded on the South by the Tagaytay-Nasugbu Road; Bounded on the and smaller. This present condition needs to be addressed accordingly to

East by the junction of Mahogany Ave. and Tagaytay-Nasugbu Road


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THE PHILIPPINE CULTURAL LIVING MUSEUM
accommodate more investments particularly on areas adjacent to areas environment (view of Taal Lake/Volcano) along the ridge areas have still

which are intended for commercial use. to be enforced or even strengthened. Hence, it is deemed necessary that

certain amendments on some provisions of the City’s Land Use Plan &

As delineated in our existing Land Use Map, the northern and Zoning Ordinance have to be carried out, subject of careful and further

southern strip of the National Roads (along Tagaytay-Calamba Road, study considerations by the concerned city’s stakeholders.

Tagaytay-Nasugbu Road and J.P. Rizal Avenue) are intermittently zoned

as tourism strip wherein massive development such as high-rise structure Now therefore on motion of Coun. Laureano Mendoza, Chair, Comm. On

and other commercial businesses are not allowed in the area. Thus some Public Works and Land Utilization, be it ordained by the Sangguniang

interested investors who plan to venture on this type of projects are hesitant Panglungsod ng Tagaytay that:

or even constrained to push through their businesses due to development

restrictions being imposed by the City. Moreover, the fact that the city’s Section 1. Section 7 is hereby amended to read as follows:

land area is considerably small and buildable area is limited; the possible

option is to allow vertical development on specific areas that are closely A. ZONE/AREA BOUNDARIES. The locations and boundaries for the

adjoining with the commercial zones. It is a fact that the current trend of zones or areas are hereby identified and specified specifically the

econimic activities especially on tourism as well as real estate development boundaries of Primary Urban Core (PUC) and the Secondary Urban Core

(residential subdivision, commercial condominiums, and the like) will lead (SUC).

our city towards a genuine and sustainable economic growth. Nontheless,

existing measures and policies pertaining preservation of natural a. Specific Area Coverage for Primary Urban Core (PUC) Expansion:
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THE PHILIPPINE CULTURAL LIVING MUSEUM
CLUSTER 1 – Bounded on the North by JP Rizal Avenue; Bounded on the West by the Junction of SVD Road

Bounded on the South by Tagaytay-Nasugbu Road and Tagaytay-Calamba Road

Bounded on the East by the Junction of JP Rizal Boundedn on the North by a 500 meters distance

Avenue and Tagaytay-Nasugbu Road from Tagaytay-Calamba road

Bounded on the West by the junction of JP Rizal Bounded on the South by Tagaytay-Calamba Road

Avenue (Verbum Dei) and Tagaytay-Nasugbu Road CLUSTER 4 – Bounded on the West by Sungay Lane, Brgy.

CLUSTER 2 – Bounded on the East by the Property Line of Sungay West

City Land and Villa Pura Subdivision, Brgy. San Jose Bounded on the East by the Property Line of Picnic

Bounded on the West by Magallanes Drive, Brgy. Grove, Brgy. Sungay East

Silang Crossing West Bounded on the North by 250 meters from

Bounded on the North by a 500 meters distance Tagaytay-Calamba Road

from the National Road Right of Way Bounded on the South by a distance of 700 meters

Bounded on the South by Tagaytay-Batangas Road from Tagaytay-Calamba Road

and Tagaytay-Calamba Road

CLUSTER 3 – Bounded on the East by the junction of (More of the City Ordinance No. 2009-054, see Appendix B)

Tagaytay-Calamba Road and Tagaytay-Sta.Rosa

Road

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3.1.6. Site Development Options

3.1.6.1. OPTION 1

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3.1.6.2. OPTION 2

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3.1.6.3. OPTON 3

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3.2. Space Programming Data

3.2.1. Space Programming Index

(See Appendix)

3.2.2. Users Analysis

The activities are based, aside from the norm, from the program of activities:

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Primary User A: TOURISTS (User Movement Pattern)

(User Profile)

Walk-in
(Individual or Group)
Tourists
(Local or Foreign)
Reserved
(Group-Fieldtrip or from
Hotels in Tagaytay)
(User Behavior)

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Primary User B: PERFORMERS (User Behavior: Rehearsal Days)

(User Profile)

Locals
(Students/ Residents of
Performers Tagaytay-Scholars)

(Locals or Guests) Guests


(Group/s from the
featured culture)

(User Behavior:Performance Days)

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Primary User C: ADMINISTRATION OFFICERS (User Movement Pattern)

(User Profiile)

