Wn eR TP Sig =-— <0 CRITICISM / CRITICS ost prominent literary critic: I ae ee ere Aristotle BR AterAr a Contemporary of Aristotle D.Alloruee sion ea vad ¢ b »grading the poets a Guiding the statesman D Eee me 7 of Plato, was the time of Political: . a gente” Decline B. Progress — cc. Stability D. —Alllof these iheage of Plato, women were regarded as: b mers. Superior beings B. Inferior beings = C. Supernatural beings D. Ideal creature yhat were the virtues prized highly by the Greeks in the age of Plato? a ‘A. Courage and heroism B. —Magnificence and skill. = C. __ Use of arms D. —Allof these puto attacked on poetry on: a A. Moral Grounds B. —_ Emotional Grounds ~ C. __ Intellectual Grounds D. —Allof these According to Plato, poetry is: f ‘A. Anart B. _ Inspiration 7 C.— Bothaandb D. None of these Patosays that a critic must have: d ‘A. Courage B. Knowledge ta Cc Wisdom D. All of these Aristotle was a philosopher, psychologist, logician, moralist and: a A. Political thinker B. Biologist - C. The founder of literary criticism D. —_Allof these Aristotle was born at Stagira, a Greek colonial town on the north western shores of the Aegean, a” in: - A 348 B. B. 348 AD. CQ 140 B. D. 405 B.C. Life of Aristotle can be divided into stages. c A. Two B. Four ~ c Three D. Five The period led by Aristotle in the philosophic school of Plato, the Academy at Athens is his life’s. 1 —_ stage. a AU First B. Second C. Third D. —_ None of these » The period led by Aristotle with the young Alexander is life's, stage. 2 A First B. ~ Second Avitoucsia Thi D. —_None of these Yotle did most of the work of criticism in his life’s_stage. a First B. Second = The we Cc Third D. None of these ‘ork of Aristotle in the last years is: a - An encyclopaedia B.—Anignorable The wriGey or Valueless D. Highly criticised Ving of Aristotle fall into three main kinds i.e. Dialogues, Literary essays and: a Republic B. Poetics =Pa ”. 19. 20. Who attacked poetry on the above grounds? a. 2. 23. um. 25. 21, 28. 29. 30. BL 3 33. C. The Treatises D. None of these Plato’s universe was a: A. Static universe Be Dynamic uni C.—_Bothof these D. None ofthesy Universe of Aristotle is: A. Static ew C. Both of these D. None ftv Plato was born in: A 427B.C B ee a 410 B.C » Bee “And the tragic poet isean imitator, and therefore, like all other imitators, he from the truth.” AL Aristotle B. Socrates C. Plato D. Wordsworth Plato was the first critic to divide the arts into categories. ar B. Two C. Three D. Four Poetry, music and painting are included in: A. Useful arts B. Fine arts C. —__Bothof these D. —_ None of these. Medicine, agriculture and chemicals are included in ___ art. AL Useful eh Fine C. Both of these D. None of these, ‘Who used the word imitation first of all? ‘A. Socrates B. Aristotle Cc. Plato D. TS. Eliot, Plato linked poetry to: A. Music B. Painting: Cc Agriculture D. _ Designing. Plato was: ‘A. Anidealist B. Realist C. Romantic D. — Modern Aristotle linked poetry to: A. Painting BR Masi, C. Designing D. Drawing, Aristotle justifies poetry: ‘A, Morally B. _ Emotionally @; —_Intellectually D. —Allof these ‘The ‘Poetics’ consists of __ chapters. A Twenty B. Fifteen Cc ‘Twenty-two D. —— Treenty,sion ‘Who is the author of the ‘Republic’? A Aristotle B Plato C. Socrates D. Huxley Poetic imitation is different from other forms of imitation in: ‘A. Medium of imitation B. The objects of imitations ~~ C. Manner of imitation D. —Alliof these. “The painter’s medium of imitation is colour and form while thepoct's it A. Rhythm B. - Hasmany. C. __ Bothofthese D, —_ Nonevofitinss- The object of poetic imitation is: fen inaction B. —_ Landscapesc. Scientific truths D. Neneof _ptetsconceprorieitation made up the poetic p . None of these ant More copying wl : Both of these of creative vision ve D. —_ None of these o ofthe confused:and chaotic muddle of everyday life the poet tries to create a work of art a tion Tempo ome B. Permanent relevance c “ D. Ne ic! by Aristotle is chilly concerned with: one of ese A Epic B. Tragedy con Comedy _ D. Burlesque gntisconsidered by Aristotle tobe the highest poctc form? A Tragedy B Epic c_ Comedy ; D. Novel is the imitation of am action that is serious, and also as having magnitude, complete in . Janguage with. pleasurable-accessories, each ki brought in separately im-the parts of w iramatic, not in.a narration form; with incidents arousing pity and fear; where vio accomplish its catharsis of such emotions.’ is defined in the above words by: A. Plato B C. — Socrates D. ‘trgedy differs from other arts in the: ‘A. Object of imitation C. Medium of imitation ‘According to Aristotle, in tragedy, the action must Aristotle T.S. Eliot B. Manner of imitation D. be complete, which means that it must have b b oy b db All of these a A. Beginning B. Middle Cc End D. All of these Inhow.many quantitative partsis tragedy divided:by-Aristotle? a A Five B. Four = Cc Three D. Two Hor many formative elements of tragedy.are givemby Aristotle? d A Two B. _ c Five D. Six InTragedy, Prologue, Episode, Exode, Parode and Stastimon are: a ‘A Quantitative elements B. _ Formative elements c. Both of D. None of these b InTragedy, Plot, Charneter, Thought, DietionySpectacie.and Song are: 2B A. Quantitative B. —_ Formative elements C. —_Bothofthese D. —_None of these ‘Wicisis the most important aspect of tragedy according to Aristotle? cf A Character B. _Dietion Plot D. Thought Intragedy, the arrangement of theineidents in a logical eq) nce is called: S Character B. Prologue Plot D. Conflict ‘Ateordingso Aristotle, the.ploteanbe.of___ types. a A Two B. Three c Fou D. Six oe ig continupussaavements and invoWving no-violentchange is caled_ plot. A ‘Simple B. Complex . Compact D. —_ Loose avolving violent changes arising out of Peripety and Anagnorisis called plot. b50. 51. 52. 55, 57. 59. 61. 62. 65. eT A. Simple B. Complex C ‘Compact D. Loose In tragedy, the change in the fortune of the hero is called: A. Peripety B. Reversal g C. Both of these D. —_Anagnorisis . Ina tragedy, the change from ignorance to knowledge is called: A. Anagnorisis B. Recognition Q C. Both of these D. _ Peripety x If the peripety and discovery come together as in Oedipus the King of Sophocy tragedy is: the Sl, A. Greatest B. Less gq C._ Normal D. Nill In tragedy, Aristotle stressed upon: A. Unity of time B. Unity of place Sg C. Unity of action D. —_Allof these How many essentials are enumerated by Aristotle for successful characterization iy A. Four B.. Five “Seen C. Three D. Two Goodness, Appropriateness, truth of life and self-consistency are: a A. Four essentials of characterization B. Quantitative parts. A C. Formative elements D. —Allof these The ideal tragic hero should be: < A. Perfectly good B. Utterly depraved = C. Mixture of virtie and human D. —_Alllof thene frailty ‘We must remember that Aristotle's conception of tragedy is: Qa A. Biological B. Philosophical 7 C. Sociological D. Ideal Aristotle states that tragedy is an imitation of an action that a A. Serious B. Complete = C. _ Ofacertain magnitude D. —Allof these Aristotle merely makes general observations on the: b A. Unity of action B. Unity of time S C. Unity of place D. —_Allof these The tragic poet represents life as: Q A. Itmight be B. It necessarily is C.Itisnot D. —Allof these An error of judgment by any character is called: b A. Peripety B. Hamartia -“ C. Discovery D. Action Ina tragedy, Hamartia of any character may arise in: < A. Twoways B. One way Cc Three ways D. Four ways a Error of judgment arose from a hasty or careless view of a given situation by: “> A. Hamlet B. Lear C. Othello D. —_Alllof these b The error of judgment was voluntarily, though not deliberately by: A. Hamlet B Lear Cc Othello D. Alll of these Bot For the moral,element in the character of a Porton, hnitlommenrtoeret a A. Ethos B. “ C. — Hamartia D. Catharines For the intellectual element in the character of a person, Aristotle:bf 2 dana * lay D. Catharsis inne shows a marked tendency to lay greater stress ons a Mose Character B. Plot Action D a is : author of ‘Poetics’, ‘Politics’ and ‘Ethics’? a b yer Plato B. Aristotle Socrates D. ‘TS. Eliot a sex the meaning of Catharsa': = . _ Purgation B. Purification cc. Clarification D. _—_Alllof these Cc tis unfortunate that Aristotle has not discussed an essential aspect of drama: ad ‘A. Catharsis B. _Pityand fear ; C.