K. LUAMAHOBCKHA K. SZYMANOWSKI Op. 60 CUM®OHNS (CHM®OHHSA-KOHLEPT ANA POPTENHAHO C OPKECTPOM) Ne 4 SYMPHONY (SYMPHONY-CONCERTO FOR PIANO AND ORCHESTRA) TIAPTHTYPA SCORE, H3QATEJIBCTBO MY3bIKA STATE PUBLISHERS MUSIC Mocksa 1967 MoscowNPEQUCOBHE Buimaioumfica noacxnat Komnosutop Kapons Wn- Manosckuf (1882—1937) cuirpan Gonbulyo poab B PasBHTHH My3bIKanbHOM KyabType Mlonbuin XX cro- nerHa. TsopyeckHit nyt LMMaHoscKoro Obl cAoxKeH Hi u3puanct. Ilo cioBaM KOMNO3HTOpa, OH Zorro 6ayx- fan «no NyTaM H Nepenytbam epponelicKofi My3HIKH XX sea» !, npexae vem npuiien K NoZAHHHO coBpe- MeHHOMY NOABCKOMY HaWHOHaMbHOMY CTHMO». (HanGonee Bbilaio- uyeca yyacrankH — pao nora6wnii Mesucnas Kap- aopuy u I. @uteab6epr), crapupuei cBoeh werbio ' Craven nonsckoro mysuxosera Soon Jinccu: «Kapony Ubwcanoscint —nounoswrop u uysuiKaawnul untenutenss. Llat. no naa. «Kapons Llnwanoneat, Vsopanmie crateH a nmcbMa>. A, 1963, exp. 7. ?Taw xe. MpouBWKEHHE TBHOPYECTBA MOOMHX KOMNOSHTOPOB Ha poanue u 3a pyGexom. Ipynna cKopo pacnaaace. B nepssix counnenuax Ulumatoscxoro, ottidts- wXcA K STOMY NepHomy,—coprenHaHHbix H BOKasb- HBIX — elle OYeHS CHABHEE BAHAHHA LoneHa x Cxps- Gua, 3atem nocaegosano ysneyenwe opKectpom P. lrpayca u nonudouwyeckol texuuxoh M. Pere- pa—s CBA3H ¢ YacTHIMH noesaKamu B Bepaun Tlefinuur B 1906—1908 rr. Oxo oTpasHtocb Ha nepBuX cumdounueckwx npouspeaenuax UamatoscKoro: Mep- Boi cumponun: ({-moll, op. 5), Kouueproh ysep- tiope (op. 12). 7 B 1910—1914 rr. Ulnmawosckwi >kuset B Be- we, Maeaxkas oTtyna s Tonswy u ponuy THMo- wesxy. Ox ycuaenHo sauumaetca dusocoduel, Hay- waeT HcTopHiO KYaBTypbl. BnepBbie KoMNOsHTOp GanaK6 conpuKacaerca c MysbiKofi Je6ioccn H Pase- 4H, 3HaKOMHTCA C Ganetama CTpaBHHcKoro. Yxe B STOT nepHo” NOABARIOTCA HHAHBHAYaAbHBe no cTHa0 counHeHun LuMaHoscKoro — Bropaa dop- Tenvanvaa coxata (op. 21), HcnomHenHaa Aptypom Py6unureinom, Bropaa cumdouna (op. 19), mpossy- yapuian non ynpasneunem [. Ourens6epra. C stax couHHeHHH HayHHaeTcA H3aBecTHocTS LlnMaHoBcKoro- KoMnosuTopa Heoguoxpatuuie nytewectsna (Htaaus, nosanee Cuyuaus, Amkup 1 Tyxuc) nosnexau 3a co6of aH TenbHoe yauievene BoctoKoM, Hallenulee oTparkenHe B onepe «xHBUIAi toraa 8 Eausapetrpane, ofHOBpeMeHHO ¢ AaKTHBHLIM couNKeHHeM MY3bIKH HEOAHOKPATHO BbICTYNAT B KOH- ueptax aan pa6ounx, nucan cratbH, pa6oran sMecte c [. Heliray3om 8 Oraere napoavoro o6pasopanna !,—cnpasemmHBo 3amevata Boba Jincca. Tak, HanpuMep, B OAHOM u3 cBOHX Gouee nosaaux ctareh LumavoncKi nucan: «..Mckycet- BO —~ 970 He TOABKO flenO cay4aa, TROpYEcTBO OTMENbHBIX FeHHeB HAH TaclaHTOB, 3TO AeAo OGuLeCT- Ba, COGCTREHHOCTh HM AOCTOAHHE BCeX sogelt, 9TO pbivar BOIBLIMIeHHA H OGAaropaxnBanHa UX >%KUSHHD?, Tlepesomnbim MoMeHTOM B 2kH3HH WhimaHoscKoro 6u10 Bosspamiente B nocaenoennyio Toabwy (B 1919 rony). Wimakoscknit Kaxaet AeiicTBHA, xoveT yiacTeoBaTe B BOCCTAHOBAEHKM KYAbTYpHL, KOHTLEPT- HoH KHSHH. Tenepb HavHHaerca HoBbI — «HauHoHanbablit> ne- Puom ero Teopuectea, nopa spesoctu. Konnosutop CTpeMuTCA K Tomy, "TOOB ero My3HIKa cTaa noAb- cKO, HO He YTepaaa mpx 3TOM AOCTWKEHHA coBpe- MeHHOM KOMMOSHTOpCKOH TeXHHKH. 