Park
Administrator
(Officer assigned for
Administration the Recreational Park)
Officers
Museum
(Park and Museum)
Administrator
(Officer assigned for
the Living Museum/s)

(User Behavior)

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THE PHILIPPINE CULTURAL LIVING MUSEUM
3.3. Design Solutions

Concept Board:

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THE PHILIPPINE CULTURAL LIVING MUSEUM

SITE DEVELOPMENT PLAN


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THE PHILIPPINE CULTURAL LIVING MUSEUM
PERSPECTIVES

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THE PHILIPPINE CULTURAL LIVING MUSEUM

THE LIVING MUSEUM

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THE PHILIPPINE CULTURAL LIVING MUSEUM

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THE PHILIPPINE CULTURAL LIVING MUSEUM

139
THE PHILIPPINE CULTURAL LIVING MUSEUM

FRONT ELEVATION

RIGHT ELEVATION

LEFT ELEVATION

REAR ELEVATION

140
THE PHILIPPINE CULTURAL LIVING MUSEUM

CROSS SECTION

LONGITUDINAL SECTION

141
THE PHILIPPINE CULTURAL LIVING MUSEUM
ADMINISTRATION/ PERFORMERS’ BUILDING

142
THE PHILIPPINE CULTURAL LIVING MUSEUM

ELEVATIONS

143
THE PHILIPPINE CULTURAL LIVING MUSEUM

LONGITUDINAL SECTION

CROSS SECTION

144
THE PHILIPPINE CULTURAL LIVING MUSEUM

ADMINISTRATION/ PERFORMERS’ BUILDING

145
THE PHILIPPINE CULTURAL LIVING MUSEUM
COMMERCIAL BUILDING

146
THE PHILIPPINE CULTURAL LIVING MUSEUM

VIEW FROM BUS PARKING

VIEW FROM THE LIVING MUSEUM’S GREEN ROOF

147
THE PHILIPPINE CULTURAL LIVING MUSEUM
EXHIBIT BOARDS

148
THE PHILIPPINE CULTURAL LIVING MUSEUM

149
THE PHILIPPINE CULTURAL LIVING MUSEUM

150
THE PHILIPPINE CULTURAL LIVING MUSEUM

CHAPTER 4:

DESIGN SOLUTIONS
134
THE PHILIPPINE CULTURAL LIVING MUSEUM
Chapter 4
Design Solutions
Concept Board:

135
THE PHILIPPINE CULTURAL LIVING MUSEUM

SITE DEVELOPMENT PLAN


136
THE PHILIPPINE CULTURAL LIVING MUSEUM
PERSPECTIVES

137
THE PHILIPPINE CULTURAL LIVING MUSEUM
THE LIVING MUSEUM

138
THE PHILIPPINE CULTURAL LIVING MUSEUM

139
THE PHILIPPINE CULTURAL LIVING MUSEUM

140
THE PHILIPPINE CULTURAL LIVING MUSEUM

FRONT ELEVATION

RIGHT ELEVATION

LEFT ELEVATION

REAR ELEVATION

141
THE PHILIPPINE CULTURAL LIVING MUSEUM

CROSS SECTION

LONGITUDINAL SECTION

142
THE PHILIPPINE CULTURAL LIVING MUSEUM
ADMINISTRATION/ PERFORMERS’ BUILDING

143
THE PHILIPPINE CULTURAL LIVING MUSEUM

ELEVATIONS

144
THE PHILIPPINE CULTURAL LIVING MUSEUM

LONGITUDINAL SECTION

CROSS SECTION

145
THE PHILIPPINE CULTURAL LIVING MUSEUM

ADMINISTRATION/ PERFORMERS’ BUILDING

146
THE PHILIPPINE CULTURAL LIVING MUSEUM
COMMERCIAL BUILDING

147
THE PHILIPPINE CULTURAL LIVING MUSEUM

VIEW FROM BUS PARKING

VIEW FROM THE LIVING MUSEUM’S GREEN ROOF

148
THE PHILIPPINE CULTURAL LIVING MUSEUM
EXHIBIT BOARDS

149
THE PHILIPPINE CULTURAL LIVING MUSEUM

150
THE PHILIPPINE CULTURAL LIVING MUSEUM

151
THE PHILIPPINE CULTURAL LIVING MUSEUM

BIBLIOGRAPHY
THE PHILIPPINE CULTURAL LIVING MUSEUM
BIBLIOGRAPHY
 André Desvallées, François Mairesse; “Key Concepts of Museology; 2009
 http://www.cebu-philippines.net/philippine-culture.html
 Cultural Carribean Niche Markets-5
 Gail Dexter Lord; “Power of Cultural Tourism”; Lac du Flambeau, Wisconsin; September 17, 1999
 “Museum-Crazy in the City”; Philippine Daily Inquirer; April 17, 2002
 Sec. Gemma Cruz-Araneta, “ Community Culture & History: A New Thrust for Philippine Tourism”; Travel Post; December 1998
 Jeannie E. Javelosa; “CCP’s Pearl”; Philippine Post; September 06, 1999
 http://anthro.palomar.edu/culture/culture_1.htm
 http://anthro.palomar.edu/culture/culture_1.htm
 http://www.philippinecountry.com/philippine_culture.html
 http://anthro.palomar.edu/culture/culture_1.htm
 http://dictionary.reference.com/browse/culture
 http://en.wikipedia.org/wiki/Culture
 http://www.sccs.swarthmore.edu/users/00/ckenned1/definition.html
 http://tourism-philippines.com/festivals/
 http://www.visitmyphilippines.com/index.php?title=Culture&func=all&pid=27&tbl=1
 http://en.wikipedia.org/wiki/Tourism_in_the_Philippines
 http://icom.museum/who-we-are/the-vision/museum-definition.html
 http://en.wikipedia.org/wiki/Museum
 UNESCO, Definitions for intangible cultural heritage
THE PHILIPPINE CULTURAL LIVING MUSEUM

APPENDICES
FURNITURE/
SPACES DESCRIPTION ACTIVITIES USERS NO. OF USERS SPACE FACTOR FIXTURES/ RELEVANT CODES AREA
EQUIPMENT
LIVING MUSEUMS
PUBLIC SPACES
where visitors/ tourists may
ask information about the 3 Chapter 8, Sec. 807- Air Space
*14.0 m / person *sofa, coffee tables, 2
INFORMATION LOBBY place and its amenities; also it *wait *ALL * 100 users Requirements in determining the 450 m
(NBC) desks, display tables
is a lounge where they can size of rooms.
wait while the show has not

3 Chapter 8, Sec. 807- Air Space


where tourists can buy their *Ticket Officer, *12.0 m / person *desk, chairs, drawers,
TICKETING OFFICE *buy/ sell tickets *3 officers (inside) Requirements in determining the 20 m2
tickets for the shows guests (NBC) computers
size of rooms.

PUBLIC SPACES
a wide room with a large
screen for watching General Requirements for Occupant
CINEMA *watch, eat *Staff, guests *300 seating capacity *0.65 m2/ user (NBC) *chairs, wide monitor 195 m2
documentaries/ film about Loads-National Bldg. Code
the festival
where the users may do their *water closets,
TOILETS *hygienic *ALL *5 cubicles *1.08m2 per Cubicle Sanitation Code of the Philippines 5.4 m2
hygienic activities lavatories
PRIVATE SPACES

a room containing the Chapter 8, Sec. 807- Air Space


*operate *12.0 m3 / person *desk, chairs, drawers,
MECHANICAL ROOM operating system of the *IT Personnel *3 personnels Requirements in determining the 20 m2
computers/systems (NBC) computers
cinema size of rooms.

PUBLIC SPACES
a large room where cultural/
theatrical shows can be
*Performers, staff, General Requirements for Occupant
AUDITORIUM done; here is where the *watch, eat *300 seating capacity *0.65 m2/ user (NBC) *chairs 195 m2
guests Loads-National Bldg. Code
musics and dances will be
performed
where the users may do their *water closets,
TOILETS *hygienic *ALL *5 cubicles *1.08m2 per Cubicle Sanitation Code of the Philippines 5.4 m2
hygienic activities lavatories
SEMI-PRIVATE SPACES
*56.25 m2-
2
*56.25 m - min.; Spatial Requirements for various min.;
an elevated area where *maximum of 30
STAGE AREA *perform *Performers reasonable max.- 169 *curtains, lights types of Theatrical Production- Time reasonable
performances are being held performers 2
m saver Standards max.- 169
2
m
PRIVATE SPACES

a room containing the Chapter 8, Sec. 807- Air Space


*operate *12.0 m3 / person *desk, chairs, drawers, 2
MECHANICAL ROOM operating system of the *IT Personnel *3 personnels Requirements in determining the 20 m
computers/systems (NBC) computers
cinema size of rooms.