— Conflict D. Comedy set gives a free outlet to the emotions of: a Pity and fear B. Horror a c Kindness D. Respect d Choose the elements which are common in epic and tragedy: A A Plot B. Character C. Thought and diction D. — Allof these a ‘Agreat variety of metres can be used in: a A ‘Tragedy B. Epic D. —_ None of these b B. Epic D. —_ None of those o& B. Dramatic D. —_ None of these Tragedy is usually written in___ mode. b ‘A. Narrative oan C. _ Both of these None of these Write name of the critic who belongs to the romantic rerio: cq A. Plato Aristotle aa C.— Wordsworth DOTS Eliot William Wordsworth, the second son of a lower middle-class family, was born on: Xn ‘A. April 7, 1770 B. March 10, 1780 = C. May 10, 177 D. November 20, 1775 Wordsworth interrupted his educational career in 1790 due to: c] ‘A. Financial problems B. Failure of health a C. Tour of France, Switzerland and D. All of these Italy Where Pd Wordaworth meet with Coleridge? a Racedown B. America Wa w London D. Paris on did Wordsworth publish his famous work of Lyrica Ballads’ in 1798? a a T.S. Eliot — W Keats >. Colerid; mer mare his childhood friend Mary Hutchinson in: b ‘3 Hes Be 1802 out the na? D. 1805 € name of the author of these important works: ls”, “Poems in Two Volumes”, “The Excursion”, “The River Duddon”, “Sonnets” a -} 98, Appeat reason, bjt vlewpaat, Typist apprech, clear =. mii K ‘and “The Prelude”: Coleridge Be Keats @ C. Wordsworth D. Byron g $4. Herbert Read divides Wordsworth’s career into__ periods. A Two B. Three q C.— Four D. Five a 8S. First period of of Wordsworth’s career is: ‘A. Before 1791 B. After 1791 9g C. Before 1798 D. After 1798 = 86. Second period of Wordsworth’s career extends from: A. 189210 1897 B. 18980 1907 g C.— 1792101797 D. 1798 to 1807 87. Wordsworth’s glorious creative work was created in his___period. A. Third B. Second a c. First D. Fourth 88. The first edition of ‘Lyrical Ballads’ consisted of ___ poems. b A ‘Twenty: B. ‘Twenty-three s C. Twenty-five D. ‘Fifteen 89. Choose number of the poems written by Coleridge inthe first edition of ‘Lyrical Balle A. Four B. Five 3 C.— Three D. Two 90. “It was a trumpet that heralded the dawn of a new era by making the prophecy tt unlimited and ualimitable art, could not and should not be fettered by narrow bonds of conventions.” ‘These lines were said on the publication of: ‘A. Poetics B. Republic Cc. __Lyrrical Ballads D. —_Biographia Literaria 91, The Industrial Revolution was establishing new centres of population around the factor the coal and iron deposits, where new methods were increasing the production in terms in the age of: B. Aristotle A. Plato Cc. — TS.Eliot D. Wordsworth d 92. Inthe age of Wordsworth, in every part of the world, there were cries for: ‘A. Liberty B. Equality C. Individual freedom D. —Allof these 93, Romanticism was a revolt against: b A. Classicism B. —Neorclassicism = — C. Metaphysical school D. Modern school 94. “A veneration for the Roman classe, thought,and.way oflife”is called: = S ‘A. Classicism B, Romanticism C. — Neorclassicism D. Metaphysical schoo! 95. Neo-classicism was a reaction to the excess of, poets. oO ‘A. Metaphysical B. Classical = C. Modern D. Romantic 96. Technical aspects of art were emphasised in age. cf A — Romantic B, c Neo-classical D. Meaptyicl 97. Emotional appeal, subjective viewpoint, individual approach, experimentation i= 7 dissatistaction with the knows and queat for the unknown-and:the mysterioe *7,) features of: 2 A Romanticism fs re assicism C.— Neo-! ee aa oneSeria eae ee eT? St —-am suspicion of the unconventional and unknown and adherence to the known and wa ‘anined are important features of; ae Romanticism B. C.