3-3a Goaesnn (tyGepkyaes) UIMManoscknit no- noary %KHBET B BaKoNaHe, yronKe MomBCKHX Tarp, rae GnW3KO 3HAKOMHTCA C ele COBEpIIeHHO HeHCTO.Ib30- BaHHLIM dombKaopom ropHoro Toaraabs, My3biKOA ropues («rypaios»). Hapoanaa mysbika nopasHna KOMNO3HTOpa CBOHM PHTMHYECKHM H JiafOBBIM CBOe- o6pasieM, OpHrHHaabHoh MaHepoh HcnoaHeHHA ry- PANBCKHX’ HHCTPyMeHTaAbHLIX aHcaMOael — Bce 370 OTKpbiBai0 NYTb K HOBATOPCKHM HCKAHHAM. «A xoTer Gti, NTOGbI MonOABIe NoABCKHE MY3BI- KaHTbI NOHAAH, KaKoe GoraTcTBO, cnocobHOe OKHBHTS Wally aHeMHYHy!O My3BIKY, CKpbiBaeTcA B 3TOM NOAb- CKOM %KH- Bom Tene — con brio)». To6anum « aBTopcKomy noscHeHmw, uro neppaa TeMa HaMlHcaHa B pHTMe, HaNoMHHaIoMleM nosioKes; Bropas Tema HMeeT fBa H3OxKeHHA: a Andantino tranquillo e dolce ($, unpa_7) naunuawor crpyn- ute, (baelirbi; Subito piu vivo, Poco scherzando, und- pa 9—nocut xapakrep cKepulo. Paspa6orKa, Hacty- Naoulai B MOMeHT KysBMHNaKHH,—uMppa 11 — 1 Uwe, waa. erp. 194, 2 Tak Kak Temnopite OGosHaNeRHA, ykasannue 8 nuchMe, Guin, nO-GHANMOMY, 3aMeHEHE aBTopom HosxKe (npM N3RaNHH cowuHenHa) Gone Touo coorBercTayIOWMMH XapakTepy vcnon- HeHW, Mit MOMeMaeM BCIOLY Te, KOTOPHE cyuleCrByIOT B Hana- nwsx ‘naprutyps mM nepenoxenua (H. P.) BecbMa KOpOoTKa H OcHOBaHa Ha BTOpoit Teme. Penpa- 3a — Quasi Tempo I (Molto moderato), ungpa 14, He 6ykpanbna: ona Haymnaetca » D-dur, oGe Tembi H3- aoxexbl cHa4aaa B OpKecTpe. Mexkay HHMH HMeeTCA HeGoabiuan Kanenuna tboptenuako cono, Konvaerca Nepsaa wach GypHuim crescendo, o6psiBaiouluMen aK- kopaamn tutti. Bepkemca k aptopckomy onucanuio: «lI yacth ({, Andante motto sostenuto), HeoGuisaiino aupa- Weckoe, MOUTH CeHTHMeHTambHoe Hayaqo, LllupoKan Meoana (paeiire como, oTOM BHOAOHYEAH!, a posh cKopee akkomnanupyer. 3atem posit (yiKke CaMocTos- TenbHO)? 4 nouTH apamatHueckoe FF, nocae ero yenoKoeHHe, B KOHIe —OTSBYK MepBolt Tembi H3 1 va- cTH coeauHsetcn c uHanom (3, Allegro non troppo, ma agitato ed ansioso) B pxtwe o6epexa. 3aecb MoxHO yeMoTpeTh cBoGomHy!0 aHanorMwo C opmolt pouao, Bee HocuT yepTEi HeObLiKHOBeHHO OAKHBMeHHOTO TaHWa, MecTaMH efBa AM He AOCTHTaIO- wero opruactuyeckoro xapakrepa. B cpeauel ¥a- cTH — Kparkwii anu30a (postb como) Bpone Ma3y p- ku (Sostenuto, umppa 21), Koaa— pecbMa_bril- lante. Bo Beem cownHeHuH post npeoOnanaer, OW Henombayetea nowTH Kak B Konuepte (3a Hc- Kalovennem Havana II uactu, rae Ha BpeMa ero @yHK- ua —npHGawKaeTca K akKoMnaHemeHTy. Opxectp Kaaccnuecknii ... HcTpyMeHTOBKa Mpospauias, MHOrO 9MH3O20B J COMMPYNOULAX HHCTPYMeHTOB...» B cumouua aptop He WHTHpyet HapoaHErx Me- HORM, a co3aaeT CBOH B HapomHoM xapaxrepe, cBoeo6pasko coueTan 9TOT MeOC H pHTMB HauHo- HaMbHBIX MOABCKHX TaHWeB CO CBOACTBEHHEIMH eMy rapMonuel HW HHCTpymeHTanEHOh daktypoli. Bonee npoapaunas, Yem mponapeena 1920-x Tonos, cHM- onus sce Ke HI00HAYeT CHOMHUIMH s1aZ0-rapMoHH- 4eckHMH mpHeMaMH. B npovasenenun vepenyrorca snuzoqH pomaHTH- ¥eckoro, Goaee xapakTepa (BTOpas Tema nepsolt WactH, MONTH ACA BTOpad yacTh) H APKHe Ha- POARLIe CHeHEI, KOTOpIe saflaloT Beeii cHMoHHH — npasaHHunB wu HapaaHBil. H, Poeomuna 1B naprutype ckpunxa cono. 2 Lupa 4ORCHESTRA 2 Flauti (Flauto