Advanced Musical Etudes for Trombone and Euphonium in Bass Clef 112 Rhythmic and Melodic Studies based on Blazhevich’s Etudes Reginald H. Fink Accura_ Music fh < PLcho fel Met olmh 0 ire BrsiesvaaAdvanced Musical Etudes for Trombone and Euphonium in bass clef Edited by Reginald H. Fink, Ph. D. Vladislav Blazhevich (1881-1942) hay all notes with an equal accent, tone quality, and volume. Space the notes slightly. Marziale 1 by by 1. Gif sempre ‘Accent all half and dotted half notes. Space all quarter notes, neither playing them staccato [half value] nor temuto [full value]. Maintain 4 full forte tone on all notes, and observe the phrase marks as nuances within the forte dynamic. Never play a repeated pitch or a repeated sequence atthe same volume, Always phrase repeated notes or repeated sequences by increasing or decreasing the volume, Allegro os . 5 © Copyright 1991 by Accura Music, Inc. ‘All Rights Reserved6 Space all notes. Maintain a full forte tone throughout. Make the phrases four measures long. do ZN Allegro > ox 3 nmaetf simile Space all notes. Maintain a full forte tone throughout. Make the phrates four measures long. Space all notes. Observe the dynamics carefully. Play the dotted 8th and 16th notes and the dotted quarter and Sth notes precisely. Play the short notes (16ths) slightly louder than the surrounding notes 60 that they will sound equally loud ata distance. Mogerato 4-0 pee? 5. ‘mf sempre detached Sf f Space and accent every note. Maintain a forte tone throughout. Allegro “182 6. sempre sempre marcato , 154Payal ots tenuto an wih nergy. Waltz ?-u4 2. sempre f* sempre tenuto ‘Observe the dynamics carefully. Moderato ¢-78 8. S- sempre tenuto ? —= ) I fp—— fp —jsive manner and observe the marking “Tempo giusto.” ‘Tempo giusto mf deciso f mp mf erese. Observe the marking “Meri” and “getragen.” Play the fit notes louder than the quarter note surrounding them so that all notes sound equally loud a ditance. Expand the dynamic range and make a noticeable distinction between the forte andthe plano partges. Massig 454 154Play ina slightly detached style. Neither staccato nor tenuto. Observe the dynamics and breathe every 4 to & measures using small breaths rather than a large breath after along series of notes. Veloce *-1s 11. Observe the style markings—"Marziale” and “well marked.” Play the quarter notes with precise rhythm and slightly louder than the Quarter notes that surround them. Marziale 12. ‘mf well marked10 Group the quarter notes in a pattern of 3 plus 2 and accent the 4th quarter note of each measure to reinforce this feeling. Allegro #10 22 = ba > 13. mf P ——S= > be ——— + —— 29 ———— 5 ab & babModerato 4-75 be? 15. af pompoo = ———Cantabile 2-14 16. Pp dolce sostenuto Marziale 4-100 17. anf. slighty detached PSp Bt Moderato 0-56 18. ‘If slightly detached ff) ———— —— ie ’ f= ip —= ———_ ¥ —————_—— F . Moderato /-ee 19. ?p siocoso——— ™ — f =—— Moderato 4100 Inf’ slightly detached = ———= ff 154Allegretto 4-02 21. P leggiero $= Ff =——. mf —_ S$ rit Marziale /-126 Moderato 4-80 ‘mf bouncy = = —— babe bebebe EE 15424. 25. Moderato 4-10 _ Allegro se 3 ‘mf’ con bravuraMaestoso, 0-12 ‘Tempo giusto 4-12 2-22-23 March 4-128 28. P suighty detacheModerato *=80 ‘mf bouncy ee iS ——== + — == =—— Marziale *-122 30. Sf well marked af‘Tempo giusto +100 32. f =>» >= ———_— Moderato +72 33. P sostenuto ——— p> fF ? ’Moderato ‘-7 9 34. SF. siocoso senza dim, ‘Allegro #108 : 35. P well marked simile —= fFLento 50 36. F mou Sosienuto ‘Tempo glusto ?