__Neo-classicism D. The subject-matter of poetry, the style and language of poetry and the place of metre, the nature etry and the poetic process, the nature, gifts and function of the poet, the relationship tetween poetry and science and the matter of taste and creation of taste ere various themes in Classicism Modernism A. Poetics | B. Theeritic C. _ Preface to the Lyrical Ballads D. Republic ‘According to Wordsworth, subject of poetry should be incidents and situations from: ‘A. Rustic life B. Townlife Cc Upper class D. —Aristocracy ‘According to Wordsworth, the language of prose and poetry are closely related in their: A Nature B. Function c Appeal D. All of these How many stages are there in the process of poetic creation in the view of Wordsworth? A. Four B. ‘Three Cc. Two D. Five ‘According to Wordsworth, observatior are four stages in the process of: recollection contemplation and imaginative excitement A. Criticism B. _ Psychological analysis C. Poetic creation D. —Allof these ‘Wordsworth was primarily A. Poet B. Critic C. Philosopher D. Musician | Wordsworth’s aim in writing the “Preface To The Lyrical Ballads” was to: A. Setcritical foundations B. Educate the taste C, become popular D. —Allof these The literary criticism of Wordsworth is confined to small quantity of: A Essays B. Prefaces C. Letters D. —_Allof these “Ihave said that poetry is the spontaneous overflow of powerful feelings: it takes‘its origin from emotion recollected in tranquillity; the emotion is contemplated till, by a species of reaction, the tranquillity disappears and an emotion, kindred to that which ‘was before the subject of contemplation, is gradually produced, and does itself actually existin the mind. In this mood composition generally begins, and in 2 mood similar to'that itis carried on bove lines about the poetry are stated by: A. Coleridge B. Wordsworth Cc Aristotle D. T.S. Eliot From the views of Wordsworth on'poetry, it is clear that poetry is the matter of: A. Mood B. Inspiration c Both of these D. —_None of these According to Wordsworth, the poet differs from other men not in kind, but i: A. Degree of sens B. Basin c. Power of expression _é istory of poetic diction, there are traditions. A Tw B Five - 0 eis the poetic diction andiitis followed by: One is the tradition which pleads for spoken language as poetic diction B. Addison A Wordsworth c Johnson stony Atsisd and itis led by: ‘The other is the tradition which pleada for a special language for poetry ” b113. = 114, 115, ~ 116. 417, 118. 119. 120. f 121. aa. 123. 124. 125. 126. 127. 128. he 129. aS “4 [Sy 1 Seen ee tener = A. Addison B. Johnson & Cc Gray D. —Alllof these Wordsworth reacted strongly against the use of: 4 A. Elaborate figures of speech B. Metaphors Q C. Artificial devices D. —_Allof these “There is no essential difference between the language of prose and metrical com, stated by: Petition A. Wordsworth B. Coleridge aK Cc. TS.Eliot D. Aristotle Wordsworth defends the use of metre because it: ‘A. Add to pleasure of poetry B. Controls the emotions — C. —_ Mitigates the extremity D. —Allof these The limitations of Wordsworth’s theory of poetic diction have been discussed by ; the chief among them being: “a tig A. Coleridge B. TS. Eliot Johnson D. __Allof these the first poet to bring the language of poetry closer to the vocabulary of ny, Aristotle B. Wordsworth b Cc. TS.Eliot D. Pope j The poet possesses the faculties of: om ‘A. Observation and sensibility B. _ Reflection and imagination Fancy and judgment D. All of these ‘There are delightful accessories in poetry, such as: d A. Rhyme B. Metre = C. Other external aids D. —Allof these Its necessary that a critic should be free from: 145. In 1923, T.S. Eliot served for ‘The Criterion’ ‘A. Assistant editor B. —8ub-Editor q © Bditor D. —Chief-Editor x 146. Later, T.S. Eliot became w director of: c A. ‘The Criterion B. ‘The Egoist = C. Faber and Faber Publications D. —_None of these 147, Eliot's first poem appeared in: 1900 B. 1895 8 Cc 1910 D. 1917 ~ 448. Choose'the:title ofthe poem written by T.S. Eliot which gave him'greatifame: b ‘A. Four Quartets q ‘Waste Land = C. A Song of Simon D. Marina 149. "The ripest fruitof the second phase of Eliot’s career asithe poet was: a A. ‘Ash Wednesday