Professional Documents
Culture Documents
CULTURAL
STUDIES
ANNOTATED
BIBLIOGRAPHY
LETICIA ZANFOLIM
Since the beginning, the book cover was meant to be developed when-
ever the research reached its peak. The objective was to one text lead to
another so the path would be traced naturally. In the end, the cover was
only a fraction of the project.
2
The future is not a natural dimension of the mind. It is
a modality of projection and imagination, a feature of
expectation and attention, and its modalities and features
change with the changing of cultures. 1
THEPROMISE
From the first Industrial Revolution (1760) to Marinetti’s Manifesto of
Futurism (1909), the future appeared as a conscious action that was
taken collectively—even though, by collective, it meant by the hands of
the bourgeoisie. During the supremacy of the Italian futurism, the love
for the machine was stridently sung:
1 We intend to sing the love of danger, the habit of energy
and 1909 fearlessness. [...]
4 We say that the world’s magnificence has been enriched by
a new beauty: the beauty of speed. [...]
5 We want to hymn the man at the wheel, who hurls the lance
of his spirit across the Earth, along the circle of its orbit. [...]
7 Except in struggle, there is no more beauty. No work with-
out an aggressive character can be a masterpiece. [...]
8 We stand on the last promontory of the centuries! Why
should we look back, when what we want is to break down
the mysterious doors of the Impossible? Time and Space
died yesterday. We already live in the absolute, because we
have created eternal, omnipresent speed.
9 We will glorify war—the world’s only hygiene—militarism,
patriotism, the destructive gesture of freedom-bringers,
beautiful ideas worth dying for, and scorn for woman.
10 We will destroy the museums, libraries, academies of every
kind, will fight moralism, feminism, every opportunistic or
utilitarian cowardice. 2
NOFUTURE
Now that every inch of the planet has been colonised, the
colonisation of the temporal dimension has began, i.e., the
colonisation of mind, of perception, of life. Thus begins the
century with no future. 1
One of the project prompts, written by Jack Self, defended the ideia that
“by analysing the material evidence of the past, and understanding the
systems, objects and spaces it has produced in the present, we can
use it to imagine new futures.” Unfortunately, that cannot be affirmed
anymore. “The fragmentation of the present is reversed in the implosion
of the future.” 1 There is no imaginable way.
VISUALTRANSLATION
In order to illustrate the perception of the future, it is important to visually
imagine the face of technology advancement and the political state of
society.
Industrialisation played an important role in the process of urbanisation.
By conceiving more job opportunities in the factories, the population was
drawn to these specific regions. In the modern era, manufacturing facilities
were often replaced by technology-industry hubs, which preserved the
workers’ flow. Therefore, a translation of the system could be made from a
macro scale, from the paths that so invariably conducted the people. The
same paths that, in modern times, were the womb of important move-
ments. Paths that figuratively led to evolution.
In the beginning, technology could be found in the heart of the hubs.
Today, it is everywhere.
The bio-info machine is no longer separable from body
or mind, because it’s no longer an external tool, but an
internal transformer of body and mind, a linguistic and
cognitive enhancer. Now the nano-machine is mutating
the human brain and the linguistic ability to produce and
communicate. The machine is us. 1
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