-06 a 37. f deciso —_= A —:21 Andante /-72 38. f mf mp mf Andante 4-18 , < 1 39. _——$———SSS SS SS ——= cantabile e sostenuto2 Con Moto 4s 40. Sf pesane Lento 84 41. Sf sostenuto23 —>== =——— =F P Moderato ‘ee 42. SF wiocoso 7? af ‘Tempol : Listesso tempo f =Veloce +22 43. SF brilante25 Lento /-72 > 44, — B dolce ¢ sostenuto = — = Tempol 15426 Bnersco Jote Daw ae 45. f HimeAllegretto /-ve thd A 46. SF gioco PO af pe OG pp28 Moderato ?-t0 222 47. f — Moderato /-s0104 48. SF deciso raf maf f = = 15449. 154 Allegretto con garbo SF. gracioso30 Lento ‘one 4-44 7Con Brio 2-14 ey32 Allegretto 8 Speen peter tere 52 SERS ie? mf rp PP of —— p/P ——— af —— 'p subito A > ™ ——— r—= f -—=Sf rit = af —— (p80 —<—$—$—$—$—=— <$_ 9 h ~33 Lento -s44 Moderato 4-0 54. SF energies ra of — FF molto rit. pa ae le te te a ee 55S eS 1 sempre f° alfine senza dim, 15435 — Liistesso tempo36 Lento 4-04 mF 56. P dolce e sostenuo A) =. 154Moderato 4 7 57. S pesante a ‘Con Moto . > Con Moto Molto Pesante Sf 15438 simile-all well marked 154Adagio 4-6 59. P molto sostenuto _ SSS Meno mosso 154=Gt a Pogo meno mosso iy Pepgmeo moss f SB sostenuto ao —f =—— Allegro meno Allegro meno Allegro Pacem sostenuto sgiocoso wy Poco meno mosso D> ‘poco. poco accel. = aN : 7— Allegro rs —— f giocoso P41 ‘molto cresc. e poco accel.42 dim. poco a poco - - Moderato; Tikedim ff pesane 1548 Allegro moderato 63. af45 Andante semplice 4-72Allegro giocoso ?-12 bE fain, Moderato pesante “oe 67. 7 ia mf ——<——— SS fF A F samo ' Andante +00 P. espressivo moltoModerato 4-70 20 69. S keciso SF‘poco agitato e string. al fine f =F molto rit, 154Veloce os 70. fAdagio cantabite 4-0 ‘152 Moderato /-78 72. f energico33 PP cresc. eresc.5 Largo 4-4 — D an 74. rubato. 3 2 3 P sostenuto —mae ——_— P aN SER Ke FD not SoPe OS rf P a Sr f in. : Tempod erty, 4 BE fh SeRSERCEY SSE SEAS SS: ees ss 3 iets rubato sostenuto ‘mp rail. - ~~ 2.3 PP oo tempo — a eae oS 3 3 3 $$ P mp LE TPREIREOS a a 3 3 ———_ ff pas SS mp So 7 3 sosteniuto 15455 Allegro ee 75. Tempo 15456 ‘Tempo di marcia 486 76. Sf energico f37 Andante con moto + P mp ? > Tempot 358 ‘Andantino ps zeae 78. ; tee aeities tithe oF Tempol = f simile — ——— ff Moderato /-75 79. mf Lr SS F 15459io += Adagio“ Andante oon e DAD AS 80. Pp _molio string. sostenuto f= F ie pesene ie ae . it "facet? Adagio molto string. ———__——— Fe SE * te p _moliostring. f Andante a ‘ostenuto ‘accel. ~~~ ~ A Adagio - molto string. tf np m4 P ‘molto string. f P f ‘molto string. 15461 Allegretto 10 15462 Con moto +96 Cee 82. ‘aff energico = —————— ~| { i 63 Lento ¢*s8 83. P espressivo i mp SS — af = sf mf fe be f cohen P= So? = 4 be ¢. eleModerato 4-20 84. Sf energico Liistesso tempo aaa eee a = Fico ally, “Tempo mf f ? —— ——_ = —= ff = —= Prestissimo 4-1766Lento ve Allegro 4-201 2:22 87. f 1 ————————— Sf simile = P 154or68 Moderato 2-10: 88. Sf tiergico = = Con moto?- 120 mf P cantabile Tempo Allegro moderato 104 89. f energico 15470 Allegro moderato #10 i= 90. Sf energico Sf2 Con moto #54 P leggiero =P?B P dolce Ce ‘on moto*“80 = —=—— —= mp| Allegro #10 93. ‘Tempol ie Allegretto ite _ 4 Za 94. —————— rk er > 4 af f 1545 A A A ati — = => = => — a ip Eee te & e SS CSS -—= —«=—P mf if >? —= a & he ©} —— ye — of fp ap z Zh: — SES | = NA SS —*ro Moderato +82 z fe tap fe FS. p. 95. P —== EDSED. > Sinile aaa Q——— = STA Allegro 420 Listesso 96. nf as 154Listesso 1 ‘Tempo 1———= =78 Moderato /-08 ia" - 97. SF deciso Con moto ¢-108 = P leggiero 1549 P ——————_ *f fi af —$__——— mf —————— sf pocoral.83Con moto 4-205 212-223 101. ff pesante amp subito ‘Tempo P poco eres. mp poco ese.85 go4 2:24 Allegro #204 3:22 , 102. mf PsubitoAllegro 4108 72 29 103. Allegro molto (Quasi Valse) +60 15487 = Poco pits mosso 72 =‘Allegro mosso ‘=100 4-80 105. f : ?—___ f rallentandoAllegro se 106. f P subito —=Allegretto /+s0 107. 1541 Con garbo ¢=122 108.Velocissimo *seLento eo 93 >>Allegro 4:72 #14 111. mf ———