Los Angeles - Chicago - New Orleans - Miami 2014 CAMERA COMPARISON CHART www.cineverse.

net
Average
Digital Sampling
Imager Frame Rates Recorded Bit Depth Weight Notable National
ISO Latitude on Recorded Data Power Highlighted Positives
(Actual Size) (Progessive Only) Format & Time Body Only Credits Daily Rental
Media BODY ONLY

ARRIRAW 10.6 GB
Open Gate 12 Bit True Anamorphic 4:3 Imager Fault In Our Stars $3,000
Open Gate per Min
.75-75 ARRIRAW Uncompressed 16:9 16.1 lbs 103w Wide Latitude Birdman
CMOS 14+ 4:3 Mode
3414 x 2198 48 min - 512GB in 16:9 Plus Arriraw Gently Rolls Off Highlights
Ruth & Alex
XT Studio
$2,700
33.5mm Ø 800 4:3 36 min - 512GB in 4:3 14.2 GB
Proven Reliable, Post-Efficient
Stops .75-90fps 18.3 lbs 100w ARRIRAW, ProRes or DNxHD
Unbroken XT Plus
28.2 × 18.13mm 2880 x 2160 Optional (1) SxS or CFast 2.0 Slot
16:9 Mode per Min Studio Guardians of the $2,500
16:9 Records all Classic ALEXA formats
4:3
ProRes Optical Viewfinder & Mirror Shutter
.75-120 fps (See Below) (Studio Version) Galaxy XT
ALEXA XT Plus 4:3 2880 x 1620 @ 24fps

1 to 120 fps 16 Bit 16 Bit 8K RAW to 120fps Oblivion

8K 17 GB 62w
CMOS Focal Plane
8192 x 2160
F65RAW - SQ @ 3:1
per
12 lbs
Body Only
Rotary Shutter After Earth
14 Shutter OFF 30 min- 512GB 2x Anamorphic De-Squeeze Tomorrowland
27.9mm Ø 800 Minute $2,500
Stops 60 min - 1TB 16 lbs OLED Viewfinder Lucy
24.7 x 13.1mm 2K w/ SR-R4 105w Independent 1D and 3D LUT
1 to 60 fps (Also Records RAW-Lite @ 24fps Masters of Sex
1920x1080 w/SR-R4 Live Streaming & Control w/ WiFi
Sony F65 & SR-R4 17:9 Shutter ON SR-File Codec @ 10/12bit) Monkey Kingdom
6.4 lbs 35w
12 Bit Head Dawn of the
ARRIRAW Head Small Ideal for 3D & Cars
ARRIRAW Uncompressed 10 GB
CMOS 4:3 Mode
4:3 per
65w True Anamorphic 4:3 Imager Planet of the
14+ .75-120fps 48 min - 512GB in 16:9 12.8 lbs Body Low Light Performance Apes 3
29.7mm Ø 800 2880 x 2160 Minute $2,500
Stops 16:9 Mode 36 min - 512GB in 4:3 XT Wide Latitude Into the Storm
23.8 × 17.8mm 16:9 Optional (1) SxS or CFast 2.0 Slot Pleasing Skin Tones
.75-120 fps 131w X-Men: Days
2880 x 1620 Records all Classic ALEXA formats @ 24fps
12.1 lbs XT Gently Rolls Off Highlights
of Future Past 3
Arri ALEXA XT M 4:3 (See Below) SxS System

$1,800 Plus
.75-120 fps @
CMOS 12 Bit 2 GB 13.7 lbs Low Light Performance Game of Thrones
ProRes 4:2:2 HQ 2K per EV Wide Latitude
27.2mm Ø 14+ ProRes 4:4:4 Homeland $1,600 EV
800 Minute 85w Cost Effective Workflow
23.8 × 13.4mm Stops 32GB SxS - 14 min 15.4 lbs Pleasing Skin Tones
Downton Abbey w/120fps
.75-60 fps @ 1920 x 1080
64GB SxS - 28 min @ 24fps Plus Gently Rolls Off Highlights Random
2K ProRes or 4:4:4
ALEXA Classic EV/Plus 16:9 $1,400 EV
12 Bit ProRes 4:4:4 Premium Lightweight
2K
CMOS .75-200fps
Advanced & Premium Premium
10 Bit ProRes 4:2:2 HQ 1.9 GB 200 fps Slow Motion
Camera Newly
14+ per
27.2mm
mm Ø Ø 800
Adv.
Minute 9.2 lbs 50w
WiFi (Advance and Premium)
Released Credits $1,500
23.8 × mm
13.4mm Stops 10 Bit ProRes 4:2:2 Stnd. Single Use Operator
.75-100fps 1920 x 1080 Faster Media for Off Loading Coming Soon
Standard Standard & Advanced @ 24fps
Arri AMIRA 16:9 120GB CFast - 48 min Established ALEXA Image Quality