B. The Cocktail Panty ~ C. The Elder Statesman D. Slavage 150, ‘Ash Wednesday’ written by T:S. Eliot deals.with: a ‘A. Thedilemma of the modern man B. Theme of evil and good — C. Classicism versus romanticism D. —_Allof these 151. The ‘Four Quartets’ by T.S. Eliotis difficult beeause of: b A Language B. ‘Philosophical'theme © : CC. __Useof conceits D. —_Metaphors 52. TS. Eliot’s criticism called.attention to the forgotten writers of _school. b ‘A. Romantic B. Metaphysical a C. Classical D. —_Neo-classical 153. Amtmportant aspect of Eliot’s criticism is that hewrote!from'the: fc A. ‘Pagan point of view B. Romantic point ofview C. Religious point of view D. —Allof these 154, Howmany dramas did TS. Eliot write? d _ A. Five B. Six = C. Seven D. Four 155. ‘T-S. Eliot married the daughter of an English artist Vivienne Haigh*Wood in: a A 1915 B 1920 , - c 1921 D. 1912 b 156. _T-S. Eliot won the Nobel Prize for Literature in: A 1945 B. 1948 7 C1935 D. 1952 4 157, TS. Eliot was awarded with the ‘Order of Merit’ in: £ A 1935 B.1985 Cc 1947 Ds 1948 158. T.S. Eliotis a famous writer of: ° d A. Poems 1 " = C. Prose = 159, Ezra Pound: lis Metvic-wnd Poetry, ‘Phe Sacred Woo a ‘Essays, Homege-to John Dryden are importantipreseworkof: 2 ee 3B. — 'T:SiBKiot C. Coleridge D. —‘amold wl 160, "Dherewas an Incresse\tw-industrialization ‘and uvbantaation of Bmgiend ‘tribe /, ~ my’. Ewenteth mecree “ B. Nineteenth C. \Pifteenith D. Sixteenth ao L461. ‘In the ‘beginning ‘of ‘twenthethceemtaryysceonomi. : the:aceom| ce ee anes provehtabosed! ame nc ProrPeTte ama te ¢Bee keer Sr = zn rary criticism is concerned, critics of the new classical method were totally opposed Breakdown of values B, Interest in knowledge C_ ___ Spread of religious teachings D. —Allof these a the first World War proved that man’s rationalism was not good enough and it brought a wave oft aa _~ A. Cynicism B. Uncertainty c Scepticism D. Allof these A first World War widened the generation gap and this gave rise to the feeling of: ‘A. Rootlessness B.” Spiritual problems _ C. _ Personal frustration D. —Allof these Bon many cn i of criticism were there in English at the end of nineteenth century? D : wi B. Thre — C. | Four D. One Mathew Arnold was the representative of: q “ eee scene B.’__Impressionistic school . ‘oth of these D. None of these Walter Pater was the representative of: b 4 Victorian Tterary scene B Impressionist school 5 © . fone of these The asthetic school of criticism was based on: a A. Artfor art’s sake B. _Artforlife’s sake C. _ Bothof these D. None of these ad The seeds of the revolt against the Georgian ideals in the poetry were sown by: AL T.S. Eliot B. Mathew Amold C. Coleridge D. TE. Hume }. Due to the writings of Freud, Auden and Dylam Thomas, the beginning of twentieth century saw a agreat change in the field of: A Economics B. Sociology C. Medicine D. Psychology < In the 1930's there arose the influence of: ; = A Expressionism B. Surrealism C. Both of these D. None of these With the end of the Second World War, we see the powerful influence of what came to be called Y ee Be Literary ~ Romantic D. Classical A i roach B. Historical ay ~ A Biogaetic om DL Alot these "oat d TS. Eliot was influenced by a umber of: Ao a A. Critics D. Alor C. Philosophers of these Select the concept ake a Cl Obecan oF sensibitiny = C. Objective Literary tradition for Eliot is: eee Dynamic Sutic g C. Both of these of fact and sense of train’ of these ~ Impersonality and objectivity: *eranding of the len a the any for comparison and b a rrible outlook, un ructure of ualies ofa ere sated BY : pamibe ee a Coleen D,TS.Blot C. Wordsworth 1-43 views and Pronounceme, Arnold Broadly speaking, Eliot's ert ents are: jomantic B."Neo-classica cq pe C Chasical ) D.Allof these‘What is E stion four answers are given, period ‘of modern tragedy starts from: A me ‘A. Shakespeare C. Henrik Ibsen ow many parts is Modern Tragedy divided into? 2 wee = == AD LITERARY CRITICISM RAYMOND HENRY WILLIAMS out of which one is correct. Choose the correct answer. = C. B. Ben Jonson D. Samuel Beckett : B3 c 