I1=Piccolo) 2 Oboi (Oboe Il=Corno inglese) 2 Clarinetti (B, A) (Clarinetto I= Clarinetto piccolo Es) 2 Fagotti (Fagotto I1—Contrafagotto) * 4 Corni (F) 3 Trombe (C) 3 Tromboni Tuba * Timpani Triangolo Tamburo piccolo Piatti Cassa Tam-tam * Arpa . Piano solo * Violini 1 Violini 11 Viole Violoncelli ContrabassiMoemy opyzy To my friend 7 Apmypy PySuxumeiiny Artur Rubinstein CHM®0HHA No4 SYMPHONY (cuudouEa-xonuepr Op. 60 (Symphony - Concerto Aas Gopremmano o opKecrpom) for Piano and Orchestra) K, IIHMAHOBCKHE . I K. SZYMANOWSKI Moderato (Tempo commodo) (1882-1937) 2 Fleutt 2 Oboe 2 Clarinetti (B) 2 Fagotti 4 Corni (F) 3 Trombe (C) 3 Tromboni e Tuba Timpani simile Triangolo Tamburo Piatti Cassa ‘Tam-tam Piano P dolcins. Moderato (Tempo commodo) Violini Violini 11 pins, Viole Bp dolce pizz. Violoncelli Bp dolce pizz. Contrabassi Bp dolce 3022poco rit. a tompo Fag. Pp dolcise, Timp. Tr-lo Piano- non div, V-le \ poco sost. [i] a tempo Oe eee ee op. cum Fag. Cor. Timp. Tro Arpa Piano Veo, cb. = g922Fi ob. cL) Pag. | mp dotets. Cor. poco eresc. Tr-be Teni Timp. Tr-lo T-r0 PP sempre Arpa Piano Arebi Inon div. 3922 = Ul con sora mp poco marc.poco sost, 10 poco sost. a tempo —— . tro te! Bek se 5 Aza Kt —= Fi. ob. 1,8) Fag. hai senza sord. dolce mare. Timp. Trelo Arps Piano SS ar poco sost, poco sost. a tempo non div. Arehi 3eaa@ Subito pia mosso, auimato = u od, Fags mare = Tr-be Pal con bacch. at tr-10 marteltato Piano Archi diy, arog @7 div. aredp@7°- - ee eee ree rece eee = Fag. Cor. Arpa (pris de Ia table) poco sempre cresc, Piano 4 Ineceti (martellatoy, vent div. Vent 0 v-le vee.cor, Timp. Tr-lo T-r0 Arpa Piano div. sul pontic, Archi a Cor, Tr-lo T-r0 Piano 3922a === Poco pit tranquillo Tepe pee tt C1.) ba be —= P dolciss, ————— Pinca dolce espress. 92214 Poco pili tranquillo 4p an ee i Fi. nf dolce = ov. —_= Ty — ——> c1.@) = -_———~ Fag. — leon 000 ree carte Gor. pdotctes. a 1 con|sord, Tr-be Pedolciss. ee oe wae Wabendigas Piano 4) 97 doles == p Poco pil tranquillo A. caw Archi so22Poco pli mosso 15 ee cL) Lettaonea sod “02 oo > eu cotta pacer, AUHap. = cotta bacch. di Tete =r, P| ee bty bb tubes Proce Plant 1. Fag. Cor. Pt Piano Arohi 392316 cy Fag. Cor, Trbe Arps Piano Archi a2 Sin deho: 1am 4) mvs, (Il senza sord.) (etoufter) ee flattersiinge Simerc ato ¥, a17 1 crese. string, ne ob. 1. Fag. ae senza sord.| vig~s! Te-be Tr-ni Tuba Timp. Te-to P-ti Arpa nae Psul_pont. Arent ’Psul pont, Psi pont. Psul_ pont. 2 Sav sa pont, —<—<—_—$—<_———_—$——————— P ees SS 2 ‘g022Lt TTD (flatterstnge, C1. (B)| Cor. Plano Vee.ct) (Andantino tranquillo e doles Fi. ‘Pdoles expr. c1.(8) Ppdolcin. oe ppdoice ten. aolea ten. 1.11 con sord, PP Ppp dotcias, ‘Tene UT tih Timp. ——— wo Ppumpre Piano =— pp Andantino tranquillo e dolce ‘ Goon sora Hey thee sey Meetiee tet Prdatcins. TemBre) con sord, hb nb. bb bd con sord, fautendo | [pppdotciss.1empre peabeanb th b con sord, flautando dotel con sord. “Ppuempre con sord, flautando Veni ttl] div. Ppuempre Velo Vee. Gb = aoe220 poco sost. [8] s tempo FL C1. (B) Pag. Pdoletss, ——— solo, on péoletn. Tr-be Timp. Arpa Piano ye poco sost. - r¢ {@ a tempo vent t aon senza sord, Vas senga_sord, vele 1 Putt Yeo, Ppdolce 1 Bult’ cb, ‘Ppdoier TPob. ons) Pag, A AR 1 a nf doletee. a Sf a div. V doleiss. St a ftp ple et = Fer are does. —S = S=c- = == = aS a PEP a crovecdotcies, == ay =p ye dolelss.csprens. fy22 [5] subito pth vivo poco scherzando rall. Fl. ob. 01.