*chairs, lights and


area behind the stage area *30 performers, 3 3 Chapter 8, Sec. 807- Air Space
*prepare for *14.0 m / person sounds equipments 2
BACKSTAGE where performers are waiting *Performers, Staff technical people, 1 Requirements in determining the *158.67 m
performances, wait (NBC) (small/minor
before their parts choreographer size of rooms.
equipments)

a room for the performers to


*3.5 m2/ person (not
prepare for the show, *30 performers, 3 *dresser, chairs, Metric Handbook Planning and
DRESSING ROOM *make & dress up *Performers, Staff more than 20 person 52.5 m2
retouching/ changing of make-up artists cabinets Design Data- Performer's Spaces
per room)
costumes

room to contain props for the *keep unused things


STORAGE ROOM *Staff, performers *3 personnels *0.9m3/ shelf *shelves/ cabinets Time Saver Standards 0.9 m2
shows for performances
PUBLIC SPACES
KIDDIE ROOM

where parents must sign their Chapter 8, Sec. 807- Air Space
*14.0 m3/ person
REGISTRATION AREA names and their child's to *guest registration *Guests, staff * 100 users *desk chairs Requirements in determining the 450 m2
(NBC)
register them inside size of rooms.

General Requirements for Occupant


KID'S AREA storytelling place *watch, eat *Guests, staff *100 users *0.65 m2/ user (NBC) *chairs 65 m2
Loads-National Bldg. Code
Metric Handbook Planning and
a room with shelves full of 2 *shelves, tables, chairs, 2
LIBRARY *read, research *Guests, staff *50 users *3.25 m / person Design Data -Space requirements 162.5 m
kiddie books office table and chair
for readers (research workers)

*play ground
PLAY AREA a space with kid's toys *play *Guests, staff *50 users N/A N/A N/A
equipments
SEMI-PRIVATE SPACES
2
*56.25 m -
2
*56.25 m - min.; Spatial Requirements for various min.;
an elevated area where
STAGE AREA *perform *Performers, staff *5 performers reasonable max.- 169 *curtains, lights types of Theatrical Production- Time reasonable
performances are being held 2
m saver Standards max.- 169
2
m
where the users may do their *water closets,
TOILETS *hygienic *ALL *5 cubicles *1.08m2 per Cubicle Sanitation Code of the Philippines 5.4 m2
hygienic activities lavatories
PRIVATE SPACES

*chairs, lights and


area behind the stage area 3 Chapter 8, Sec. 807- Air Space
*prepare for *14.0 m / person sounds equipments
BACKSTAGE where performers are waiting *Performers, staff *10 users Requirements in determining the 46.67 m2
performances, wait (NBC) (small/minor
before their parts size of rooms.
equipments)

a room for the performers to


*3.5 m2/ person (not
prepare for the show, *dresser, chairs, Metric Handbook Planning and
DRESSING ROOM *make & dress up *Performers, staff *5 users more than 20 person 17.5 m2
retouching/ changing of cabinets Design Data- Performer's Spaces
per room)
costumes

room to contain props for the *keep unused things


STORAGE ROOM *Staff, performers * 1 personnel *0.9m3/ shelf *shelves Time Saver Standards 0.9 m2
shows for performances
PUBLIC SPACES
GALLERY
gathering space for the *wait for your Waiting Areas, 25% seating, 75%
LOBBY *Guests, staff *500 users *0.65-0.9 m2/ person *desk & chairs 325 m2
visitors company/ guide standing

*exhibitions, look at 2 *182.08


exhibition space to display *182.08 m / display 2
DISPLAY ROOM the displayed *Guests, staff *300 users *display tables/ shelves Time Saver Standards m / display
artifacts of featured festival. room
artifacts room
where the users may do their 2 *water closets, 2
TOILETS *hygienic *ALL *5 cubicles *1.08m per Cubicle Sanitation Code of the Philippines 5.4 m
hygienic activities lavatories
PRIVATE SPACES

*office table, office


room to work into for the one *office works, Chapter 8, Sec. 807- Air Space
*12.0 m3 / person chairs, sofa, side tables, 2
CURATOR'S OFFICE in charge for the delivered entertain clients/ *Curator, staff *1 officer, 4 staff Requirements in determining the 20 m
(NBC) coffee tables, office
artifacts exhibitor size of rooms.
cabinets, computer

