The following diagrams show how the triad arpeggios look on Mea Watson Ethewe beara if ty’ Us tabdvtsnt xy hive thin cecnak picture in ones mind before playing the exercises. To play then 8S chords would be rather difficult, notes (that is playing all the Simultaneously) unless ve play them on three or four or Ronecbiy.fiveadjacont® strings, Playing then an axpeggics Gourd Present no problems. Some of these exercises work best vith alternate picking, aii down picking, a11 up or a combination of both. All dow or ail up is sometines referred to as sweep picking. The dots represent the notes, the numbers the fingers. The circled dots are the roots of the chords. The diagrans are not meant to be played, they are just a visual aid for the first several pages of this book. The six strings of the guitar breakdown into four sets of three, three sets of four, two sets of five and one set of six. This is the vay the arpeggios are set up in this book. Hopefully, the student will explore other fingerings as vell.i J ‘ DIMINISHED AUGMENTED HAJOR MINOR % a4 Rb a BL RS 4. : % . ~ © SECOND INVERSION eee eee ee ee oe oe ee. SUS ties AERIAL nae eN RR Re Ree, This progression is based on rhythm changes and uses just major and minor triads. Bhmajz G7 Cm Fy Bbmaj7 G7 Cm? oF? AStinas. CO@ 1aur Ot toil Cot Oa GTO SMe yn sige gh sige a ue a tf ast_set cet