#1

Brightness Amplitude of harmonics/Filter cutoff and resonance

Sound has a cyclic variation LFO modulation/LFO waveform, depth and rate

Pitch Frequency/Oscillators pitch

Tremolo Amplitude modulation/LFO augments the amplifier

Timbre changes over time Dynamic filtering/Filter’s envelope

Type of Sound Harmonic content/Oscillators Waveform

Sound starts immediately or fades in Attack time/Lengthen or shorten the attack

and decay

Sound stops immediately Release time/Lengthen or shorten amplifier’s release

time

Volume changes over time Dynamic amplitude/Amplifier envelope

Sound gradually grows “richer” in harmonics

Filter automation/Programmed CC messages or slow rate LFO

Vibrato Pitch modulation/LFO augments the pitch

Sound is percussiveTransient/Fast attack and decay on the amplifier

#2
The default note number of the sample dragged and dropped into the EXS 24 will
usually be C3= Note# 60

#3
A short hit sample, or one that is One Bar or Less, was referred to in our lecture as
a micro Sample.

#4
Each sample in your sampler can only be played from the position of its Start point

#5
C-2 to G8 represents the lowest and the highest note of the Key.

#6
In order to fit a long sample to a specific tempo, you must change the pitch.

#7
On a sampler, ONE SHOT means that when you let go of the key that's triggering
the sample will continue to play until the end of the sample.

#8
You can drag and drop an AIF directly into the EXS24 sampler, but you cannot
drag and drop an MP3 directly into the EXS24 sampler

#9
When working with macro samples, it is best to use  one tempos.

#10
When using a conventional sampler to lock a sample to a sequencer, a good way to
loop the sample, and to maintain the original key, is to change the tempo of your
DAW to fit the sample.