(8)| Fag. Cor, I con. sord. Tr-be Tero Arpa dotee sehers. “fom ugh —== Piano P legs. 1) subito pit vive poco scherzando div. pizz. IP non div, Pit div. arco| SH! taste pina, PP sul tasto } arco| -Pob, che) Pag. Cor, Vent vent vile o-b, "poro cresc. ‘Poco eresc, go22 ee sul taste |g! “mutaste itt 3 fs sur ta 803 pits. by aty.ina% "oe — mee aly. pizz.b: tuttidiv. ¢ ie. &24 Pl. ob, 1.8) Tr-bo Tr-lo P-ti Arpa Piano, erese. simile terres Vent Mt aiv. Veni lt crete. diy, erete Vee. cb. div. arcoFL ob. 1.c0)} Fag. cor, —===— LIU senza sord. Tr-be v Timp Arps Piano, Arehi aa2>26 Fl. cue) Fag.) Cor, S” aotce OV in T dotee as $$ * ‘Timp. P Arpa: Plano. vent erere, molto v-le ; . ——————— «rere, molto SS He, molt —. —=—rvy ‘erese. molto a “eerere. molto 3022, *ob, ec) Fag. Tr-be ‘eoTia bacch.dl TI v-le vee] SF dolce28 FL ob, cL Fag. Te-be Piano { ~ S WE BANE te tet emery rempre. eA Fh ce Ve div gt hae fy 7,4 solo ~ | a = Ll of ‘molto energico e marcato at a A ¥ = a AN tlm div, ina Pf molto energico e marcato v > Hane "Reto engraleo « marcato_——— poco sost. Fi. Ub, cL Tebo Arps Pocp sost.— L} Veni! Veni tl ob, ‘3022, 29 en dehors ay > Tr-lo olla bacch.diTrlo v' Arpa & Piano Archi, 392241 Poco sost, Fl, ob. CL. pice, (es) 1.8) reg. cc sensakora’ 2 — = az "P= a : taba Timp. ane P-ti colls bacch.di Ti area Piano aco sost. poo Sb vay oS Archi42 a tempo grrr fl, ot on, €1.pice, (@s) 01.(8) Fag. Cor, Tr-ni Tuba timp. Tre-lo P-ti Piano a tempo fo pameennenennennnrennnnne Veni vent V-te v-c,Sleempre) ' 5 ik E | ee 2 ee = SSS44 — "Primile 4 gers. Piano Tr-be Piano va be get = GAllcgramente animato ft +> S dotce (en denore Te-be Hegramente animato piieemnente eatnete venit v-ni| pizz. Vele WH Maiv. pixels .— = | Ctmite) cb,FL. ob. Cl.pice, 5) cite) Tr-be Timp. Tr-lo venit v-nimt |i “aiy, "NE voo.46 FL. ob. Cl.pice. (Bs) Fag. a2 Cor. - [4 aorew = : fe = tebe TZ deletes, lf doteiee, Tr-ni ° | Tuba Tubs ; W dace Timp. Te-1o arpa Piano Veni tt ve. o-b, 3022A. Ob. C1.pice. is) cas Fag. cor. Tr-be ———————— ees Tr-ni f4l¢¢ ——<$—$—$—$$— 4 : packs =. Saoice ton. Tuba Ls te. = EE ‘Timp. ~ colla bacch, di Timp,| > oy ©. P! ee of Paotce fl dolce Piao v-le mercatg Prarcatos — C-b. — 10 Pmarea:48 te ote WADE pinta Tepe TEE 1a UMERNE ob, CL. pice. (Es) 1.) (simile) Fag. v L Lamm az Ken dehorag = nv 4s lien dehore) => Tr-be Te-ni Tuba Timp. yeni | V-le divingFI. ob. C1.pice, (Es) cla) Fag. Lataz Tr-be Tent Timp. Tr-lo cojla Bacch,di Tr-lo ting Piano ff marcatissimo ae V-nil venitt Ye. O-b, Taz Lima50 rn ob, Cl.pice. (fs) cris) Piano bi nS; = arco HoH NE axe WpiRNE venitpoco sostenuto Re sostenute_—___ Ba] a tempo (molto animato) “eee ENE NEP 51 Fl. cor, Tr-be Te-ni Tuba Te-to P-ti ©. Piano 1oco a sostenuto Es {i]s tempo (molto animato) unize oun te te he OO Veotl Te ye See