16 Bit 48w Light Weight and Small Profile Blacklist

24, 25, 30, 50, 4K
CMOS 60 4096 x 2160
F55 RAW @ 3.6:1 7.7 GB 6.4 lbs
System 1250 ISO Sensor w/ Global Shutter Big Bang Theory
per F55 & R5
27.1mmØ 14 1-60fps @ 4K
512GB AXSM - 66 min 2x Anamorphic De-Squeeze Annie
1250 3840 x 2160 Minute $1,250
24 x 12.7mm Stops 1-180fps @ 2K XAVC HD 2K 4K - 10 Bit 5 lbs 25w 2K Mode Uses Full Image Sensor Alpha House
2K 4K XAVC is Small File Size
1-180fps @ HD SR-SQ & SR-Lite @ 24fps F55 Body Deliver us from
1-240fps @ 2K Raw HD Wide Latitude & Color w/ S-Log3
Sony F55 w/R5 17:9 64GB SxS - 30 min Only Evil
13.5
1-100 fps @6K 6K 2:1 2.4:1 Transformers 4
CMOS Stops
16 Bit 5.2GB Also Available in Carbon Fiber
1-120 fps @5K 5K FF, A2:1, 2:1 2.4:1 REDCODE - 6K FF @ 8:1 per HDRx High Dynamic Range Gone Girl
34.5mm Ø
800 1-120 fps @4.5K 4.5K 2.4:1 128GB SSD - 25 min Minute 5 lbs 60w Well Established R3D workflow Stonewall $1,100
30.7 × 15.8mm 15-18+ Modular Design
1-150 fps @4K 4K 16:9, HD, A2:1, 2.1 256GB SSD - 49 min The Walk
w/HDR @ 24fps High Frames per Second
1.90:1 1-300 fps @2K 2K 16:9, A2:1, 2.1 (HDRx cuts time in half) Better Call Saul
Red Epic Dragon x
1
Future 2Select Shots 33D Camera must be for sale and rent | Data based on 24fps and highest internal record.| Sorted by Price © CINEVERSE 2014
Los Angeles - Chicago - New Orleans - Miami 2014 CAMERA COMPARISON CHART www.cineverse.net

Average
Digital Sampling
Imager Frame Rates Recorded Bit Depth Weight Notable National
ISO Latitude on Recorded Data Power Highlighted Positives
(Actual Size) (Progessive Only) Format & Time Body Only Credits Daily Rental
Media BODY ONLY

12+ 5K FF, A2:1, 2:1 2.4:1 12 Bit

CMOS Stops
1-120 fps @5K
4.5K 2.4:1 REDCODE - 5K FF @ 7:1
3.2 GB Self Contained - Ideal for 3D
HDRx High Dynamic Range
Great Gatsby 3
1-120 fps @4.5K per Hobbit 3
31.4mm Ø 800 4K 16:9, HD, A2:1, 2.1 128GB SSD - 40 min 5 lbs 60w Established R3D workflow $1,000
Minute
27.7 × 14.6mm 1-150 fps @4K Modular Design
House of Cards
15-18+ 2K 16:9, A2:1, 2.1 256GB SSD - 80 min
1-300fps @2K @ 24fps High Frames per Second Justified
Red Epic Mysterium-X 1.90:1 w/ HDRx 1080 & 720 16:9 (HDRx cuts time in half)