4 DS da ‘What is tragedy, according to Williams? Oo Ale ot the death of pines B. It is more personal Itis intricate sort of events that are ©. Genuinely tragic D. All of the above Who, according to Williams, determined and introduced elements of humanism in tragedy? = OL ‘A. Shakespeare B. Ibsen C._ Beckett D. None of the above What is Williams’ concept of individual? ag ‘a, He observes that individual originally 1p, Individual stresses a distinction from means indivisible + others C._Indivisible; a necessary connection D. Allofthe above T.S. ELIOT He believes that poets should to their predecessors Their poetry should evolve in concordant manner liot’s advice for critics? He advises them not to follow inner voice’ but follow object complex character cc, Mixture of past and present as well as “The progress of an artist is a continual ach question four answers are given, out of which one is correct. Choose the correct answer. What is Eliot’s view about pocts? , Notstrictly but loosely, poets should db be faithful remain classicist a D. All of the above their He advises & them that they should avoid. © = ive B. praising poets too much—in an standards and conform to tradition exaggerated way C. Both (a) and (b) D. None of the above Jd ‘What, according to Eliot’, is ‘Tradition’? A, Itis aterm imbued with a special and B,_ It represents ‘simultaneous order’—a historical timelessness D. Matthew Arnold ton pester D. Alllof the above d lan, what is ‘Talent’? = A. Itis an ability to impersonalize art , tis a practice to keep it away from personal influence ©. self-sacrifice, a continual extinction of D. Allof the above Poetry iy nena Peraonalty buy oor tine loose of emotion, but an escape from emotion: it Is not a expression of — A. Wi tPe from personality.” This definition is formulated by: _ win Wordsworth B. S.T, Coleridge * TS. Blioti CATHERINE BELSEY a awers are given, out of which one is correct. Choose the correct ‘Against each question four en What are the skills of literary critics? co mer " A. Close reading Be Dolicas ae C._ Evaluation . Allof the above j oa : 2. What sew eriicstachment from the biographical, Its separated from penn ‘As historical context of a poem diction, and meaning ; __ The poem, to be evaluated, must stand D. Allofthe abone J x * on its own Se ee ee riniae! patriarchal It examines gender based nr, ‘A. language and literature by exposing how B._ traces the subtle constucger . a work reflects masculine ideology masculinity and femininity Itis closely associated with women’s CC. suffage and ther politcal right to vote D. Both (a) and (c) ~ in elections 7 b 4. Whats the source of meaning in common sense of literature? z “The work itself is selfexplaining source "The euthor he - A. of meaning in common sense of B. inthe tent the source of meaig literature Both the writer and the work are th TD. Noneof te ebave source of meaning 5. What does Belsey rely on? ‘A. Concept and thought C. Language 9 ‘Thought and language B. D. None of the above é (£1eT2 To pT4TeTsTal ~ SIR PHILIP SIDNEY AN APOLOGY FOR POETRY Against each question four answers are given, out of which one is correct. Choose the correct answer. A ‘What does Sidney’s notion of “fore-conceit” mean? ok mst = It A Lizati ; It means that a concept of the v6 A, Kmeans ‘conceptuaization of Classicist exist in the poet's mind before itis It means that the writer must i wen ©. eae bore eet poetry, NK POY All ofthe above d 2 ‘What was bermda Purpose to write the book? ae le wanted to eradicate confusi i a ‘A. were prevailed regarding the true none pp, He wanted to establish proper Pa of poetry Poetry He was also provoked by the medieval C. point of vis rere toy OF Posty that poetry Was a D. Allof the above aH 3. idney says that Sidney says that there is no other branch of learning more fruitful tha “ C. Christianity B. 4 According to Sidney, what i the function ofthe ae D. a C. To teach B. Todelight 5. The essence of noetry lies in; D. To Pr and instruct ) ‘A. Imaginative creation b C. Subjective purpose B. Reformative purpose 7 D. None of the above