te he te , [sul pontic. v-ni Ful ponte, pizz. Ma. su pontic,?? a sul pontic. “eresc Ween MP _| su pontic? LP _|sulpontic. PP ob, LF ae ° ——-* PP png erase52 ri. o>. Chpice.. es) 1.46) Fag. cor. Telo Piano UH sul pontic. venit [ff] “div. mp ere! sul pontic. . mp. yeni ll Vite Vee. ob 3022Fi. ob. cLpice. (es) 1B) Cor. Tr-be Treni e Tubs Timp. Trlo Tx0 P-ti cols baceh. dT Timp. Piano 5 poco sost. SS venis Veni vele Vee. 392254 Il 1 solo (tris expressifyun peu exepiré) —— Andante molto sostenuto a Flauti dotcter~ sempre pp dolciss.(con pedale) ce nee Piano con sord. rord. a sempre Sul tasto ({lautandoy cottloras oe Violini I div.ing sempre sul tasto (flautando) 2 Lee sempre Sul tasto (floutando) Violini 11 compre to flavtando) divina | con Sta’ pre Sul tasto (flautas © PPP sempre sul tasto (flautando) — Fi. = Leon sord. vor. PP otee-—-$—_—_—_—$—$$—— Arp, [pp doteiss. Piano Veni diving Veni diving, Yela sola senza sora.| "otto err: V-le Pdolce ao22 ————— =FI. Sdotciss. | —— 1a) Cor. Arpa Piano Veni diving Veni div ing vele 1 Molto rall. FL SS oad : 3 Arpa Piano Veni t diving venir diving vie 352256 FL, C.ingl, o1cay Fag. Tr-be Arpa Piano Vino solo voit diving Y-niIT diving Icon sor,” dehort ‘Pp deletes. ‘ppdoteiss. (rere omar r tempol a 2 sonra song}, BL EE Pp = ‘papletss.capr F hs87 FL. C.ingl. ————— CaveN) Fag. Tr-be Arpa Piano i v-no solo ‘rempre pp sul tasto sempre pp sultasto = or semprepp Vela sola] espr. —— vile PSS con sord pp Tet a con sord. “pp deletes. Cb. 92258 C.ingl. Fag. roa { Piano ¥-n0 solo V-nill diving —— sola, V-le 1p. eaPre ve. Wp. & = C.ingl.muta in Ob.II_poco string. __ molto rall. C.ingl. Timp, Arpa Piano Y-no solo Veni ob. ‘Ppldatee mare. ‘sore,GB) aotce of en dehors ca 59 jes. BO en dehors 1.11 con Sor cor. doletss, Timp. perdendost Piano Velo cb. Fag. Timp. Arpa veal — "5 SS EP | PPR | BP dolce mare. ‘PPP 1 _ppp possibile puco erese. dolce BP dole mare. SSE Sea a pp dole senza sord Senza sord. senza sord. pp dolciss. = joleiss. #S 922 PP" doteisi z°° wee st ee a PP iales te ob. eww) 1 PP doiciss, re Lal sonaa tor. vor. ieee. Timp. _colla bacch. di Timp. f dolce mare. P-th ee ™P b Arve Piano —~ ta 4 o présiews. V-nil Ae essen gS forts. erese, poco senza sord. 7S 5 Toletss. crexe, poco v-ni nif] div. senza sor P PP dotciss. ‘erene- poco vale ‘> seni PP dots altri _ unis. 2? e-. PP 3022Fi. ov. cL.) Fag. c-fag. Cor. Timp. pti Arpa Piano Veni I Vele . ad 3022S———=—_ doiee jae fare piez. in] mere.FL, ob, Fag. C-fag.| LI a2 Cor. TV az Tr-be See rey a en dchore aa Tre-ni Liles ware Tuba — Timp. Tr-lo P-ti © TH. Piano64 a Fi. ob. e1cay Fag. C-fag. Lut az Cor, TV a2 Sadolce expr. Tr-be Tr-oh Tuba Timp. Te-lo P-ti cola bacch {di TIMP. pj memeenenen| si dolce fl dolce G T+. Piano conten 4 <— = unis. fw ; venit v-nill sempre V-le SSS Ig sempre a vempre vec. 4 7 = SS lof sempre ob. HF sempre se22en dehors [23 ‘dolce = en dehors f dolce tutti div.) ~ a =66 ov, a. Ofag. Cor. HH in.tvaz ‘pecof— Teal ‘dole: ppdote i oa pp dolce Tubs, P-ti Arp Paotce marc. Pian Veni venitt 3 | “dolce mare. div, pize.67 joco sost. mn. cra) Fag. C-fag. con sora.t.tt Cor. Pp con soraiv P PPP Treni Timp. Pti ° arpa Pi: jas, ano. dotetas, pp (2a) Archi a a 3983Ld Doppio movimento (Tempo moderato) eee ATi fete! > an 1 solo(en dehors) os Fi, = P dolce - c1.