SOFIA GUBAIDULINA Funf Etiden fiir Harfe, KontrabaB und Schlagzeug MUSIKVERLAG HANS SIKORSKI - HAMBURGYCIOBHLIE OBOSHAMEHHA » EXPLANATION OF SIGNS J BCEX HCTPYMEHTOS 1. FOR ALL INSTRUMENTS. nvsconso oF neonpene oc | sed from an inde note (ap, down) equal oa erate (din ng oro aayea (oneps, nays), pansoe no aaarens ro me, pannoe no aressuoer# 4 (2) the sume, equa! fo ¢ minim (4) ia Tength ‘he Sie tling up & hol bar canto, (oF weonpeaeteaisx 209%00), endo irom indefinite noes, taking up ‘whole bet ‘pottoe rauceasxo, passoe onvony raxry Wine gussando, tating up © whole bar {rdnolo without «deli hth nowropars oGeeseuti Texcr a0 yravamioro wecrs acsage thus Hamed fo be repealed up fo spied pont owropars rekct 10 okoneanis Aehcrus depsary passage thus framed to be repented ae long the Hold lasts ‘ang. APNE 2 FOR THE HARD tllsaando produced with two stick in the opposite directions ayceaugo amy naoecaorssepr Blssando wit two sks ap ~\ flissando with one stick downye a pres dl taola A (colt ghia) i (+) £(4) dt > T 4 SH atm an bee (pete Aa oman nee accented and (wie asented octaves ‘ange of the spwexyannr, 20y% ‘ote mutes rpars y acne Day atthe soundboard diay withthe fingernail ‘ropa na sbi expynex pe6pom mannan horde be prodaced@n any stings wih the sie of the hand [RIA ROUTPABACA 8. FOR THE DOUBLE BASS ranccann speeao (sept, on) lose plas remo ape ova) "mccarzo-putomer. (seep, ans) fissando with springing bow Cop, down) rawccano wa, semper expan flssando on four strings. separ 28 oscrancon Pity ‘beyond te bridge scuopa 24 noacraneon (xa ness expyvan horde be produced bajond he bridge fon any strings) aucoree wucona soowonsu say the highest note posible ‘ANA YBAPHAK 4 FOR THE PERCUSSION Mapauéagos. The Marimbaphone ‘upurwngaporansoe rpewono ayn nasouxasen. Henonunercn oxKol py elo aoywcroponen maou (eeepay m cioy) fremolo’ produced with two sticks (eiout dente rhythm), to be Played with one hand on two sides of the key (irom above and from low) ‘yewono 4a caNod mxaxoR wore werpyncura. Caeayer nonome na 838 ‘hay werenaivectat npeaner’ (nang aera) tremoto"an he lowest mole-A mela objec for example, a stick, should Be placed onthe ey. By6en. The Tambourine auceanto no xpaio serpynenra (Gonsuin aaniaen) flssande produced with te thu on the f Bapa6au. The SideDrem spam naman play wit te fingers Tapeaxa. The Cymbal yaap mazowxot no xpan ih ssi on the ge Bouru. The Bongos 27s no xp pity on the edgeFIVE ETUDES for Warp, Double Bass and Percussion (1652) opus PY BAM YATUA Sophia GUBAIDULINA ooo aceel, poco Fit, DD semp Contrebasso ff marina i ‘ramburo Piatto Bongo aaa AE = poco accel, poso rit. a tempo poco accel, poco sitMeno mosso BdBenghtApa wis Pitts Bonet Poco a poco ritardande Area PP Areafea’ i “berg qa ee = 4 tat 2 se 2 ap eee eekia ase. (fee fatto aeJedsonpre Apa Contrabsss0 sesaommelaaryPan wan 0@ Ared| cotta parte PPPS = PSY heVv Allegro disperato J -1s0 "Ree Sa D2) sempre Contesbasto £ ‘Marimba fe tat et a a Bonght attack da ihe opposite atracBonet Platte Piatto nocent fa8 Area Piatee Bonehi Ss [lke stesso tempo (cotta parte Area ZF act Marimba) Arps ae Arps ssagons re lary and Mtarimbaphone.= EB SeApa cons Panturim— 13 a ratte lm Ty. Ares22 Ape alg Yi Te \ rane Lg I — i Tp_ ae és 28 8 otek ligee ve + L__ Lee —t \24 G@ Meno mosso Ana s SS TREE LE nnnnnemnrmnenmnaniennnnnnatonin acini 2 Arps ar. oust & >.