*office table, office


3 Chapter 8, Sec. 807- Air Space
RESEARCHER'S room for the researcher's to *research, office *12.0 m / person chairs, sofa, side tables,
*Researchers, staff *10 users per hour Requirements in determining the 20 m2
OFFICE work into works (NBC) coffee tables, office
size of rooms.
cabinets, computer

space to where delivered facts *loading/ unloading *3 services/ trucks


DELIVERY AREA *Staff N/A N/A N/A N/A
are placed of artifacts to display per day

room to store the artifacts *storing of


SPECIAL STORAGE before and after an exhibit collections/ *0.9m in between 2
*Curator, staff *5 max. users *4 Shelves, 4 cabinets Time Saver Standards 6.3 m
ROOM while it hasn't been conservation of shelves
transported collections
a room containing the utility *keeps utility/
UTILITY ROOM *Staff *3 users/ half hour *0.9m3/ shelf *3 shelves Time Saver Standards 0.9 m2
and maintenance materials. maintenance tools
PUBLIC SPACES
FESTIVAL GROUND
(open area) the space for the
GROUND festival, where the festival will *festival *ALL *500 users N/A N/A N/A N/A
be celebrated.
PRIVATE SPACES
a space in the festival ground *play instruments, Chapter 8, Sec. 807- Air Space
3
where the technical materials *Musicians, IT *12.0 m / person 2
MUSICIAN'S BOOTH operates sounds *15 users *chairs, sound system Requirements in determining the 60 m
are placed (such as main personnel (NBC)
system size of rooms.
speakers, operating systems,
RESTAURANTS
PUBLIC SPACES

space to where the foods are


*Guests, waiters, 2 Minimum areas per person- Metric 2
DINING AREA served and consumed by the *eat, serve food *100 diners *1.1 m / person (TSS) *dining tables, chairs 110 m
staff handbook Planning and Design Data
customers

where the users may do their *water closets,


TOILETS *hygienic *ALL *5 cubicles *1.08m2 per Cubicle Sanitation Code of the Philippines 5.4 m2
hygienic activities lavatories
PRIVATE SPACES

Chapter 8, Sec. 807- Air Space


area where the foods are *order food, display *12.0 m3 / person *display cabinet,
COUNTER AREA *Registrar, staff *3 cashiers/ 3 staffs Requirements in determining the 24 m2
displayed, order and paid. food (NBC) computer, table, chairs
size of rooms.

*tables, stoves, ovens,


room where foods are *prepare ad cook *Chefs, waiters, General Requirements for Occupant
KITCHEN * 10 kitchen staffs *18.60 m2/person sinks, kitchen cabinets, 186m2
prepared and cooked foods staff Loads-National Bldg. Code
shelves

room specially treated to store


WET STORAGE wet goods (meats, fishes, and *keep wet goods *Staff *Staff (atleast 1) N/A N/A N/A N/A
the like)
room specially treated to store
DRY STORAGE dry goods such as (noodles, *keep dry goods *Staff *Staff (atleast 1) N/A N/A N/A N/A
breads, and the like)
*wash bigger pans/
an area where, other than
excess dishes (if the
SERVICE AREA food preparation and cooking *Staff *5 staff (max) N/A N/A N/A N/A
kitchen area can't
are done
handle all)
area where garbages are
WASTE DISPOSAL
being placed for garbage *dispose wastes *Staff *1 staff N/A N/A N/A N/A
AREA
collectors to gather
room where laundry services *do the laundry
Space Requirements for Laundry
LAUNDRY ROOM for mantels of the restaurant (mantles, napkins, *Staff *3 staff *0.7 m2/ person *washer, cabinets, dryer 2.1 m2
Rooms-Time Saver Standards
takes place etc)

a room for the employees Size of place setting- Time Saver


EMPLOYEE'S *rest, eat, chat, keep *Staff, chef, 2 *dining table for 10, 2
during breaks and before & *10 users/ hr *0.5 m / person (TSS) Standards for Building Types (2nd 5m
LOUNGE/ PANTRY things waiters, registrar chairs, lockers
after they start working edition)

*office table, office


3 Chapter 8, Sec. 807- Air Space
a room for the manager where *office works, *12.0 m / person chairs, sofa, side tables, 2
MANAGER'S OFFICE *Manager, guests *5 users Requirements in determining the 20 m
he does his work entertain clients (NBC) coffee tables, office
size of rooms.
cabinets, computer

utility room for the whole living *keeps utility/


UTILITY ROOM *Staff *2 staff *0.9m3/ shelf *3 shelves Time Saver Standards 0.9 m2
museum's premises maintenance tools
FURNITURE/
NO. OF SPACE
SPACES DESCRIPTION ACTIVITIES USERS FIXTURES/ RELEVANT CODES AREA
USERS FACTOR
EQUIPMENT
REHEARSAL BUILDING
PUBLIC SPACES