(a) ct Timp. PP Tr-1o pe al p-ti ae PP of A Pi PP dolctss. en ae con sord. V-le con sora = dolelss, sora. con tord. "pp dotels, cb, FL. a, Te-lo Piano Vale cb,4 tempo i poco string’? GQ) Poco meno mosso (sost.> Fl. ob, ‘doletas, cla) 1 Topp sempre Fag. 7 dotetn, SS o LL. Cor. Te-lo Piano V-le 2? ——$————_ Rp sempre ve, | aiv. 22—————. | # a ia SS a IPE doletss. mare, ob, = i rit. Poco string. FL, Ppdoletss. | ————_Pppp ob, P a, Cor. Piano V-le SSS = ve = Perdendost 3022 [SSS70 poco sost.a. tempo fl. on, 1, Fag. cor. Piano: vie ve. = ri, ov. a. Fag. _ sost, string. molto a. aa Dib, Fee ts PP Fink thee oe | —— Piano, ao _ gD EAD | persentont - # —= ——nNX——— OP vie veo, a9a2 poco _sost.1 Ill @) Allegro non troppo, ma agitatoad ausioso a Timpani mare (colla bacch, di Timp.) etmity Cassa ‘ pt PP fprai dela table Arpa f P ' pppsener | (stmite) étousges) # Piano Mantegro non troppo, ma agitatoad ausioso Violini 1 Violini 11 Viole senza sord. |pizz. PP poco mar sehza sora. _|pizs. Violoncelli | Pppoco marc Contrabassi| 392372 Timp, Arps Getmite) & Piano “alv. sul pontic. — sul pontic. PEP Timp, Arpa martellato (senza ped.) Piano Vee. ob,73 Poco a poco cresc. @ FL, ob. C1) Cor, Timp, e, Arpa Piano Poco @ poco crese. Veni I p.div. pizz. Vele : s altre div. Taare. sul pontic. 1p. Vee. altri div, div, sul pontic, afi] Bontic. ; Frutti div, Kap y tat Hote. esa14 Fie ob. e1.(A) Pag. Cor. Timp. Tro P-th oe, Arpa Piano Veni V-le o-b. (pres de Ia table) colla bacch. di Tr-lo P 922,Fl. ob. cua) vor. Timp. Tero Poth Arpa Piano Veni uw ele Vee. 1 solo poco mare, 3 = ed fo Sule 3922 senza sord. div. sul pontic. mp tutte ae | sul pontic. aly. are. 7 pize. sul pontic. autazPoco a poco cresc. A, ob. che (A) Fag. Lataz Cor. (colts bacch.di Timp.) & ===] F poco in modo Arps = ordinarto)) Piano Poco a poco cresc. Veni V-le V-e. ob, goa,7 ___Bcrese, sempre (Matters y= > 7 Piece. aeemeee ——— (flatterz) £. n ob. cries (3) fitz cor, I Sut. fitaz Piano v-ni 0 v-le78 crese. Picc. Fl. ob. C1. pice, (es) cL.) 2— Fag. 1112, cor, Sia Tr-be Arpa Piano Veni, 1 Velo : pizz. vee, non div. cb. 3082Pice. ob. C1.pice. (Es) c1.(a) Cor. fenuto) i Tenure Di, Tr-ai ° ff (ben tenure) Tuba SH Timp. Teelo Tro P-th ‘Arpa Piano DP 3. con ped. (mareatissimo tutti archt) Sipe wna VAY 1 BYNY mite i vent mae eeay, S oLay Vee. + 2ft StSttt80 FL, ob. c1.(a) Piano Veni If Voc. cb, Piano Vent (eemprezp) Velo (amore 7) (sempre pp) ob, animato (H)Poco scherzando sempre PP stace, ‘sempre Pp stace- 1 ‘sempre pp etace. sompre PP atace, empre marcatissimo (martellato senza ped.)81 Fl. ob. c1.a)| Fag. Piano v-nill V-le non div, 6 302282 FL, ob. c1.pice, (s) c1.(a) Fag. LAI con sora. Cor. pmare. I sola con sord. Tr-be Timp. Tr-lo cola bacch. di Tr/-10 Pi Arpa Piano sola arco ~- pizz. Vee.