Need for Speed

CMOS 24p, 25p, 30p,
1920 x 1080
8 Bit 0.4 GB 4K Output w/ External Recorder
Amityville Horror:
50i, 60i @ HD MPEG2-4:2:2 MXF per
27.3mm Ø 850
12
4 lbs 11.4w
PL or EF mount
The Lost Tapes $900
24, 25, 30, 50, 60, 120 64GB CF - 160 min Minute High Dynamic Range
24.6 x 13.8mm Stops Outputs 2K & 4K
@ 4K to
to External Recorder 10 Bit Small Self Contained Ideal for 3D Fathers &
Canon EOS C500 16:9 External Recorder 4K RAW to External Recorder @ 24fps Daughters

CMOS 24, 25, 30, 2K

10 Bit 1.8 GB Light Weight & Small Profile Man from Reno
50, 60 1920 x 1080 per Good Low Light Performance
27.1mm Ø 2000
14 XAVC & SR-SQ & Lite 5 lbs 25w 2K Mode Uses Full Image Sensor
Parts UnKnown
$450
1-180fps @ 2K & HD Minute
24 x 12.7mm Stops 128GB SxS - 71 min Wide Latitude & Color w/ S-Log3
The Voice
1-240fps @ 2K Raw Outputs 4K
Sony F5 17:9 1-60fps @ 4KRaw to External Recorder
4K F5RAW to External Recorder
@ 24fps 180fps Recording with SxS media Amazing Race

CMOS 0.4 GB Incredible Low Light Performance The Green

8 Bit per
27.3mm Ø 12 24, 25, 30 fps @ Small Size Inferno
850 1920 x 1080 MPEG2-4:2:2 MXF Minute 3.2 lbs 11.4w $450
24.6 x 13.8mm Stops 1080 C-Log Workflow Blue Ruin
64GB CF - 160 min Dual Pixel Auto Focus (EF Version Only) La vie d’Adèle
Canon EOS C300 16:9 @ 24fps

Full Aperture 25 lbs 12 Years a Slave

16 Bit (Linear) 4:4:4 Color Sampling
31.1mm Ø 6K - 4K - 2K 400' Load King's Speech
15-16 2P 22m12s 1000' Established Workflow $1,000
24.9x18.7mm 500 1-60fps Uncompressed N/A 28 lbs 55w Cloud Atlas
Stops 3P 14m48s 1000' Widest Available Latitude w/Mags
(via Scanner) 1000' Proven Archival Value Silver Linings
4P 11m06s 1000' Load Playbook
ARRICAM ST - 35mm Film 4:3
750GB $5,500
12 Bit - RAW per High Resolution for Repositioning w/ (2) 2TB
CMOS 12
1000fps @ 4K CineMag IV
Minute Sync Sound also works as 24fps
Camera Newly
CineMags
800 2000fps @2K 13 lbs 110w Released Credits
31.7mm Ø Stops 64GB Internal RAM Familiar User Interface $3,500
2000fps @ 1080 4096 x 2304 Coming Soon
27.6 x 15.5mm 4.7s @1000fps - 4K @ Attachable On-Board Battery Camera Only
Phantom Flex 4K 1000fps (64GB)

1-1617 fps @ 2560 x 1440 12 Bit - RAW 170 GB $5,000

Efficient Professional Workflow Godzilla (2014) 2 w/ CineMags
CMOS 10
2560x1440 Uncompressed 32GB Internal RAM per
Minute
Industry Standard
Gangster Squad 2
(512GB)
30.1mm Ø 1250 RAW 4.5s @ 2500fps 12 lbs 100w Low Light Performance
Stops
1-2564 fps @ 512G CineMags Uncompressed RAW Iron Man 3 2 $3,000
25.6 x 16mm @
4:4:4 Output Rush 2 Camera Only
1920x1080 1920 x 1080 1m14s@2500fps 1000fps (32GB)
Phantom Flex 2K

12 Bit - RAW 225 GB Too Cute 2

1920x1080 per
1-1540 fps 12GB Internal RAM Small Size Saturday Night $1,400
CMOS 10 Uncompressed Minute
22.6m Ø 1100
Stops
@
RAW
3.2s@1000fps 3 lbs 30w Economical Live 2 w/ CineFlash
19.2 x 12mm 1920x1080 240GB CineFlash Low Cost RAW Memory Ralph Lauren (60GB) Mags
1920 x 1080 @
Phantom Miro 78s @ 1000fps 1000fps Commercials
1
Future 2Select Shots 33D Camera must be for sale and rent | Data based on 24fps and highest internal record.| Sorted by Price © CINEVERSE 2014