*sofa, coffee
2
a wide space for the performers *Performers, *max. of 50 *0.65-0.9 m / tables, benches, Waiting Areas, 25%
LOBBY *wait 47.5 m2
to stay while waiting staff users person display tables, seating, 75% standing
display cabinets

REHEARSAL ROOMS
PUBLIC SPACES
Performers' spaces-
a wide rectangular room where *Performers, * 30
*practice for 2 *music players, Metric Handbook
REHEARSAL AREA performers will practice their choreographe performers, 1 *2 m / person 62 m2
performances fixed speakers Planning and Design
performances rs, staff choreo
Data

where the users may do their *Staff, *1.08m2 per *water closets, Sanitation Code of the
TOILETS *hygienic *3 cubicles 3.24 m2
hygienic activities performers Cubicle lavatories Philippines
PRIVATE SPACES
a room for the performers' things *keep things, freshen *Performers, *15 *min. of 0.50m
LOCKER ROOM *lockers, chairs Time Saver Standards 7.5 m2
to keep up, change clothes staff performers depth/ locker

a room where the performers Time Saver Standards-


*Performers, *10 users (2 2 *shower, 2
SHOWER ROOM may take their shower after *shower/ freshen up *0.8 m / cubicle minimum dimensions for 1.6 m
staff at a time) lavatory, WC
rehearsals Shower area

2
*3.5 m / person Metric Handbook
a room either for male or female
*dress/make-up for *Performers, *15 (not more than *dresser, chairs, Planning and Design
DRESSING ROOMS where they can put their 52.5 m2
performances staff performers 20 person per cabinets Data- Performer's
costumes on
room) Spaces
room for storing props and *keep performance *Staff,
STORAGE ROOM *staff *0.9m3/ shelf *3 shelves Time Saver Standards 0.9 m2
costumes of the performers props and other things performers

PUBLIC SPACES

a place where the performers


Chapter 8, Sec. 807- Air
may stay during breaks; where *benches, sofa,
3
*Performers, *12.0 m / Space Requirements in
PERFORMERS' LOUNGE they can converse with other *chat, gather *60 users coffee tables, 240 m2
staff person (NBC) determining the size of
performers and build side tables
rooms.
companies with each other

2
where the users may do their *Staff, *1.08m per *water closets, Sanitation Code of the
TOILETS *hygienic *3 cubicles 3.24 m2
hygienic activities performers Cubicle lavatories Philippines
PUBLIC SPACES

Minimum areas per


a place where the performers 2
*Performers, *50 users at *1.1 m / person *dining tables, person- Metric
DINING HALL may consume their food after *eat 110 m2
staff a time (TSS) chairs handbook Planning and
rehearsals/performances
Design Data

where the users may do their *Staff, *1.08m2 per *water closets, Sanitation Code of the
TOILETS *hygienic *5 cubicles 5.4 m2
hygienic activities performers Cubicle lavatories Philippines
PRIVATE SPACES
*stoves, sinks,
space to where the foods are
2 kit.cabinets, 2
KITCHEN served and consumed by the *prepare/ cook food *Chef, staff *3 staff *0.65 m /person Time Saver Standards 1.95 m
shelves, oven,
customers
table
*keep
STORAGE ROOM a room to store goods utility/maintenance *Staff *2 staffs *0.9m3/ shelf *3 shelves Time Saver Standards 0.9 m2
tools
Chapter 8, Sec. 807- Air
3
area where the foods are *Staff, *12.0 m / *display cabinet, Space Requirements in 2
COUNTER *display/ get food *2 staffs 8m
displayed and served performers person (NBC) table, chairs determining the size of
rooms.

PRIVATE SPACES
sleeping rooms provided for
*Performers, *10 beds/ * beds, side Time Saver Standards
SLEEPING QUARTERS guest performers, sometimes *sleep *1.8m2/ bed 18 m2
staff room tables, closets (Area of a bed)
the local performers.
2
where the users may do their *Performers, *10 persons *1.2 m *shower, 2
TOILET & BATH *hygienic minimum/ NBC 12 m
hygienic activities and take baths staff per BR lavatory, WC
person
a room to store things for the *keeps maintenance
MAIN STORAGE ROOM whole rehearsal building (like and utility tools for the *Staff *2 staffs *0.9m3/ shelf *5 shelves Time Saver Standards 1.5 m2
unused props, beddings, etc) whole building
FURNITURE/
NO. OF SPACE
SPACES DESCRIPTION ACTIVITIES USERS FIXTURES/ RELEVANT CODES AREA
USERS FACTOR
EQUIPMENT
SOUVENIRS' BLDG.
PUBLIC SPACES

parted rooms for displaying Time Saver Standards-


*Staff, *10 persons/ *display racks, desk,
STALLS goods to sell (souvenirs and *buy/ sell goods *4m2/ person Typical store layouts 40 m2
tourists hr. chairs
delicacies) with center cases