|f] div, pocd pit'pmare. ar20 co pik=pmare, pont w-b sou2Picc. FL. ob. Cl, pice. ‘&s) en.) Cor. Timp, Te-to Tro Peti Arpa Piano Veni | Vale (ize) UT, tv] con sord. a0az 83 3) latter2, gz. Pan flatterz. mp on dehors I senza sord, Pacleia (pres dela table) '& Gtouffez) > 8 marcatissimo 8” (am froseW)9] Ft ttt on donors | ¥ cotegno ol Vege84 Pice. Fi. ob. cL) Pag. Cor. Timp. Tro Tro Arpa, Piano Vile altro (wiz) (arco) () cb. (arco) 3022=. a aa Picc. muta in P1.It Pice.! Fl. | op, cia ** & vag. muta in 0-fag. Fay TIM con sord. 5 Tr-be Sf Timp. Tr-lo Tro pti . ots aN Arps gin gy i Gtousfer) ae Piano: venil Veni Vale86 ob. cha Fag. simile Arpa Piano (izzy Vents venill|ov, G1. pices ap Oka Fag. | O-fag, Cor. I senza sord, Tr-be 11,10 senza sord.ae Trelo Arpa Piano: ols fhE ae cotensf be its veai i pty T Vele Ob. _— 7 302888 rh. ob, 1, pico} ies) ela Fag. Cfag. Gor. SS Tr-be ill Suntmtaz See | Te-ni Tuba Timp. Tr-lo Poti Arpa Piano Veni! venir] Vile ob,ov, G1. pice: (Es) cay Fag. O-fag. Cor. tr! Tren Tuba Timp. Tr-lo Peti Arpa Piano. Veni venitt] Velo Ob,80 Fi. ob, 1, pte. Ay eas Tr-be ‘Trent ° ‘Tubs Timp. pti Arps ‘Arehi = oo Mmile Ciploe, mute in O11 (A) Ter O-fag. mute in Fag Ie1 Fi, ov. ew Fag. Cor. I fola con sord. Tr-be P——— | mp dolcian. Treni Tuba Timp. Tro ptt Arpa Piano Veno sol Yeni Venill div. pizz. we div. pizs. é92 (Hatters, 4 Fl. PPP | ———— | ppp ch "aim, sempre. Fag. “atm, sempre. Cor. PP deletes SSS Timp. T-ro v-n0 solo Vee cb. ‘dim, sempre fT] Meno mosso (Moderato, molto tranquillo) I solo —_—_——=>=> \ Fag. PP doletss. expr. 1.11 con sord. Cor. a PP doles Arpa |PPPdolciss, atone dotcis.capr, (quest tmprostuande) ‘ wii, pak tee Pile BEE WP lee i —— (Gros) div. piss] pp _dolciss. doletes. Archi 220 Meno mosso, tranguillo 9° Avvivando Rall. _1 solo. = ac Paotetss. apr. ps Fag. ‘PEP dotciss. vor, dotetes. Acpa seco sente s0st, poco, Piano : zi a =a “ee Veni t BP dotetss vale vb, ous CLM _muta tn Cl. pice, (Es) Fag. Arpa V-no solo con sord, Vale PP dolctss. con_sord. Bp doletn cb.94 Avrivando L soto Bil Sostenuto ob, 1.cA> Fag. Tro Piano: V-no solo pizz, vito ff dixfPnare . marc. tutti pize. Ke. ‘mare. tutti pizz. Piano: Subito poco pik ayviy. e1 PPPS. esstbite H Fag. Timp. doleiss. poco Fort, Piano = SS unis. senza sord. pizz. v-te diy, pizz. oP. mere. vee. diy, plzz, |7o ob. ean PP" mare,cca joe0 crese, Timp. Piano Veni Vo ve. cb. Fi, Fdotce hes ob. falc Cor, Padolce ten. 1_con sora.x, = Tr-be mp on dehors Tro Arps = (imo Piano sempre pizz, Archi unis. sempre pizz| mpre_piz96 ey oe ee a. FL, ob. ome) Fag. vor. senza sord. Tr-be Timp. Tro Arpa Piano Archi 3922o7 tei _——_—_— 2: tempo animato FI, o>. cha Fag. one on chon pp Gor. dol ; Hl. lV con sord. dell Tr-be Timp. bth . arpa Piano Sostenuto Ba tempo animato Veni 5 SSS | Favlce expr. Veni SS aes arco by vae Ill ai Faclce cor. arcol”— dolce erpF. Vee, Cb98. Fi. ob. C1. pice: Es) oa Fag. Cor, Timp. Tro P. ti -Piano Veni t vail Vie poco accel. ¢ cresc. IV senza, sord. poco accel. e cresc. pig. P Inon div,998 0 x pg, ,,Belmoito deciso Fi. " ob, simile OL pice. 5) smile CIA) Cor, Tr-be Timp. Tr-lo | T-ro an Pl (sompro baceh. di. Tr-1o), 2Elmoito deciso sempre Diz. = v simile v.