2
where the users may do their *1.08m per *water closets, Sanitation Code of the 2
TOILETS *hygienic *ALL *5 cubicles 5.4 m
hygienic activities Cubicle lavatories Philippines
PRIVATE SPACES
a room to store utility materials for *keeps utility/
MAINTENANCE ROOM (General) *Staff *2 staffs *0.9m3/ shelf *3 shelves Time Saver Standards 0.9 m2
the maintenance of the structure maintenance tools

STORAGE ROOM a room to store the goods *keep other goods *Staff *1 staff *0.9m3/ shelf *3 shelves Time Saver Standards 0.9 m2

Size of place setting-


a room for employees to stay during *0.5 m2/
*eat/ keep things of Time Saver Standards
PANTRY/LOCKER ROOM breaks and keep their personal *Staff *3 staff person *table, chairs, lockers 1.5 m2
employers for Building Types (2nd
things (TSS)
edition)

PRIVATE SPACES
3 *office tables, office Chapter 8, Sec. 807- Air
*Head *12.0 m /
chairs, small cabinets, Space Requirements in
MAIN OFFICE head staff for marketing office *office works Officer, *5 users person 20 m2
shelves, sofa, coffee determining the size of
guests (NBC)
table, computers rooms.

3 *office tables, office Chapter 8, Sec. 807- Air


a room for main staff of the structure *Staff, head *12.0 m /
*offcie works/ entertain chairs, small cabinets, Space Requirements in
STAFF'S AREA including a head staff for marketing officer, *5 staff person 20 m2
clients, guests shelves, sofa, coffee determining the size of
team guests (NBC)
table, computers rooms.
NO. OF SPACE FURNITURE/ FIXTURES/
SPACES DESCRIPTION ACTIVITIES USERS RELEVANT CODES AREA
USERS FACTOR EQUIPMENT

ADMINISTRATION BUILDING
PUBLIC SPACES

first space when you enter the 2 *sofa, coffee tables,


*staff, officers, *20 people/ *0.65-0.9 m / Waiting Areas, 25% seating, 75%
LOBBY building where you can find the *wait benches, display tables, 13 m2
visitor/ guests half hour person standing
information desk display cabinets

a space where you can ask Chapter 8, Sec. 807- Air Space
*10 people/ 3
INFORMATION DESK about what you need inside the *ask, register *staff, guests *14.0 m / person *desk, chairs, computer Requirements in determining the size of 46.67 m2
hour
building rooms.

Sanitation Code of the Philippines;


where the users may do their *1.08m2 per
PUBLIC TOILETS *hygienic activities *25-50 users *3 cubicles *water closets, lavatories Sanitary installation-Metric Handbook 3.24 m2
hygienic activities Cubicle
Planning and Design Data

SEMI-PRIVATE SPACES
Main Administration (Department Offices)

the place where the director's


Chapter 8, Sec. 807- Air Space
secretary stays; near the *office works, *1 Secretary, *5 users *12.0 m3 / person *office table, office chairs,
SECRETARY'S AREA Requirements in determining the size of 20 m2
director's office-preferably space entertain guests 4 guests max. (NBC) shelves, cabinets, computer
rooms.
before entering director's office

*office tables, office chairs,


Chapter 8, Sec. 807- Air Space
area for the office's staff where *office works, *Staff, Dept. *12.0 m3 / person small cabinets, shelves, 2
STAFF AREA *10 Requirements in determining the size of 40 m
they do their works. entertain guests head, guests (NBC) sofa, coffee table,
rooms.
computers
PRIVATE SPACES
*office table, office chairs,
a room where the director of the *1 Director, 3 Chapter 8, Sec. 807- Air Space
*5 users *12.0 m / person sofa, side tables, coffee
DIRECTOR'S OFFICE building does his works; also, *office works max of 4 Requirements in determining the size of 20 m2
max. (NBC) tables, office cabinets,
here he receives his guests. guests rooms.
computer
a room inside the main office for *office table, office chairs,
3 Chapter 8, Sec. 807- Air Space
the department head where he *office works, *Head Officer, *max. of 5 *12.0 m / person sofa, side tables, coffee 2
HEAD OFFICE Requirements in determining the size of 20 m
does his work and receives entertain guests guests users (NBC) tables, office cabinets,
rooms.
guests. computer

a room for the employees during 2 *dining table for 8, chairs, Size of place setting- Time Saver
*rest, eat, chat, keep *Head Officer *0.5 m / person
PANTRY/ LOUNGE breaks and before & after they *10 users lockers, kitchen cabinets, Standards for Building Types (2nd 5 m2
things & staff (TSS)
start working kitchen sink edition)
2
where the users may do their *Staff, Dept. *1.08m per 2
TOILET *hygienic activities *1 cubicle *water closets, lavatories Sanitation Code of the Philippines 1.08 m
hygienic activities head Cubicle

a room that contains the main *office tables, office chairs,


IT ROOM (IT Services *Staff, Dept. *3 *1 m2/ computer *Metric Handbook Planning & Design
computers for the buildings' IT *computer operating computers (operating 3 m2
Department) head, guests computers table Data
services. system)

a room for the employees during


LOCKER AREA (Sec. *keep things, change *max. of 20 *min. of 0.50m
breaks and before & after they *Staff *lockers, chairs Time Saver Standards 10 m2
& Maint. Dept.) clothes users depth/ locker
start working
*keep utility and
UTILITY ROOM (Sec. a room containing the utility and *Maintenance *max. of 10
maintenance *0.9m3/ shelf *3 shelves Time Saver Standards 0.9 m2
& Maint. Dept.) maintenance materials. Staff users
materials
where the users may do their *Staff, Dept. *1 unit per *1.08m2 per
TOILET *hygienic activities *water closets, lavatories Sanitation Code of the Philippines 1.08 m2
hygienic activities head department Cubicle
a room where the officers gather 2
*20.16 m (formal *conference table for 10,
and talk about the things about
*meetings, entertain *Officers, *max of 15 meetings) ; chairs, shelves, side tables, Metric Handbook Planning and Design 20. 16 m2/
MEETING ROOM the whole structure; where they
entertain clients and sometimes,
guests/clients staff, guests users 12.4m2 (informal projector screen, projector, Data 12.4 m2
meetings) white board
guests.

Park & Museum Administration


PUBLIC SPACES

LIBRARY *Researchers, *study tables, chairs, office Metric Handbook Planning and Design
a room containing shelves of
(Entertainment/ Cultural *research, read head officer, *5 users/ hr *3.25 m2/ person table, book shelves, office Data -Space requirements for readers 16.25 m
2
books/references for researchers
Research Department) guests cabinet, computers (research workers)
SEMI-PRIVATE SPACES

*office tables, office chairs,


*office works, 3 Chapter 8, Sec. 807- Air Space
area for the office's staff where *min. of 5 *12.0 m / person small cabinets, shelves, 2
STAFF AREA research, entertain *Staff, guests Requirements in determining the size of 20 m
they do their works. users (NBC) sofa, coffee table,
guests rooms.
computers

PRIVATE SPACES

*office table, office chairs,


a room where the administrator Chapter 8, Sec. 807- Air Space
ADMINISTRATOR OFFICE (Park *office works, *Administrator *max. of 5 *12.0 m3 / person sofa, side tables, coffee 2
does his works; also, here he Requirements in determining the size of 20 m
& Museum Administration) entertain guests , guests users (NBC) tables, office cabinets,
receives his guests. rooms.
computer

a room inside the main office for *office table, office chairs,
Chapter 8, Sec. 807- Air Space
the department head where he *office works, *Head Officer, *max. of 5 *12.0 m3 / person sofa, side tables, coffee 2
HEAD OFFICE Requirements in determining the size of 20 m
does his work and receives entertain guests guests users (NBC) tables, office cabinets,
rooms.
guests. computer

RESEARCHER'S *office tables, office chairs,


*office works, *Researchers, 3 Chapter 8, Sec. 807- Air Space
AREA (Entertainment/ area for the researchers' staff *12.0 m / person small cabinets, shelves,
research, entertain head officer, *5 users Requirements in determining the size of 20 m2
Cultural Research where they do their works. (NBC) sofa, coffee table,
guests guests rooms.
Department) computers

a room for the employees during *dining table for 8, chairs, Size of place setting- Time Saver
*rest, eat, chat, keep *Head Officer *0.5 m2/ person
PANTRY/ LOUNGE breaks and before & after they *10 users lockers, kitchen cabinets, Standards for Building Types (2nd 5 m2
things & staff (TSS)
start working kitchen sink edition)

where the users may do their *Staff, Dept. *1 unit per *1.08m2 per 2
TOILET *hygienic activities *water closets, lavatories Sanitation Code of the Philippines 1.08 m
hygienic activities head department Cubicle

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