(pizz.) > — Arent finite100 Avvivando e crese. poco 2 > poco > Fi. ob. CLpice. (Es) cla) Cor. wv Fsimile d ta Fumile 1.11 con sord, p> > rT ‘simile Tr-be Ul con sord. tf Fimite Piano: outs { atte Axyivando crese,> > non div, Poco non div, Archi 3022101 a> > Fi ob. CL.piee.| (Es) e1.ca) Fag. Cor. ‘Tr-be Tr-ni Timp. Tr-lo Tro P-ti Piano ossia acttttéy Arehi se2zFi. ob, CLpiee, (Es) cL Tr-be Tr-ni Timp. Tr-lo Piano. at BY bee iba b aiv, arco aive Pizza, > Arehi or 3922ob. ehpice. cy e1ay Fag. Tr-be Tr-lo Piano Veni yeni 1] Gimile) sempre sempre gy sempre 3922104 Fi. ob. eLpice. (es) clay Far. cor. Tr-be en dehors Tuba _—— colla bacch. di Timp. 5 pti Ld ve P lees een ©. sil Piano Veni 0 ag22105 ag (em denore) Fag. cor. Tuba vib. p Timp. c sb pPmare. Piano (en dehors) + Zon pea) iz, vee. Bymare, tinile oP mare. “pmile ov. Fag. cor. Leon sor Tr-be Timp. pth le “ ‘colle bacch. di Tr-10 c. 2 o-b,106 Fi. ob, OLpice. (Es) 14a) Fag. Cor. P eres. Tr-be Timp. P-th Piano venh 0 Yele o-b.FL. ob. Cl. pice. c1.cay oS on dehors Fag. pods mares La Senza sord. Cor. [ff More mp en denors mm. 1 7 har ‘tr-be Timp. Tro pti « piano { Vent v-le (arco) Vee. diy. (pizz) (arco) Cb, diy. ize.) 8 3922 107108 ob. Cl.piee, (Bs) ena) Fag.1t muta in O-|fag. vent 1 v-1e a z aimite aimnte ep Hmite Fie o-b, ° Tmile Tmile 3922 Sv109 Fl, ob. eS Lie rR! r ite e>| Qe tlepe ae CL. pice, O(a) Fag. cor. Timp. Tr-lo Tero Arpa Piano0 Fl. OL.pice. (es) c1.(A) Fag. o-fag. Cor. Isenza sord| marc. = L5 Trebe aan Timp. Tr-lo Tro Pt olla baccl.di Tr-10 Arpa, Piano Veni 1 "sempre 2016p espr.cantabite Vole (arco) vee. Il aiv. (izz) (arco) o-v. [Ml div. otesy 3ea81 ob, Cl pice. (Es) e1ca) Fag. C-fag. cor, Tr-be Timp, Tr-lo Tro P-th Arpa Piano Veni vole ve. wimile ob, a simile gea212 ri, ov, Clpice. (Bs) e1cay Arpa Piano vent Vele ob. Se dete ee \ Ee ey Mrempre Wow sempre yr — ‘wimtle Yimile ‘mile mile (ostia) fe113 Fi, ob. Tr-be Timp, Tr-lo Tro pti Arps. ‘al 7 wempre sempre op vole v simile o>, aaa SF F Mmtte114 FL, on, C1pice, (@s) ous Fag. Cfag. cor, Tr-be Tren Tuba Timp. Tr-lo Tro Poti Tot. Arpa Piano veal vole Vee, cb. (non din sae, 4 —> =~. thon dim» OP marcaiten, My Gf. II, IT senza sord. senza sord. senzasord, 0. marcatics marcatinn. aoa ey =Fi. ov, 1c) a8. c-fag. cor. Tr-bo Trent ° Tubs ss2 f= ft Timp. Tro T-r0 An colla bacch.di timp, #~ c 5 M——— «= Tt. Arps Piano. sul pontic, P div, sul pontic. hatte sul pontic. ? Archi div,sul pontic. P_ 2. ao2e6 (flatters.) Ht tat ri. = af ave T= = >| simile ‘Ob. > simile babsbaeae >| OLpiee, 2 2 (Bs) cw fF s,m az Trobe “Trent Tuba Timp. Tro T-ro p-ti Arpa Piano sempre LD v div. Sul pontic. Arent sul pontiogyGO) cptasters) Pice. FL ob, babe bat, er pice. es) car Fag. O-fag. Cor. Tr-be Temi Tuba Timp, Tr-lo T-r0 P-ti © (pres de 1a table) ame Saran \eempre) a og Stsempre) Archi ~ o> non aiv, ftemprey Seen (Gempre) 3622 o> 7 >Caempre)118 Pice. Fl. ob. CLpice. (es) cha) Fag. c-fag. Cor. Te-bo Teni Tuba Timp. Te-10 Tro p-ti Arps Piane tutti archi? Sam froschY Archipoco sost. z ue > oh Pico. Fl. ob. Chpice, eL(A) Fag. O-fag. Cor. Tr-be Trend Tubs Timp. Led SSS, a tro _ conta brook, af trifoh FF pth Arpa Piano Roco sost. Archi Ry